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1961.

One Hot Minute 

 Red Hot Chili Peppers

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"A criminally underrated album, "One Hot Minute" is one of the strongest RHCP albums if you want my opinion. It is the proggiest album they've ever done, and I like that. I think the RHCP have a tendency to use a recipe when they're writing songs nowadays, but this is definitely not the case on th...""A criminally underrated album, "One Hot Minute" is one of the strongest RHCP albums if you want my opinion. It is the proggiest album they've ever done, and I like that. I think the RHCP have a tendency to use a recipe when they're writing songs nowadays, but this is definitely not the case on this one! Three tracks particularly stand out when you consider how prog this album is: "Deep Kick", "One Big Mob" and "One Hot Minute". Those three tracks are all longer, made of multiple sections and they're full of surprises. I really like those tracks. There are also the hits, "Aeroplane", "My Friends", "Warped" and "Coffee Shop". I think they're all equally good and on par with any RHCP hit from any other album. "Warped" and "Coffee Shop" are especially hard and maybe heavier than what we usually expect from these guys, but I really like it because it is well put together and produced. Then, there's the amazing "Walkabout" and "Falling Into Grace" that are more on the funky side of the road and really fit well into the record. The last two songs, "Shallow Be Thy Game" and "Transcending" are really heavy and prove without a doubt that Dave Navarro truly had something great to offer to this band. "Pea" and "Tearjerker" would be the only songs I didn't like as much as the rest, but they still fit well into the album. All in all, a very heavy album, with a little bit of prog and funk, that will surely keep you interested for the entire listen. Give "One Hot Minute" a chance, it's definitely worth it."  [+]  Reply

- bonnequestion | Helpful?  (Log in to vote) | +6 votes (6 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1995

Appears in:

223 charts

Rank Score:

855

Rank in 1995:

38

Rank in 1990s:

343

Overall Rank:

1,961

Average Rating:

 72 (457 votes)

Comments:

29

1962.

