My Overall Chart: 1201-1300
by 
Romanelli 
- Chart updated: 44 hours ago
- (Created: 02/07/2024 18:49).
- Chart size: 100 albums.
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2010 – ARISTA NASHVILLE
Produced By KEITH STEGALL
1. Hard Hat And A Hammer
2. Every Now And Then
3. After 17
4. It’s Just That Way
5. Freight Train
6. Taillights Blue
7. I Could Get Used To This Lovin’ Thing
8. Till The End (Feat. Lee Ann Womack)
9. That’s Where I Belong
10. Big Green Eyes
11. True Love Is A Golden Ring
12. The Best Keeps Getting Better
Alan Jackson has been a mainstay of country music since the late eighties, helping to keep Nashville as honest as he can by staying true to his neotraditional roots. Freight Train is album number fourteen for Jackson, falling just short of being his sixth consecutive number one. What you get from Jackson on Freight Train is what you always get. Well played real country music that stays away from the Nashville pop formulas. Jackson wrote just over half of the songs here, and the musicianship is outstanding. His voice is solid and strong and reassuring. This is one of those great country singers that you simply can’t go wrong with, because he releases albums that are always very good. And as a bonus, that train on the cover is pretty darn neat.
The high points here are, as is always the case with Jackson, what you want his albums for. “It’s Just That Way” and “Hard Hat And A Hammer” are not the number one hits he used to have, but they are really fine. Where this album really shines is in the upbeat material. “I Could Get Used To This Lovin’ Thing” has a great bouncy and catchy chorus, while the fiery playing on the title track is worth having the album for alone. And the duet with Lee Ann Womack, “Till The End”, recalls the days of George and Tammy. Alan Jackson’s devotion to the traditional roots of Nashville is more than admirable…it’s something we should be thankful for. Thanks for keeping this brand of country music alive and thriving. Jackson’s albums are all worth at least a listen or two. [First added to this chart: 12/29/2025]
Produced By KEITH STEGALL
1. Hard Hat And A Hammer
2. Every Now And Then
3. After 17
4. It’s Just That Way
5. Freight Train
6. Taillights Blue
7. I Could Get Used To This Lovin’ Thing
8. Till The End (Feat. Lee Ann Womack)
9. That’s Where I Belong
10. Big Green Eyes
11. True Love Is A Golden Ring
12. The Best Keeps Getting Better
Alan Jackson has been a mainstay of country music since the late eighties, helping to keep Nashville as honest as he can by staying true to his neotraditional roots. Freight Train is album number fourteen for Jackson, falling just short of being his sixth consecutive number one. What you get from Jackson on Freight Train is what you always get. Well played real country music that stays away from the Nashville pop formulas. Jackson wrote just over half of the songs here, and the musicianship is outstanding. His voice is solid and strong and reassuring. This is one of those great country singers that you simply can’t go wrong with, because he releases albums that are always very good. And as a bonus, that train on the cover is pretty darn neat.
The high points here are, as is always the case with Jackson, what you want his albums for. “It’s Just That Way” and “Hard Hat And A Hammer” are not the number one hits he used to have, but they are really fine. Where this album really shines is in the upbeat material. “I Could Get Used To This Lovin’ Thing” has a great bouncy and catchy chorus, while the fiery playing on the title track is worth having the album for alone. And the duet with Lee Ann Womack, “Till The End”, recalls the days of George and Tammy. Alan Jackson’s devotion to the traditional roots of Nashville is more than admirable…it’s something we should be thankful for. Thanks for keeping this brand of country music alive and thriving. Jackson’s albums are all worth at least a listen or two. [First added to this chart: 12/29/2025]
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[First added to this chart: 02/07/2024]
Year of Release:
2011
Appears in:
Rank Score:
8,416
Rank in 2011:
Rank in 2010s:
Overall Rank:
Average Rating:
Comments:
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2011 – JARRAH
Produced By JOHN BUTLER
1. Introduction
2. Used To Get High
3. I’d Do Anything
4. Betterman
5. Don’t Wanna See Your Face
6. Revolution
7. Hoe Down
8. Better Than
9. Johnny’s Gone
10. Take Me
11. Treat Yo Mama
12. Losing You (Feat. Mama Kin)
13. Intro To Ocean
14. Ocean
1. Ragged Mile
2. Zebra
3. Good Excuse
4. C’mon Now
5. Close To You
6. Peaches And Cream
7. One Way Road
8. Funky Tonight
The John Butler Trio hails from Australia, and has one weapon that separates it from the rest of the Dave Matthews clones that came out in the 90’s. The guitar playing of John Butler is nothing short of amazing. The rhythm section (2/3 of the trio) has changed several times over the years, but the constant Butler owns the stage with whoever else is in the band at the time. Live At Red Rocks was recorded at the popular natural amphitheater in Colorado in 2010, and is an exceptional example of the power of a Butler show. Unlike many live albums, this was not a series of performances from different shows spliced together…this was all recorded from one show. Butler, who plays mostly acoustic guitar with a myriad of effects, is always interesting, always on, and is one of the more energetic players you will ever hear.
