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1611.

Tell Me How You Really Feel 

 Courtney Barnett

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"I like the album. As a stand alone piece of music its a good deadpan indie rock record. But as a follow up to Sometimes I Sit & Think.. I just see no growth. Which I won't necessarily hold against her, since its not a bad sounding album either way and an artist doesn't always need to find a new s...""I like the album. As a stand alone piece of music its a good deadpan indie rock record. But as a follow up to Sometimes I Sit & Think.. I just see no growth. Which I won't necessarily hold against her, since its not a bad sounding album either way and an artist doesn't always need to find a new sound with every album. Its just less exciting and doesn't really invoke many emotions in me. I hope the fans don't abandon her and stick around for the next release."  [+]  Reply

- Vatsal | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2018

Appears in:

269 charts

Rank Score:

658

Rank in 2018:

28

Rank in 2010s:

262

Overall Rank:

1,611

Average Rating:

 74 (259 votes)

Comments:

14

1612.

No Jacket Required 

 Phil Collins

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"Fashionable to bash (even though I didn't think Phil really lost it until But Seriously when he got too AC) but if you were there in 1985, you know you owned a copy. And there are some solid tracks here even if Sussudio wasn't a career highlight."  Reply

- nf0603 | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1985

Appears in:

206 charts

Rank Score:

657

Rank in 1985:

22

Rank in 1980s:

238

Overall Rank:

1,612

Average Rating:

 69 (260 votes)

Comments:

21

1613.

Washing Machine 

 Sonic Youth

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"A new era for SY. After the grunge Dirty, they turned into post rock, and made this beautiful record. The Diamond Sea is one of the best (and longest) SY song ever."  Reply

- Juneof44 | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1995

Appears in:

215 charts

Rank Score:

657

Rank in 1995:

30

Rank in 1990s:

299

Overall Rank:

1,613

Average Rating:

 77 (294 votes)

Comments:

10

1614.

People's Instinctive Travels And The Paths Of Rhythm 

 A Tribe Called Quest

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"Tribe introduced the world to clever sampling and smooth positive flow. They crafted scenarios and storylines better than anyone at the time. It started here."  Reply

- junodog4 | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1990

Appears in:

283 charts

Rank Score:

656

Rank in 1990:

25

Rank in 1990s:

300

Overall Rank:

1,614

Average Rating:

 79 (320 votes)

Comments:

16

1615.

Echoes, Silence, Patience & Grace 

 Foo Fighters

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"The Pretender is great, but the remainder of the songs run on just a tiny bit too long."  Reply

- ruckermanley | Helpful?  (Log in to vote) | +2 votes (3 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2007

Appears in:

236 charts

Rank Score:

656

Rank in 2007:

30

Rank in 2000s:

257

Overall Rank:

1,615

Average Rating:

 73 (441 votes)

Comments:

30

1616.

The Life Pursuit 

 Belle And Sebastian

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"They perfected everything they did well on "dear catastrophe waitress". Every song seems riddled with a broad smile and a wide ray of sunshine. "act of the apostle" is an elegant introductory number singing "Oh, if I could make sense of it all! / I wish that I could sing / I'd stay in a melody / ...""They perfected everything they did well on "dear catastrophe waitress". Every song seems riddled with a broad smile and a wide ray of sunshine. "act of the apostle" is an elegant introductory number singing "Oh, if I could make sense of it all! / I wish that I could sing / I'd stay in a melody / I would float along in my everlasting song / What would I do to believe?" at the chorus. "another sunny day" is the song you take your girl by the hand and skip out to the park to, singing "Another sunny day, I met you up in the garden / You were digging plants, I dug you, beg your pardon / I took a photograph of you in the herbaceous border / It broke the heart of men and flowers and girls and trees" with some pretty harmonies as if a couple singing together. "white collar boy" sounds like the more-serious fallout from DCW's "step into my office, baby" running from the law with "dirt in your pants / She got egg in your hair / You got spit in your chin". "the blues are still blue" is a soothing, laid-back number basically saying "i'm cooler than cool" because my "blues are still blue". "sukie in the graveyard" and "we are sleepyheads" are two other fun upbeat numbers, as in "She had a slut slave and his name was Dave / She said ‘Be my photo b|tch and I'll make you rich'" (in "sukie"). "funny little frog" seems like a song written by a grade-schooler, except it just so warm and fun, especially that muted-shimmering guitar, singing "Honey, lovin' you is the greatest thing, / I get to be myself and I get to sing, / I get to play at being irresponsible, / I come home late and love your soul". The start of "the act of the apostle ii" reminds me of r.e.m.'s "nightswimming" before slowing down into its intimate acoustic-gone-piano number then slipping into something more of a 70s elton john experience in the final minute. Not a dud on the album, if you're into this sort of sunny twee."  [+]  Reply

- paladisiac | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2006

Appears in:

279 charts

Rank Score:

656

Rank in 2006:

21

Rank in 2000s:

258

Overall Rank:

1,616

Average Rating:

 79 (330 votes)

Comments:

19

1617.

