Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 4 hours ago).
""Over, Under, Sideways, Down" or "The Yardbirds" or "Roger the Engineer" was the Yardbirds' first real album released in 1966. They had released two albums in America in 1965 "For Your Love" and "Having a Rave Up", but they were merely compilations of singles, EP's , live-recordings or obscure re..."""Over, Under, Sideways, Down" or "The Yardbirds" or "Roger the Engineer" was the Yardbirds' first real album released in 1966. They had released two albums in America in 1965 "For Your Love" and "Having a Rave Up", but they were merely compilations of singles, EP's , live-recordings or obscure recording which were included to fill up the albums to reach an acceptable playing-time.
For the first time they were given the opportunity to record a real album. The were not given unlimited studio-time; on the contrary; the album was recorded during a very short time-period; I believe it was about 2 weeks. This makes the result even more impressive. It's no exaggeration to call this album one a the greatest of the mid-sixties. Very tight playing by everyone, impressive and innovative guitar-work from Jeff Beck, solid vocals and great songs.
In my opinion there is no doubt that it's Jeff Beck who makes the difference. I love the sounds he can get out of his guitar. It's not difficult to imagine who stunned people would we when listening to his guitar back in 66. The great mixture of traditional blues and the new psychedelic sounds has never been surpassed.
Even classic 12 bar blues tracks like "Lost Woman","Over, Under, Sideways, Down", "The Nazz Are Blue", "Rack My Mind", "Jeff's Boogie" and "What Do You Want" sounded (sounds) new; and these recordings still sound uplifting and full of energy today.
On songs like "Ever Since The World Began", "Turn Into Earth", "Hot House" and "Happenings Ten Years Time Ago" showed a purer progressive side of the band. In fact "Happenings Ten Years Time Ago" was not originally included on the album, as it was recorded shortly after, at a time when Jimmy Page had also joined the group. "Happenings Ten Years Time Ago" was released as a single with "Psycho Daisies" as the b-side. These two songs have been featured on most re-releases of the album, and can almost be considered as originals. The moving "Farewell" is a another favourite; makes you think of the sad destiny of Keith Relf who died electrocuted in 1976 by his own guitar while practising at his home. Unfortunately this 2 lead-guitarist period would last very short, as Jeff Beck soon left. As far as I know, they only recorded 3 songs; with "Stroll On" from the movie "Blow Up" as the third.
The bonus tracks make the CD an even better buy. The Keith Relf solo tracks a all solid; in fact they are really the Yardbirds backing singer Relf. "Mr Zero" is not far from later Yardbirds recordings like "Little Soldier Boy".
If you're even the least interested in the music that came out of the 1960's this milestone is a must hear! "[+]Reply
"The music sounds tighter, less loose than previous records although it isn't quite as memorable. The songs do grow on you over a period of time and it's still growing on me. I still don't know whether it's as good as, Yellow house, or, Veckatamist, but it's certainly different. Sounding less rust...""The music sounds tighter, less loose than previous records although it isn't quite as memorable. The songs do grow on you over a period of time and it's still growing on me. I still don't know whether it's as good as, Yellow house, or, Veckatamist, but it's certainly different. Sounding less rustic and more polished than ever, Painted ruins, is a slow burner that has still yet to hit me completely. A totally intriguing album and still potentially their best record. Not yet though. "[+]Reply
"I think people are spending too much time comparing it to their best album whatever that might be, instead of just listening. When you compare albums then you will miss out on loving it. Now for the album, I love it all, maybe one or two tracks near the end not as much but there's plenty to love ...""I think people are spending too much time comparing it to their best album whatever that might be, instead of just listening. When you compare albums then you will miss out on loving it.
Now for the album, I love it all, maybe one or two tracks near the end not as much but there's plenty to love here I think.
Psyche is possibly my favourite song, the singers voice is top quality and good to see Massive Attack purely using instruments which they hadn't done before for an album.
They have a new album out this year apparently and looking forward to that as they are one of my very favourite artists. "[+]Reply
"85 to 95/100 (Continuing a trend of punk albums absolutely kicking my ass in 2021, this album goes ahead and kicks ((perhaps)) the very hardest. Post punk, dance punk, noisey rock, artsy heaviness, oh my! Oh and go listen to "Snow Day" if you wanna see what is so great about Shame.) This album fu...""85 to 95/100 (Continuing a trend of punk albums absolutely kicking my ass in 2021, this album goes ahead and kicks ((perhaps)) the very hardest. Post punk, dance punk, noisey rock, artsy heaviness, oh my! Oh and go listen to "Snow Day" if you wanna see what is so great about Shame.)
This album fucking rocks. It makes me wanna mosh and dance and stand still and sad whilst looking out at the city streets and go and tear shit up, all in relatively equal measure across its 42 minutes.
