Listed below are the best albums of the 2020s (so far) as calculated from their overall rankings in over 59,000 greatest album charts. (Chart last updated: 4 hours ago).
"I never thought I woud actually enjoy this album, but I did! It took a couple of listens, but i really enjoyed this! Fav track: Angel Haïti Worst track: Bliss and stupidity"Reply
"Amazing album. Travis does not continue with his "Astroworld" Sound, and instead pursues a darker and more experimental sound for his 4th Studio Album. Songs like CIRCUS MAXIMUS and F!EN are very trap, and also masterpieces in their own right. LOST FOREVER with Westside Gunn has an awsome beat, a...""Amazing album. Travis does not continue with his "Astroworld" Sound, and instead pursues a darker and more experimental sound for his 4th Studio Album. Songs like CIRCUS MAXIMUS and F!EN are very trap, and also masterpieces in their own right. LOST FOREVER with Westside Gunn has an awsome beat, and the production all around the album is outerwordly. I Fear this album might not get the recognition it deserves here on this website, as with so many other hip-hop albums. But for me, this album takes over as AOTY (For me)."[+]Reply
"I was sceptical when I first went into this album as I wasn't sure if the group could capture the same magic they had on their record they released this year but I was very quickly proven wrong. As soon as the vocal kicked in on Polaris all my doubts went away as I got once again completely lost ...""I was sceptical when I first went into this album as I wasn't sure if the group could capture the same magic they had on their record they released this year but I was very quickly proven wrong. As soon as the vocal kicked in on Polaris all my doubts went away as I got once again completely lost in a Parannoul album. Their music is just so captivating and has such a grand and important feel to it that makes you feel like you are truly part of something special. The peak of this for me is the phenomenal 46 minute closing track which finishes the record in style and demonstrates all the instrumental and musical prowess that makes this group one of the greatest of the modern era. Overall, this release, alongside After The Magic, are absolute masterpieces and as I listen to them more they just keep getting better which makes me believe I will soon be ranking these albums amongst the greatest of all time. "[+]Reply
"Hval tries a more "fun" album following the dark and mesmerising Menneskekollektivet. Though I'm cetainly partial to a bit of Hval, I've followed her for most of her discography, Classic Objects is one of the most listenable projects she's done, maybe even more so than Apocalypse Now and The Long...""Hval tries a more "fun" album following the dark and mesmerising Menneskekollektivet. Though I'm cetainly partial to a bit of Hval, I've followed her for most of her discography, Classic Objects is one of the most listenable projects she's done, maybe even more so than Apocalypse Now and The Long Sleep EP. Best songs are American Coffee, Cemetery of Splendour, Jupiter and The Revolution Will Not Be Owned. Production is a little flat, but Hval breaks through it in moments such as the chorus refrain "Jupiter's Calling!""[+]Reply
"(On one hand this is just another King Gizzard album and the third in their series of albums exploring their brilliant microtonal experimentations, on the other hand more of a good to great thing is, well, good to great!) I remember a few years back when Flying Microtonal Banana dropped King Gizz...""(On one hand this is just another King Gizzard album and the third in their series of albums exploring their brilliant microtonal experimentations, on the other hand more of a good to great thing is, well, good to great!)
I remember a few years back when Flying Microtonal Banana dropped King Gizzard had finally arrived on my radar. I listened to that album a lot and I really liked it. Almost before I could gather my thoughts on that album and well before I could start thinking "I wonder when KGLW will release another album" they had released another album and then another and then another and they just kept coming. And, ashamed to say, at some point along the line I lost interest. I had felt like they were releasing so much stuff that I just couldn't keep up.
Then earlier this year when L.W. dropped I kinda rolled my eyes and had zero interest in checking it out. Somehow I had completely forgotten what exactly I had loved about Flying Microtonal Banana. But this year is sort of a crazy music-listening year for me. I am listening to a lot of music from this year and why not include this album which many people are loving. So finally I listened and I am not disappointed. I am maybe a little disappointed by myself due to how I kinda wrote them off, but I digress.
This album is equal parts the most "classic" rock album I've dug this year and also is quite uniquely King Gizzard and the Lizard Wizard. As much as I feel at home listening to the killer grooves and solos and riffs and dope ass rock drumming etc, there is also the added excellent fact that this music is never fully classic rock. It has those weird psychedelic warps that make it unique but also those riffs and solos have that excellent and addictive tone and tuning that makes it feel almost middle eastern. It fucking rocks, this album, but also it is off kilter enough to keep me guessing and smiling.
I think KGLW may be the best rock band around at this moment. They have a sound all their own and an ability and willingness to experiement and try copious new things, they are fun and don't take themselves too seriously while also obviously having big ideas and brilliant minds musically. Also, this album is great yet almost feels effortless. Like they can just churn these baller rock albums out full of inspired hooks and songs and solos and mind melting psych parts without breaking a sweat. Kind of wild. Anyway, this album is really cool and has gotten me back on the King Giz hype train after years away."[+]Reply
"This is a fantastic noise-pop album. I know it's not grounbraking, but music doesn't have to be groundbraking all the time. The melodies are beautiful, the somewhat heavy instrumentation and the smooth classical keyboards are awesome. Simply awesome musicianship in this debut. Too soon, I know, b...""This is a fantastic noise-pop album. I know it's not grounbraking, but music doesn't have to be groundbraking all the time. The melodies are beautiful, the somewhat heavy instrumentation and the smooth classical keyboards are awesome. Simply awesome musicianship in this debut. Too soon, I know, but this might end up being my AOY."[+]Reply
"86 Kelela had already made a strong sensation with the release of "Take Me Apart" placing her as one of the new Alternative Rnb and Uk Bass stars, but "Raven" is a consecration of a whole new dimension. On 62 minutes, Kelela plunges us into a futuristic and synthetic adventure, filled with dark a...""86
Kelela had already made a strong sensation with the release of "Take Me Apart" placing her as one of the new Alternative Rnb and Uk Bass stars, but "Raven" is a consecration of a whole new dimension. On 62 minutes, Kelela plunges us into a futuristic and synthetic adventure, filled with dark and piercing emotions, complex feelings »
Key songs : Contact / Raven / Bruise / Happy Ending
Other ratings :
- Take Me Apart (2017) 85
- Cut 4 Me (2013) 77
- Hallucinogen (2015) 75"[+]Reply
"Glad I got to this one. I've missed proper post rock/slowcore. Scratches the itch of an Idaho or Early Day Miners while also just surprising me at every turn. A fantastic reinvention from Racing Mount Pleasant."Reply