Top 100 Greatest Music Albums by AvalancheGrips

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[First added to this chart: 01/12/2018]
Year of Release:
2015
Appears in:
Rank Score:
33,712
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Comments:
2. (=)
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[First added to this chart: 02/10/2019]
Year of Release:
2012
Appears in:
Rank Score:
3,678
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[First added to this chart: 02/10/2019]
Year of Release:
2014
Appears in:
Rank Score:
6,764
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[First added to this chart: 02/22/2020]
Year of Release:
2016
Appears in:
Rank Score:
975
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That first hollow guitar riff, coming from the dark silence of the open universe, stirs so many emotions. It is the perfect tone setter for this record. The name Ghost Tropic is perfect because this album is a tropical forest, and we wander the forest floor in the shadows cast by the canopy trees. "Lightning Risked it All" starts by saying "Still no guides/It's not a generous world/It is a separate world." [First added to this chart: 03/15/2025]
Year of Release:
2000
Appears in:
Rank Score:
285
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[First added to this chart: 11/03/2021]
Year of Release:
2003
Appears in:
Rank Score:
3,460
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[First added to this chart: 03/21/2025]
Year of Release:
2024
Appears in:
Rank Score:
1,503
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Remain In Light is the most forward thinking album of its time. Up until the release of this record, the culture was not capable of creating something like this, and afterwards, the culture was not willing. The 1980s are a culturally dead decade. Neoconservatism was the guiding ideology and experimentation was at an all time low in culture. This is the decade of Top Gun, hair metal, shopping malls, and slop, slop, slop. Even on this website, albums from the 1980s are heavily underrepresented in the top charts. It's because, honestly, music was boring that decade. It started with Joy Division, This Heat, Talking Heads, Dead Kennedys, Glenn Branca, and the middle years are almost completely devoid of anything interesting or innovative. People are afraid to admit that the 80s were culturally dead because of nostalgia but the difference is night and day when viewing the decade through the achievement of this record.

Talking Heads were slowly working their way up, their debut has a lot of solid tracks, but is generally just okay. They lost some footing with their sophomore release, More Songs About Buildings and Food, which is again just fine. All the while, they are sustaining a groovy and eccentric sound that set them apart from other acts. They achieved a bit of greatness with Fear of Music. They started to incorporate Afrobeat influences that gave a lot of the tracks more complex grooves. "I Zimbra" is very simple, but the groove is undeniable. My favorite is "Cities" because they find such a pocket in that track, and it's their best so far. Another highlight is "Life During Wartime" which also has a killer beat. David Byrne's vocals as well improve on this record and become more charismatic. I would say that the three aforementioned tracks foreshadow Talking Heads' direction for their next record the most.

Remain in Light can be seen as split into two records. There's a side with some of the most complex and layered dance rock even 45 years later, and a side with dark and atmospheric bouts of insanity. Regardless of where a track lies, one can be assured that it will have cutting edge Brian Eno production and electrifying and borderline uncomfortable performances from David Byrne. The Afrobeat influence is turned up to 100 on this record as it is apparent in every single track. The first four tracks have polyrhythms that a listener could try and decode for hours. There are guitar solos that will have your jaw dropped realizing that this record came out just a decade after the Beatles.

I used to write-off the latter four tracks because they were not as invigorating as the first half, but that was a complete mistake. There would be no Remain in Light supremacy without the latter half. It serves as the backbone of this record. Can you imagine an entire record of "The Great Curve"? It would be unbearable. One can tell that the band was on something different during the production of this record because there is nothing in their discography even remotely similar to "The Overload."

It really does seem that Talking Heads were striving for not just greatness on this record, but legendary status, because every quirk or quality that makes this album special feels like a deliberate choice made by the band or Brian Eno himself. It is a shame that culture sided with hair metal and U2 as opposed to records like this in the 80s, because a future where a record like this is the zeitgeist is one where poverty is nonexistent and war has stopped.
[First added to this chart: 01/12/2018]
Year of Release:
1980
Appears in:
Rank Score:
29,017
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[First added to this chart: 03/15/2025]
Year of Release:
2002
Appears in:
Rank Score:
509
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[First added to this chart: 03/21/2025]
Year of Release:
2002
Appears in:
Rank Score:
140
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Total albums: 57. Page 1 of 6

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Top 100 Greatest Music Albums composition

