My Overall Chart: 1201-1300
by 
Romanelli 
- Chart updated: 04/13/2026 19:45
- (Created: 02/07/2024 18:49).
- Chart size: 100 albums.
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This chart is currently filtered to only show albums from the 1970s. (Remove this filter)
[First added to this chart: 02/05/2026]
[First added to this chart: 02/02/2025]
Year of Release:
1972
Appears in:
Rank Score:
334
Rank in 1972:
Rank in 1970s:
Overall Rank:
Average Rating:
Comments:
1971-A&M
Produced By HUMBLE PIE
1. Four Day Creep
2. I'm Ready
3. Stone Cold Fever
4. I Walk On Gilded Splinters
5. Rolling Stone
6. Hallelujah (I Love Her So)
7. I Don't Need No Doctor
Maybe Peter Frampton should have just made live albums. Before he was a teen idol, he was a member of Humble Pie. On their 5th album, the band, led by former Small Faces guitarist Steve Marriott, recorded 7 songs (only one original) for a sprawling, jammed out, boogie laden 2 record live set. This is about as hard as anyone rocked in 1971...it's loud and the guitar work is sometimes amazing. Frampton keeps Marriott balanced, and the rhythm section is drum tight. Unfortunately, there's excess here...Marriott, with his awful voice, desecrates Muddy Water's "Rolling Stone" with no shame, and the 23 minute "I Walk On Gilded Splinters" proves that Humble Pie was no Allman Brothers Band.
Frampton left just before the album was released to start a puzzling solo career. He never rocked this hard again. It's worthwhile, if for nothing else, to see what he was capable of besides "I'm In You". Marriott died in a fire in 1991, just as he and Frampton had started working together again. [First added to this chart: 01/26/2025]
Produced By HUMBLE PIE
1. Four Day Creep
2. I'm Ready
3. Stone Cold Fever
4. I Walk On Gilded Splinters
5. Rolling Stone
6. Hallelujah (I Love Her So)
7. I Don't Need No Doctor
Maybe Peter Frampton should have just made live albums. Before he was a teen idol, he was a member of Humble Pie. On their 5th album, the band, led by former Small Faces guitarist Steve Marriott, recorded 7 songs (only one original) for a sprawling, jammed out, boogie laden 2 record live set. This is about as hard as anyone rocked in 1971...it's loud and the guitar work is sometimes amazing. Frampton keeps Marriott balanced, and the rhythm section is drum tight. Unfortunately, there's excess here...Marriott, with his awful voice, desecrates Muddy Water's "Rolling Stone" with no shame, and the 23 minute "I Walk On Gilded Splinters" proves that Humble Pie was no Allman Brothers Band.
Frampton left just before the album was released to start a puzzling solo career. He never rocked this hard again. It's worthwhile, if for nothing else, to see what he was capable of besides "I'm In You". Marriott died in a fire in 1991, just as he and Frampton had started working together again. [First added to this chart: 01/26/2025]
23. (=)
1971 – UNITED ARTISTS
NO PRODUCTION CREDIT
1. Prolugue And “Tradition” & Main Title
2. Matchmaker
3. If I Were A Rich Man
4. Sabbath Prayer
5. To Life
6. Miracle Of Miracles
7. Tevye’s Dream
8. Wedding Procession
9. Sunrise, Sunset
10. Wedding Celebration And “The Bottle Dance”
11. First Act Finale
12. Entr’acte
13. Do You Love Me
14. Far From The Home I Love
15. Chava Ballet Sequence
16. The Rejection Scene
17. Anatevka
18. Finale
19. Any Day Now
One of the very few memories of my mother that involve her actually being happy was from when I was ten years old. She took me to the movie theater to see Fiddler On The Roof. I have never been a big fan of musical theater, but this film stayed with me forever…and a huge part of that was the music. Which brings me to the soundtrack album, which I obtained many years later. The music for this film is still stunning, amazingly tuneful. And after all of these years, I can still see the scenes as they played alongside the music. I can still see the players, mostly Tevye, who was played by an actor I never saw anywhere else named Topol. For me, the fact that this album can bring to mind so many images of the film it accompanied means that it has done its job very well.
