Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 6 hours ago).
"When I think about misunderstood albums, this is the one I always think of. Perhaps that’s because of what QOTSA where when the recorded this album; Songs for the Deaf is one of the all-time best straight rock albums, I’d recommend it but chances are you already have it. Era Vulgaris is not a str...""When I think about misunderstood albums, this is the one I always think of. Perhaps that’s because of what QOTSA where when the recorded this album; Songs for the Deaf is one of the all-time best straight rock albums, I’d recommend it but chances are you already have it.
Era Vulgaris is not a straight rock album at all. Era Vulgaris is offbeat, ugly and clunky. Era Vulgaris is also a record that I adore to pieces. This album however needs a fair bit of explaining. The title means “common age” and refers to the decadent, self-absorbed culture of today. Josh Homme is rarely his charming rocker self, instead taking the role of a spoilt, modern brat and sarcastically ripping them with their own tongue. If you will, this album is a satire of the YouTube generation. The lyrics have a very Tom Sawyer-ish feel about them. “I’m Designer” is a blast if you get this concept. The drums are clunky on this track, the guitar screeches repeatedly while the lyrics efferminately declare “We all have our own style and bag-age, why hump it yourself?”. In the chorus Homme’s true voice comes out, calling the verses “lies” and bemoaning his plastic existence.
The sound is appropriately off-beat; the chords sound like they were devised with random rolls of dice. This isn’t a metal album at all, but the sound is robotic and mechanical melody certainly wasn’t one of the priorities, focusing on repeating weird noises until they have dug so far into your brain they work. QOTSA have always been a hypnotic band too, I mean c’mon, they named an album “Lullabies to Paralyze”. Era sees a lot of this, the opening track “Turning on the Screw” has on odd solo (?) where Homme declares “you sound like this” before all the instruments repeat the same sustained sound over and over. It’s witty and odd stuff, the kind of thing I can see people really hating if they aren’t into some good old fashioned sound lashing. On “Battery Acid” the drums just pound the same beat over and over, the only difference is they get louder and louder as the band ramp up the intensity. Also “Robots! Robots! Brain Washed Babies!” Is the greatest hook ever.
Era is an eclectic mix too. Track 7 drastically changes gear to a straight blues song, in text slang of course, “Make It Wit Chu”. Josh is back on his charming sexy self and is a welcome return. Overall though QOTSA tongue is firmly in their cheek, I fear I have made this sound too arty when infact it is big, dumb noisy fun with a brainy twist.
This album is a divisive choice; I know people who despise it and people who love it. You won’t know which one you are until you try it yourself. Worse comes to the worse, it’s a cool bit of album art to have on you iPod."[+]Reply
"I've heard some people call this better than Band on the Run. Can't say I agree, but it is a damn good record that is a high point for Wings. Particularly the first 6-7 tracks are fab. And it's immaculately produced. There's a great article about Paul being a pop auteur, and I think I can get beh...""I've heard some people call this better than Band on the Run. Can't say I agree, but it is a damn good record that is a high point for Wings. Particularly the first 6-7 tracks are fab. And it's immaculately produced. There's a great article about Paul being a pop auteur, and I think I can get behind that. Even on his lesser work, there's always glimmers of genius. On this one, I'd say more than a glimmer. It's not a masterpiece, but it is consistently enjoyable."[+]Reply
"A real interesting switch up in mood and sound from last year’s ‘Laurel Hell’ and dare I say it punches just as much as an overall piece of work…"Reply
"R.E.M.'s best release. The only weak cut is "Stumble". The rest is basically perfect. The songs are energized (even on the sections where things seem to be quiet) to the point where it all sounds psychotic. Stipe's hooks are wonderful and always unpredictable, and Peter Buck's riffs are so good t...""R.E.M.'s best release. The only weak cut is "Stumble". The rest is basically perfect. The songs are energized (even on the sections where things seem to be quiet) to the point where it all sounds psychotic. Stipe's hooks are wonderful and always unpredictable, and Peter Buck's riffs are so good they defined what Jangle Pop would sound like for the next 5+ years. "Carnival of Sorts" might be the band's best song now that I think about it. "[+]Reply
"I'm not much of a hip-hop fan, but this album had me straight up addicted for a long time. I'd listened to aseop in highschool during the "none shall pass" era, but stopped for years. When I looked him up and found this newest album I was blown away by how someone I thought had perfected his craf...""I'm not much of a hip-hop fan, but this album had me straight up addicted for a long time. I'd listened to aseop in highschool during the "none shall pass" era, but stopped for years. When I looked him up and found this newest album I was blown away by how someone I thought had perfected his craft had improved so vastly. Every day I'd listen to it start to finish until I knew every lyric to my favorite tracks, not that I'd claim to understand the meaning behind every bar. Still my favorite in his catalog. Although Skelethon and Malibu Ken have some bangers, there's not a single skip on this track list. That's impossible."[+]Reply
