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1311.

Natty Dread 

 Bob Marley & The Wailers

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"Another good Bob Marley. I still think the live version of, no woman,no cry, is far superior, and by it's inclusion on the, legend, compilation it's obvious others agree. Still some other fine songs to be found here in, so jah seh, lively up yourself, and the title track. Great laid back grooves."  Reply

- garycottier | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1974

Appears in:

297 charts

Rank Score:

1,315

Rank in 1974:

25

Rank in 1970s:

256

Overall Rank:

1,311

Average Rating:

 78 (333 votes)

Comments:

15

1312.

The Lion And The Cobra 

 Sinéad O'Connor

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"Though her subsequent work often leaves me cold, O'Connor's debut is a brilliant, eclectic collection in which even the love songs, such as the gorgeous "Just Like U Said It Would B," sound fiery and raw. "Troy," one of the finest songs of the decade, is a devastating entreaty to an ex-lover she ...""Though her subsequent work often leaves me cold, O'Connor's debut is a brilliant, eclectic collection in which even the love songs, such as the gorgeous "Just Like U Said It Would B," sound fiery and raw. "Troy," one of the finest songs of the decade, is a devastating entreaty to an ex-lover she can't—or won't—shake free of. "Drink Before the War" is a passionate anti-war cry housed in a lovely ballad. "I Want Your (Hands On Me)" is a lusty little dance, catchy and about as subtle as the title would suggest. Songs such as "Jackie," "Just Call Me Joe," "Mandinka," "Never Get Old," and "Jerusalem" show an extraordinary array of subjects, styles and influences. These songs are deep and literate and often sound as if they cost O'Connor a piece of her soul to get them on record."  [+]  Reply

- subtleman22 | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1987

Appears in:

216 charts

Rank Score:

1,314

Rank in 1987:

24

Rank in 1980s:

209

Overall Rank:

1,312

Average Rating:

 78 (212 votes)

Comments:

6

1313.

Dry 

 PJ Harvey

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"Lifelong PJH fan here and ‘Dry’ is where it’s at for me , the debut ground floor entry for an amazing catalogue and here’s why I simply love the guitars on this release from the driving “O Stella” to the classic “Sheela-na-gig “ and driving “Dress” the licks are on point and get me every time the...""Lifelong PJH fan here and ‘Dry’ is where it’s at for me , the debut ground floor entry for an amazing catalogue and here’s why I simply love the guitars on this release from the driving “O Stella” to the classic “Sheela-na-gig “ and driving “Dress” the licks are on point and get me every time then throw in a bunch of weird sexualised lyrics and you’ve got an intoxicating mix Polly may have released better albums that sold more copies and won more awards but for me nothing she’s done beats ‘Dry’ for shear brilliance and genuine X Factor lasting the test of time Footnote: I only realised recently that lyrically “Dress” has an uncanny resemblance to Pixies “Cactus “ off ‘Surfer Rosa’ , try and tell me I’m wrong because I know I’m not "  [+]  Reply

- Brad1770 | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1992

Appears in:

298 charts

Rank Score:

1,314

Rank in 1992:

20

Rank in 1990s:

235

Overall Rank:

1,313

Average Rating:

 79 (362 votes)

Comments:

17

1314.

Blue Weekend 

 Wolf Alice

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"(Cool alt/indie rock album. Ellie on the vocals is the star, but the band is solid throughout.) I say this a lot but it’s particularly true here: I don’t have much to say about this. It’s a very solid and at times gorgeous indie rock album. It bounces so often from one sound to another, I can’t p...""(Cool alt/indie rock album. Ellie on the vocals is the star, but the band is solid throughout.) I say this a lot but it’s particularly true here: I don’t have much to say about this. It’s a very solid and at times gorgeous indie rock album. It bounces so often from one sound to another, I can’t pin down what Wolf Alice’s sound or distinctive quality is based off this mostly very good batch of songs. The heavy rocking tracks few but they sound cool as hell. The more somber and introspective tracks also work really well. This comes down I think to the vocalist, Ellie Rowsell. She totally kicks ass on most of these tracks (not a fan of the corny kinda sorta rapping on “Smile” but the heavy track saves that song) and I just really love her style. The album is a solid one start to finish. I can’t say I am blown away by it, but I enjoy the hell out of it. Very memorable melodies and some really dope tracks litter this one. Glad I listened that is for sure. "  [+]  Reply

- Mercury | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2021

Appears in:

245 charts

Rank Score:

1,313

Rank in 2021:

13

Rank in 2020s:

51

Overall Rank:

1,314

Average Rating:

 77 (213 votes)

Comments:

8

1315.