The version I have is a 30th Anniversary edition, which is great because it contains a few tracks that were in the film but not on the original soundtrack album. It also contains “Every Day Now”, which was not in the film because the scene was cut. It is sung by one Paul Michael Glaser (he was in the film), who a few years later became best known as Starsky in the TV series Starsky & Hutch. The orchestra is conducted by John Williams, and all of those wonderful fiddle solos are played by Isaac Stern. So many classic songs here…”Tradition”, “If I Were A Rich Man”, “Sunrise, Sunset”. “Matchmaker”, and “To Life”. The film was fantastic, but for me, this is a masterpiece of how to be able to experience the greatness of a movie at home by simply playing the album. This is a great record, and truly one of my best childhood memories. [First added to this chart: 01/05/2025]
NO PRODUCTION CREDIT
1. Prolugue And “Tradition” & Main Title
2. Matchmaker
3. If I Were A Rich Man
4. Sabbath Prayer
5. To Life
6. Miracle Of Miracles
7. Tevye’s Dream
8. Wedding Procession
9. Sunrise, Sunset
10. Wedding Celebration And “The Bottle Dance”
11. First Act Finale
12. Entr’acte
13. Do You Love Me
14. Far From The Home I Love
15. Chava Ballet Sequence
16. The Rejection Scene
17. Anatevka
18. Finale
19. Any Day Now
One of the very few memories of my mother that involve her actually being happy was from when I was ten years old. She took me to the movie theater to see Fiddler On The Roof. I have never been a big fan of musical theater, but this film stayed with me forever…and a huge part of that was the music. Which brings me to the soundtrack album, which I obtained many years later. The music for this film is still stunning, amazingly tuneful. And after all of these years, I can still see the scenes as they played alongside the music. I can still see the players, mostly Tevye, who was played by an actor I never saw anywhere else named Topol. For me, the fact that this album can bring to mind so many images of the film it accompanied means that it has done its job very well.
The version I have is a 30th Anniversary edition, which is great because it contains a few tracks that were in the film but not on the original soundtrack album. It also contains “Every Day Now”, which was not in the film because the scene was cut. It is sung by one Paul Michael Glaser (he was in the film), who a few years later became best known as Starsky in the TV series Starsky & Hutch. The orchestra is conducted by John Williams, and all of those wonderful fiddle solos are played by Isaac Stern. So many classic songs here…”Tradition”, “If I Were A Rich Man”, “Sunrise, Sunset”. “Matchmaker”, and “To Life”. The film was fantastic, but for me, this is a masterpiece of how to be able to experience the greatness of a movie at home by simply playing the album. This is a great record, and truly one of my best childhood memories. [First added to this chart: 01/05/2025]
[First added to this chart: 02/07/2024]
1977 – ARISTA
Produced By ALAN PARSONS
1. I Robot
2. I Wouldn’t Want To Be Like You
3. Some Other Time
4. Breakdown
5. Don’t Let It Show
6. The Voice
7. Nucleus
8. Day After Day (The Show Must Go On)
9. Total Eclipse
10. Genesis Ch. 1 V. 32
Alan Parsons was a very well known and respected sound engineer who had worked on the last two Beatles albums (Abbey Road and Let It Be), as well as Pink Floyd’s The Dark Side Of The Moon. He turned down working on Floyd’s next album, Wish You Were Here, to form The Alan Parsons Project with Eric Woolfson. Their first album was a strange thing called Tales Of Mystery & Imagination, based on the works of Edgar Allan Poe. The second album was I Robot, which explores the science fiction concepts of Isaac Asimov. The Project was a strange band…Parsons & Woolfson were the only consistent members. They almost never played live, and neither sang lead (Woolfson would sing on later albums)…they used different vocalists on almost every song.
