Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 5 hours ago).
"You love to see it. An album that I enjoyed enough to write two pages of the track by track breakdowns on. All my favorite songs: This song could’ve flown under the radar in the grander scheme of Weezer tracks but the orchestration is really what pulls everything together. The complex chords are ...""You love to see it. An album that I enjoyed enough to write two pages of the track by track breakdowns on.
All my favorite songs: This song could’ve flown under the radar in the grander scheme of Weezer tracks but the orchestration is really what pulls everything together. The complex chords are so emotional and gosh dang those horns in that last section of the song are amazing. Lyrically it also does a really good job of just prepping you for the theme of the album. This is the only song that examines the idea of people being draining so you look for a way to escape them which is actually really interesting in the larger scheme of the album.
Aloo Gobi: This song sort of takes a look at the monotony of daily life and the anger that comes from wanting your life to be something greater than it is. The song starts with the bombastic orchestra but throughout the songs, the strings pop in and out. Notably on the second verse you really just have piano and vocals to sort of capitalize on the minimalism of daily life. And that refrain of “What is happening to me” speaks volumes from the delivery to the way the instruments accompany it. SMOOTH TRANSITION INTO
Grapes Of Wrath: Now knowing that Rivers is tired of the monotony of his life it makes perfect sense that he would like to take a route of escapism. In this case, that’s through listening to audiobooks. You think he cares? He just don’t care.
Numbers: The heaviest hitter on this album for me. Starting off with really somber strings as Rivers sings about being too short for the team and having an IQ too low for poetry. An obvious knock at his critics that as recently as last week when my favorite songs came out, shot at Rivers for rhyming “bad, sad and mad”. As this line is read our man Pat comes in clutch with the drums to give the song some more drive that is really fitting. After the refrain of “numbers are out to get you”, we are greeted to an amazing soaring chorus reflecting the pain of these criticisms but countering them by seeking solace in others and I think that’s the beautiful message of this song. In the end, the critics are just numbers in a machine and they can’t do anything to come between real feelings between real people.
Playing My Piano: Once again returning to the idea of escapism but this time through music. It’s hard to tell if this is a romanticizing of getting lost playing music for days or a criticism of himself for wishing he could spend more time with his family. Honestly, I don’t see why it can’t be both. It’s a great thing to lose yourself in what you love but you can’t lose sight of the other things that are important in your life. However, this song does a great job of showing what that journey of playing music is really like. It starts off with slow, really heartfelt melodic lines but shifts into a more forward and driving direction as the chorus kicks in and the lyrics reflect just how much he’s getting into playing. “Pounding out the bass singing out the tune, never see the sun like I’m living in my room” incredibly relatable lines for anyone who’s gotten lost in music. The second verse is more of a reflection of once you’re already in that groove as opposed to the start of your sessions.
Mirror Image: This one is a pretty straightforward love song but I think placing it after Playing My Piano makes a ton of sense especially with my theory of that song being a criticism of himself. That’s not even taking into consideration the last few seconds of THIS song where Rivers says something to the extent of being shut out of heaven. That’s a pretty heavy statement to make just once for a few seconds on this album and I honestly don’t want to speculate too much as to why he’d say this but it’s interesting nonetheless.
Screens: The opening piano and strings are instantly catchy and help get the ball rolling for this track. I do like what they were trying to do lyrically on this track but I don’t think it lands as much as the other tracks do. Rivers takes more of “my mate is going through this thing” when actually he’s talking about himself and really everyone I guess. I just don’t think the idea of losing yourself to your phone is shown as great as it is on the rest of the album and this track is especially over before you know it. I like it but it doesn’t make as much of an impact as it could’ve with some more length and personal lyrics.
Bird With A Broken Wing: Along the lines of Eulogy For A Rock Band, we’re taken on a retrospective journey through the musical career of Weezer. I believe the broken wing referring the multiple critical failures the band has had behind them. The cat also is a reference to those same critics who put them down. Through all these experiences though, Rivers hasn’t lost his drive to sing what he has for the world, and I’m so grateful for that. The world is a better place because of his drive to create music for us. I think this song also would’ve been stunning as a closer but I don’t mind that they chose a different one.
Dead Roses: I honestly don’t know what to say about this one. It’s a little more abstract lyrically than the other songs or maybe I’m just stupid. I’ve got some ideas about the lyrics but it’s all very speculative. I do really like the line “beat you until you beg to live” but I’m not confident enough about its meaning to say anything other than, it’s a good track but it could’ve been longer.
Everything Happens For a Reason: I don’t know why this had to be its own song especially since it leads straight into here comes the rain but hey…. Everything happens for a reason.
Here Comes The Rain: A really happy go lucky song about how even after a bad day, good things will come your way. Very fun but once again, not as heavy-hitting as other tracks.
La Brea Tar Pits: A really bitter-sweet way to end the album. Sonically it’s got a resolute and accomplished sound to it but the lyrics reflect a recurring fear of fading into obscurity. This is shown the best at the chorus as the lyrics describe himself sinking to his death and desperately asking for help, yet the strings sound as if there’s nothing to be scared of and that everything will be alright in the end (where have I heard that before) As he continues to sink though we return to the idea of getting help from others. Asking to be thrown a rope as he’s sinking and how the skills of someone else can help him get farther. Then as the album closes we are left with just the orchestra slowing down and resolving into a beautiful chord.
