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1731.

Sailing The Seas Of Cheese 

 Primus

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"LEFT RIGHT LEFT RIGHT A very unique album if I do say so myself. At the beginning of the marvelous decade known as the 90's, Primus released not just one, but 2 amazing pieces of insanity. The style of singing that sounds like a stereotypical white male attempting to impersonate a stereotypical w...""LEFT RIGHT LEFT RIGHT A very unique album if I do say so myself. At the beginning of the marvelous decade known as the 90's, Primus released not just one, but 2 amazing pieces of insanity. The style of singing that sounds like a stereotypical white male attempting to impersonate a stereotypical white male from the country has come to be a very unique piece of vocals. The main draw of Primus' music is just how insane it truly is. Just a bunch of amazingly well made tunes with the bass parts played superbly while the singing just suits the overly tone of the album itself. The thing I've always liked about Primus is that they seem like the sort of band that just don't care. This is what reflects in their music, just a bunch of goof balls trying to make songs. It turns out amazing. "  [+]  Reply

- | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1991

Appears in:

185 charts

Rank Score:

988

Rank in 1991:

26

Rank in 1990s:

312

Overall Rank:

1,731

Average Rating:

 76 (237 votes)

Comments:

12

1732.

The Dock Of The Bay 

 Otis Redding

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"Sitting on the Dock of the Bay has to be one of the all-time great tracks for empathy. You can really imagine the lack of direction, sense of loss, and searching for hope. You can see yourself sitting there with him watching time roll away. What a craftsman with his voice."  Reply

- junodog4 | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1968

Appears in:

210 charts

Rank Score:

988

Rank in 1968:

30

Rank in 1960s:

165

Overall Rank:

1,732

Average Rating:

 79 (188 votes)

Comments:

10

1733.

If I Could Only Remember My Name 

 David Crosby

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"A superb song cycle that relies on feel as much as structure, if I could only remember my name, is easily David Crosby's greatest solo LP. Every track is wonderfully inventive, Crosby gives us something that's probably more from the heart than the head. The album includes the epic, cowboy movie, ...""A superb song cycle that relies on feel as much as structure, if I could only remember my name, is easily David Crosby's greatest solo LP. Every track is wonderfully inventive, Crosby gives us something that's probably more from the heart than the head. The album includes the epic, cowboy movie, the excellent, what are their names, and the haunting final two tracks, Orleans, and, I'd swear there was somebody here, a beautiful tribute to his late girlfriend. IICORMN, is a beautiful record. "  [+]  Reply

- garycottier | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1971

Appears in:

247 charts

Rank Score:

988

Rank in 1971:

42

Rank in 1970s:

325

Overall Rank:

1,733

Average Rating:

 78 (236 votes)

Comments:

22

1734.

Johnny Cash At San Quentin 
Live

 Johnny Cash

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""At San Quentin" is one of the all-time essential live albums. Johnny Cash had released the live album "At Folsom Prison" just a year before but "At San Quentin" is its equal in every way (well, except for the fact that this album lacks the song "Cocaine Blues"). The defining moment comes on the ..."""At San Quentin" is one of the all-time essential live albums. Johnny Cash had released the live album "At Folsom Prison" just a year before but "At San Quentin" is its equal in every way (well, except for the fact that this album lacks the song "Cocaine Blues"). The defining moment comes on the song "San Quentin." The crowd of convicts simply EXPLODES with adoration for Cash and vitriol for the prison as they hang on to every word of the song: "San Quentin, may you rot and burn in hell! May your walls fall and may I live to tell! May all the world forget you ever stood. And may all the world regret you did no good." The response is so thunderous that Cash plays the song a second time immediately thereafter. Here you have one of the biggest stars in the world speaking directly to the hearts of some of the "lowest" men in the world and the connection is electric. Add to that the fact that you have Cash favorites "I Walk the Line" and "Folsom Prison Blues," plus the premiere of two great new songs: the Bob Dylan/Johnny Cash penned "Wanted Man" and Shel Silverstein's hilarious "A Boy Named Sue." And of course, if you pick up an extended CD re-release of the album, it has even more classics than the 10 issued on the original release. Cash always amazes me with his ability to mix humor, vulgarity and spirituality. His mastery of all three are what made the prisoners love him, and why this album will always be one of my favorites."  [+]  Reply

- johnnyonthespot1 | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1969

Appears in:

243 charts

Rank Score:

987

Rank in 1969:

46

Rank in 1960s:

166

Overall Rank:

1,734

Average Rating:

 79 (293 votes)

Comments:

11

1735.