I Robot was a huge out of nowhere success. “I Wouldn’t Want To Be Like You” was a massive hit, and “Don’t Let It Show” was also popular. “Breakdown” is a highlight which still sneaks its way on the radio from time to time. “Day After Day (The Show Must Go On)” is another positive, and the instrumental title track works very well. In all, this little album about robots was quite a success. Parsons and Woolfson kept it up until 1990, releasing nine more albums with varying success. This one may be their finest, and it’s a good example of how the doors to different kinds of popular music were opening up in the late seventies. This one and Eye In The Sky from 1982 are the ones to have from the Project. Long live robot rock, that’s what I say! [First added to this chart: 04/29/2025]
Produced By ALAN PARSONS
1. I Robot
2. I Wouldn’t Want To Be Like You
3. Some Other Time
4. Breakdown
5. Don’t Let It Show
6. The Voice
7. Nucleus
8. Day After Day (The Show Must Go On)
9. Total Eclipse
10. Genesis Ch. 1 V. 32
Alan Parsons was a very well known and respected sound engineer who had worked on the last two Beatles albums (Abbey Road and Let It Be), as well as Pink Floyd’s The Dark Side Of The Moon. He turned down working on Floyd’s next album, Wish You Were Here, to form The Alan Parsons Project with Eric Woolfson. Their first album was a strange thing called Tales Of Mystery & Imagination, based on the works of Edgar Allan Poe. The second album was I Robot, which explores the science fiction concepts of Isaac Asimov. The Project was a strange band…Parsons & Woolfson were the only consistent members. They almost never played live, and neither sang lead (Woolfson would sing on later albums)…they used different vocalists on almost every song.
I Robot was a huge out of nowhere success. “I Wouldn’t Want To Be Like You” was a massive hit, and “Don’t Let It Show” was also popular. “Breakdown” is a highlight which still sneaks its way on the radio from time to time. “Day After Day (The Show Must Go On)” is another positive, and the instrumental title track works very well. In all, this little album about robots was quite a success. Parsons and Woolfson kept it up until 1990, releasing nine more albums with varying success. This one may be their finest, and it’s a good example of how the doors to different kinds of popular music were opening up in the late seventies. This one and Eye In The Sky from 1982 are the ones to have from the Project. Long live robot rock, that’s what I say! [First added to this chart: 04/29/2025]
Year of Release:
1977
Appears in:
Rank Score:
989
Rank in 1977:
Rank in 1970s:
Overall Rank:
Average Rating:
Comments:
1979-ATCO
Produced By AL NALLI & HENRY WECK
1. Road Fever
2. I Got A Line On You
3. Left Turn On A Red Light
4. Pay My Dues
5. Baby Blue
6. Wishing Well
7. Run And Hide
8. Train, Train (Prelude)
9. Train, Train
10. Highway Song
Blackfoot was a minor player in the Southern Rock of the 70’s and 80’s. They were good enough players, but the problem may have been that they just didn’t have the songwriting chops to stand out: exactly half of the tracks on Strikes, their most successful album, are covers. “Train, Train” was written by frontman Rickey Medlocke’s grandfather, while the rest were from Spirit (“I Got A Line On You”), Blues Image (“Pay My Dues”), and Free (“Wishing Well”). Their own song, “Highway Song”, was a minor hit.
After the demise of Lynyrd Skynyrd, Southern Rock was fading, so Blackfoot changed their image and sound to a harder rock after this album, without much success. They last released an album in 1994, but they are still going to this day, although now none of the original members are present, and none from this album. Must be strange to see these guys on an oldies circuit and wonder who the hell they are…or were. [First added to this chart: 02/07/2024]
Produced By AL NALLI & HENRY WECK
1. Road Fever
2. I Got A Line On You
3. Left Turn On A Red Light
4. Pay My Dues
5. Baby Blue
6. Wishing Well
7. Run And Hide
8. Train, Train (Prelude)
9. Train, Train
10. Highway Song
Blackfoot was a minor player in the Southern Rock of the 70’s and 80’s. They were good enough players, but the problem may have been that they just didn’t have the songwriting chops to stand out: exactly half of the tracks on Strikes, their most successful album, are covers. “Train, Train” was written by frontman Rickey Medlocke’s grandfather, while the rest were from Spirit (“I Got A Line On You”), Blues Image (“Pay My Dues”), and Free (“Wishing Well”). Their own song, “Highway Song”, was a minor hit.