The thing that has always kept Butler from having huge success is in the songwriting. His songs always feature great playing and usually a socially conscience message of some kind, but more often than not tend to be lacking in the melodic department. Butler does his best to make up for it, and the rhythm section of Bryon Luiters and Nicky Bomba are tight as a drum. There are times when you might lose interest here, but they will draw you right back in on the stronger tracks like “Used To Get High” and “Treat Yo Mama”. The real selling point of Live At Red Rocks is the twelve minute workout “Ocean”, which showcases everything that is great about Butler and ends with you wanting even more. As with anything by this band, the magic happens when Butler is at the helm creating great moment after great moment on guitar. This alone makes the 2 disc set worthwhile. [First added to this chart: 05/28/2024]
Produced By JOHN BUTLER
1. Introduction
2. Used To Get High
3. I’d Do Anything
4. Betterman
5. Don’t Wanna See Your Face
6. Revolution
7. Hoe Down
8. Better Than
9. Johnny’s Gone
10. Take Me
11. Treat Yo Mama
12. Losing You (Feat. Mama Kin)
13. Intro To Ocean
14. Ocean
1. Ragged Mile
2. Zebra
3. Good Excuse
4. C’mon Now
5. Close To You
6. Peaches And Cream
7. One Way Road
8. Funky Tonight
The John Butler Trio hails from Australia, and has one weapon that separates it from the rest of the Dave Matthews clones that came out in the 90’s. The guitar playing of John Butler is nothing short of amazing. The rhythm section (2/3 of the trio) has changed several times over the years, but the constant Butler owns the stage with whoever else is in the band at the time. Live At Red Rocks was recorded at the popular natural amphitheater in Colorado in 2010, and is an exceptional example of the power of a Butler show. Unlike many live albums, this was not a series of performances from different shows spliced together…this was all recorded from one show. Butler, who plays mostly acoustic guitar with a myriad of effects, is always interesting, always on, and is one of the more energetic players you will ever hear.
The thing that has always kept Butler from having huge success is in the songwriting. His songs always feature great playing and usually a socially conscience message of some kind, but more often than not tend to be lacking in the melodic department. Butler does his best to make up for it, and the rhythm section of Bryon Luiters and Nicky Bomba are tight as a drum. There are times when you might lose interest here, but they will draw you right back in on the stronger tracks like “Used To Get High” and “Treat Yo Mama”. The real selling point of Live At Red Rocks is the twelve minute workout “Ocean”, which showcases everything that is great about Butler and ends with you wanting even more. As with anything by this band, the magic happens when Butler is at the helm creating great moment after great moment on guitar. This alone makes the 2 disc set worthwhile. [First added to this chart: 05/28/2024]
Total albums: 3. Page 1 of 1
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My Overall Chart: 1201-1300 composition
| Decade | Albums | % | |
|---|---|---|---|
| 1930s | 0 | 0% | |
| 1940s | 0 | 0% | |
| 1950s | 0 | 0% | |
| 1960s | 2 | 2% | |
| 1970s | 13 | 13% | |
| 1980s | 18 | 18% | |
| 1990s | 37 | 37% | |
| 2000s | 27 | 27% | |
| 2010s | 3 | 3% | |
| 2020s | 0 | 0% |
| Artist | Albums | % | |
|---|---|---|---|
|
|
|||
| Dixie Chicks | 2 | 2% | |
| OutKast | 2 | 2% | |
| B.B. King | 2 | 2% | |
| Neil Young | 2 | 2% | |
| Queen | 2 | 2% | |
| Kanye West | 2 | 2% | |
| Various Artists | 2 | 2% | |
| Show all | |||
My Overall Chart: 1201-1300 chart changes
| Biggest fallers |
|---|
| Down 1 from 1st to 2ndFreight Train by Alan Jackson |
| Down 1 from 2nd to 3rdBlame It On Gravity by Old 97's |
| Down 1 from 3rd to 4thCome Away With Me by Norah Jones |
| New entries |
|---|
| Up The Bracket by The Libertines |
| Leavers |
|---|
| I Still Believe In You by Vince Gill |
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