Heaven Come Crashing (studio album) by Rachika Nayar
Condition: New
Rachika Nayar bestography
Heaven Come Crashing is ranked as the best album by Rachika Nayar.
Upcoming concerts






Listen to Heaven Come Crashing on YouTube
Heaven Come Crashing track list
The tracks on this album have an average rating of 75 out of 100 (all tracks have been rated).
Heaven Come Crashing rankings
Latest 20 charts that this album appears in:
You can include this album in your own chart from the My Charts page!
Heaven Come Crashing collection
Showing all 3 members who have this album in their collection
Heaven Come Crashing ratings

where:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
Showing latest 5 ratings for this album. | Show all 10 ratings for this album.
Rating | Date updated | Member | Album ratings | Avg. album rating |
---|---|---|---|---|
65/100 ![]() | 07/02/2025 09:50 | ![]() | ![]() | 62/100 |
75/100 ![]() | 06/06/2023 13:56 | MarquisMarc | ![]() | 78/100 |
75/100 ![]() | 03/13/2023 00:21 | DLPJR | ![]() | 79/100 |
70/100 ![]() | 03/08/2023 22:19 | angryandy | ![]() | 71/100 |
80/100 ![]() | 01/06/2023 05:44 | ![]() | ![]() | 66/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some albums can have several thousand ratings)
This album has a Bayesian average rating of 71.4/100, a mean average of 70.5/100, and a trimmed mean (excluding outliers) of 70.5/100. The standard deviation for this album is 10.8.
Please log in or register if you want to be able to leave a rating
Heaven Come Crashing favourites
Showing all 2 members who have added this album as a favourite
Heaven Come Crashing comments
Showing all 1 comments |
Most Helpful First | Newest First | Maximum Rated First |
Longest Comments First
(Only showing comments with -2 votes or higher. You can alter this threshold from your profile page. Manage Profile)

Nayar wrote on an instagram post of hers: "despite what my ig vids seem to indicate, none of my actual music is post-rock or midwestern emo lol," and this is kinda both true and untrue. Nayar is a guitarist – she uses a lot of modulation pedals. I haven't tried to ascertain which exact pedals she uses on this album, but there's clearly, beyond the standard mainstay of rock pedals, an adoption of LFO pedals and octave generators, maybe a Red Panda Particle or some Hologram pedals. Music journalists at large, spring-boarding off Nayar's own Bandcamp summation of her work, have jumped on the very basic idea that she "uses her guitar as the primary source for sound design, mutating the instrument beyond recognition through layers of digital processing." While useful to the public at large, there's a small albeit important technical distinction here, in that these new pedals with inbuilt LFOs and small VCOs which receive triggers from the frequencies generated – in this case by an electric guitar – are not so much mutating the instrument but are instruments in themselves creating music in a kind of automated harmony with the voltages coming through them. So, when Nayar said what she said about her playing, what she's really talking about is that her compositions – the actual practical physical act of plucking strings on a guitar and constructing melodies – is quintessential post-rock. When she plays this, it feeds into her electronic equipment and a set of additional sounds are generated in parallel. All that's left is a mixing decision: how much of the signal being recorded is "clean." On her short instagram videos, you hear 100% clean, on Heaven Come Crashing it's closer to 100% wet. So, without making some reductive queer reading of "trans"formative music better suited to an essay than a review, this is an album that is both post-rock and electronic simultaneously depending on where that mixer fader sits – regardless it's a pretty great example of either.
Please log in or register if you want to be able to add a comment
Your feedback for Heaven Come Crashing

A lot of hard work happens in the background to keep BEA running, and it's especially difficult to do this when we can't pay our hosting fees :(
We work very hard to ensure our site is as fast (and FREE!) as possible, and we respect your privacy.