After the demise of Lynyrd Skynyrd, Southern Rock was fading, so Blackfoot changed their image and sound to a harder rock after this album, without much success. They last released an album in 1994, but they are still going to this day, although now none of the original members are present, and none from this album. Must be strange to see these guys on an oldies circuit and wonder who the hell they are…or were. [First added to this chart: 02/07/2024]
1973 – COLUMBIA
Produced By IGGY POP & DAVID BOWIE
1. Search And Destroy
2. Gimme Danger
3. Your Pretty Face Is Going To Hell
4. Penetration
5. Raw Power
6. I Need Somebody
7. Shake Appeal
8. Death Trip
Let’s just start with the one fact you need to know about Raw Power. In his journals, Kurt Cobain listed this album as his favorite of all time. And it’s true that you can hear the influence of the third (and, in effect, final) Stooges album not only in the music of Nirvana, but also in every good punk band that has ever existed. Predating the introduction of The Sex Pistols by two years, Raw Power is the stuff of legend. There are two ballads on the album, but only because the band wasn’t selling records and their label insisted so that it would be more commercial. It didn’t work, the album sold nothing, and they were dropped by Columbia. The band had already broken up over substance abuse problems, brought back together when Iggy Pop couldn’t find the right musicians in England. David Bowie was brought in to save the project after Pop’s production yielded only three tracks, with his vocals on one side and the rest of the band on the other.
The one track here that gets to me is “Your Pretty Face Is Going To Hell”. This track is more punk than almost all of the punk you’ve ever heard. Pop’s vocals are clipping alarmingly, almost turning to straight feedback. The absolute fury of this song has to be experienced: it’s what punk was really always supposed to sound like. No studio tricks, not over produced…just raw power. And even though the title track is clumsy (the lyrical flow is just bad), and the two ballads, “Gimme Danger” and “I Need Somebody”, aren’t a perfect fit, this album is a furious and exciting work that has to be experienced. The Stooges broke up afterward, and Iggy got clean and went solo. Pop is, in fact, the only living original member of the Stooges now. His career has been fruitful, but the power, the fury, and the pure energy of this album were career defining for him, and it remains one of the most important documents in the history of punk rock. And Kurt Cobain agrees. [First added to this chart: 10/08/2025]
Produced By IGGY POP & DAVID BOWIE
1. Search And Destroy
2. Gimme Danger
3. Your Pretty Face Is Going To Hell
4. Penetration
5. Raw Power
6. I Need Somebody
7. Shake Appeal
8. Death Trip
Let’s just start with the one fact you need to know about Raw Power. In his journals, Kurt Cobain listed this album as his favorite of all time. And it’s true that you can hear the influence of the third (and, in effect, final) Stooges album not only in the music of Nirvana, but also in every good punk band that has ever existed. Predating the introduction of The Sex Pistols by two years, Raw Power is the stuff of legend. There are two ballads on the album, but only because the band wasn’t selling records and their label insisted so that it would be more commercial. It didn’t work, the album sold nothing, and they were dropped by Columbia. The band had already broken up over substance abuse problems, brought back together when Iggy Pop couldn’t find the right musicians in England. David Bowie was brought in to save the project after Pop’s production yielded only three tracks, with his vocals on one side and the rest of the band on the other.
The one track here that gets to me is “Your Pretty Face Is Going To Hell”. This track is more punk than almost all of the punk you’ve ever heard. Pop’s vocals are clipping alarmingly, almost turning to straight feedback. The absolute fury of this song has to be experienced: it’s what punk was really always supposed to sound like. No studio tricks, not over produced…just raw power. And even though the title track is clumsy (the lyrical flow is just bad), and the two ballads, “Gimme Danger” and “I Need Somebody”, aren’t a perfect fit, this album is a furious and exciting work that has to be experienced. The Stooges broke up afterward, and Iggy got clean and went solo. Pop is, in fact, the only living original member of the Stooges now. His career has been fruitful, but the power, the fury, and the pure energy of this album were career defining for him, and it remains one of the most important documents in the history of punk rock. And Kurt Cobain agrees. [First added to this chart: 10/08/2025]
Year of Release:
1973
Appears in:
Rank Score:
5,270
Rank in 1973:
Rank in 1970s:
Overall Rank:
Average Rating:
Comments:
1973 – COLUMBIA
Produced By MICHAEL STEWART
1. Travelin’ Prayer
2. Piano Man
3. Ain’t No Crime
4. You’re My Home
5. The Ballad Of Billy The Kid
6. Worse Comes To Worst
7. Stop In Nevada
8. If I Only Had The Words (To Tell You)
9. Somewhere Along The Line
10. Captain Jack
Billy Joel wasn’t just an immediate star. He battled his way through the second half of the 1960’s, recording a pair of albums with The Hassles, and one with the duo Atilla (which was once called the worst rock & roll record ever recorded). Joel went solo at the dawn of the seventies, and released his debut album, Cold Spring Harbor, which was an absolute flop. Everything changed in 1973 with his second album, Piano Man, and that title song that has lived on for more than fifty years. His career has been nothing short of extraordinary, but it all comes back to that song. It’s not his highest charting single, but it is the best selling. The lyrical story of the view from behind the piano at a bar filled with well served regulars struck a chord, and made Joel a star. He would never look back.
