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5921.

Silvertone 

 Chris Isaak

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"Great debut album from Chris Isaak. Beautiful dark pop songs inside."  Reply

- JoaoMoreira | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1985

Appears in:

54 charts

Rank Score:

227

Rank in 1985:

71

Rank in 1980s:

852

Overall Rank:

5,921

Average Rating:

 70 (77 votes)

Comments:

2

5922.

Walk The Moon 

 Walk The Moon

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"These guys are good. These guys are very good. The debut album by Walk The Moon really shows that these guys are something special. There is good variety throughout the album and all of the songs are artfully crafted both musically and lyrically. The upbeat songs are fun to listen to and the slow...""These guys are good. These guys are very good. The debut album by Walk The Moon really shows that these guys are something special. There is good variety throughout the album and all of the songs are artfully crafted both musically and lyrically. The upbeat songs are fun to listen to and the slower songs are beautiful. I especially want to point out the song “Iscariot" which is just an absolutely beautiful slower song with incredible soaring harmonies and great instrumentation. There’s also the song “Anna Sun" which is a great, very radio-friendly song which I think the general public will get to know soon. If I had to pick one band to be the next indie band to really come into the public eye like Foster The People and The Airbourne Toxic Event did, it would be these guys."  [+]  Reply

- RockyRaccoon | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2012

Appears in:

36 charts

Rank Score:

227

Rank in 2012:

114

Rank in 2010s:

1,102

Overall Rank:

5,922

Average Rating:

 71 (49 votes)

Comments:

3

5923.

Ultrapop 

 The Armed

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"(Post Hardcore meets Noise rock meets noise pop at points. Some cool electronic bits, some messy hardcore excellence as well as bits of mathy virtuosity, this album is just a really LOUD, at times thrilling, always interesting mix of genres that mostly work really well. Check it out if you like t...""(Post Hardcore meets Noise rock meets noise pop at points. Some cool electronic bits, some messy hardcore excellence as well as bits of mathy virtuosity, this album is just a really LOUD, at times thrilling, always interesting mix of genres that mostly work really well. Check it out if you like these styles or if you want to damage your ears as efficiently as possible.) This is the 3rd (or is it 4th?) official album by this Detroit hardcore punk/post hardcore band The Armed. In prep for this anticipated release of went back and listened to some of their earlier songs and albums. They were loud, wild, mathcorey, knotty bits of post hardcore and quite good. But, based only on the singles from Ultrapop, it felt like they had drastically changed their sound. This interesting and pretty cool evolution made me even more hyped about this album. All in all Ultrapop lived up to my hype. The main surprise was that the 3 songs I had heard on repeat before hearing the whole thing - “All Futures”, “An Iteration”, and “Average Death” - are probably 3 of the 5 most divergent songs from their post hardcore sound. Most of the other tracks, while having a ridiculously loud mix and some elements added, were essentially “classic The Armed” - meaning a majority of the songs here are gnarly and nasty and discordant walls of hardcore insanity. The strangely pop-oriented, tuneful experimentation is much less present in the songs that were not released early on streaming services. This wasn’t blatant, like, false advertising and I’m not mad, just surprised. As for the album as a whole, it’s very good, bordering on GREAT. The production is really ridiculous. By ridiculous I mean LOUD like REALLLLY LOUD. It’s almost Sleigh Bells-level of tinnitus-inducing. And actually it works really well for the music. The music being this maximalist melding of incredibly forthright and aggressive post hardcore with noise pop and subtle electronic and pop elements nestled underneath. The walls of unhinged sound that storm out of my headphones when I hear this record are brilliant and mostly invigorating. The musicianship is pretty solid. It’s not the most mind-bogglingly complex and the chops aren’t on another plane, but they suffice. (Note: I’m not a musician and for all I fucking know a musician may hear this and think these guys are the second coming of the Mahavishnu Orchestra or something. Just my perception as a neophyte.) But, honestly, the fact that at times the band sounds, well, like a hardcore punk band rather than a Mathcore band, is what makes a lot of the unhinged moments work more. It sounds slightly off time at points, the band isn’t always in perfect lockstep, and it makes for a more classic punk experience in amongst all these distinctly alien-to-punk-and-Hardcore elements. The critiques I have and the reason this album isn’t quite the AOTY candidate that I thought it may be based off first listen and those excellent pre-release singles, are vague and somewhat two-fold. And, again, both critiques are somewhat vague and incredibly personal no doubt. For one I feel that the album somehow has a mild personality crisis. When it is going ape shit with the noisy, oppressively loud hardcore it is consistently awesome. When the band is doing a weird quasi-MBV kinda thing where there is clearly some gorgeous melodies underneath thick slabs of noise and muck, it sounds absolutely awesome. EDIT: hey this is me. That MBV comparison was sticking in me craw and I think that is because it’s a bit of a stretch and they aren’t too similar stylistically. But at points there is a certain element of hiding rich and sweet melodies under lots of noise that is somewhat similar). And yet I don’t personally feel these two styles are melded or meshed into a beautiful and brilliant complete cohesive whole. The sum of the parts is somehow less than the 2 individual stylistic achievements. The other thing is that I feel this album doesn’t quite consistently blow me away. This is much less of a clear-cut, in my mind, problem. And honestly both issues may slowly dissolve into time as I revisit this beast. But for now I feel that the initial momentum of the album which is created by a brilliant and visceral run of tracks to start, is dampened quite a bit in the middle before the album ends with a pretty brilliant run of gems again. Again, with almost any album that I love the core sound of, this critique usually abates over time and many listens. Overall, this is indeed a creative, blistering, intense and loud (loud in ways I haven’t heard in almost any other album this year) record that, for the most part, sticks the landing on integrating some electronic, noise pop, and other disparate sounds into the post-hardcore central sound/style. Really excellent album and recommended. "  [+]  Reply

- Mercury | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2021

Appears in:

67 charts

Rank Score:

227

Rank in 2021:

85

Rank in 2020s:

430

Overall Rank:

5,923

Average Rating:

 70 (54 votes)

Comments:

2

5924.