By The Time I Get To Phoenix 

 Injury Reserve

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"(Dense, knotty, complex, scatter-brained, grief-filled, lost, anguished, layered Experimental Hip Hop record with lots of noisy blasts of strange random beats, glitching disorientation, fabulous and varied vocal performances and just generally a frightening and inspired and inspiring new musical ...""(Dense, knotty, complex, scatter-brained, grief-filled, lost, anguished, layered Experimental Hip Hop record with lots of noisy blasts of strange random beats, glitching disorientation, fabulous and varied vocal performances and just generally a frightening and inspired and inspiring new musical realm in album form. Give it 2 or 3 spins before writing it off.) My prior experience with really experimental or unorthodox hip hop was very limited. I love Atrocity Exhibition, enjoy some Death Grips and clipping and Dalek, never could get into Some Rap Songs or Lil Ugly Main or Coin Locker Kid. And I suppose I did also really like that Moor Mother + Billy Woods album last year…. The point is, I am not familiar with this genre, this sort of amorphous, boundary-pushing, strange, experimental side of hip hop. 90% of my favorites in the genre are from the mid 90s. Needless to say, this doesn’t bear any resemblance to Liquid Swords. On first listen I was confused. I thought the album was equal parts dense/hard to follow as well as beautiful/intriguing/weirdly addictive. After I heard it once and was sort of dumb struck, I felt a compulsion to push play and try again to unravel what the fuck this is. Now, after 3 full listens and the 4th in progress, I am getting more and more familiar with it without losing that wonder at the density of the noises and elements and soundscapes created. There are parts of this album that are sad and beautiful (“Knees”, “Top Picks for You, “Postpostpartum”). There are frightening and mentally ravaged moments (“Outside”, “Footwork in a Forest Fire”, “Wild Wild West”). There are glitchy, seemingly random noisy bits (“Superman That”, Ground Zero”) and there are even a couple honest-to-goodness songs that I can follow along with in almost traditional music listening ways (again, “Knees”). And perhaps most importantly, there aren’t clear distinctions between these sounds and emotions. Within one song there is a mixing and melding and an almost infinite variety of potential emotional responses. As a cohesive album, this succeeds in never fully showing or making clear what is the appropriate take-away from the track, whatever track you are hearing at the moment. By The Time I Get To Phoenix album is a journey, a fucked up, lost, aimless voyage through some grimy and miserable world. I keep hearing in comments from fans of IR that this album is deeply rooted in grief and loss. And that would make sense considering the death of founding member of the group Stepa J. Groggs in June of last year. However, either I just haven’t fully unpacked the lyricism here or perhaps its people projecting the emotions onto the album that aren’t fully or exclusively here. There are no on-the-nose and obvious odes or ballads or laments clearly about the loss of Groggs. There IS a distinct hazy, disorienting, vibe throughout this whole project. It feels like the mental state of the members of Injury Reserve are constantly on the edge of fully splintering and breaking apart. This head space is expressed throughout here masterfully. It feels uncomfortable being in these guys’ heads and they fully flesh out the beats and sonic spaces so that you are thrown fully into this state-of-mind. Fabulous and, yes I’ll say it, genius brilliant amazing production now that I have gotten used to it. And listening now to the closing track “Bye Storm” and I am getting emotional. It feels like the slight twinkle of light through the oppressive smoky sky, with that weird and exultant guitar sound. This closer along with the pained grief and apathy of the penultimate track “Knees”, make for a perfect and all-time classic closer to this album. Okay, maybe that is a bit hyperbolic. It is just a truly moving way to cap off this experimental and crushing album is what I’ll say. The production of Parker Corey is going to get most of the ink and praise, understandably. As, despite beats of sounds like this being around in Hip Hop for 15 years, somehow he took the level of detail and wooziness and expansiveness and just expanded it exponentially. Perhaps this isn’t a completely brand new never been remotely heard sound (nothing like that ever drops and comes out of the blue) – but it is, to these admittedly not fully educated ears, a new bar set in terms of detail and expansiveness and layered noisy experimentation. Moving to the vocal performances here, they are similarly impressive. Schizophrenic, sad and lost, slurred and drunken and in pain, cutting and fully embodying the words and living in the soundscapes. Especially the varied vocal sounds in “SS San Francisco (feat. Zelooperz)”. The deep grumbling vocal and the weird high-pitched singing set the table for some playful, sardonic, griefy bars. But its not just here, wherever the rap verses come in (and that is strangely rare, this seems to be an album where the rapping is somewhat sparse and instead there are long stretches of instrumental table-setting before Ritchie with a T comes in with the perfect vocal intonation and flow to complement the beat and sinic space. Random, fly-by thoughts: -The Yeezus-esque screams on “Footwork in a Forest Fire” is awesome and really the whole track and every phase of it is cool, but for some reason those screams got me. -Smoke Don’t Clear” is, as of now, one of the few tracks here that I don’t fully like. But I will say it works well in the context of the album more than its own noisy mess of a thing. -The way “Top Picks for You” with that dramatic melody on that… whatever sound that is… with the whispery singing and the sadness of the verses, its incredible. The whole song is great. One of my faves. -“Knees” was weird and fabulous in isolation as a single, but it feels so much deeper and more moving and beautiful within the context of the LP. One of the best tracks here, or perhaps the best. In closing, I am listening a 5th time, and it grows and grows on me. This is a dense and brilliant experimental and emotionally gripping and profound album. I recommend a couple listens or 3 before making final judgement. I had a similar arc with Atrocity Exhibition, where I was very VERY disoriented and kind of unimpressed on first listens and then over time I understood its dense complicated and knotty brilliance with further listens. Recommend the same for this. Note: This is an album that I am sure I am only scratching the surface with. I hope I listen enough to unravel it more. This comment ain't final. This 5th listen is making me hear other details and that is just really exciting."  [+]  Reply