Decade Albums %


1930s 0 0%
1940s 0 0%
1950s 0 0%
1960s 2 2%
1970s 13 13%
1980s 3 3%
1990s 14 14%
2000s 27 27%
2010s 30 30%
2020s 11 11%
Artist Albums %


Swans 4 4%
Godspeed You! Black Emperor 4 4%
Songs: Ohia 3 3%
LCD Soundsystem 2 2%
Pink Floyd 2 2%
Tim Hecker 2 2%
El-P 2 2%
Show all
Country Albums %


United States 57 57%
United Kingdom 16 16%
Canada 7 7%
Mixed Nationality 4 4%
Japan 3 3%
Australia 3 3%
Germany 3 3%
Show all
Live? Albums %
No 99 99%
Yes 1 1%

Top 100 Greatest Music Albums chart changes

There have been no changes to this chart.
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Top 100 Greatest Music Albums ratings

Average Rating: 
91/100 (from 71 votes)
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03/05/2025 15:51 slatsheit  Ratings distributionRatings distribution 2488/100
  
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02/08/2025 18:13 DeusExMackia  Ratings distributionRatings distribution 13082/100
  
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02/08/2025 11:03 SomethingSpecial  Ratings distributionRatings distribution 1,03185/100
  
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05/13/2024 13:57 BorderFreeAndrew  Ratings distributionRatings distribution 7480/100
  
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05/10/2024 14:22 EyeKanFly  Ratings distributionRatings distribution 20988/100

Rating metrics: Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
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This chart is rated in the top 2% of all charts on BestEverAlbums.com. This chart has a Bayesian average rating of 90.7/100, a mean average of 89.7/100, and a trimmed mean (excluding outliers) of 91.4/100. The standard deviation for this chart is 12.7.

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Top 100 Greatest Music Albums comments

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Rating:  
80/100
From 03/05/2025 15:51
I can't stand some of the stuff in your top 20, but the list is so eclectic and thoughtful that I have to give it some credit.
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Rating:  
20/100
From 05/14/2024 23:15
I think you're missing my point. Don't add soul and jazz just because I suggested it. Don't bow to social pressure at all. Add something that you authentically love, but that won't win you points with the snobs. Yes, some of your choices aren't commonly seen on BEA charts. But they fit in with the general snob-core tone of the rest of your list. It's ok to like those albums. But do you like anything that wouldn't be snob-approved? Do you have any guilty pleasures? Something that might get ridiculed by the music elitists? Add THAT! Then I would respect your list a lot more. It could be any genre. And from any era. Doesn't matter if it's boomer or zoomer. (why are you obsessed with generational distinctions?) And the genres I suggested were just picked at random. It could be ska, or blues, or K-pop, or Hindustani classical music (hmm, that one might actually be a logical next step for a Swans fan).

And when I suggested mainstream pop, what I meant was popular/Top 40 music that isn't indie-approved. Yes, Gorillaz and Outkast are popular, but when I say 'mainstream pop' I mean stuff like Bruno Mars, or Harry Styles, or Elton John, etc. For example, a recent Chart-of-the-Day had multiple John Mayer albums on it. Personally, I never much liked John Mayer, and I still don't. But I respect that user's bravery and guilelessness. Because they had a mix of critic-approved and critic-panned stuff, I found their list much more interesting and individualistic than yours. Of course, that's just my opinion. And it shouldn't hurt your feelings that not everyone loves your kind of Top 100.