Piano Man is bookended by two songs. The title track, of course, and the seven minute closer, “Captain Jack”. The song that got him signed to Columbia, “Captain Jack” tells the tale of a heroin dealer and urban issues. It’s a glimpse into Joel’s future attempts to be a heavier rocker than he is, but it’s still pretty great. The rest of Piano Man is not as notable. “Travelin’ Prayer” and “Worse Comes To Worst” were minor hits. And there’s the kind of woeful “The Ballad Of Billy The Kid”, which predates Bon Jovi’s not so clever trick of using a six gun as a modern metaphor in “Wanted Dead Or Alive”. Piano Man is the album that started the surge for Billy Joel, but outside of the two main songs, it’s not high on the scale of greatness. Better to have those songs on a greatest hits compilation. [First added to this chart: 11/11/2025]
Produced By MICHAEL STEWART
1. Travelin’ Prayer
2. Piano Man
3. Ain’t No Crime
4. You’re My Home
5. The Ballad Of Billy The Kid
6. Worse Comes To Worst
7. Stop In Nevada
8. If I Only Had The Words (To Tell You)
9. Somewhere Along The Line
10. Captain Jack
Billy Joel wasn’t just an immediate star. He battled his way through the second half of the 1960’s, recording a pair of albums with The Hassles, and one with the duo Atilla (which was once called the worst rock & roll record ever recorded). Joel went solo at the dawn of the seventies, and released his debut album, Cold Spring Harbor, which was an absolute flop. Everything changed in 1973 with his second album, Piano Man, and that title song that has lived on for more than fifty years. His career has been nothing short of extraordinary, but it all comes back to that song. It’s not his highest charting single, but it is the best selling. The lyrical story of the view from behind the piano at a bar filled with well served regulars struck a chord, and made Joel a star. He would never look back.
Piano Man is bookended by two songs. The title track, of course, and the seven minute closer, “Captain Jack”. The song that got him signed to Columbia, “Captain Jack” tells the tale of a heroin dealer and urban issues. It’s a glimpse into Joel’s future attempts to be a heavier rocker than he is, but it’s still pretty great. The rest of Piano Man is not as notable. “Travelin’ Prayer” and “Worse Comes To Worst” were minor hits. And there’s the kind of woeful “The Ballad Of Billy The Kid”, which predates Bon Jovi’s not so clever trick of using a six gun as a modern metaphor in “Wanted Dead Or Alive”. Piano Man is the album that started the surge for Billy Joel, but outside of the two main songs, it’s not high on the scale of greatness. Better to have those songs on a greatest hits compilation. [First added to this chart: 11/11/2025]
Year of Release:
1973
Appears in:
Rank Score:
562
Rank in 1973:
Rank in 1970s:
Overall Rank:
Average Rating:
Comments:
1977-POLYDOR
Produced By BILL OAKES
1. Stayin’ Alive (Bee Gees)
2. How Deep Is Your Love (Bee Gees)
3. Night Fever (Bee Gees)
4. More Than A Woman (Bee Gees)
5. If I Can’t Have You (Yvonne Elliman)
6. A Fifth Of Beethoven (Walter Murphy)
7. More Than A Woman (Tavares)
8. Manhattan Skyline (David Shire)
9. Calypso Breakdown (Ralph McDonald)
10. Night On Disco Mountain (David Shire)
11. Open Sesame (Kool & The Gang)
12. Jive Talkin’ (Bee Gees)
13. You Should Be Dancin’ (Bee Gees)
14. Boogie Shoes (KC & The Sunshine Band)
15. Salsation (David Shire)
16. K-Jee (M.F.S.B.)
17. Disco Inferno (The Trammps)
If you were a rocker in the late seventies, this was maybe the most terrifying thing in your universe. Disco. The anti-rock. The thing that changed rock stages into DJ booths. Truth is, disco was actually much closer to funk and soul music than most of what followed in its wake. And the genre’s best group, the Bee Gees, were no slouches. But, a lot of the music was also pretty empty and pointless…except for the message of get up and dance. And then there was this movie which made it all bigger than it ever would have been on its own.