Chansons Des Cafés De Paris 

 Édith Piaf

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"Extraordinary use of voice and phrasing, a true classic."  Reply

- Coconut | Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1948

Appears in:

52 charts

Rank Score:

227

Rank in 1948:

1

Rank in 1940s:

11

Overall Rank:

5,924

Average Rating:

 72 (54 votes)

Comments:

4

5925.

Red Moon In Venus 

 Kali Uchis

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"82/100 A solid and efficient album, in the continuity of what we already knew from Kali Uchis, but for the moment it suits perfectly the expectations, hoping that she manages to recycle her formula for the next project Key songs : I wish you Roses / Endlessly / Moonlight Other rating : - Isolatio...""82/100 A solid and efficient album, in the continuity of what we already knew from Kali Uchis, but for the moment it suits perfectly the expectations, hoping that she manages to recycle her formula for the next project Key songs : I wish you Roses / Endlessly / Moonlight Other rating : - Isolation (2018) 87 - Por Vida (2015) 77 - Sin Miedo (2021) 68"  [+]  Reply

- DoubleZ | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2023

Appears in:

65 charts

Rank Score:

227

Rank in 2023:

73

Rank in 2020s:

431

Overall Rank:

5,925

Average Rating:

 72 (69 votes)

Comments:

4

5926.

The Return Of The Durutti Column 

 The Durutti Column

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Year of Release:

1980

Appears in:

68 charts

Rank Score:

227

Rank in 1980:

100

Rank in 1980s:

853

Overall Rank:

5,926

Average Rating:

 75 (67 votes)

Comments:

1

5927.

Greatest Hits 

 Remo Drive

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"This album deserves far more love than it's getting... Great from start to finish."  Reply

- akanter14 | Helpful?  (Log in to vote) | +2 votes (3 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2017

Appears in:

34 charts

Rank Score:

227

Rank in 2017:

122

Rank in 2010s:

1,103

Overall Rank:

5,927

Average Rating:

 76 (50 votes)

Comments:

5

5928.

Nada Como Um Dia Após O Outro Dia 

 Racionais MC’s

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Year of Release:

2002

Appears in:

26 charts

Rank Score:

227

Rank in 2002:

111

Rank in 2000s:

1,016

Overall Rank:

5,928

Average Rating:

 75 (22 votes)

Comments:

2

5929.

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Carry On The Grudge 

 Jamie T

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"Great comeback, enjoying the darker taste than from previous albums"  Reply

- MeatIsMurder | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2014

Appears in:

36 charts

Rank Score:

227

Rank in 2014:

108

Rank in 2010s:

1,104

Overall Rank:

5,929

Average Rating:

 75 (34 votes)

Comments:

1

5930.

Modern Music 

 Be-Bop Deluxe

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"Guitar virtuoso Bill Nelson and his band Be Bop Deluxe was one of the most exciting acts that emerged in Britain in the middle of the glam rock period of the early 1970s. Stylistically, the group is clearly related to both David Bowie and Cockney Rebel. In 1976 the group's absolute masterpiece, "...""Guitar virtuoso Bill Nelson and his band Be Bop Deluxe was one of the most exciting acts that emerged in Britain in the middle of the glam rock period of the early 1970s. Stylistically, the group is clearly related to both David Bowie and Cockney Rebel. In 1976 the group's absolute masterpiece, "Modern Music" was released. This album is definitely the most melodic, with more songs tied together in shorter suites. The album contains no less than fifteen songs which are generally of shorter length than usual. Most of the music is of such high quality that the tracks can easily stand alone outside the context of the album. A lot of songs could be brought forward here. Tracks like "Orphans of Babylon," "Kiss of Light", "Gold at the End of the Rainbow," "Modern Music", "Make the Music Magic," "Forbidden Lovers" and "Down to Terminal Street" are all titles that stand out in the Be Bop Deluxe song catalogue. "  [+]  Reply

- Rovers | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1976

Appears in:

33 charts

Rank Score:

227

Rank in 1976:

86

Rank in 1970s:

937

Overall Rank:

5,930

Average Rating:

 71 (49 votes)

Comments:

2

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Total albums: 10,000. Page 593 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	2	0%
1940s	34	0%
1950s	302	3%
1960s	710	7%
1970s	1,424	14%
1980s	1,414	14%
1990s	1,600	16%
2000s	1,729	17%
2010s	1,959	20%
2020s	826	8%

Artist	Albums	%
Bob Dylan	37	0%
The Rolling Stones	35	0%
David Bowie	32	0%
The Beatles	29	0%
Miles Davis	27	0%
Neil Young	26	0%
Various Artists	25	0%
Show all

Country	Albums	%
	5,009	50%
	2,654	27%
	431	4%
	335	3%
	221	2%
	157	2%
	134	1%
Show all

Compilation?	Albums	%
No	9,729	97%
Yes	271	3%

Live?	Albums	%
No	9,738	97%
Yes	262	3%

Soundtrack?	Albums	%
No	9,885	99%
Yes	115	1%