Where Did Our Love Go 

 The Supremes

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"Quite a simple collection of songs that are trying to hook you to their choruses and make you sing them for the rest of the day. This works to a varying degree of success with the best tracks coming very early on. Almost every track on side 1 has a fantastic chorus and is so infectious to listen ...""Quite a simple collection of songs that are trying to hook you to their choruses and make you sing them for the rest of the day. This works to a varying degree of success with the best tracks coming very early on. Almost every track on side 1 has a fantastic chorus and is so infectious to listen to. I leave this album with Baby Love and Where Did Our Love Go firmly wedged inside my brain. The song that has grown on me the most though is When The Lovelight Starts Shining Through His Eyes which is such an effective song and I always sing along to it whenever it comes on. However, side 2 is the complete opposite and I find no song really works on there at all. If you removed the whole of side 2 I think it would only make the album better as all the boring and dull tracks would be removed. Overall, a simple but effective release that is let down drastically by the second half in my opinion. "  [+]  Reply

- Untitled | Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1964

Appears in:

211 charts

Rank Score:

986

Rank in 1964:

9

Rank in 1960s:

167

Overall Rank:

1,735

Average Rating:

 77 (177 votes)

Comments:

11

1736.

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Charli 

 Charli XCX

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"Wonderfully experimental. This is the only album of it's kind and has the potential to influence pop for years to come. I think the rock-only nerds got to the album first (currently a 72) - ya'll know pop music can be good, right? Especially when it's this euphorically fucked up?"  Reply

- Kamens | Helpful?  (Log in to vote) | +6 votes (7 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2019

Appears in:

177 charts

Rank Score:

985

Rank in 2019:

20

Rank in 2010s:

269

Overall Rank:

1,736

Average Rating:

 77 (244 votes)

Comments:

11

1737.

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Fully Completely 

 The Tragically Hip

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"Sadly, people outside of Canada just do not understand. I, for one, do not understand why you can call anything by Radiohead (for example) more atmospheric or resonant than Locked in the Trunk of a Car. In Canada, this album spawned five modern rock radio staples and began to crystalize the band'...""Sadly, people outside of Canada just do not understand. I, for one, do not understand why you can call anything by Radiohead (for example) more atmospheric or resonant than Locked in the Trunk of a Car. In Canada, this album spawned five modern rock radio staples and began to crystalize the band's status as icons. Stellar, haunting album tracks like Pigeoon Camera only add to this CD's greatness."  [+]  Reply

- jhuik | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1992

Appears in:

144 charts

Rank Score:

985

Rank in 1992:

28

Rank in 1990s:

313

Overall Rank:

1,737

Average Rating:

 77 (152 votes)

Comments:

14

1738.

Americana 

 The Offspring

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"A couple of great songs on here which combine pop and punk very effectively to create a fun fusion. This is mainly due to the energy and the catchy choruses which easily get lodged in your head and I end up singing them for days. Most of the better songs are near the beginning of the release such...""A couple of great songs on here which combine pop and punk very effectively to create a fun fusion. This is mainly due to the energy and the catchy choruses which easily get lodged in your head and I end up singing them for days. Most of the better songs are near the beginning of the release such as Staring At The Sun, Have You Ever and the best song on the record which is The Kids Aren't Alright. All of these stick to the style of music they are going for perfectly and are so infectious. You do get a few good tracks near the conclusion but most of them are filler. However, the biggest downfall of this album is that it can be very cringey at times making it hard to take the music seriously. Also, it is very repetitive in its song structure and style. Overall, there is a lot of fun to be had on this album but the quality is questionable. "  [+]  Reply

- Untitled | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1998

Appears in:

203 charts

Rank Score:

984

Rank in 1998:

34

Rank in 1990s:

314

Overall Rank:

1,738

Average Rating:

 72 (316 votes)

Comments:

18

1739.

Brutalism 

 Idles

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"For those angry about our world today, Brutalism is the record we've been waiting for. Vivacious, loud and essential. Blends a phenomenal concoction of noise rock, punk and grunge and delivers it with all the sternness of a sledgehammer. The pace is fast and urgent, opening with three outstanding...""For those angry about our world today, Brutalism is the record we've been waiting for. Vivacious, loud and essential. Blends a phenomenal concoction of noise rock, punk and grunge and delivers it with all the sternness of a sledgehammer. The pace is fast and urgent, opening with three outstanding tracks, expanding on its sound in its middle section and dragging itself to a potent and heavy finish, particularly notable on 'Exeter' which acts as the emotional centre of the album. It's the lyrics that really impress me most; they're on point and vital, combining political themes, social issues and other observations on life in general seamlessly. Their simplicity matches the hard-edged sound of the album, conveying their meaning superbly. This feels like the album we need right now in the UK. It captures the mood many are feeling and expresses it with anger behind such opinions. Albums this relevant to the present don't come around often, making Brutalism that bit more special. What you have here is a moody, angry, shouty record that delivers itself with all the ferocity of a cannonball through a brick wall, captures the mood of its time with brilliant accuracy and ties itself together with great structure and a new sound that promises to age brilliantly and develop into something that will define the late 2010s. "  [+]  Reply

- DeusExMackia | Helpful?  (Log in to vote) | +9 votes (10 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2017

Appears in:

192 charts

Rank Score:

983

Rank in 2017:

27

Rank in 2010s:

270

Overall Rank:

1,739

Average Rating:

 78 (223 votes)

Comments:

10

1740.

