Heaven Come Crashing (studio album) by Rachika Nayar

Heaven Come Crashing by Rachika Nayar
Year: 2022
Release date: 2022-08-26
Overall rank: 22,098th   Overall chart historyOverall chart history
Average Rating: 
71/100 (from 10 votes)
  Ratings distributionRatings distribution   Average rating historyAverage rating history
Accolades:
Award Top albums of 2022 (377th)
Award Top albums of the 2020s (1,774th)
Award Best albums of all time (22,098th)
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Rachika Nayar - Heaven Come Crashing Vinyl Limited Ed. Metallic Gold Sealed
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Rachika Nayar Heaven Come Crashing (Vinyl)
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Rachika Nayar bestography

Heaven Come Crashing is ranked as the best album by Rachika Nayar.

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Heaven Come Crashing track list

  Track ratingsTrack ratings The tracks on this album have an average rating of 75 out of 100 (all tracks have been rated).

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Average Rating: 
71/100 (from 10 votes)
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65/100
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07/02/2025 09:50 Igtonumama  Ratings distributionRatings distribution 10,73862/100
 
75/100
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06/06/2023 13:56 MarquisMarc  Ratings distributionRatings distribution 98578/100
 
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03/13/2023 00:21 DLPJR  Ratings distributionRatings distribution 17479/100
 
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03/08/2023 22:19 angryandy  Ratings distributionRatings distribution 2,19271/100
 
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01/06/2023 05:44 MadhattanJack  Ratings distributionRatings distribution 4,63866/100

Rating metrics: Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some albums can have several thousand ratings)

This album has a Bayesian average rating of 71.4/100, a mean average of 70.5/100, and a trimmed mean (excluding outliers) of 70.5/100. The standard deviation for this album is 10.8.

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Rating:  
75/100
From 11/03/2022 02:43
Nayar wrote on an instagram post of hers: "despite what my ig vids seem to indicate, none of my actual music is post-rock or midwestern emo lol," and this is kinda both true and untrue. Nayar is a guitarist – she uses a lot of modulation pedals. I haven't tried to ascertain which exact pedals she uses on this album, but there's clearly, beyond the standard mainstay of rock pedals, an adoption of LFO pedals and octave generators, maybe a Red Panda Particle or some Hologram pedals. Music journalists at large, spring-boarding off Nayar's own Bandcamp summation of her work, have jumped on the very basic idea that she "uses her guitar as the primary source for sound design, mutating the instrument beyond recognition through layers of digital processing." While useful to the public at large, there's a small albeit important technical distinction here, in that these new pedals with inbuilt LFOs and small VCOs which receive triggers from the frequencies generated – in this case by an electric guitar – are not so much mutating the instrument but are instruments in themselves creating music in a kind of automated harmony with the voltages coming through them. So, when Nayar said what she said about her playing, what she's really talking about is that her compositions – the actual practical physical act of plucking strings on a guitar and constructing melodies – is quintessential post-rock. When she plays this, it feeds into her electronic equipment and a set of additional sounds are generated in parallel. All that's left is a mixing decision: how much of the signal being recorded is "clean." On her short instagram videos, you hear 100% clean, on Heaven Come Crashing it's closer to 100% wet. So, without making some reductive queer reading of "trans"formative music better suited to an essay than a review, this is an album that is both post-rock and electronic simultaneously depending on where that mixer fader sits – regardless it's a pretty great example of either.
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