Prelude To Ecstasy 

 The Last Dinner Party

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"It sounds like they've actually thought about every single element of their music and presentation. Pulling elements from every decade and as many different genres as they can. It's probably the best thing I've heard from a new band/artist since Arlo Parks debut and the best record of 2024...so far.""It sounds like they've actually thought about every single element of their music and presentation. Pulling elements from every decade and as many different genres as they can. It's probably the best thing I've heard from a new band/artist since Arlo Parks debut and the best record of 2024...so far."  [+]  Reply

- meltchett | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2024

Appears in:

237 charts

Rank Score:

1,311

Rank in 2024:

8

Rank in 2020s:

52

Overall Rank:

1,315

Average Rating:

 76 (229 votes)

Comments:

10

1316.

Arular 

 M.I.A.

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"Radiohead makes a very original album just to experiment with new sounds and people say it's groundbreaking, but when M.I.A. does it, she's trying too hard and it's originality for the sake of originality. Well, I liked Arular. It displayed a completely fresh sound, and I congratulate M.I.A. for ...""Radiohead makes a very original album just to experiment with new sounds and people say it's groundbreaking, but when M.I.A. does it, she's trying too hard and it's originality for the sake of originality. Well, I liked Arular. It displayed a completely fresh sound, and I congratulate M.I.A. for that. That's all there is to say."  [+]  Reply

- 9999 | Helpful?  (Log in to vote) | +8 votes (9 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2005

Appears in:

265 charts

Rank Score:

1,309

Rank in 2005:

25

Rank in 2000s:

196

Overall Rank:

1,316

Average Rating:

 74 (286 votes)

Comments:

15

1317.

Taking Tiger Mountain (By Strategy) 

 Eno

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"At the first listen or two, I was not immediately taken with this album. Certainly good, with some memorable songs, but I didn't think it could hold up next to Here Come the Warm Jets. However, after rather compulsively listening to this album for a number of months, I continue to be taken in by ...""At the first listen or two, I was not immediately taken with this album. Certainly good, with some memorable songs, but I didn't think it could hold up next to Here Come the Warm Jets. However, after rather compulsively listening to this album for a number of months, I continue to be taken in by the wealth of sounds and, more notably, rhythms. Eno incorporates all kinds of different percussion instrumentation; it's often hard to even be sure what is making the sound. Conceptualized as some sort of reflection on communist China (or something), the lyrics are, as should be expected of Eno, rather obtuse in meaning. I do definitely believe that, listened to straight through, one can feel a logical progression of music and lyrical imagery from one song to the next. All in all a fantastic album, every bit the equal of Here Come the Warm Jets (shoot me but I prefer these to Eno's later ambient work). "  [+]  Reply

- Caesar01 | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1974

Appears in:

240 charts

Rank Score:

1,308

Rank in 1974:

26

Rank in 1970s:

257

Overall Rank:

1,317

Average Rating:

 80 (349 votes)

Comments:

13

1318.

Within The Realm Of A Dying Sun 

 Dead Can Dance

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"After several listening, I find this still their best after all, and Into the Labyrinth and Aion come second among all their works, but this record is unparalleled in terms of atmosphere on the score arrangement. The only things I don't like about it are the utter separation into 4 tracks by Bren...""After several listening, I find this still their best after all, and Into the Labyrinth and Aion come second among all their works, but this record is unparalleled in terms of atmosphere on the score arrangement. The only things I don't like about it are the utter separation into 4 tracks by Brendan and the other 4 by Lisa, and the repetition of Cantara (great song though). Yes, I don't like the sequencing of songs, although they are of course masterpieces. Apart from this, the scale of grandness is never to be seen in their later work as of 2014, probably in some songs but not in such a big cluster on a single album. In all these years of my endeavor of searching for something similar in style and in quality, it all just goes in vain and brings me back to Dead Can Dance ultimately..., because you simply can't say those neo-classical darkwave works by those German labels have anything better; for me, there's no better or deeper singing, nor better-innovative scoring. So I guess they're just not replicable. Surely I'm still expecting medieval or Renaissance music with a hybrid of neo-classical darkwave and ethereal chanting mixed in, but anything in this genre that would rival DCD might still be their own works, in future."  [+]  Reply

