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4261.

Alopecia 

 Why?

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"why? is one of those freaky artists that is pretty unclassifiable, i guess mostly part indie pop, part hip-hop. "Alopecia", the falling apart of a man (by the folicle), starts off "i'm not a ladies man, i'm a land-mine" in "the vowels, part 2", and so starts the falling apart of the narrator endi...""why? is one of those freaky artists that is pretty unclassifiable, i guess mostly part indie pop, part hip-hop. "Alopecia", the falling apart of a man (by the folicle), starts off "i'm not a ladies man, i'm a land-mine" in "the vowels, part 2", and so starts the falling apart of the narrator ending in the deceptively catchy "cheery A, cheery E, cheery I, cheeriO, cheery U". . It's like he's writing and reading anything and everything into his journal "reading Puerto Rican porno" and "blowing kisses to disinterested bitches" on "Good Friday" with another deceptively catchy lyrical hook (which is common on "Alopecia"). There's a lot of death and dead-or-alive rotting from "the smell of our still human bodies gas" on "These Few Presidents" (with the poetically universal sentiment "even though i haven't seen you in years, yours is a funeral i'd fly to from anywhere") to the opening stanza on "the hollows" (possible best track) to "song of the sad assassin" which begins "we lifted the body from the water like a gown" and ends "billy the kid did what he did and he died". There's a complicated bluntness of the human condition and mortality that you'll miss if you're too busy humming along. I highly recommend this if you're into TV on the radio, beastie boys, and of course artists like cloudDEAD and 13&God. This is the album where Why? transitioned from hip-hop to more "indie pop" and more conventional song structures."  [+]  Reply

- paladisiac | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2008

Appears in:

83 charts

Rank Score:

334

Rank in 2008:

61

Rank in 2000s:

729

Overall Rank:

4,261

Average Rating:

 74 (76 votes)

Comments:

5

4262.

Belong 

 The Pains Of Being Pure At Heart

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"If you happen to be a fan of Silversun Pickups, I believe you will like The Pains Of Being Pure At Heart. They have a very similar sound. Some elements of shoegaze, some elements of indie rock all mixed together to make one really good album. One of the things I really like about this album is th...""If you happen to be a fan of Silversun Pickups, I believe you will like The Pains Of Being Pure At Heart. They have a very similar sound. Some elements of shoegaze, some elements of indie rock all mixed together to make one really good album. One of the things I really like about this album is the drumming. It’s really good, but it’s not featured. It plays in the background and if you’re not listening for it, you won’t hear it, but the drumming is complicated. It’s a fun and interesting album that is enjoyable to listen to multiple times. "  [+]  Reply

- RockyRaccoon | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2011

Appears in:

93 charts

Rank Score:

334

Rank in 2011:

98

Rank in 2010s:

760

Overall Rank:

4,262

Average Rating:

 73 (154 votes)

Comments:

8

4263.

Melissa 

 Mercyful Fate

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"I would get this album if I were you simply for the haunting vocals. Evil is one of the best heavy metal songs ever. Don't get caught up in the fact that the lyrics are openly satanic. Good music is good music. Enjoy."  Reply

- Jasonconfused | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1983

Appears in:

85 charts

Rank Score:

334

Rank in 1983:

58

Rank in 1980s:

628

Overall Rank:

4,263

Average Rating:

 75 (113 votes)

Comments:

4

4264.

Give Me Convenience Or Give Me Death 
Compilation

 Dead Kennedys

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"There's an obviously cobbled together feel about this album, but when so much of Jello Biafra's wit and social commentary couldn't find a place on their regular releases, it easily justifies itself as an even wilder and more eclectic ride for a band who were never too fond of convention. Highligh...""There's an obviously cobbled together feel about this album, but when so much of Jello Biafra's wit and social commentary couldn't find a place on their regular releases, it easily justifies itself as an even wilder and more eclectic ride for a band who were never too fond of convention. Highlights include Night of the Living Rednecks and Saturday Night Holocaust, of which the names along ought to give you a rough idea of the collision of pop culture and political satire that you're in for."  [+]  Reply

- MattBarber | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1987

Appears in:

62 charts

Rank Score:

334

Rank in 1987:

57

Rank in 1980s:

629

Overall Rank:

4,264

Average Rating:

 77 (102 votes)

Comments:

4

4265.

