Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 5 hours ago).
"After the slight disappointment of the, you're the one, album, Paul Simon returns six years later with an excellent record. Surprise, is probably Simon's most challenging album to date, featuring, according to the credits, ' sonic landscape' by Brian Eno. There is certainly a more ambient feeling...""After the slight disappointment of the, you're the one, album, Paul Simon returns six years later with an excellent record. Surprise, is probably Simon's most challenging album to date, featuring, according to the credits, ' sonic landscape' by Brian Eno. There is certainly a more ambient feeling to the songs, especially on, everything about it is a love song, and, sure don't feel like love. Outrageous, is a funky track, and, wartime prayers, one of Simon's best ballads for years. Other standouts are opener, how can you live in the northeast, another galaxy, and, once upon a time there was an ocean. Father and daughter,was recorded earlier for The Wild Thornberries soundtrack, and was added onto the album after it became a minor hit. Even though it's a nice enough song, it feels out of place here amongst the more atmospheric tracks. Still, surprise, is an excellent Paul Simon LP. "[+]Reply
"I'm not a big fan of The Swans but on this side project, Michael Gira is at his best and the "country" tracks here sound even more ominous and dark than on his main bands heaviest darkest song. On most of the tracks he takes his time to arrive at a satisfying and in many case manic ending. The hi...""I'm not a big fan of The Swans but on this side project, Michael Gira is at his best and the "country" tracks here sound even more ominous and dark than on his main bands heaviest darkest song. On most of the tracks he takes his time to arrive at a satisfying and in many case manic ending. The highlights are Angeline and the long and droning final Two Women. So to my surprise I like this album very much"[+]Reply
"A solid late Macca. Not as good as Chaos and Creation, by a longshot, but there's some strong material that stands up to anything from that album. It's just that there's also some tracks I don't like very much. However, it's still an enjoyable listen, and with songs like Mr Bellamy, Ever Present ...""A solid late Macca. Not as good as Chaos and Creation, by a longshot, but there's some strong material that stands up to anything from that album. It's just that there's also some tracks I don't like very much. However, it's still an enjoyable listen, and with songs like Mr Bellamy, Ever Present Past and Only Mama Knows, has enough good tracks to make it so."[+]Reply
"If I had to summarize it in the most crass reductionist terms possible, I might describe it as Broadcast meets David Lynch meets Cyndi Lauper. But I'm not going to do that because this album just surprises me with something new and unexpected at every turn. "Oh cool, a cute upbeat surf-rock song ...""If I had to summarize it in the most crass reductionist terms possible, I might describe it as Broadcast meets David Lynch meets Cyndi Lauper. But I'm not going to do that because this album just surprises me with something new and unexpected at every turn.
"Oh cool, a cute upbeat surf-rock song whoa this guitar tone is filthy and I'm drowning in distortion! Now this beat keeps skipping and I'm creeped out, but the bassline is so catchy... what the hell is that moaning in the background? Oh, a little intermission with two girls joking on the phone... about some fairly heavy Oedipal stuff and it just ended with creepy echoey 50s sitcom laughter. Okay hang on, since when was this a synthpop album, and how does this seem to fit the overall aesthetic so perfectly?"
Nothing about this album fits neatly in any time period. It's like I'm listening to music from an alternate timeline after America suffered a natural disaster in the 50s and is now mostly covered in desert, but there's a quirky little town centered around a desalination plant that simultaneously functions as a saloon, and the punk movement was spearheaded by people that only listened to surf rock and boogie-woogie piano music, and people have to go out shooting muskrats for dinner, and everyone builds their own electronics and people drive around on rickety little scooters painted with bright colours, and the bubblegum and lipstick industries are still inexplicably booming. There's also probably a lot of sex trafficking. It's a dark timeline."[+]Reply
"Yeah...no. I will admit that there are a few tracks I do like off this album. The intro for Jack Gell was a nice interlude intro. Also love the hell out of Susan Axelrod. Probably the best track that plays to the strengths of the qualities this album has. Also thought Murray De Pillars was also g...""Yeah...no. I will admit that there are a few tracks I do like off this album. The intro for Jack Gell was a nice interlude intro. Also love the hell out of Susan Axelrod. Probably the best track that plays to the strengths of the qualities this album has. Also thought Murray De Pillars was also good. Now I do admire how this album is quite raw and naked where it's only Anthony. It does create an interesting presence. And though I'm not head over heels for Ann and Peter Allen that track feels like the prototype for lowercase music.
But even when I do have some nice things to say, I don't like the album at all. The Cecil track is oddly enough the only track that I forgot. Weirdly enough it just went in one ear and out the other. However tracks 2, 7 and 8 are so annoying to me. The qualities of being raw and naked just become this weird form of punishment where if this was release this decade, people would make fun of this shit instantly. And unlike Karma or The Epic where I do like how the atonal qualities of the sax create an interesting counterpoint, this is just work."[+]Reply
"The ballads on this album get really mushy, especially on the banal "Photograph" ("When it gets hard/You know it can get hard sometimes/ is the only thing that makes us feel alive") and the cliche-riddled "Thinking Out Loud" (Kiss me under the light of a thousand stars), but when Ed wishes to bra...""The ballads on this album get really mushy, especially on the banal "Photograph" ("When it gets hard/You know it can get hard sometimes/[Love] is the only thing that makes us feel alive") and the cliche-riddled "Thinking Out Loud" (Kiss me under the light of a thousand stars), but when Ed wishes to brag of his drunkenness and(nonexistent)rugged street-smart personality I find the resultant songs even more annoying. This song contains one good one: "I'm a Mess", the first track in which Ed brags of his drunkenness and (nonexistent) rugged street-smart personality, and unfortunately not the last."[+]Reply
"Never considered a classic and a real shame for that. This LP takes the original Tubular Bells template, changes the melodies and updates the production values but keeps the structure intact, producing a wonderful facsimile of the pioneering 1973 album. This time around, the tracks are split up i...""Never considered a classic and a real shame for that. This LP takes the original Tubular Bells template, changes the melodies and updates the production values but keeps the structure intact, producing a wonderful facsimile of the pioneering 1973 album. This time around, the tracks are split up into bite sized chunks, as opposed to the side-long epics of its forebearer. Let's be honest, this will never be a cool album but if you can listen with unprejudiced ears, you might just enjoy what you hear. "[+]Reply