宇宙 日本 世田谷 [Uchū Nippon Setagaya] 

 フィッシュマンズ [Fishmans]

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"One of the ways the Fishmans online community stokes the fire of their fandom is through the creation of "The Seasonal Report", a fanzine consisting of all things concerning the Japanese outfit. Said volumes contain recent Fishmans-related news, fan retrospectives and even occasional poetry. Howe...""One of the ways the Fishmans online community stokes the fire of their fandom is through the creation of "The Seasonal Report", a fanzine consisting of all things concerning the Japanese outfit. Said volumes contain recent Fishmans-related news, fan retrospectives and even occasional poetry. However, the passion project can only be accessed on 'The Fish Tank' (Fishmans' Discord), issuu.com and archive.org. This narrowness of access is an emblematic reminder of the legacy the band has left in its wake. It's a portrait of veracious artisans whose existence and collected works are shrouded in just as much mystery as truth. This attaches value to excavating deep within cavernous labyrinths to find gold among endless, pedestrian sediment. Some things are meant to be uncovered by happenstance and, due to this, many don't find Fishmans. Fishmans find you. Furthermore, it seems fitting that the closing studio effort was 1997's 'Uchu Nippon Setagaya', an eight-chapter odyssey that saw the band fully harness and deploy the optimal strength of their dream pop powers. See, just as Fishmans was destined to be difficult to discover, they also curated a candle which burned ineffably bright for a finite amount of time. At the risk of inducing melodrama, Fishmans' catalog extends beyond the plane of human achievement and dexterity. To put it plainly, it was the music of the angels. Album seven is the final entry in Fishmans' Wakiki Trilogy, so named for the new studio HQ, "Waikiki Beach", provided by the band's record label (Polydor). The sonic space birthed fruitful products, as they went on to release three of their most acclaimed records in this new auditory ecosystem. The upgrade in capital also aided a transition to a more evocative and mellifluous sound, supplanting their dub roots. The new look artistic temperament is unabashed and unshrouded in the opening track of 'Space Japan Setagaya', entitled 'Pokka Pokka'. The opening melody coos with a delicate, childlike disposition, almost with the intention to softly awaken one from a dream. Kin-Ichi Motegi's patient drum beat gently breaks the serenity to pull you in as Sato's falsetto safely ushers you to the next soundscape. His lyrics craft a vision more mournful than on previous records. He sings, "I wish I could be kind only to someone; I wish I could live without relying on tomorrow." Honzi's violin, which served as a lynchpin for the band's dream pop realignment, softly puts the track to bed and marks another tender moment in an already alluring discography. At the close, it becomes clear that it's a heinous crime that 98 percent of the western world will never experience this music but it also functions as a magnificent anomaly to those who greet its majesty. It's like finding a four-leaf clover or witnessing a double rainbow by accident. Track two advances the dynamism as icy keys give way to a submerged bassline from Yuzuru Kashiwabara, who's always been a phenomenal bass player, but 'Weather Report' is one of his finest hours. Also, the production done by ZAK is another highlight, as the song shares DNA with Joy Division's 'Atmosphere'. The glassy, sweeping walls of sound contrast the throbbing, ever-present bassline. It's a heavier, but no less comely moment for the group. 'うしろ姿'opens with concordant ticking, evoking a hair-triggered clock. The bass again buoys as Sato sings, "Sometimes I walk a little too far, sometimes I go a little crazy." The track evolves into a pleasing cacophony of dueling rhythms and melodies, all while reverbed vocals hover in the distance, watching the sounds perpetually crawl over each other. Next, comes one of the album's more tranquil passages. The tale goes that when Sato provided his mates with a demo tape which would become 'Uchu Nippon Setagaya', most of the demos were nearly complete. The band was reluctant to tamper with the grandeur of the work, especially 'In the Flight'. On the final version, Sato's dove coos are obscured and hauntingly placid. A disciplined, observant drumbeat lingers behind as the song slowly dissipates into the ether. It's squarely doleful, ruminating on Sato's own personal sense of creative and personal unfulfillment after the band's first 10 years. The juxtaposition of beauty and sorrow coagulate to create a hymn with an idiosyncratic, potent aura. These are the sort of triumphs Fishmans make look elementary. 