The Diary 

 Scarface

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Year of Release:

1994

Appears in:

72 charts

Rank Score:

334

Rank in 1994:

85

Rank in 1990s:

697

Overall Rank:

4,265

Average Rating:

 77 (59 votes)

Comments:

0

4266.

The Incident 

 Porcupine Tree

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"Porcupine Tree weakest album in recent times. The biggest issue I have with the album is not necessarily the songs but the way they have been put together. It starts off well but into tracks 3 and 4 - it sounds like Steven Wilson is singing live to an audience a medley of his past hits that he do...""Porcupine Tree weakest album in recent times. The biggest issue I have with the album is not necessarily the songs but the way they have been put together. It starts off well but into tracks 3 and 4 - it sounds like Steven Wilson is singing live to an audience a medley of his past hits that he doesn't have time to play the full length version. The medley is definitely more cohesive after Time Flies. I Drive The Hearse is also a highlight. The second disc to me is a much better effort although Flickr sounds a lot like a part in Anaesthetise. Steven is obviously starting to run out of ideas and I support him in his decision to retire Porcupine Tree."  [+]  Reply

- stevengnz | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2009

Appears in:

92 charts

Rank Score:

334

Rank in 2009:

67

Rank in 2000s:

730

Overall Rank:

4,266

Average Rating:

 77 (169 votes)

Comments:

9

4267.

Ten New Songs 

 Leonard Cohen

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"This is the album that began the final phase of Cohen's career, a phase that also includes Dear Heather, Popular Problems, Old Ideas, and You Want it Darker. In my opinion, Ten New Songs is the best of that lot (though You Want it Darker is also a contender). It is also one of Cohen's greatest al...""This is the album that began the final phase of Cohen's career, a phase that also includes Dear Heather, Popular Problems, Old Ideas, and You Want it Darker. In my opinion, Ten New Songs is the best of that lot (though You Want it Darker is also a contender). It is also one of Cohen's greatest albums and though it may not hit the heights/peaks of some of his earlier album, it is really consistently good all the way through. There are some great lyrics on this record and a more hopeful tone than some other albums. Thematically it is driven by interior concerns and lacks the social commentary one finds on The Future, but that is ok in my opinion. LC sounds to me like he really has something to say on this album, and it is an affirmation of existence. I feel the content is richer and deeper than some of what appears on Popular Problems, Dear Heather, and Old Ideas. "  [+]  Reply

- craab | Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2001

Appears in:

87 charts

Rank Score:

334

Rank in 2001:

76

Rank in 2000s:

731

Overall Rank:

4,267

Average Rating:

 73 (118 votes)

Comments:

6

4268.

Quiet Signs 

 Jessica Pratt

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"This record's so great at building an effortlessly dreamlike landscape. Most of the tracks here are little more than a repetitive guitar with vocals, but the way the two go together works on every track. Jessica's voice is the main factor holding everything together, it takes a short while to get...""This record's so great at building an effortlessly dreamlike landscape. Most of the tracks here are little more than a repetitive guitar with vocals, but the way the two go together works on every track. Jessica's voice is the main factor holding everything together, it takes a short while to get used to it but once you're there it beautifully occupies the spaces left by the instrumentals with its echoing effects. The odd instrumental flairs are also great whenever they appear, breathing new life into certain sections of the tracks. It's a great album that arranges a small amount of elements perfectly. There's not a huge amount of variation here, but this isn't so much a problem on a sub 30 minute album. I'm sure I'll only like it more with time."  [+]  Reply

- JamesMowbray | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2019

Appears in:

113 charts

Rank Score:

333

Rank in 2019:

58

Rank in 2010s:

761

Overall Rank:

4,268

Average Rating:

 74 (123 votes)

Comments:

5

4269.

Shake, Rattle And Roll 
Compilation

 Bill Haley And His Comets

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Year of Release:

1955

Appears in:

56 charts

Rank Score:

333

Rank in 1955:

8

Rank in 1950s:

129

Overall Rank:

4,269

Average Rating:

 73 (47 votes)

Comments:

0

4270.