The Creek Drank The Cradle 

 Iron & Wine

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"HOMEGROWN You're a poem of mystery You're the prayer inside me Spoken words like moonlight You're the voice that I like (Faded From The Winter) Sub Pop almost didn’t make it. No. I don’t mean the grunge years. That was a given. No matter how improbable it seemed at the time. You just couldn’t kee...""HOMEGROWN You're a poem of mystery You're the prayer inside me Spoken words like moonlight You're the voice that I like (Faded From The Winter) Sub Pop almost didn’t make it. No. I don’t mean the grunge years. That was a given. No matter how improbable it seemed at the time. You just couldn’t keep that much talent - Nirvana, Soundgarden and Alice In Chains in particular - from going big. Seattle was going to blow. It was just a matter of time. Hair metal beckoned a correction. Metal had gone adrift way too far into the seas of cheese. A hard tack was in the cards. No. I’m taking about the rebirth. In the late 90s. Sub Pop was on its knees. Internal mutinies were plotted. Hell, even co-founder Bruce Pavitt wanted to call it quits. But not Jonathan Poneman. Poneman’s a lot like us. A music junkie. Addicted to the process of discovery. Finding that next musical high. That next big thing. That new sound. That’s right. Poneman of Sub Pop fame is a music addict just like us. And in the late 90s, he was desperately trying to jumpstart his once proud grunge behemoth Sub Pop. And by being a super music geek, Poneman pulled off one of the most successful rebrands of a record label in rock history. First came the The Shins Oh Inverted World. But no industry rests and Poneman needed to prove that Sub Pop was no longer just a grunge label. After all, with the Nicklebacks splashing in Puddles of Mudd 3 Doors Down, grunge or Sub Pop was hardly hip anymore. Quite the opposite. And he found it. After countless hours of listening to demo after demo after demo. He got that rush all over again. Finding Sam Beam baring his soul on an old demo tape. And there was magic there. No studio trickery. No band. Just Beam channeling Appalachalia into his bedroom. Channeling a campfire that never was. And this is the power of imagination. He made an a lo-fi Appalachian album. Call it lo fi indie if you want. The setting tell us to do so. The record label tells us to do so. Hell Allmusic compares it to Sebadoh. But the songs. The voice. The slide guitar. That banjo. They tell us differently. Reality check: I am NOT like Poneman. AT ALL. I just think I am. I let other people do my dirty work. You won’t catch me going through random demos looking for gold. EVER. It’s never happened. It never will happen. Shit, I didn’t even have any patience with those CMJ comps that would get mailed to my door back in the day. There’s tons of undiscovered gems out there. I just let other people find them for me. Thanks, BEA! Thanks, Spin! Thanks, Pitchfork! Thanks, Trouser Press and all the other countless lists I've scoured for the next fix. (Luckily, for all of us, I possess something called INSIGHT. That means I’m aware of my own shortcomings. I can see and more importantly smell my own pile of bullshit. Some people do not have this! They do not even realize that they shit! But more on this at another date.) Allmusic tries to connect this album to Sebadoh/Sentridoh and the lo-fi indie rock of the early 90s. But that’s bullshit. Sebadoh always felt neatly nestled in the indie rock universe. A logical and necessary part of it. This doesn’t. This is all its own. Even more so than Oh Inverted World. The problem with a lot of projects on this scale - one man bands in a bedroom- is that the songs can start to sound a like. Which is understandable. I mean it’s just one guy after all. In his bedroom. But this album completely bucks that notion as each song sounds distinct. Unique. The whole album somehow growing stronger as it travels along. Beam sent Poneman two albums worth of demos, and Poneman chiseled them down to this one record. A good editor is so underrated! Grade: A+. I really don’t know how Poneman did it back it the early 2000s. First the Shins and then this. He definitely deserves more credit since both albums sounded like nothing else at the time. Now we take the whole Indie Folk scene for granted. Plus they each came with their own identity. Their own mystique. Hell even the album title - The Creek Drank the Cradle - sounds like an old fable. Biblical in nature. It has this recorded in obscurity home vibe mystique to it. And neither The Shins nor Iron & Wine would ever quite capture that again despite continued success. Something other worldly. Like from an old radio station left behind by the Dharma Initiative. Something that would be playing down in that old hatch while Desmond waited around to push the button. To save the world. It was like you were being let in on this secret world. Something apart yet parallel to our own. And this album climbs out of that hatch an into the sunshine. No longer Lost on a desert island, a desert bedroom but rising high among the indie greats to number 16. "  [+]  Reply

- Repo | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2002

Appears in:

147 charts

Rank Score:

855

Rank in 2002:

30

Rank in 2000s:

311

Overall Rank:

1,962

Average Rating:

 77 (182 votes)

Comments:

8

1963.

Kasabian 

 Kasabian

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"I've know the band and this album for a few years now - West Ryder was my entry point and love that. I also enjoyed this, their debut album, but after a 2020 re-listen I had forgotten how good it was - Club Foot, Reason is Treason and Processed Beats open the album and are all great along with L....""I've know the band and this album for a few years now - West Ryder was my entry point and love that. I also enjoyed this, their debut album, but after a 2020 re-listen I had forgotten how good it was - Club Foot, Reason is Treason and Processed Beats open the album and are all great along with L.S.F. But I hadn't fully appreciated the last few songs on the album with Test Transmission, Cutt Off and Butcher Blues now all landing with me - I think my taste and appreciation has changed since 2016 when I joined this site and started to really open up what I was prepared to listen to. This has also helped me reappraise older albums as well."  [+]  Reply

- PeterSmith | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2004

Appears in:

204 charts

Rank Score:

854

Rank in 2004:

30

Rank in 2000s:

312

Overall Rank:

1,963

Average Rating:

 75 (351 votes)

Comments:

16

1964.

Final Straw 

 Snow Patrol

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"Probably Snow Patrol's best. It stands out more than the others, which is a big deal considering how samey Sonw Patrol can be."  Reply

- junodog4 | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2003

Appears in:

174 charts

Rank Score:

854

Rank in 2003:

38

Rank in 2000s:

313

Overall Rank:

1,964

Average Rating:

 72 (239 votes)

Comments:

8

1965.

