Listed below are the best albums of the 2020s (so far) as calculated from their overall rankings in over 59,000 greatest album charts. (Chart last updated: 3 hours ago).
"Night Palace has been celebrated online as the Mount Eerie album that sounds the most like Phil Elverum's work in the Microphones. It's interesting that this would happen when the solo project has covered so much ground that builds on different aspects of the Microphones sound, whether that's the...""Night Palace has been celebrated online as the Mount Eerie album that sounds the most like Phil Elverum's work in the Microphones. It's interesting that this would happen when the solo project has covered so much ground that builds on different aspects of the Microphones sound, whether that's the quiet and intimate songwriting (Dawn, No Flashlight), the fuzzy loudness (Wind's Poem, Ocean Roar) and intensely personal lyrics (A Crow Looked At Me, Lost Wisdom), so why does Night Palace evoke these elements more? I think the key property of the record is its willingness to mix loud and quiet and to build on particular ideas. The first point in particular helps create that epic scope associated with Phil's 2000s era work, a completely loud album doesn't necessarily have this effect because there isn't a point of reference, whereas songs that include both create small and massive objects, with the former often swallowing up the latter. Think of the transition from the closing chords of I Felt Your Shape into the opening of Samurai Sword, that track would always sound noisy but after something so gentle it's like the loudest sound you've ever heard. The album Mount Eerie pushed this further, with fragile sounding vocals and acoustic guitars crashing up against thunderous drums, piercing electric guitars and walls of noise. It happens again here, the slow opening of Breaths is expanded by distorted drums and guitars, this is then ripped apart by Swallowed Alive (I'm still not 100% sure what we're even hearing on this track). I Need New Eyes is built around Phil's ever gentle vocals, but even the backing vocals are bolstered by an electric fuzz, making it all feel enclosed in something massive.
Night Palace isn't just great because it recalls some great records from 20-25 years ago though. Many tracks have a cleaner sound and more straightforward progression, both of which work brilliantly as they never totally dominate the tracklist. The guitar work in Huge Fire is stunning, there's a beauty in the soft smoothness of I Walk and the quiet interplay between the piano and backing vocals at the start of I Heard Whales provides a strong counterpoint to the build up of noise. Like a number of Phil's recent records this one looks to and draws from the past without just emulating it, instead these ideas are reapplied to the less harsh and experimental music that he makes now.
Maybe the biggest departure from previous work is the introduction of a political viewpoint regarding the land and nature that's always played a huge role in Phil's music. The land of the Pacific North West has often had this almost scared feel in the past, an unchanging landscape that creates a humility in how small it makes one feel. Night Palace deals with much tougher questions of how this land came to be what it is, observations like "only ten thousand years ago there were meadows here" and talk of mountains running like a stream that we are too short lived to see flow view this are as changing like everything else. It makes it as susceptible as anywhere or anyone else to the forces of greed (November Rain, Co Owner of Trees) and imperialism (Non Metaphorical Decolonisation and the mention of fighter jets on Demolition). Its a radical step into new territory for a project that's focused on the self and on the universe, without considering much of what's in between."[+]Reply
"I can fully understand why people may not like this record, especially if you are only familiar with Teens and Twin Fantasy. But dig deeper and go further back and you will discover that this is the kind of sound that Will has been adding to his much earlier records in small doses, but now with a...""I can fully understand why people may not like this record, especially if you are only familiar with Teens and Twin Fantasy. But dig deeper and go further back and you will discover that this is the kind of sound that Will has been adding to his much earlier records in small doses, but now with a label behind him he is able to push the sound forward and make it his own. I didn't really vibe with the singles released leading up the album, but after the full release it all started to come together (For the most part). 'Weightlifters' is a great opener, 'Can't Cool Me Down' is a grower, despite falling short in my opinion. And the two 'Deadline' tracks are a lot of fun, with 'Thoughtful' being my favourite of the two, as Will really gets experimental with sounds. Unfortunately tracks like 'Hollywood' and 'Hymn (Remix) will never land for me. Despite the awesome guitar work in 'Hollywood', it's far too goofy vocally for my taste, With what sounds like Andrew is shouting with his mouth stuffed with Marshmallows or something (idk). The album leads up to 'There Must Be More Blood' and 'Life Worth Missing' which sounds closest to anything off the 'Teens of Denial' record and are great tunes. Unfortunately the closing track 'Famous' really leaves a lot to desire and doesn't satisfy me at all.
Favourite Tracks:
Weightlifters
Can't Cool Me Down
Martin
Deadlines (Thoughtful)
Life Worth Missing
There Must Be More Blood
Least Favourite:
Hollywood
Hymn (Remix)
Famous
Rating: 7.5
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"Such a cool band. This album doesn't disappoint. First track is one of those slow building songs which plays as a nice ramp up to their killer single Processed by the Boys. This release is just as cool as their older stuff but with a continuous spooky wind instrument type thing going on throughou...""Such a cool band. This album doesn't disappoint. First track is one of those slow building songs which plays as a nice ramp up to their killer single Processed by the Boys. This release is just as cool as their older stuff but with a continuous spooky wind instrument type thing going on throughout. Dig it so much!"[+]Reply
"‘O Monolith’ doesn’t quite reach the lofty peaks of ‘Bright Green Field’ in my humble opinion, but still proves itself as a worthy sophomore album nonetheless."Reply
"Manchester Orchestra from Atlanta Georgia release another excellent conceptual album coming on the heals of the previous ‘Black Mile to the Surface’ which explored Welsh Mining and Miners, this time around its death, dying and life Simply gorgeous release"Reply
"I don't know how they can put out so much quality but they do and this is no exception. Slap after slap with no filler. The sounds of a band with a complete mastery of their output and an ability to do pretty much whatever they want."Reply
"Really good album. I never fell in love with Reunions (the last one). I have a feeling Weathervanes will be on repeat for me. After one listen I feel like I like it as least as much as Nashville Sound. Great songwriting. "From the gut" lyrics. Music is Isebellian - nothing that radically new soun...""Really good album. I never fell in love with Reunions (the last one). I have a feeling Weathervanes will be on repeat for me. After one listen I feel like I like it as least as much as Nashville Sound. Great songwriting. "From the gut" lyrics. Music is Isebellian - nothing that radically new sounding, but there are a few surprises. "[+]Reply
"Production is reminiscent of Daniel Lanois classics without the excesses (check out the guitar tones on "Alibi"). Great Americana soundscape with vulnerable, emotive lyrics, good story telling, and one of my favorite voices in music. There are some tragic themes here, but there is redemption. Hur...""Production is reminiscent of Daniel Lanois classics without the excesses (check out the guitar tones on "Alibi"). Great Americana soundscape with vulnerable, emotive lyrics, good story telling, and one of my favorite voices in music. There are some tragic themes here, but there is redemption. Hurray has gotten better with every album and this is their best and most consistent one yet. "[+]Reply