Night Palace 

 Mount Eerie

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"Night Palace has been celebrated online as the Mount Eerie album that sounds the most like Phil Elverum's work in the Microphones. It's interesting that this would happen when the solo project has covered so much ground that builds on different aspects of the Microphones sound, whether that's the...""Night Palace has been celebrated online as the Mount Eerie album that sounds the most like Phil Elverum's work in the Microphones. It's interesting that this would happen when the solo project has covered so much ground that builds on different aspects of the Microphones sound, whether that's the quiet and intimate songwriting (Dawn, No Flashlight), the fuzzy loudness (Wind's Poem, Ocean Roar) and intensely personal lyrics (A Crow Looked At Me, Lost Wisdom), so why does Night Palace evoke these elements more? I think the key property of the record is its willingness to mix loud and quiet and to build on particular ideas. The first point in particular helps create that epic scope associated with Phil's 2000s era work, a completely loud album doesn't necessarily have this effect because there isn't a point of reference, whereas songs that include both create small and massive objects, with the former often swallowing up the latter. Think of the transition from the closing chords of I Felt Your Shape into the opening of Samurai Sword, that track would always sound noisy but after something so gentle it's like the loudest sound you've ever heard. The album Mount Eerie pushed this further, with fragile sounding vocals and acoustic guitars crashing up against thunderous drums, piercing electric guitars and walls of noise. It happens again here, the slow opening of Breaths is expanded by distorted drums and guitars, this is then ripped apart by Swallowed Alive (I'm still not 100% sure what we're even hearing on this track). I Need New Eyes is built around Phil's ever gentle vocals, but even the backing vocals are bolstered by an electric fuzz, making it all feel enclosed in something massive. Night Palace isn't just great because it recalls some great records from 20-25 years ago though. Many tracks have a cleaner sound and more straightforward progression, both of which work brilliantly as they never totally dominate the tracklist. The guitar work in Huge Fire is stunning, there's a beauty in the soft smoothness of I Walk and the quiet interplay between the piano and backing vocals at the start of I Heard Whales provides a strong counterpoint to the build up of noise. Like a number of Phil's recent records this one looks to and draws from the past without just emulating it, instead these ideas are reapplied to the less harsh and experimental music that he makes now. Maybe the biggest departure from previous work is the introduction of a political viewpoint regarding the land and nature that's always played a huge role in Phil's music. The land of the Pacific North West has often had this almost scared feel in the past, an unchanging landscape that creates a humility in how small it makes one feel. Night Palace deals with much tougher questions of how this land came to be what it is, observations like "only ten thousand years ago there were meadows here" and talk of mountains running like a stream that we are too short lived to see flow view this are as changing like everything else. It makes it as susceptible as anywhere or anyone else to the forces of greed (November Rain, Co Owner of Trees) and imperialism (Non Metaphorical Decolonisation and the mention of fighter jets on Demolition). Its a radical step into new territory for a project that's focused on the self and on the universe, without considering much of what's in between."  [+]  Reply

- JamesMowbray | Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2024

Appears in:

102 charts

Rank Score:

333

Rank in 2024:

37

Rank in 2020s:

252

Overall Rank:

4,270

Average Rating:

 75 (71 votes)

Comments:

4

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Total albums: 10,000. Page 427 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	2	0%
1940s	37	0%
1950s	303	3%
1960s	720	7%
1970s	1,436	14%
1980s	1,431	14%
1990s	1,613	16%
2000s	1,734	17%
2010s	1,993	20%
2020s	731	7%

Artist	Albums	%
Bob Dylan	37	0%
The Rolling Stones	35	0%
David Bowie	32	0%
The Beatles	29	0%
Miles Davis	27	0%
Neil Young	26	0%
Various Artists	25	0%
Show all

Country	Albums	%
	5,010	50%
	2,663	27%
	431	4%
	318	3%
	222	2%
	159	2%
	136	1%
Show all

Compilation?	Albums	%
No	9,725	97%
Yes	275	3%

Live?	Albums	%
No	9,729	97%
Yes	271	3%

Soundtrack?	Albums	%
No	9,885	99%
Yes	115	1%