Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 5 hours ago).
"Its a record of 2 halves 5 good tracks and 5 not bad tracks. I like the tracks Cold as Christmas, Kiss The Bride, I'm still Standing, the title track & One More Arrow."Reply
"A brilliant album from Richard Hawley. Standing at the sky's edge, was a pleasant surprise upon release. It sees Hawley embracing a psychedelic sound, full of drony guitar rock. It was totally unexpected and is a brilliant record showing us how capable Hawley is making superb leftfield turns. Sta...""A brilliant album from Richard Hawley. Standing at the sky's edge, was a pleasant surprise upon release. It sees Hawley embracing a psychedelic sound, full of drony guitar rock. It was totally unexpected and is a brilliant record showing us how capable Hawley is making superb leftfield turns. Standouts include, she brings the sunlight, down in the woods, and, don't stare at the sun. Great record. "[+]Reply
"An absolute atomic bomb of a debut, Street Worms represents Viagra Boys in their purest form, before they started mixing genres and more overtly political messages into their music (Welfare Jazz and Cave World respectively). There's nothing wrong with any of that, of course, if the songs are exce...""An absolute atomic bomb of a debut, Street Worms represents Viagra Boys in their purest form, before they started mixing genres and more overtly political messages into their music (Welfare Jazz and Cave World respectively). There's nothing wrong with any of that, of course, if the songs are excellent, but devoid of any of that stuff, Street Worms successfully stands on its own. It's a wild, saxy, good time all the way through. "[+]Reply
""A Question of Balance" from 1970 was my first Moody Blues album, which I bought while it was still on the charts. It was first and foremost the single "Question" I had noticed in the radio. After purchasing the album, I hated to admit to myself that the other tracks did not live up to my hopes a..."""A Question of Balance" from 1970 was my first Moody Blues album, which I bought while it was still on the charts. It was first and foremost the single "Question" I had noticed in the radio.
After purchasing the album, I hated to admit to myself that the other tracks did not live up to my hopes and expectations. There was too little rock guitar and that everything was overall a bit too nice. Even though it could not be measured with other favorites from the same time, such as "A Salty Dog" and "Full House", I actually did play it quite a lot and learned to a certain degree to appreciate even the the songs that sounded like ”family pop”; they were after all good and well-written songs. However, the three Hayward songs were always favorites. Now, many years later, I have relistened to the album and obviously noticed new aspects and learned to appreciate some of them. It is obvious that the group in many ways was trend-setting and lyrically, in fact ahead of their time, e.g. with focus on the environment and greedy abuse of the resurces of the Earth. In fact, very impressive that young men in their midtwenties could deliver such a mature piece of work.
The middle part of "Question" is still incredible and probably one of the most beautiful pieces of music group ever delivered. The pompous intro (and end) I was never very crazy about, and I still think that the two parts do not fi really well together. Haywards "It's up to You" is another highlight; a melodic rocker with a small touch of country. "Dawning is the Day" is an evocative and more complex number. Mike Pinders to numbers "How are we here" and "Melancholy man" originally fell out, far from my taste, but of course I now realize that they are actually both nicely and beautifully constructed. John Lodge's songwriting I found came the closest to Hayward’s, and he was my number two favorite. His "Tortoise and the Hare" is a light upbeat soft rocker - a really nice song. His "Minstrel Song" is a grand and nicely arranged composition. Ray Thomas croons safely through his own "And Tide Rushes in," and together with Graeme Edge he has put the final number "The Balance" together. Edge, who was often responsible for the recitals, has also written the fine "Don’t You Feel Small", which could sound like a song taken from a movie.
As a whole, "A Question of Balance" is probably one of the most succesful Moody Blues albums and one that has aged with grace.
https://www.angelfire.com/nv/Badfinger/BANDmoodyblues.html"[+]Reply
"The songwriting is solid, and the vocal harmonizing is lovely, but this album kindof sounds like a couple of songwriters who don't know anything about country trying to do country. The country and folk stylings just feel a little fake, which makes the whole album a little less enjoyable than it c...""The songwriting is solid, and the vocal harmonizing is lovely, but this album kindof sounds like a couple of songwriters who don't know anything about country trying to do country. The country and folk stylings just feel a little fake, which makes the whole album a little less enjoyable than it could have been."[+]Reply
"It’s an awfully bold statement, “Save Rock And Roll", especially coming from Fall Out Boy. If I had to pick a band to “save rock and roll", it most likely would not be Fall Out Boy, a band that has been the absolute definition of mediocrity, a band that hasn’t been able to stop writing the same s...""It’s an awfully bold statement, “Save Rock And Roll", especially coming from Fall Out Boy. If I had to pick a band to “save rock and roll", it most likely would not be Fall Out Boy, a band that has been the absolute definition of mediocrity, a band that hasn’t been able to stop writing the same song over and over again for years.
So, naturally, I approached this album with some slight bias. Then I heard the opening track, “The Phoenix" and I was like “Holy crap, this is good, and it’s different for Fall Out Boy." Then I heard the next track, and lead single, “My Songs Know What You Did In The Dark (Light ‘Em Up)" and I thought “Wow, this is really good too, has Fall Out Boy changed into a band that can create a really good album like this is shaping up to be?" And then the rest of the album happened, and it was slightly different, but still same old Fall Out Boy. The rest of it is fairly uninteresting. “The Mighty Fall" which features Big Sean is pretty decent, but the rest of it is very forgettable, which is a shame, because it was shaping up to really be a good album, which would’ve been a really pleasant surprise."[+]Reply
"If you want songs of love, longing and loss, they are here in spades. If you want some social commentary, check that box as well. Billy Bragg seemed to have invented his own genre with his early work. Pure, honest, emotional and poetic. In a word, "perfect"."Reply
"While Presto isn’t one of the band’s most triumphant records, it’s proof that even lower tiered Rush records are worth the listen and have their share of highlights. The band tries their hand with ideas not usually associated with their core sound like funk grooves, tribal drum patterns, and soft...""While Presto isn’t one of the band’s most triumphant records, it’s proof that even lower tiered Rush records are worth the listen and have their share of highlights.
The band tries their hand with ideas not usually associated with their core sound like funk grooves, tribal drum patterns, and softer ballads to varying degrees of success. While Presto doesn’t have the crisp production of Moving Pictures or the auditory immediacy of Permanent Waves, songs like The Pass and Available Light hold their own in the band’s extensive catalog. "[+]Reply
"Toad the Wet Sprocket is one of those perfect artists for the void left between Kurt's passing and "what came next". Tortured, introspective, conflicted and yet melodic, i'd consider this alternative album near-great if not for the over-extended, non-hooky closing dirge. If you want a good exampl...""Toad the Wet Sprocket is one of those perfect artists for the void left between Kurt's passing and "what came next". Tortured, introspective, conflicted and yet melodic, i'd consider this alternative album near-great if not for the over-extended, non-hooky closing dirge. If you want a good example, start with "windmills" or "fly from heaven". In "windmills" he delicately divulges: "there's something that you won't show / waiting where the light goes / maybe anywhere the wind blows / it's all worth waiting for". The drums are wide but hit soft, like a phil collins signature drum song muted in the distance. And "nanci" is a bit of chick-swapping fun that has one of the neatest lines: "I can't believe you / You bend your words like Uri Geller's spoons". "Fall Down" was the hit."[+]Reply