Saturday Night Fever as a movie was awful. As a soundtrack, this is what 1977 to the early 80’s was all about. Led by 6 Bee Gees tracks, this album is simply the best of disco. Even the score music gets it right, and songs by Kool & The Gang, Tavares, KC & The Sunshine Band and The Trammps make it a hell of a party. You may have not liked disco, but you have to admit it…this is one hell of an album. Disco burned itself out really fast, and most of it is deservedly forgotten. This is the best of the whole thing, and as an album, it’s pretty damn good. SNF is the ultimate time capsule. Don’t hate. Disco can’t hurt you any more. [First added to this chart: 02/12/2024]
Produced By BILL OAKES
1. Stayin’ Alive (Bee Gees)
2. How Deep Is Your Love (Bee Gees)
3. Night Fever (Bee Gees)
4. More Than A Woman (Bee Gees)
5. If I Can’t Have You (Yvonne Elliman)
6. A Fifth Of Beethoven (Walter Murphy)
7. More Than A Woman (Tavares)
8. Manhattan Skyline (David Shire)
9. Calypso Breakdown (Ralph McDonald)
10. Night On Disco Mountain (David Shire)
11. Open Sesame (Kool & The Gang)
12. Jive Talkin’ (Bee Gees)
13. You Should Be Dancin’ (Bee Gees)
14. Boogie Shoes (KC & The Sunshine Band)
15. Salsation (David Shire)
16. K-Jee (M.F.S.B.)
17. Disco Inferno (The Trammps)
If you were a rocker in the late seventies, this was maybe the most terrifying thing in your universe. Disco. The anti-rock. The thing that changed rock stages into DJ booths. Truth is, disco was actually much closer to funk and soul music than most of what followed in its wake. And the genre’s best group, the Bee Gees, were no slouches. But, a lot of the music was also pretty empty and pointless…except for the message of get up and dance. And then there was this movie which made it all bigger than it ever would have been on its own.
Saturday Night Fever as a movie was awful. As a soundtrack, this is what 1977 to the early 80’s was all about. Led by 6 Bee Gees tracks, this album is simply the best of disco. Even the score music gets it right, and songs by Kool & The Gang, Tavares, KC & The Sunshine Band and The Trammps make it a hell of a party. You may have not liked disco, but you have to admit it…this is one hell of an album. Disco burned itself out really fast, and most of it is deservedly forgotten. This is the best of the whole thing, and as an album, it’s pretty damn good. SNF is the ultimate time capsule. Don’t hate. Disco can’t hurt you any more. [First added to this chart: 02/12/2024]
Year of Release:
1977
Appears in:
Rank Score:
1,092
Rank in 1977:
Rank in 1970s:
Overall Rank:
Average Rating:
Comments:
Total albums: 15. Page 1 of 2
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My Overall Chart: 1201-1300 composition
| Decade | Albums | % | |
|---|---|---|---|
| 1930s | 0 | 0% | |
| 1940s | 0 | 0% | |
| 1950s | 1 | 1% | |
| 1960s | 2 | 2% | |
| 1970s | 15 | 15% | |
| 1980s | 17 | 17% | |
| 1990s | 34 | 34% | |
| 2000s | 28 | 28% | |
| 2010s | 3 | 3% | |
| 2020s | 0 | 0% |
| Artist | Albums | % | |
|---|---|---|---|
|
|
|||
| Radiohead | 2 | 2% | |
| Various Artists | 2 | 2% | |
| Cyndi Lauper | 1 | 1% | |
| Beastie Boys | 1 | 1% | |
| Bon Iver | 1 | 1% | |
| Marc Ford | 1 | 1% | |
| B.B. King | 1 | 1% | |
| Show all | |||
My Overall Chart: 1201-1300 chart changes
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n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
My Overall Chart: 1201-1300 favourites
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A lot of hard work happens in the background to keep BEA running, and it's especially difficult to do this when we can't pay our hosting fees :(
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A lot of hard work happens in the background to keep BEA running, and it's especially difficult to do this when we can't pay our hosting fees :(
We work very hard to ensure our site is as fast (and FREE!) as possible, and we respect your privacy.