Moment Of Truth 

 Gang Starr

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"Might be one of the best production on an hip hop album ever alongside illmatic, college dropout and MBDTF. The self-titled track is one of my top 10 hip hop song of all time and it's a must listen for every hip hop fan. Top 10 hip hop album of all time, IMO. Rip Guru"  Reply

- NickD89 | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1998

Appears in:

163 charts

Rank Score:

854

Rank in 1998:

39

Rank in 1990s:

344

Overall Rank:

1,965

Average Rating:

 78 (147 votes)

Comments:

8

1966.

More Than Any Other Day 

 Ought

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"A great little energetic gem of an album. Reminiscent of so many different post-punk and new wave bands but with a charm all it's own."  Reply

- ButterThumbz | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2014

Appears in:

150 charts

Rank Score:

853

Rank in 2014:

34

Rank in 2010s:

316

Overall Rank:

1,966

Average Rating:

 76 (185 votes)

Comments:

11

1967.

Antidotes 

 Foals

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"Infectious, immediate and relentless math rock greatness. Foals' debut is just filled with this unrestrained momentum bursting through every song. I may be biased because I've listened to it so much, but there isn't a skippable track on this album. Quite possibly my favorite math rock record ever...""Infectious, immediate and relentless math rock greatness. Foals' debut is just filled with this unrestrained momentum bursting through every song. I may be biased because I've listened to it so much, but there isn't a skippable track on this album. Quite possibly my favorite math rock record ever. Favorite tracks: Olympic Airways, Balloons, Hummer, Cassius"  [+]  Reply

- DoctorPayne | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2008

Appears in:

190 charts

Rank Score:

853

Rank in 2008:

24

Rank in 2000s:

314

Overall Rank:

1,967

Average Rating:

 74 (286 votes)

Comments:

9

1968.

The Three E.P.'s 
Compilation

 The Beta Band

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"'The Three E.P.'s' is a compilation album of the first three releases by The Beta Band, comprising the EPs: (1) Champion Versions 1997 (2) The Patty Patty Sound 1998 (3) Los Amigos del Beta Bandidos 1998 Recalling loving The Beta Band from when these EP's first came out I recently went back and r...""'The Three E.P.'s' is a compilation album of the first three releases by The Beta Band, comprising the EPs: (1) Champion Versions 1997 (2) The Patty Patty Sound 1998 (3) Los Amigos del Beta Bandidos 1998 Recalling loving The Beta Band from when these EP's first came out I recently went back and re-listened to this album and its aged really well sounding as cool and relevant today as it did 20 years ago I was struck with how much this material reminded me of Alt-J in terms of song structure and harmony's - I've realised my love of Alt-J probably began with my love of The Beta Band Simply awesome "  [+]  Reply

- Brad1770 | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1998

Appears in:

201 charts

Rank Score:

853

Rank in 1998:

40

Rank in 1990s:

345

Overall Rank:

1,968

Average Rating:

 76 (238 votes)

Comments:

14

1969.