Its nearly relentless in its heaviness, and it IS relentless in its tension and mood. All the while Shame remain undeniably accessible and even catchy.
A few of these songs (namely, Snow Day, Harsh Degrees, Human For A Minute, Born In Luton) are next level statements and just sublime. The rest of the album and its other tracks are also excellent. The slowed down tracks are gorgeous, and manage to be manic and fragile and very tense all at once (The closer, Station Wagon and especially again Human For A Minute are excellent examples of this fine tight rope they so deftly walk.). On the great song 6/1, there is even a moment of emotional depth that rivals early Interpol (it does sound quite similar to some of those classic Turn On The Bright Lights songs).
I don't have much to say of any usefulness. I guess I will summarize in the following run-on sentence: if you love Punk rock, if you love those manic and catchy Talking Heads guitar riffs from their late 70s albums, if you love the spit and fury of John Lydon's vocals and the cooler than cool (ice cold) vocals of peak Strummer, if you love muscular and, frankly, badass Bass lines holding down the furious beast alongside some pummeling Post-Punk drum barrages, if you love albums that come fully formed and beautifully paced and come with the singular purpose of shaking you by the shoulders and giving you a swift kick in the ass, then I think you will LOVE this album and it will become a new favorite or, at the least, you will appreciate the heck out of it.
As I listen to this album more and more throughout the year (and I do think it will be one I am constantly reminded of and sticks with me) I am sure my opinion will blossom a bit. As of now I am mostly just loving that in 2021 I am listening to an album that makes me feel like a vibrant and pissed young rebel again. This album even makes Digital Marketing and IT troubleshooting seem like acts of tortured and righteous rebellion.
"I need a new solution.
I need a new resolution,
and its not even the end of the year.""[+]Reply
"I am an honest man when I‘m not lying… Nothing plays better than the doomed but repentant sinner man feverishly begging to have his sins absolved. The sinner who firmly believes in hell but is dammed there anyways by his hunger & compulsions to fill that emptiness inside him with cards, whores, a...""I am an honest man when I‘m not lying…
Nothing plays better than the doomed but repentant sinner man feverishly begging to have his sins absolved. The sinner who firmly believes in hell but is dammed there anyways by his hunger & compulsions to fill that emptiness inside him with cards, whores, and the bottle. Just one drop he says, to slacken my thirst. Sackcloth conjures stories so effectively they have me thinking in black & white, images of a pentecostal preacher man, whiskey stills, and Faulkner dancing in my head. There’s a mad off kilter ferocity at play here. Like they could go off the reservation at any moment. But, they don’t. Now if I can only track me down some Bakers bourbon in this god forsaken, urban morass known as Kuala Lumpur to help “take me home” with him.
This ain’t no Alt Country, boy. This here is American Gothic."[+]Reply
"Might be one of the best production on an hip hop album ever alongside illmatic, college dropout and MBDTF. The self-titled track is one of my top 10 hip hop song of all time and it's a must listen for every hip hop fan. Top 10 hip hop album of all time, IMO. Rip Guru"Reply
"As a Pixies devote I got in on the ground floor with this one purchasing the vinyl album the week it came out & it did not disappoint , it fact it blew me away how superb it was and remains so today in 2018 some 28 years on So where does 'Pod' sit in the Pixies / Breeders chronology ? 1989: 'Dool...""As a Pixies devote I got in on the ground floor with this one purchasing the vinyl album the week it came out & it did not disappoint , it fact it blew me away how superb it was and remains so today in 2018 some 28 years on
So where does 'Pod' sit in the Pixies / Breeders chronology ?
1989: 'Doolittle' released
1990 May: 'Pod' released
1990 August: 'Bossnova' released (it's easy to forget these 2 releases came out within weeks of each other )
The Safari EP wouldn't appear for 2 more years in 92 and Frank Blacks 1st solo album incredibly until 1993
'Pod' has what I call the classic and best Breeders line up in Kim Deal on lead vocals and guitar , Tanya Donelly on guitar and backing vocals and Josephine Wiggs on bass and backing vocals . Also it was produced by Steve Albini who's DNA fingerprints are all over this album
One of the very small percentage of albums I could argue is 100% perfect from top to bottom , there's not a single poor or average track , every note every lyric feels in its place and most importantly stands the test of time after hundreds of listens
90/100 "[+]Reply
"Styx was the "gateway drug" that got me into classic rock. Sure, they were poppy and heck, and, in retrospect, not that good; But that's what got me to latch onto the genre. I've always considered this to be their best album, and after all these years, "Miss America" is still a masterpiece."Reply
"Basie's best record is a classic for Big Band Jazz. Arranged by Neal Hefti and featuring some great tenor sax work by Eddie "Lockjaw" Davis. Easy to see how this recording rejuvenated Basie's career. Best Tracks: Midnite, Fantail, Spanky, Duet, Teddy the Toad."Reply