Best Albums of the 2020s (so far)

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Listed below are the best albums of the 2020s (so far) as calculated from their overall rankings in over 58,000 greatest album charts. (Chart last updated: 3 hours ago).

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2020s decade summaryThe best artists of the 2020s are Black Country, New Road, The Strokes, Charli XCX, Little Simz, Magdalena Bay, Fontaines D.C., Kendrick Lamar, Big Thief, King Gizzard & The Lizard Wizard and The Smile.

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431.

Eternal Sunshine

Ariana Grande

"Grande is one of those generally popular artists that I innately hated. Their huge popularity and commercial success smothered my own artistic appreciation. This is her latest and, for my taste at least, finest release. The musical ride is still gentle but greatly enjoyable. She just gets better ..." [+] Reply

- dukeboxkool | Helpful? (Log in to vote) | 0 votes (0 helpful | 0 unhelpful)

Year of Release:

2024

Appears in:

45 charts

Rank Score:

198

Rank in 2024:

Rank in 2020s:

431

Overall Rank:

6,548

Average Rating:

68 (62 votes)

Comments:

432.

Long Lost

Lord Huron

"(A formidable, beautiful alt-country/chamber folk-type album that, while quite pretty can leave me feeling like its a bit empty of real grit and meaning.) My relationship with this album has developed and shifted several times over the last couple months. When I first heard it, I admit I was kind...""(A formidable, beautiful alt-country/chamber folk-type album that, while quite pretty can leave me feeling like its a bit empty of real grit and meaning.) My relationship with this album has developed and shifted several times over the last couple months. When I first heard it, I admit I was kind of in love. On second and third and now fourth listen, there is a diminishing return. Each time I hear it I am always impressed by the scale and beauty of the album. There is clearly a person who has a good familiarity and understanding of country and folk making this. The strings, while sometimes overbearing and sappy, generally create a larger-than-life romantic atmosphere especially when paired with the somewhat gritty tales of woe and loss and the twangy vocal and guitar parts. The production is pretty solid, pristine and generally un-ear-catching. And really the indicidual parts seem to be pretty well placed and well done. But... there is something missing that would make this a true gem. I like it but that ain't much of a benchmark considering my general love of this genre and aesthetic. There is a cleanness and detached lack of passion here that can be a bit irksome. The vocals sound like someone playing the part of a sad, wandering country troubadour but it also does feel like an act or veneer. The calculated placement of strings to induce swoons and feeling sound, well, just like that - calculated plays for that lonesome lostness that is so incredible when truly pulled off. The little snippets of old TV shows wear out their welcome almost instantly and when ythey come in, it does 2 things: 1. makes me roll my eyes and 2. kind of breaks immersion and makes the whole flow of the record experience some turbulence. Not a fan of that schtick and choice. Also I feel this album isn't varied enough or doesn't have enough of an arc or a cohesive stitching to justify an hour run time. Okay, so, yeah I don't love this album. I do like it. I may sound like I really dislike it, but I assure you that is not the case. It should also be noted that today I am in a bit of a sour and cantankerous mood and this album's pitch for my heart strings is being faced with cold, unsympathetic, grouchy old me and so yeah, tough crowd. But the truth is somewhere between my initial lovey-dovey response and today's grouchy curmudgeon response. Even now I can say some of the songs here are quite great and if the tracks "Not Dead Yet" with its old rock and roll swagger and its hand claps, "Mine Forever" which plays as a near-perfect introduction to the swooning, string-laden lost troubadour vibe this album is trying to pull off, "I Lied" with its truly moving and mournful duet and soulful sadness and regret and self-loathing/disappointment, "Long Lost" with its melodramatic production and that early 60s girl group rhythm and that weak piano adding that sweet touch, made up half of this album instead of 1/4th this album i'd say this was a triumph. But the album is weighed down by filler skits and TV bits and songs that are generally not memorable for me. Overall, I like this style and some of the songs hereare stellar. And I like the record but don't, like, REALLY like it and certainly don't love it. It's a solid and pretty little Americana/Country/Indie Folk album with lots of Chamber folk and some alt-country thrown in for some variety. If you are into that, check it out." [+] Reply

Mercury | Helpful? (Log in to vote) | +1 votes (1 helpful | 0 unhelpful)

Year of Release:

2021

Appears in:

50 charts

Rank Score:

197

Rank in 2021:

Rank in 2020s:

432

Overall Rank:

6,576

Average Rating:

75 (40 votes)

Comments:

433.

Serpentine Prison

Matt Berninger

"There's nothing I'd love more than to be over the moon about this record. It's good! Not great, but decent enough." Reply

HoldenM | Helpful? (Log in to vote) | 0 votes (0 helpful | 0 unhelpful)

Year of Release:

2020

Appears in:

75 charts

Rank Score:

196

Rank in 2020:

Rank in 2020s:

433

Overall Rank:

6,597

Average Rating:

72 (71 votes)

Comments:

434.

