Listed below are the best albums of the 2020s (so far) as calculated from their overall rankings in over 59,000 greatest album charts. (Chart last updated: 1 hour ago).
"One of the most joyful breezy listens I’ve had the pleasure to experience in recent times. Just the tonic for the recent global affect. This is the follow-up sound to Person Pitch that was seemingly never going to come. The harmonies and meditative melodic repetition that defined that fantastic a...""One of the most joyful breezy listens I’ve had the pleasure to experience in recent times. Just the tonic for the recent global affect.
This is the follow-up sound to Person Pitch that was seemingly never going to come. The harmonies and meditative melodic repetition that defined that fantastic album are in abundance again here but this has a lightness of being and a Sonic Boom tinge to it."[+]Reply
"I’ve been a huge Deafheaven guy since they blew me away with ‘Sunbather’ some 8 years post & through ‘New Bermuda’ and ‘Ordinary Corrupt..” they have been a staple of my regular musical diet. As such I have been tracking this 2021 release for the past 18 months and from the get go the word has co...""I’ve been a huge Deafheaven guy since they blew me away with ‘Sunbather’ some 8 years post & through ‘New Bermuda’ and ‘Ordinary Corrupt..” they have been a staple of my regular musical diet. As such I have been tracking this 2021 release for the past 18 months and from the get go the word has consistently been it’s different , fans be warned
So here it is ‘ Infinite Granite’ and yes different it is , I was expecting as much but to actually finally hear the 180 degree turn is simply jarring. Gone completely are the deep Black Metal vocals and heavy heavy guitars instead replaced with swirling dream pop that harkens back to 1990’s bands such as Swervdriver, Ride, Lush and Slowdive
To fully appreciate this album you need to play a trick of the mind and the trick is DONT think about Deafheaven when you listen to this album simply think as if its a band you’re hearing for the very first time. Music wise I quite like it being partial to the Dream Pop gene since funny enough the 90’s
If you want to listen to some hardcore Black Metal DONT even think about this album
If you are in the mood for some Dream Pop look no future than ‘Infinite Granite’
It’s as simple as that "[+]Reply
"(A formidable, beautiful alt-country/chamber folk-type album that, while quite pretty can leave me feeling like its a bit empty of real grit and meaning.) My relationship with this album has developed and shifted several times over the last couple months. When I first heard it, I admit I was kind...""(A formidable, beautiful alt-country/chamber folk-type album that, while quite pretty can leave me feeling like its a bit empty of real grit and meaning.)
My relationship with this album has developed and shifted several times over the last couple months. When I first heard it, I admit I was kind of in love. On second and third and now fourth listen, there is a diminishing return. Each time I hear it I am always impressed by the scale and beauty of the album. There is clearly a person who has a good familiarity and understanding of country and folk making this. The strings, while sometimes overbearing and sappy, generally create a larger-than-life romantic atmosphere especially when paired with the somewhat gritty tales of woe and loss and the twangy vocal and guitar parts. The production is pretty solid, pristine and generally un-ear-catching. And really the indicidual parts seem to be pretty well placed and well done. But... there is something missing that would make this a true gem. I like it but that ain't much of a benchmark considering my general love of this genre and aesthetic.
There is a cleanness and detached lack of passion here that can be a bit irksome. The vocals sound like someone playing the part of a sad, wandering country troubadour but it also does feel like an act or veneer. The calculated placement of strings to induce swoons and feeling sound, well, just like that - calculated plays for that lonesome lostness that is so incredible when truly pulled off.
The little snippets of old TV shows wear out their welcome almost instantly and when ythey come in, it does 2 things: 1. makes me roll my eyes and 2. kind of breaks immersion and makes the whole flow of the record experience some turbulence. Not a fan of that schtick and choice. Also I feel this album isn't varied enough or doesn't have enough of an arc or a cohesive stitching to justify an hour run time.
Okay, so, yeah I don't love this album. I do like it. I may sound like I really dislike it, but I assure you that is not the case. It should also be noted that today I am in a bit of a sour and cantankerous mood and this album's pitch for my heart strings is being faced with cold, unsympathetic, grouchy old me and so yeah, tough crowd. But the truth is somewhere between my initial lovey-dovey response and today's grouchy curmudgeon response.
