Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 2 hours ago).
"Wow it beggars belief that an album as good as this one currently sits at # 972 on the BEA Over Chart as per August 2018 whilst garbage like The Rolling Stones 'Aftermath' sits inside the top 500 Where to begin with this album ? Wire to wire its superb from the unconventional opening salvo of "Th...""Wow it beggars belief that an album as good as this one currently sits at # 972 on the BEA Over Chart as per August 2018 whilst garbage like The Rolling Stones 'Aftermath' sits inside the top 500
Where to begin with this album ? Wire to wire its superb from the unconventional opening salvo of "The House That Guilt Built" into the wonderful "Happy" and "She Sends Kisses" there isn't a weak or filler moment here
Favourite lyrics are from track 11 "Everyone Choose Sides" which sums up this album perfectly"
'Thirteen grand
A year in the Meadowlands
Bored and rural-poor , Lord, at 35 , right?
I am the best seventeen-year old ever'
Oh and the wait for The Wrens next album continues into 2018 , now at 15 years and counting giving Tool a run for their album wait money
'The Meadow-lands' is essential Indi Rock
80/100"[+]Reply
"It seems every release from Lenker and Meek kind of resets my expectations and introduces something new to consider. This second Big Thief album is, on its face, perhaps a similar experience to Masterpiece. But there is something barely noticeable that kept pulling me back to listen and listen ag...""It seems every release from Lenker and Meek kind of resets my expectations and introduces something new to consider. This second Big Thief album is, on its face, perhaps a similar experience to Masterpiece. But there is something barely noticeable that kept pulling me back to listen and listen again and again. There are many more shades to this album even than their amazing debut. This album continues Lenker’s and Big Thief’s trend toward how I think of them. I first heard Lenker’s newest solo album as well as the 2 2019 Big Thief albums. On those albums there is a strange and subtle weirdness to the way the melodies are sung and how the songs are written. On Masterpiece there are shades of that unorthodox style already shining through, but with this album it seems that Big Thief have found their own sound much more fully.
The big, Luconda-levels of badass rock star singing moments are mostly gone here. As are the more obvious and direct reminders of music I have heard before (even if on their debut these were done as well as imaginable and were never distractingly derivative). Instead this album is chilly, and even when there are some good rocking moments, those moments are shrouded in a sort of hazy, cold, and slightly weird atmosphere. The songwriting lyrically is different as well. Lenker has become by this point a master of abstract, poetic phrasing and word play. On tracks like “Mary” the momentum of the lines and the evocative words are almost overwhelming the further you go in. This, despite me not really fully understanding the allusions and the words. Just gorgeous.
As for specific track standouts here, I love the icey groove and the bookending noisy outburst of track “Shark Smile” I also really get a kick out of the super simple chorus that sounds like it bottles so much classic rock music romance and power. “Oooh, baby, take me. And you say ‘Oooh, baby, take me too’” just lovely.
There is a similar icey coolness on the other “rocking” moments and tracks on this album, such as “Objects” or the closing track “Black Diamonds”. I put rocking in quotes because there are no songs here that really kick ass in a rock way. The songs here have a distinct groove achieved by the consistently excellent and stripped down and patient bass playing and drumming. As a result even the songs that perhaps don’t have the same emotional punch as the slower and more dramatic tunes, still have a motion or a deep and alluring … something. I don’t know how to explain it and instead of sitting here searching for the words for another minute I decided to just abandon it. ?
The soft, brittle, fragile tunes here such as the opener “Pretty Things” or “Watering” have a timeless sound. They are excellently recorded and enveloping and gorgeous. The more trippy and divergent tracks such “Mythological Beauty” and “Capacity” are for me just absolutely gorgeous and, when I dig into the words and the melodies and the parts of these seemingly simple songs, my appreciation of this band grows and grows. This album may not be as immediately ear-catching or “badass” as their excellent debut, but every inch and corner of this album has something beautiful and subtle and lovely going for it.
Of course this album also features 2 of my favorite Lenker or Big Thief songs in “Mary” and “Coma”. I have touched on “Mary” before in this comment but I want to say again that the way the song builds and builds and the way the poetic lyrics sort of flow and fall out of Lenker’s mouth and the emotion of the delivery everything is just so gorgeous. As for “Coma”, words can’t do the chorus justice and the way that chorus is built up to and the way it is all so purposeful… man that track is genius.
Not going to lie, when I first heard this I was thinking “Okay, I feel I have a grip on what this is and what I wanna say”. I thought I could listen a couple times and move on to the next albums. But then each time through (up to listen 7 or 8 now) a little more revealed itself. Now here I am listening again and I am just a fan and that is all it comes down to. I thought their debut was probably as good as Big Thief would get, based on my sampling of their later albums and knowing that they never would make an album quite as folk rockin’ and anthemic as that one. But, nah, this is in many ways a development and improvement. At the very least this makes Big Thief 2 for 2 on making just absolutely beautiful, well written, performed, recorded, consistent, addictive modern indie rock and folk rock gems.