'Magic Love' commences with what sounds like junkyard percussion and stakes its claim as the cheeriest cut on the record. There's a lot brewing here and the bombastic production furnishes the immediacy. Its flamboyance isn't to its detriment as 'Magic Love' is still distinctly Fishmans and, therefore, funkily merry. The band rekindle their trip-hop ethos with 'バックビートにのっかって', a slow-churning sway which steadily unravels to don a new sonic identity. Honzi's polite keyboard strokes give way to a more ethereal tone which elicits violin and a more ominous vocal style. "Anxiety hovers in the air at night, it must be ruining someone's life," Sato croons. It's a patient exercise which precurses the maximalist leanings of the subsequent anthem. For the penultimate effort, the album recedes back into itself during the intro of 'Walking in the Rhythm'. Alternating sets of key strokes frame the outer edges of the track as a harmonious chant begins in lock-step while encouraging the listener to 'Walk in the Rhythm'. Clocking in at nearly 13 minutes, this 'Walk' is the record's most prolonged but possibly most serene. Honzi's violin blots the midpoint, as the strings are purposely manic, sonically abyssal and the reverberation creates an illusion of ricocheted amati lost in a spectral wilderness. Soon after, the song shrinks again as a subdued, elongated coda allows the once triumphant harmonies to be ingested subtly by the Earth. 'Walking in the Rhythm' is a masterstroke of simplicity, intention and cognizant repetition. The LP leaves us with its defining statement. 'Daydream' is a bubbling, dilating, caliginous opus that starts with a modest drumbeat. Sato bellows overtop, "A figure in the sunset, standing with a quiet face; They looked so defenseless; They blankly stood." The track oscillates with progressive whimsy, coalescing into a multi-pronged beast of arpeggio. The weighted wheel of guitar that arrives at the track's latter half conjures the sensation of being kissed by the sun after a brief summer rain storm. 'Daydream' gives in to its own anxiety as fragments begin to decouple in a heavenly fashion before dissolving ahead of its full maturation. It remains the most poignant exhibition amongst a marvelous octet of culminating art. When Shinji Sato presented his decade-long collaborators with his sparkling demo tape for what would become the final record, they were puzzled and questioned their place in an outfit that was rapidly becoming singular. However, Sato's intentions were noble and driven by a pursuit to make music that had the capacity to "change a person's life". In reality, Sato trusted his bandmates to interpret and execute his artistic vision and they too checked their egos in order to produce something wholly momentous. Despite not knowing the full vulnerability of Sato's personal headspace, Kashiwabara and Motegi were aware of the pain he carried as a result of watching his band dissolve in front of his eyes. So, as a reactionary measure, Sato employed loneliness to combat future loneliness. The byproduct was a record marked by solemnity but bathed in a whimsical elixir of creative utopia, a paradise which Sato deeply longed for. His relentless pursuit of perfection was his final undertaking. Sato died in March of 1999, but his bandmates still visit his grave to politely conversate. For theirs is a bond which never can be severed, not even by death. Fishmans still exist, as Sato would've surely wanted, never straying from their desire to plot a path through rain clouds to reach the gleaming sun of ambition and the vivid sky of artistic fulfillment. "I'm filling the holes in my heart, little by little" -Pokka Pokka 1. Daydream 2. Walking in the Rhythm 3. In the Flight 95.3"  [+]  Reply

- DriftingOrpheus | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1997

Appears in:

108 charts

Rank Score:

982

Rank in 1997:

33

Rank in 1990s:

315

Overall Rank:

1,740

Average Rating:

 81 (146 votes)

Comments:

7

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Total albums: 10,000. Page 174 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	2	0%
1940s	35	0%
1950s	303	3%
1960s	709	7%
1970s	1,426	14%
1980s	1,409	14%
1990s	1,600	16%
2000s	1,743	17%
2010s	1,950	20%
2020s	823	8%

Artist	Albums	%
Bob Dylan	37	0%
The Rolling Stones	35	0%
David Bowie	32	0%
The Beatles	29	0%
Miles Davis	27	0%
Neil Young	26	0%
Various Artists	25	0%
Show all

Country	Albums	%
	5,013	50%
	2,652	27%
	430	4%
	335	3%
	219	2%
	157	2%
	133	1%
Show all

Compilation?	Albums	%
No	9,728	97%
Yes	272	3%

Live?	Albums	%
No	9,738	97%
Yes	262	3%

Soundtrack?	Albums	%
No	9,885	99%
Yes	115	1%