New Long Leg 

 Dry Cleaning

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"Post Punk and Art Punk. Oh and REALLY GREAT Post Punk and Art Punk. Oh and this band and album is fucing awesome. And the lead speaker is already a first ballot hall of fame vocalist. Florence "Flo" Shaw, remember that name.) You ever hear one of those albums that, for some reason, makes you smil...""Post Punk and Art Punk. Oh and REALLY GREAT Post Punk and Art Punk. Oh and this band and album is fucing awesome. And the lead speaker is already a first ballot hall of fame vocalist. Florence "Flo" Shaw, remember that name.) You ever hear one of those albums that, for some reason, makes you smile, instantly and then the whole way through? An album that just sounds so right, so in step with the way you feel and the way you want to express those feelings, you can't help but feel instantly like you are hearing an old favorite despite it being the first time you've ever heard the artist? Yeah, those are great times. And, guess what? That is EXCATLY how I felt about this here debut LP by English Post Punk wry jokesters Dry Cleaning! Isn't that a crazy twist I just concocted there? Bet you didn't realize those first sentences were about this album here! Anyway, enough of that. More about New Long Leg. Its brilliant. It's the best Post Punk album I've heard in awhile. It is, musically, a tour-de-force of at times ice cold repetitive riffs and at times quite lively, buttery almost funky riffs. The bass playing and the way it is highlighted at times reminds me of the bass heroics of Wobble on Metal Box (don't get yourself in a twist, I'm not saying its exactly the same, just at times that heavy, funky, wobbly dub bass vibe comes through here and there), and other times the bassist is always holding that groove down with such sexy greatness. The drumming is that post punk simplicity with just enough wiggle to keep you guessing. The songs are all cool and all built around these varying phases of lowkey post punk excellence. Sometimes the songs take weird left turns, such as on the hypnotic second half of album closer "Every day Carry" and the way that weird synth melody is just battered and slashed by these weird effects that get more and more random and unexpected and manic, is glorious. Yet, really, I'm burying the lead. The star is the utterly unique Florence Shaw. Her wry humour, her at first glance monotone spoken word delivery, the way she takes no one and nothing seriously in the words she graces these tracks with (including herself), the wit and the absurdity of some of these seemingly throw-away lines, everything about her is brilliance. I think some may say she is boring and monotonous, well I don't, and those people are wrong. She is the heart and soul of this album with all due respect to the perfectly done post punk jams that she talks over. This whole album just feels right. It feels cool, equal parts warm and cold, funny and thought provoking and the perfect antidote to so much of this other (also quite great in most cases) post punk/art punk coming out of England the last few years. Whereas they are oh so earnest and angry and angsty and dour, here comes this gem of an album and band that maintains those similar musical aims and influences but flips the package on its head with a wise crack, a pointless monologue, and a sly smile. Oh and the music is better executed, more unique and more inspired to boot. In case you can't tell, I just love this album."  [+]  Reply

- Mercury | Helpful?  (Log in to vote) | +8 votes (8 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2021

Appears in:

230 charts

Rank Score:

853

Rank in 2021:

28

Rank in 2020s:

99

Overall Rank:

1,969

Average Rating:

 76 (167 votes)

Comments:

12

1970.

Machine Gun Etiquette 

 The Damned

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"How is this not rated higher on BEA!? This band has a very unique brand of melodic, almost psychedelic sounding punk and I love it! Definitely more mature than their debut, which was a little more generic in terms of style for the time (although I like that one as well). This album hits hard too....""How is this not rated higher on BEA!? This band has a very unique brand of melodic, almost psychedelic sounding punk and I love it! Definitely more mature than their debut, which was a little more generic in terms of style for the time (although I like that one as well). This album hits hard too. Never a dull moment. Gotta love Smash It Up too."  [+]  Reply

- louisjwyatt | Helpful?  (Log in to vote) | +7 votes (7 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1979

Appears in:

164 charts

Rank Score:

851

Rank in 1979:

39

Rank in 1970s:

360

Overall Rank:

1,970

Average Rating:

 76 (166 votes)

Comments:

16

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Total albums: 10,000. Page 197 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	2	0%
1940s	34	0%
1950s	302	3%
1960s	708	7%
1970s	1,424	14%
1980s	1,416	14%
1990s	1,600	16%
2000s	1,723	17%
2010s	1,968	20%
2020s	823	8%

Artist	Albums	%
Bob Dylan	37	0%
The Rolling Stones	35	0%
David Bowie	32	0%
The Beatles	29	0%
Miles Davis	27	0%
Neil Young	26	0%
Various Artists	25	0%
Show all

Country	Albums	%
	4,997	50%
	2,658	27%
	432	4%
	337	3%
	221	2%
	157	2%
	134	1%
Show all

Compilation?	Albums	%
No	9,729	97%
Yes	271	3%

Live?	Albums	%
No	9,737	97%
Yes	263	3%

Soundtrack?	Albums	%
No	9,885	99%
Yes	115	1%