Conclusion: When this album is acting at its most concise it’s insanely touching. The ideas of taking a step away from your obsessions to spend time with those you love and learning to balance the two is an eternal idea that we need to hear. Sometimes life is boring, sometimes people are difficult, and sometimes you get kicked down, but there’s always something or someone good that will come along. Sometimes it’s the love of your life, and sometimes it’s just a really good book. The flow of this album is also something to commend. Everything feels in its right place and while other tracks shine much brighter than others, that doesn’t make the weaker ones bad at all. Also, orchestra and Weezer were meant to be.
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"It's easy to see why Viet Cong are so suited to a genre such as post-punk considering it came with the promise of heralding a 'limitless future' - for music at the very least. Songs often stop, take unexpected de-tours, and to paraphrase the Young Marble Giants constantly change. Like Interpol wi...""It's easy to see why Viet Cong are so suited to a genre such as post-punk considering it came with the promise of heralding a 'limitless future' - for music at the very least. Songs often stop, take unexpected de-tours, and to paraphrase the Young Marble Giants constantly change. Like Interpol with 'Turn on the Bright Lights' Viet Cong is a re-boot of a classic sound with frequent and obvious spot-the-influence moments (Gang of Four, This Heat, Wire etc etc) with some of the quirks and eccentricities that half the band shared in their previous incarnation as Women still clearly on show.
It is very much an albums album, with it's only one real concession to pop-music being the single 'Continental Shelf', all the while conjuring an oppressive Orwellian atmosphere where the buildings are healthy...even if the people aren't, it is rarely predictable even if it is a jarring, bumpy ride but it is also excellent."[+]Reply
"During the late eighties, Excitable Boy was in heavy rotation at the pizza place in Auburn, Maine, where I worked in the kitchen after school to earn pocket cash. It might have been the only album that was universally liked by all the high school aged staff who worked in the kitchen those years. ...""During the late eighties, Excitable Boy was in heavy rotation at the pizza place in Auburn, Maine, where I worked in the kitchen after school to earn pocket cash. It might have been the only album that was universally liked by all the high school aged staff who worked in the kitchen those years. It's easy to see why we all liked it so much: the songs are snappy, the lyrics clever, the instrumentation solid. At the time "Lawyers, Guns, and Money" and "Werewolves of London" were the songs everybody knew, but upon reflection I think "Tenderness on the Block" and "Accidentally Like a Martyr" are the most lyrically mature songs here, and the ones that keep me coming back. They're also the ones that anticipate the songwriter Warren Zevon was becoming as he faced getting older and, eventually, confronted his own mortality. Overall just a very solid collection of straight-ahead rock songs."[+]Reply
"Most underrated album of 2009 next to Fantasies by Metric. Does this website or do the people on it have something against catchy modern alternative pop/rock music? Because this stuff is actually really good if you drop the preconceptions and just give it a chance. I don’t think there’s a single ...""Most underrated album of 2009 next to Fantasies by Metric. Does this website or do the people on it have something against catchy modern alternative pop/rock music? Because this stuff is actually really good if you drop the preconceptions and just give it a chance. I don’t think there’s a single bad song on Brand New Eyes."[+]Reply
"Pretty easily Kendrick’s most fun and intentionally “messy” project. The common thought at the moment (a day after release) is it feels like a mixtape with the possibility of another, more conceptual album yet to come. Regardless of if that’s true, this does feel like a mixtape, especially given ...""Pretty easily Kendrick’s most fun and intentionally “messy” project. The common thought at the moment (a day after release) is it feels like a mixtape with the possibility of another, more conceptual album yet to come.
Regardless of if that’s true, this does feel like a mixtape, especially given the catalog of music GNX finds itself in. But just like Untitled Unmastered, Kenny’s first “victory lap” project, GNX is a more than worthy addition. Kendrick is able to feel free, be loose and experiment with all of the different tools in his verbal arsenal.
As great of an artist as Kendrick is, it’s taken him (by my estimation) a couple of project cycles to properly explore the more loose, fun, and pop-rap side of his artistry and of the rap game at large. I think he finally nails that pocket on this release (worth noting, the first on his own independent label).
And that should terrify every other rapper in the business. "[+]Reply
"The first big record (album) from Pulp. Songs like "Acrylic Afternoons", "Happy Endings", and of course "Do You Remember The First Time" are such classy tunes. Sounds fresh and great even now, 25 years later."Reply
"I actually thought there were a few really gorgeous tracks here. Most notably Heart is a Drum. I don't know.. I don't think this is that much weaker than his "big" releases at all..."Reply
"Sting is excellent for his voice and his message. Consistently reflective and sometimes haunting he makes interesting music. I prefer the debut and Ten Summoners Tales over this, but I rank Nothing Like the Sun 3rd or 4th in his Catalogue Fragile is a fantastic song. Englishman in New York is a f...""Sting is excellent for his voice and his message. Consistently reflective and sometimes haunting he makes interesting music.
I prefer the debut and Ten Summoners Tales over this, but I rank Nothing Like the Sun 3rd or 4th in his Catalogue
Fragile is a fantastic song. Englishman in New York is a finely written tale. Starts of excellent with tracks 1 and 2
I find most songs that are about dancing tacky and corny but Dance Alone is done splendidly.
B side of the album is good work but less memorable as the beginning.
Great Sting record"[+]Reply