Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 1 hour ago).
"Stop being a snob, Iggy. At least she writes her own music and sets her own trends. She may not be your taste, but you have to respect her talent."Reply
"Really good album by Peggy Lee. 10’ Decca vinyl is good, but the same 10’ Brunswick is superb. Anyway both has good points and bad points, you should listen both and enjoy those differences."Reply
"The beat for Tuscan Leather is amazing. And Hold On We're Going Home is an incredible song.. I wouldn't be surprised if he released an album of strictly R&B tracks."Reply
""Beyond the Realms of Death" is perfect, and one of the best Judas Priest songs. It's guitar solo is the most finest example of Tipton and Downing's musical abilities."Reply
"For those angry about our world today, Brutalism is the record we've been waiting for. Vivacious, loud and essential. Blends a phenomenal concoction of noise rock, punk and grunge and delivers it with all the sternness of a sledgehammer. The pace is fast and urgent, opening with three outstanding...""For those angry about our world today, Brutalism is the record we've been waiting for.
Vivacious, loud and essential. Blends a phenomenal concoction of noise rock, punk and grunge and delivers it with all the sternness of a sledgehammer. The pace is fast and urgent, opening with three outstanding tracks, expanding on its sound in its middle section and dragging itself to a potent and heavy finish, particularly notable on 'Exeter' which acts as the emotional centre of the album.
It's the lyrics that really impress me most; they're on point and vital, combining political themes, social issues and other observations on life in general seamlessly. Their simplicity matches the hard-edged sound of the album, conveying their meaning superbly.
This feels like the album we need right now in the UK. It captures the mood many are feeling and expresses it with anger behind such opinions. Albums this relevant to the present don't come around often, making Brutalism that bit more special.
What you have here is a moody, angry, shouty record that delivers itself with all the ferocity of a cannonball through a brick wall, captures the mood of its time with brilliant accuracy and ties itself together with great structure and a new sound that promises to age brilliantly and develop into something that will define the late 2010s. "[+]Reply
"It's a good follow up but was never going to reach the heights of it's brilliant predecessor. Some very good indie rock tunes on this album though!"Reply
"A couple of great songs on here which combine pop and punk very effectively to create a fun fusion. This is mainly due to the energy and the catchy choruses which easily get lodged in your head and I end up singing them for days. Most of the better songs are near the beginning of the release such...""A couple of great songs on here which combine pop and punk very effectively to create a fun fusion. This is mainly due to the energy and the catchy choruses which easily get lodged in your head and I end up singing them for days. Most of the better songs are near the beginning of the release such as Staring At The Sun, Have You Ever and the best song on the record which is The Kids Aren't Alright. All of these stick to the style of music they are going for perfectly and are so infectious. You do get a few good tracks near the conclusion but most of them are filler. However, the biggest downfall of this album is that it can be very cringey at times making it hard to take the music seriously. Also, it is very repetitive in its song structure and style. Overall, there is a lot of fun to be had on this album but the quality is questionable. "[+]Reply
"A superb song cycle that relies on feel as much as structure, if I could only remember my name, is easily David Crosby's greatest solo LP. Every track is wonderfully inventive, Crosby gives us something that's probably more from the heart than the head. The album includes the epic, cowboy movie, ...""A superb song cycle that relies on feel as much as structure, if I could only remember my name, is easily David Crosby's greatest solo LP. Every track is wonderfully inventive, Crosby gives us something that's probably more from the heart than the head. The album includes the epic, cowboy movie, the excellent, what are their names, and the haunting final two tracks, Orleans, and, I'd swear there was somebody here, a beautiful tribute to his late girlfriend. IICORMN, is a beautiful record. "[+]Reply
"Joni has been blowing my mind lately. I previously had only a passing knowledge of her work, and in my head I almost thought of Blue as her coming out party, her first great album. I thought of her jazz albums as her most revered albums and perhaps that is true, but I just didn't have a clear pic...""Joni has been blowing my mind lately. I previously had only a passing knowledge of her work, and in my head I almost thought of Blue as her coming out party, her first great album. I thought of her jazz albums as her most revered albums and perhaps that is true, but I just didn't have a clear picture of her capabilities as a musician or as a lyricist.