"Released in 1984, this album had a profound impact on my burgeoning music tastes. Not necessarily because it’s particularly good (I’ll get to that) but rather how it opened my eyes and ears to the world of 4AD which in turn lead me to artists such as Big Star, The Cocteau Twins, Belly, Bauhaus, D...""Released in 1984, this album had a profound impact on my burgeoning music tastes. Not necessarily because it’s particularly good (I’ll get to that) but rather how it opened my eyes and ears to the world of 4AD which in turn lead me to artists such as Big Star, The Cocteau Twins, Belly, Bauhaus, Dead Can Dance which in turn lead to the world of the alternative sound and later The Pixies, Pale Saints , Throwing Muses just to name a few
Hearing ‘It’ll End in Tears’ for the first time in the mid 80’s was like hearing something from another planet. It sounded weird, ethereal, intense and powerful all rolled into one. It wasn’t until years later that I learnt six of the twelve tracks are actual covers being:
1. “Kangaroo”: Big Star
2. “Song to the Siren”: Tim Buckley
3. “Holocaust”: Big Star
4. “Fond Affections”: Rema-Rema
5. “Another Day”: Roy Harper
6. “Not Me”: Colin Newman
And here’s where I have a problem with this album - these cover versions are easily the best tracks here. Hell “Song to the Siren” and “Another Day” blow the original songs out of the water. Unfortunately though the TMS original tracks are largely laborious and uninteresting which is such a shame but fortunately corrected on the next release ‘Filigree & Shadow’ in 2 years time
Impact on my life: 100/100
Cover Versions: 90 /100
Originals: 55/100 (Meh)
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"Sludgy, Sabbathy, Doom Metal. This album rocks. Definitely the Melvins "big record company" album, but still very enjoyable. However, don't buy into the idea Kurt Cobain had much to do with this album... It was basically all Buzz and Dale."Reply
"This is one of Dylan's most underrated albums, at least in my opinion. I think it gets kind of forgotten, as it comes after the high artistic achievements of, blood on the tracks, and, desire, and the forthcoming 'god' trilogy. Opener, changing of the guard's, is great, with some nice E-street ba...""This is one of Dylan's most underrated albums, at least in my opinion. I think it gets kind of forgotten, as it comes after the high artistic achievements of, blood on the tracks, and, desire, and the forthcoming 'god' trilogy. Opener, changing of the guard's, is great, with some nice E-street band sax on it. Pony, is an excellent dirty blues, one of Bob's best twelve bars. Baby stop crying, and, is your love in vain? , are nice pop songs. The best of the bunch though, are, Senor, and, where are you tonight?. The rest is fine too. Street legal has it's own sound with the female backing vocals and the saxes. It's also got a new decent re-mix on the CD. Good album "[+]Reply
""In the Wake of Poseidon" has been criticized for reminding a little too much of its predecessor, "In the Court of the Crimson King." Well, of course, there are similarities but also significant differences. Is it, by the way, that bad to point out a masterpiece like "In the Court of the Crimson ..."""In the Wake of Poseidon" has been criticized for reminding a little too much of its predecessor, "In the Court of the Crimson King." Well, of course, there are similarities but also significant differences. Is it, by the way, that bad to point out a masterpiece like "In the Court of the Crimson King"?
A melodic and almost acoustic number like "Cadence and Cascade" is a kind of song you won't find on the predecessor, so already here you will find a difference between the two albums. This song is also one of the group's most moving, and my clear favorite in this album. Overall, the album more is boundary pushing than its predecessor, which, apart from parts on "21st Century Schizoid Man", is relatively accessible. "Pictures of a City" has similarities with that number, but the verse is more entrenched in the blues, while the instrumental part is more experimental.
The title track "In the Wake of Poseidon" is probably the track which is immediately recalling "Crimson King" the most; with its grandiose melotron and a slowly flowing melody.
The single "Cat Food" might be compared to the Beatles' "Come Together" - obviously a little more jazzy and experimenting.
The long instrumental "The Devil's Triangle" is for hardcore fans, I think, and obviously not the song you introduce to your friend first.
Three short tracks titled "Peace" are scattered throughout the album - quite nice, but apart from "Peace - an End" too short to really make any difference.
Two bonus tracks are the single version of "Cat Food" and the b-side "Groon", which is a jazzy instrumental."[+]Reply