Listed below are the best albums of the 1960s as calculated from their overall rankings in over 59,000 greatest album charts. (Chart last updated: 2 hours ago).
"This is the best Otis Redding album I've heard personally. Though I like "Otis Blue", this one is just better in my opinion track-for-track. The unbelievably spectacular opening track almost overshadows the rest of the album with its sheer power and attention it commands, but especially on repeat...""This is the best Otis Redding album I've heard personally. Though I like "Otis Blue", this one is just better in my opinion track-for-track. The unbelievably spectacular opening track almost overshadows the rest of the album with its sheer power and attention it commands, but especially on repeated listens, the rest of this one shows how much of a gem it is. Perhaps one of its strengths is the occasional hint of 60s pop flavor that makes these soul ballads even more memorable."[+]Reply
"Delightful, faultless beauty (ok, apart from Gary Duncan missing the high note in The Fool) but maybe the most elegant album in Rock history. San Francisco truely must have been a very beautiful place to be."Reply
"Now this guy could play the guitar. He was one of the founding fathers of jazz guitar along with Eddie Lang. He is truly amazing, highly recommended!"Reply
"Tracklist should stop at "Teas". The rest is Reissue bonus track material. Whatever. Great record, both naive and very clever, instantly appealing, Donovan's best from what I've heard."Reply
""December's Children" was a U.S. only album that only in a few cases collided with the European releases, and for this reason the record was / is particularly interesting for Stones collectors. The music is somewhat a mixed bag, consisting of EP tracks and singles. A few numbers were already a ye..."""December's Children" was a U.S. only album that only in a few cases collided with the European releases, and for this reason the record was / is particularly interesting for Stones collectors.
The music is somewhat a mixed bag, consisting of EP tracks and singles. A few numbers were already a year or two old when the album was released in December 1965.
Half of the songs are Jagger / Richards originals and the rest are cover versions of various other artists' songs. Among these, you'll notice the excellent interpretation of Arthur Alexander's ballad "You Better Move On". The energetic and raw opening track "She Said Yeah" is another standout.
Two tracks are live recordings showing that the Stones were also a highly competent live band.
Among the Jagger / Richards originals important is the recently released single "Get Off Of My Cloud" / "I'm Free"; both songs among the very best from this period. Two very fine, and often overlooked, melodic ballads are to me the album's biggest highlights. "Blue Turns Gray two" is also technically a great recording, while "The Singer Not the Song" is an equally impressive number, which maybe has not been given the same "finish". This song can also be found in an excellent cover version by Alex Chilton.
Rolling Stones' "answer" to "Yesterday" is another of the disc's most memorable numbers. "Gotta Get Away" is more on the regular but still okay.
The slightly uneven overall impression and the somewhat short playing time makes me give just 4 stars"[+]Reply
"Classic folk album from Pentangle. Half live, half studio, it's an excellent document of one of the genres top groups. After, Basket of light, it's Pentangle's most essential album."Reply
""Good morning little schoolgirl, can I come home with you?" "...sir" "Tell your mama and your papa I'm a little schoolboy too" "sir, please step away from the girl" That's it for a Gen Z-ers interpretation of '60s blues rock. Other than that, I quite enjoy the simplistic blues rock songs with a h..."""Good morning little schoolgirl, can I come home with you?"
"...sir"
"Tell your mama and your papa I'm a little schoolboy too"
"sir, please step away from the girl"
That's it for a Gen Z-ers interpretation of '60s blues rock.
Other than that, I quite enjoy the simplistic blues rock songs with a hint of early hard rock."[+]Reply
"On this album, Lee Morgan begins the move beyond traditional hard bop, and has outstanding results. He is well supported by an all star ensemble including the incomparable Grant Green on guitar, Herbie Hancock on piano, and Wayne Shorter on sax. This is one of the all time great jazz statements."Reply
"Damn! These first 2 Hardin albums just hit the sweet spot, don't they? Painfully short (this is 27 min, Tim Hardin 2 is 23 min), perfectly balanced between introspective and downright poetic tracks and blues rockers, and they feature obviously truly excellent and soulful vocals by the man himself...""Damn! These first 2 Hardin albums just hit the sweet spot, don't they? Painfully short (this is 27 min, Tim Hardin 2 is 23 min), perfectly balanced between introspective and downright poetic tracks and blues rockers, and they feature obviously truly excellent and soulful vocals by the man himself. If Jansch's album was all about stripping away all but simple vocal and guitar, this album is about taking simple, elegant songs and imagining them in all sorts of new and pristine ways with the occasional orchestra, the occasional full on blues rock band (with HARMONICA!) , with the occasional straight forward folkie rock tune, etc. This album despite its length is beautifully scattered stylistically. I should say, not scattered, but varied. It could have come across as Scattered if not for the absolutely human and likable and brilliant anchor holding this thing down - Timmy H hisself.
Every song is a short nugget, a gem, they all have their own personality and soul and they are all so beautifully self contained and presented so excellently. Every track is unique in this way. That is not to say there are not obvious stand outs. The mournful, subtly orchestral, soul song "It'll Never Happen Again" is just absolutely gorgeous and tearful and earnest. The opener "Don't Make Promises" is just an earworm classic. "Reasons To Believe" is a classic soulful pop gem, all about the struggle of loving someone, with just virtuosicly spare use of words. "Smugglin Man" is balls to the wall blues rock, while not as intense as stuff from Highway 61 Revisited, its a nice companion to that immensely influential sound, and holds its own even against such a peer's work as that. Okay, that last comment made not much sense, but finally the closer here :How Can We Hang On To A Dream" is another absolutely breathtaking breakup song.
And etc etc, this is fabulous. And what's more, Tim Hardin 2 is a bit better. Also a 1967 album. 67 is a stacked year.
Grade: 9.1/10"[+]Reply
"Roy Orbison has always been one of my favorite artists of the 60's, and this album is one of my three favorites (the other two being "Crying" and "Mystery Girl"). It's easy for anyone to see how Roy became such an icon to so many. He was so inept at his craft of singing and songwriting, that he f...""Roy Orbison has always been one of my favorite artists of the 60's, and this album is one of my three favorites (the other two being "Crying" and "Mystery Girl"). It's easy for anyone to see how Roy became such an icon to so many. He was so inept at his craft of singing and songwriting, that he fit right in with the iconic artists of his time."[+]Reply