- Mercury | Helpful?  (Log in to vote) | +7 votes (7 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2021

Appears in:

190 charts

Rank Score:

655

Rank in 2021:

18

Rank in 2020s:

69

Overall Rank:

1,617

Average Rating:

 78 (198 votes)

Comments:

18

1618.

Radio Ethiopia 

 Patti Smith Group

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"Synthesizing poetic free-form lyrics and emotionally intense vocals, Patti Smith reinvented the unstable relationship that exists between life and art in the spirit of Janis Joplin. Her engaging and unique personality is probably best evoked in the quasi-religious elegy, 'Pissing In The River', u...""Synthesizing poetic free-form lyrics and emotionally intense vocals, Patti Smith reinvented the unstable relationship that exists between life and art in the spirit of Janis Joplin. Her engaging and unique personality is probably best evoked in the quasi-religious elegy, 'Pissing In The River', undoubtably one of the most moving songs ever recorded performed by one of the greatest artists in the entire history of rock. The predecessor 'Horses' is her most famous album, but 'Radio Ethiopia' is Patti Smith's tour de force. "  [+]  Reply

- hairymarx1 | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1976

Appears in:

211 charts

Rank Score:

655

Rank in 1976:

27

Rank in 1970s:

337

Overall Rank:

1,618

Average Rating:

 78 (251 votes)

Comments:

13

1619.

Sun Structures 

 Temples

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"It sounds like a poppier, less enjoyable Lonerism. Oh and it's samey as fuck. I guess it's interesting at times though."  Reply

- SuedeSwede | Helpful?  (Log in to vote) | +7 votes (8 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2014

Appears in:

247 charts

Rank Score:

654

Rank in 2014:

26

Rank in 2010s:

263

Overall Rank:

1,619

Average Rating:

 75 (370 votes)

Comments:

31

1620.

Talkie Walkie 

 Air

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"Well i mean Alone in Kyoto is pretty much the best song ever and also in one of the best movie scenes ever so theres that."  Reply

- Necharsian | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2004

Appears in:

194 charts

Rank Score:

654

Rank in 2004:

27

Rank in 2000s:

259

Overall Rank:

1,620

Average Rating:

 76 (281 votes)

Comments:

9

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Total albums: 10,000. Page 162 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	3	0%
1940s	2	0%
1950s	180	2%
1960s	666	7%
1970s	1,536	15%
1980s	1,387	14%
1990s	1,612	16%
2000s	1,771	18%
2010s	1,986	20%
2020s	857	9%

Artist	Albums	%
Bob Dylan	36	0%
The Rolling Stones	33	0%
David Bowie	32	0%
Various Artists	30	0%
Miles Davis	26	0%
Pink Floyd	24	0%
Genesis	23	0%
Show all

Country	Albums	%
	4,970	50%
	2,628	26%
	427	4%
	332	3%
	223	2%
	160	2%
	145	1%
Show all

Compilation?	Albums	%
No	9,717	97%
Yes	283	3%

Live?	Albums	%
No	9,713	97%
Yes	287	3%

Soundtrack?	Albums	%
No	9,884	99%
Yes	116	1%