- ilovelctr | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1987

Appears in:

212 charts

Rank Score:

1,307

Rank in 1987:

25

Rank in 1980s:

210

Overall Rank:

1,318

Average Rating:

 80 (250 votes)

Comments:

8

1319.

By The Time I Get To Phoenix 

 Injury Reserve

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"(Dense, knotty, complex, scatter-brained, grief-filled, lost, anguished, layered Experimental Hip Hop record with lots of noisy blasts of strange random beats, glitching disorientation, fabulous and varied vocal performances and just generally a frightening and inspired and inspiring new musical ...""(Dense, knotty, complex, scatter-brained, grief-filled, lost, anguished, layered Experimental Hip Hop record with lots of noisy blasts of strange random beats, glitching disorientation, fabulous and varied vocal performances and just generally a frightening and inspired and inspiring new musical realm in album form. Give it 2 or 3 spins before writing it off.) My prior experience with really experimental or unorthodox hip hop was very limited. I love Atrocity Exhibition, enjoy some Death Grips and clipping and Dalek, never could get into Some Rap Songs or Lil Ugly Main or Coin Locker Kid. And I suppose I did also really like that Moor Mother + Billy Woods album last year…. The point is, I am not familiar with this genre, this sort of amorphous, boundary-pushing, strange, experimental side of hip hop. 90% of my favorites in the genre are from the mid 90s. Needless to say, this doesn’t bear any resemblance to Liquid Swords. On first listen I was confused. I thought the album was equal parts dense/hard to follow as well as beautiful/intriguing/weirdly addictive. After I heard it once and was sort of dumb struck, I felt a compulsion to push play and try again to unravel what the fuck this is. Now, after 3 full listens and the 4th in progress, I am getting more and more familiar with it without losing that wonder at the density of the noises and elements and soundscapes created. There are parts of this album that are sad and beautiful (“Knees”, “Top Picks for You, “Postpostpartum”). There are frightening and mentally ravaged moments (“Outside”, “Footwork in a Forest Fire”, “Wild Wild West”). There are glitchy, seemingly random noisy bits (“Superman That”, Ground Zero”) and there are even a couple honest-to-goodness songs that I can follow along with in almost traditional music listening ways (again, “Knees”). And perhaps most importantly, there aren’t clear distinctions between these sounds and emotions. Within one song there is a mixing and melding and an almost infinite variety of potential emotional responses. As a cohesive album, this succeeds in never fully showing or making clear what is the appropriate take-away from the track, whatever track you are hearing at the moment. By The Time I Get To Phoenix album is a journey, a fucked up, lost, aimless voyage through some grimy and miserable world. I keep hearing in comments from fans of IR that this album is deeply rooted in grief and loss. And that would make sense considering the death of founding member of the group Stepa J. Groggs in June of last year. However, either I just haven’t fully unpacked the lyricism here or perhaps its people projecting the emotions onto the album that aren’t fully or exclusively here. There are no on-the-nose and obvious odes or ballads or laments clearly about the loss of Groggs. There IS a distinct hazy, disorienting, vibe throughout this whole project. It feels like the mental state of the members of Injury Reserve are constantly on the edge of fully splintering and breaking apart. This head space is expressed throughout here masterfully. It feels uncomfortable being in these guys’ heads and they fully flesh out the beats and sonic spaces so that you are thrown fully into this state-of-mind. Fabulous and, yes I’ll say it, genius brilliant amazing production now that I have gotten used to it. And listening now to the closing track “Bye Storm” and I am getting emotional. It feels like the slight twinkle of light through the oppressive smoky sky, with that weird and exultant guitar sound. This closer along with the pained grief and apathy of the penultimate track “Knees”, make for a perfect and all-time classic closer to this album. Okay, maybe that is a bit hyperbolic. It is just a truly moving way to cap off this experimental and crushing album is what I’ll say. The production of Parker Corey is going to get most of the ink and praise, understandably. As, despite beats of sounds like this being around in Hip Hop for 15 years, somehow he took the level of detail and wooziness and expansiveness and just expanded it exponentially. Perhaps this isn’t a completely brand new never been remotely heard sound (nothing like that ever drops and comes out of the blue) – but it is, to these admittedly not fully educated ears, a new bar set in terms of detail and expansiveness and layered noisy experimentation. Moving to the vocal performances here, they are similarly impressive. Schizophrenic, sad and lost, slurred and drunken and in pain, cutting and fully embodying the words and living in the soundscapes. Especially the varied vocal sounds in “SS San Francisco (feat. Zelooperz)”. The deep grumbling vocal and the weird high-pitched singing set the table for some playful, sardonic, griefy bars. But its not just here, wherever the rap verses come in (and that is strangely rare, this seems to be an album where the rapping is somewhat sparse and instead there are long stretches of instrumental table-setting before Ritchie with a T comes in with the perfect vocal intonation and flow to complement the beat and sinic space. Random, fly-by thoughts: -The Yeezus-esque screams on “Footwork in a Forest Fire” is awesome and really the whole track and every phase of it is cool, but for some reason those screams got me. -Smoke Don’t Clear” is, as of now, one of the few tracks here that I don’t fully like. But I will say it works well in the context of the album more than its own noisy mess of a thing. -The way “Top Picks for You” with that dramatic melody on that… whatever sound that is… with the whispery singing and the sadness of the verses, its incredible. The whole song is great. One of my faves. -“Knees” was weird and fabulous in isolation as a single, but it feels so much deeper and more moving and beautiful within the context of the LP. One of the best tracks here, or perhaps the best. In closing, I am listening a 5th time, and it grows and grows on me. This is a dense and brilliant experimental and emotionally gripping and profound album. I recommend a couple listens or 3 before making final judgement. I had a similar arc with Atrocity Exhibition, where I was very VERY disoriented and kind of unimpressed on first listens and then over time I understood its dense complicated and knotty brilliance with further listens. Recommend the same for this. Note: This is an album that I am sure I am only scratching the surface with. I hope I listen enough to unravel it more. This comment ain't final. This 5th listen is making me hear other details and that is just really exciting."  [+]  Reply

