One Quarter Descent
by The Fun Years
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The Fun Years bestography
One Quarter Descent is ranked as the best album by The Fun Years.
(N.B. Bestographies include all albums by an artist (and their variations), but do not include albums ranked outside the top 100,000).
Listen to One Quarter Descent on YouTube
One Quarter Descent track list
The tracks on this album have an average rating of 79 out of 100 (all tracks have been rated).
One Quarter Descent rankings
Calculated from aggregate positions across 60,000 charts (2 million album rankings). Click to see how the rankings are calculated (Last updated: 6 hours ago)
| Year | Source | Chart | Rank | Rank Score |
|---|---|---|---|---|
| 2026 | Top 56 Music Albums of 2014 | 1/56 | 5 | |
| 2026 | Top 100 Music Albums of 2014 | 43/100 | 3 | |
| 2025 | Top 100 Music Albums of 2014 | 5/100 | 5 | |
| 2025 | Top 100 Greatest Music Albums | 79/100 | 19 | |
| 2022 | 19loveless91 | Top 100 Music Albums of the 2010s | 86/100 | 3 |
| 2020 | Top 50 Music Albums of 2014 | 37/50 | 1 | |
| 2020 | Top 91 Music Albums of 2014 | 88/91 | 0 | |
| 2019 | Top 100 Music Albums of the 2010s | 51/100 | 10 | |
| 2017 | Top 100 Music Albums of 2014 | 55/100 | 2 | |
| 2017 | Top 100 Music Albums of the 2010s | 24/100 | 15 | |
| Total Charts: The total number of charts that this album has appeared in. | 17 | |||
| Total Rank Score: The total rank score. | 83 | |||
One Quarter Descent collection
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One Quarter Descent ratings
Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AVwhere:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
Showing latest 3 ratings for this album. | Show all 23 ratings for this album.
| Rating | Date updated | Member | Album ratings | Avg. album rating |
|---|---|---|---|---|
| ! | 01/28/2020 04:55 | 8,271 | 80/100 | |
| ! | 08/09/2018 19:36 | 1,805 | 80/100 | |
| ! | 11/06/2017 14:22 | brun027 | 3,500 | 84/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some albums can have several thousand ratings)
This album has a Bayesian average rating of 71.1/100, a mean average of 70.7/100, and a trimmed mean (excluding outliers) of 70.7/100. The standard deviation for this album is 20.7.
One Quarter Descent favourites
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One Quarter Descent comments
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this album fills an emptiness inside me that I didn't even know I had
This is everything KLF’s Chill Out aspired to be when it grew up. It’s an ambient sound scape to a late night journey. This time you’re on a commuter train. You meditatively look out the window passively taking in the urban wasteland that supports life but that no one gives too much particular attention to. It’s warehouses. It’s sewers & canals. It’s power stations. You’re just comfortably at peace listening to the random sounds of the train play on the tracks as this urban landscape slips past. It’s meditative, nocturnal and completely gives you the impression of movement. Where you’re going is not important. You’re not in a rush. You’re complete just looking out that window. Looking out that window at nothing.
Grade: A. One of the finest, absorbing and contemplative ambient albums I’ve heard. It’s natural, organic & slightly industrial in sound. But the best thing is the sense of movement it gives you. That you are being transported somewhere, but you don’t really care where. In a way, it reminds me of Seefeel’s Quequi in that sense. This jumps ahead (for now) of even Virginia Astley’s album of naturalistic beauty perhaps because I’m bit more of an urban dweller at my core.
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