Even now I can say some of the songs here are quite great and if the tracks "Not Dead Yet" with its old rock and roll swagger and its hand claps, "Mine Forever" which plays as a near-perfect introduction to the swooning, string-laden lost troubadour vibe this album is trying to pull off, "I Lied" with its truly moving and mournful duet and soulful sadness and regret and self-loathing/disappointment, "Long Lost" with its melodramatic production and that early 60s girl group rhythm and that weak piano adding that sweet touch, made up half of this album instead of 1/4th this album i'd say this was a triumph. But the album is weighed down by filler skits and TV bits and songs that are generally not memorable for me.
Overall, I like this style and some of the songs hereare stellar. And I like the record but don't, like, REALLY like it and certainly don't love it. It's a solid and pretty little Americana/Country/Indie Folk album with lots of Chamber folk and some alt-country thrown in for some variety. If you are into that, check it out."[+]Reply
"The obvious complaint about this album would be the skits/interludes/call them any way you like. Rashida's Tale was the one that I felt added something, but in general they broke the flow of the album. You can tell how detrimental they are by checking how their absence immediately elevates the al...""The obvious complaint about this album would be the skits/interludes/call them any way you like. Rashida's Tale was the one that I felt added something, but in general they broke the flow of the album. You can tell how detrimental they are by checking how their absence immediately elevates the album, for example the combination of Put It Down and On It - even though their are so different in terms of style - is so very powerful, because there is no interruption between them."[+]Reply
"A change of pace both in terms of attitude - this is The Antlers at their most relaxed/uplifting/optimistic - and style - not as adventurous as usual, but minimal doesn't equal simplistic, it's still not as straightforward as you may initially think. Also, their most vocals focused album - and wh...""A change of pace both in terms of attitude - this is The Antlers at their most relaxed/uplifting/optimistic - and style - not as adventurous as usual, but minimal doesn't equal simplistic, it's still not as straightforward as you may initially think.
Also, their most vocals focused album - and what a great job Peter Silberman does in that regard."[+]Reply
"Once again, Paul Simon shows that he is almost peerless as an artist. As he ages, he has not stopped making music that challenges him and his audience. He continues to be creative rather than fall back on tried and true formulas to just keep busy or make money. Who else has put out albums in thei...""Once again, Paul Simon shows that he is almost peerless as an artist. As he ages, he has not stopped making music that challenges him and his audience. He continues to be creative rather than fall back on tried and true formulas to just keep busy or make money. Who else has put out albums in their 70s and 80s that are as interesting as the music they put out in their 20s? Very few. A case can be made for Willie Nelson and Leonard Cohen. Tom Waits and Nick Cave have stayed interesting in old age. The same cannot be said for the Stones, Elton John, or Paul McCartney (I hate to say it). Maybe not Dylan.
This album is fascinating because it was released on spotify as one track, basically forcing listeners to hear it as a whole and in the artist intended sequence rather than be broken up into singles and separate tracks. The result is a true concept album both musically and lyrically. The theme is mortality as it has been on Simon's last three albums. His voice has lost a step since Stranger to Stranger (2016). It was bound to. But, it has an old man texture that fits the material - like Cash's American Recordings, or John Prine's Tree of Forgiveness (another couple guys who put out great late career/life albums about mortality). "[+]Reply
"Gorgeous album from Christian Lee Hutson, produced by Phoebe Bridgers. His lyricism is incredible throughout, especially impressed with Northsiders. Incredible guitar-work as well, feels very reminiscent of Simon & Garfunkel."Reply
"There isn't a bad song on here, in fact there's real gems in here like single Back to the Radio, Birthday Party and U Can Be Happy If U Want To. My feelings about Porridge Radio, and maybe they haven't completely changed because of this release but have been challenged, is that they're a band fro...""There isn't a bad song on here, in fact there's real gems in here like single Back to the Radio, Birthday Party and U Can Be Happy If U Want To. My feelings about Porridge Radio, and maybe they haven't completely changed because of this release but have been challenged, is that they're a band from a cool place that have good taste in (and know how to make) music. The urgency to make art, however, has never really shined through. Some of the repeated lines in refrains like "I Don't Wanna Go Back" in "End of Last Year, or Dana's vocal urgency in the climax of songs like The Rip, kinda suggests maybe they do need to do this actually."[+]Reply