As for my own Top 100, you're free to hate it. But when you call it "run-of-the-mill Rolling Stones magazine boomer bullshit", it shows you have no idea what you're talking about. My chart has 2 albums each from Julian Cope, Lisa Germano, and SFA. And NONE of them have ever shown up on any RS chart. RS barely knows they exist. In fact, well over 50% of my chart is stuff that RS ignored or shat on. Is there some overlap with RS charts? Sure. It would be odd if there wasn't. But it's minimal. Your chart has plenty that's also on Pitchfork's charts. So if I called it "run-of-the-mill Pitchfork zoomer bullshit", I'd have a much stronger case. As for adding a hip-hop album from the last decade to my Top 100, if BEA allowed us a Top 300, you would see a few: Kendrick, Little Simz, Danny Brown, Tyler maybe. I like those albums a lot. Just not enough to supplant the ones I already have in my Top 100. So I guess you'll have to keep thinking I'm a racist. Oh well. I'll try not to lose any sleep over it.
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From 05/14/2024 13:53
@BorderFreeAndrew most of these criticisms fall completely flat to me because there are albums on my chart that I've literally never seen on others (e.g. Lift to Experience, Nicolas Jaar, Elza Soares, even Low is rare on this site). Meanwhile, your chart is the same boring run-of-the-mill Rolling Stones magazine boomer bullshit. 64 albums from the 60s and 70s is sickening to me, where's the diversity? Another funny thing is I've never used RYM, you're yelling at clouds dude. I really think that you're projecting your resentment of the young RYM hipsters onto me and that's really sad man. Sure, I'll put more soul and jazz on my chart, I've been meaning to, but I want you to put one (1) hip-hop album from the last decade on yours or I'll still think you're racist. Also, you're saying I'm anti-pop? My favorite album is from one of the most popular artists of the last decade; Gorillaz, Jessie Ware, Stevie Wonder, and OutKast are all pop artists. I know you've listened to tons of music from the last decade so where is it?
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Rating:  
20/100
From 05/13/2024 02:32
What, no Glenn Miller? No Dinah Shore? Where's the Bing Crosby and Doris Day records? I takes it back to the oooooooold skool:
https://www.youtube.com/watch?v=3d1phCytJyg&ab_channel=Key%26Peele

But seriously, stop being so shallow and petty just because someone isn't impressed with your Beginning-Hipster's-Starter-Kit of a Top 100. BTW, I actually saw your #9, Lift To Experience live in Austin, TX back in 2001 when nobody cared who they were. I'm such an "old conservative man" who's "uncurious and bland".

Edit: You want me to say something substantial about your chart? Sure, no prob. First off, the fact that you'd think my light-hearted comment above could be "racist" illustrates your problem: You're demonstrating a worldview that is narrow and short-sighted. And this shows in your chart. As someone who you're certain is "uncurious and bland", I've heard almost all your chart entries. And I like most of them. The reason I don't like your chart is because it's too stylistically samey and predictable. I don't care whether it's newer or older stuff. I'm just tired of seeing the same RYM-core over and over again (since you brought them up). I like charts that surprise me. I like charts that introduce me to something I hadn't already heard about, or remind me of something I'd forgotten. Your chart does that only once: I'd never heard of Ciśnienie, so I may check them out now. Most importantly, I like charts that show diversity (you know, cuz I'm such a "racist"). Where is the funk? The jazz? The folk? Even the inclusion of some mainstream pop would be a nice indication that you're not self-consciously trying to impress the anti-pop snob brigade. As for classic soul, you've got one token Stevie Wonder album. "Racists" like me like a lot more classic soul and R&B than that. And the Swans are fine. But 3 of your top 6? I don't doubt that you sincerely love these albums. But this suggests to me that you need to expand your horizons and explore a wider variety of music (both past and present). Your chart makes you seem a lot more "uncurious" than me. I'm not "mad" at your retaliatory comment/rating, or it's blatant ageism. I'm just disappointed at the insecurity it displays ("your rating did literally nothing to my overall average, people love my shit"). Gain the maturity to accept that not everybody is gonna "love your shit" and that's ok.
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Rating:  
95/100
From 05/10/2024 14:23
Lots of stuff I don't care for (Swans, Tool), but also lots in common. Love the thought and dedication put into the comments, great chart!
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Rating:  
85/100
From 08/28/2023 10:15
A young persons chart only 22 albums from the 60's, 70's & 80's but your descriptions are brilliant so that lifts the chart to 85/100
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Rating:  
90/100
From 02/07/2023 20:04
Great descriptions accompanying the entries. Good chart
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Rating:  
90/100
From 02/07/2023 17:33
That's a lot of depressing albums. Also, Komm Susser Tod is definitely one of the greatest songs ever!
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Rating:  
100/100
From 10/31/2022 22:52
I was right, this thing DOES increase in quality based on fascinating descriptions.
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From 08/10/2022 20:11
@leniad

I have heard all of those albums actually lol. Bitches Brew by Miles Davis is just outside of my top 100 and was on here for a little bit. Jazz on its own isn't my favorite, I love it when it's incorporated with other genres, à la progressive rock, post-rock, Hip-Hop
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