For my much more quickie 1968 list I discovered her debut and I was incredibly impressed. I was wondering why that album was not mentioned as one of the great debut albums of the 60s or even of all time. It was delicate, detailed, featured moments of intensely inventive musical expression. And it was number 4 for 68. And as I looked ahead at 69-72, my mouth watered with all the surely great albums I'd get to yap about in the future.
Which brings us to this album, 1969's sophomore album Clouds. And you know what? This is a masterpiece. It takes everything which made Song To The Seagull so vibrant and brilliant to me and turns it up even further. Joni just honed her talents to a bright, razor sharp level here. The lyrics became more personal and biting and, to me, more beautiful, the guitar playing is the same level of insane but more clear and mesmerizing, the arrangements were less busy and have more room to breathe.
And here's the thing, when I hear the songs "Chelsea Morning, "That Song About The Midway", "The Gallery", "I Think I Understand" and "Both Sides Now" I am filled up with an intense affinity for Joni. Like, I am just in love, I feel like I hearing someone I just really like, I empathize, and I just smile and say "Sing it, I feels you". That is a silly point perhaps, but I just want to say that cuz its unique. I don't have that feeling about solo artists much where I just love hearing them speak their minds like I'm hearing a peer and I am just filling up with joy. Dylan on Nashville Skyline and Blood On The Tracks and Freewheelin' and Another Side has that going for it, Townes on Live At The Old Quarter in particular, Joni on this and Ladies of the Canyon and Blue, and there may be a few other examples, but its a rare feeling is all I'm saying.
Okay, and even on the songs which are a bit darker and detached from that feeling of kinship I feel on half this album, songs like "Tin Angel", "Songs To Aging Children" etc, I feel something else almost as powerful. Its like Joni could convey a whole complete world and feeling with some perfectly chosen guitar chords or piano chords and sing out these deep lyrics with such musical prowess that I just instantly buy in.
Okay, and I'm not on my game today expressing why I love this album. Its great! Okay!?
The way she says "I am Dead!" with that strange accent or something on "The Gallery" and the whole chorus just kills me! Its just so impossibly great! The mood and the dark, hypnotic beauty of the opener "Tin Angel", and the unearthly harmonies in "Songs to Aging Children", oh my gosh oh my gosh, the sheer joyeous beauty of the entirety of "Chelsea Morning", the sweet then sad then sweet etc yo-yo of "That Song About The Midway" with its just amazing everything,, and of course the stunning and hall of fame level perspective and joy and reality of "Both Sides Now", etc etc I just love so much about this album.
Now when I laid out these ranks a few days ago, I didn't foresee my sudden upsurge in love for that Steve Young album. So maybe when I get to the rating it will seem strange that this is higher than that. But really, I stand by these rankings. Cuz the highs of this album, the happiness and empathy I feel here is much greater than for Rock Salt and Nails, even if I feel that may be a better all around album.
I will say also that the A Capella (spelling that right? doubtful ryan, doubtful) performance of "The Fiddle and the Drum" grates on me a bit. scratch that, it grates on me a lot. Just annoys me and ruins the whole momentum of the otherwise genius album. Also the song "Roses Blue" is strange and has cool and strange effects and all but it just doesn't work for me by and large. And.... those are the gripes I have.
This album is great, Joni is the greatest vocalist on this list (sorry Tim Buckley) she is one of the best guitarists here. She is top 5 lyricist probably all time. She is/was a greater songwriter with a better ear for music than almost everyone who has ever existed on earth. And she is great. There.
"Moons and Junes and Ferris wheels
The dizzy dancing way you feel
As every fairy tale comes real
I've looked at love that way
But now it's just another show
You leave 'em laughing when you go
And if you care, don't let them know
Don't give yourself away
I've looked at love from both sides now
From give and take, and still somehow
It's love's illusions I recall
I really don't know love at all" - Joni Mitchell
Rating: 9.4/10"[+]Reply