- Mercury | Helpful?  (Log in to vote) | +7 votes (7 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2021

Appears in:

193 charts

Rank Score:

1,302

Rank in 2021:

14

Rank in 2020s:

53

Overall Rank:

1,319

Average Rating:

 78 (199 votes)

Comments:

18

1320.

Presence 

 Led Zeppelin

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"I think that the problem with this album is that, if any other band had released it, it would have been considered a good album, because it can from the greatest band of all time, many people consider it a let down. Compared to I, II, III etc. yes, it's not as good but it's not as bad as people m...""I think that the problem with this album is that, if any other band had released it, it would have been considered a good album, because it can from the greatest band of all time, many people consider it a let down. Compared to I, II, III etc. yes, it's not as good but it's not as bad as people make out."  [+]  Reply

- Johnnyo | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1976

Appears in:

325 charts

Rank Score:

1,300

Rank in 1976:

24

Rank in 1970s:

258

Overall Rank:

1,320

Average Rating:

 75 (840 votes)

Comments:

63

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Total albums: 10,000. Page 132 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	2	0%
1940s	35	0%
1950s	302	3%
1960s	708	7%
1970s	1,424	14%
1980s	1,415	14%
1990s	1,599	16%
2000s	1,729	17%
2010s	1,960	20%
2020s	826	8%

Artist	Albums	%
Bob Dylan	37	0%
The Rolling Stones	35	0%
David Bowie	32	0%
The Beatles	29	0%
Miles Davis	27	0%
Neil Young	26	0%
Various Artists	25	0%
Show all

Country	Albums	%
	5,006	50%
	2,655	27%
	431	4%
	335	3%
	221	2%
	157	2%
	134	1%
Show all

Compilation?	Albums	%
No	9,729	97%
Yes	271	3%

Live?	Albums	%
No	9,737	97%
Yes	263	3%

Soundtrack?	Albums	%
No	9,885	99%
Yes	115	1%