As for Masterpiece, I initially gave it a 9.2/10. I reduced that to 8.7/10. Then I proceeded to think yet again that giving a number to these pieces of art seems silly and pointless. But I am 5 albums in and I won’t remove the numbering grade system now. Just know that depending on the day, Masterpiece or those Meek/Lenker EPs or this could be the best Big Thief/Lenker project in my opinion.
This bad boy gets a 9.2/10. Just a fantastic album with only a couple songs that don’t blow me away (“Objects”, “Pretty Things” and perhaps “Great White Shark”) but with 6 songs that, in isolation, I can say are some of my new favorites. Also looking at the tracks individually misses the point for me, because what makes this album special is the whole package and how it all weaves its way together in a beautiful way. Check out this album 3 or 4 times if you have a little time. Its great. "[+]Reply
"Because sometimes we do not care anymore about Migos news, we feel like we're talking about K-dot because we have to, and we think that this American hip-hop never seemed also absent, we need a guy like Barrington Hendricks, aka JPEGMAFIA. Peggy's music is first and foremost a very special atmosp...""Because sometimes we do not care anymore about Migos news, we feel like we're talking about K-dot because we have to, and we think that this American hip-hop never seemed also absent, we need a guy like Barrington Hendricks, aka JPEGMAFIA. Peggy's music is first and foremost a very special atmosphere, between irony and violence. Listening to this album, I had the impression to get into the mind of a real genius. Jpegmafia writes all his songs, he produces his own samples by screaming in a microphone or by striking objects. Everything is recorded, produced and mixed by him. And that makes the difference. And yet this originality does not make it enter the alternative rap box of Death Grips or Shabazz Palaces. His references are not those of experimental music or noise: his god is Ol 'Dirty Bastard. JPEGMAFIA will probably never be the new Kendrick Lamar. But he is making us demanding again with hip-hop.
9/10
Best track: "Baby I'm Bleeding""[+]Reply
"After 6 rather disappointing studio albums in the 80's he left Geffen records and returned to Reprise and a great return to form with this album. Great album there are elements of rock, folk, country everything Neil Young is good at."Reply
"In Ten, Vs, and Vitalogy PJ rushed with anguish through social and personal conflicts. This is an album based on sound exploration and a more metaphysical pondering. You've seen them experience life and now is time to consider their approach to it. I love this album."Reply
"I really like this a lot for its darkness. However I can understand why more ppl prefer Treasure and Heaven or Las Vegas, me myself included. I can't really tell which one of the three I love more. It just depends on the everyday mood I'm in. Treasure is more like a dark and gloomy dream with hop...""I really like this a lot for its darkness. However I can understand why more ppl prefer Treasure and Heaven or Las Vegas, me myself included. I can't really tell which one of the three I love more. It just depends on the everyday mood I'm in.
Treasure is more like a dark and gloomy dream with hopes for the sunlight. Heaven is sweet and consistently fluent like a water flow. But this one is a journey through the endless hell.
That being said, I probably wouldn't like this everyday while I could like Treasure and Heaven everyday, but it's really good, and not pretentious at all, unlike some other underground independent music."[+]Reply
"There's no one song that is on the level of Where It's At on this album, but all the songs are solid. A Beck album can always be hit or miss (even Odelay) but this seems to be his most complete album. The variety is very good, going from rockers like E-Pro to poppy hits like Girl to more soulful ...""There's no one song that is on the level of Where It's At on this album, but all the songs are solid. A Beck album can always be hit or miss (even Odelay) but this seems to be his most complete album. The variety is very good, going from rockers like E-Pro to poppy hits like Girl to more soulful tracks like Missing and Earthquake Weather and funny tracks like Hell Yes and Que' Onda Guero. Recommended."[+]Reply
"This is the Gorillaz album I’d been waiting fifteen years for. Demon Days felt like the ultimate pleaser and the best, most distilled record Gorillaz could have released. I loved Plastic Beach and has some real moments of genius, but just seems a little high concept and disjointed in places. Huma...""This is the Gorillaz album I’d been waiting fifteen years for. Demon Days felt like the ultimate pleaser and the best, most distilled record Gorillaz could have released. I loved Plastic Beach and has some real moments of genius, but just seems a little high concept and disjointed in places.
Humanz and The Now Now had decent moments but were not great albums.
With Song Machine, Damon has truly perfect the craft of what Gorillaz should be in 2020. Playful, daring and the bi-monthly “single” format allows them to fully immerse on a single track - carefully curated guest stars, artwork and a video to tie it together.
The only real criticism I have is the artwork and title... if it read less like a compilation and had a great Jamie Hewlett cover then I strongly feel it would’ve charted higher in end of year lists."[+]Reply
"If ever an album was made for listening to in the dark with a decent pair of headphones, this is it. Substances may also help. It's like having your brain kissed through your ears. Bliss."Reply