PWR/UP

AC/DC

"A good album that rocks much the same as their other albums w/ Brian Johnson. Nothing really new here. If I was to pick a great classic rock album for this year it would be Blue Oyster Cult "The Symbol Remains". Check it out." Reply

UofTBlues | Helpful? (Log in to vote) | +2 votes (2 helpful | 0 unhelpful)

Year of Release:

2020

Appears in:

74 charts

Rank Score:

196

Rank in 2020:

Rank in 2020s:

434

Overall Rank:

6,603

Average Rating:

74 (70 votes)

Comments:

435.

We're All Alone In This Together

Dave

Share your opinion and help others discover this album. The top-voted comments are showcased in our aggregate charts!

Year of Release:

2021

Appears in:

58 charts

Rank Score:

195

Rank in 2021:

Rank in 2020s:

435

Overall Rank:

6,629

Average Rating:

72 (53 votes)

Comments:

436.

Orquídeas

Kali Uchis

"This mostly Spanish-Language CD is not as convincing as her massively good 2023 release." Reply

- dukeboxkool | Helpful? (Log in to vote) | 0 votes (0 helpful | 0 unhelpful)

Year of Release:

2024

Appears in:

81 charts

Rank Score:

195

Rank in 2024:

Rank in 2020s:

436

Overall Rank:

6,630

Average Rating:

73 (75 votes)

Comments:

437.

The Death Of Randy Fitzsimmons

The Hives

Share your opinion and help others discover this album. The top-voted comments are showcased in our aggregate charts!

Year of Release:

2023

Appears in:

51 charts

Rank Score:

194

Rank in 2023:

Rank in 2020s:

437

Overall Rank:

6,640

Average Rating:

74 (35 votes)

Comments:

438.

Ultrapop

The Armed

"(Post Hardcore meets Noise rock meets noise pop at points. Some cool electronic bits, some messy hardcore excellence as well as bits of mathy virtuosity, this album is just a really LOUD, at times thrilling, always interesting mix of genres that mostly work really well. Check it out if you like t...""(Post Hardcore meets Noise rock meets noise pop at points. Some cool electronic bits, some messy hardcore excellence as well as bits of mathy virtuosity, this album is just a really LOUD, at times thrilling, always interesting mix of genres that mostly work really well. Check it out if you like these styles or if you want to damage your ears as efficiently as possible.) This is the 3rd (or is it 4th?) official album by this Detroit hardcore punk/post hardcore band The Armed. In prep for this anticipated release of went back and listened to some of their earlier songs and albums. They were loud, wild, mathcorey, knotty bits of post hardcore and quite good. But, based only on the singles from Ultrapop, it felt like they had drastically changed their sound. This interesting and pretty cool evolution made me even more hyped about this album. All in all Ultrapop lived up to my hype. The main surprise was that the 3 songs I had heard on repeat before hearing the whole thing - “All Futures”, “An Iteration”, and “Average Death” - are probably 3 of the 5 most divergent songs from their post hardcore sound. Most of the other tracks, while having a ridiculously loud mix and some elements added, were essentially “classic The Armed” - meaning a majority of the songs here are gnarly and nasty and discordant walls of hardcore insanity. The strangely pop-oriented, tuneful experimentation is much less present in the songs that were not released early on streaming services. This wasn’t blatant, like, false advertising and I’m not mad, just surprised. As for the album as a whole, it’s very good, bordering on GREAT. The production is really ridiculous. By ridiculous I mean LOUD like REALLLLY LOUD. It’s almost Sleigh Bells-level of tinnitus-inducing. And actually it works really well for the music. The music being this maximalist melding of incredibly forthright and aggressive post hardcore with noise pop and subtle electronic and pop elements nestled underneath. The walls of unhinged sound that storm out of my headphones when I hear this record are brilliant and mostly invigorating. The musicianship is pretty solid. It’s not the most mind-bogglingly complex and the chops aren’t on another plane, but they suffice. (Note: I’m not a musician and for all I fucking know a musician may hear this and think these guys are the second coming of the Mahavishnu Orchestra or something. Just my perception as a neophyte.) But, honestly, the fact that at times the band sounds, well, like a hardcore punk band rather than a Mathcore band, is what makes a lot of the unhinged moments work more. It sounds slightly off time at points, the band isn’t always in perfect lockstep, and it makes for a more classic punk experience in amongst all these distinctly alien-to-punk-and-Hardcore elements. The critiques I have and the reason this album isn’t quite the AOTY candidate that I thought it may be based off first listen and those excellent pre-release singles, are vague and somewhat two-fold. And, again, both critiques are somewhat vague and incredibly personal no doubt. For one I feel that the album somehow has a mild personality crisis. When it is going ape shit with the noisy, oppressively loud hardcore it is consistently awesome. When the band is doing a weird quasi-MBV kinda thing where there is clearly some gorgeous melodies underneath thick slabs of noise and muck, it sounds absolutely awesome. EDIT: hey this is me. That MBV comparison was sticking in me craw and I think that is because it’s a bit of a stretch and they aren’t too similar stylistically. But at points there is a certain element of hiding rich and sweet melodies under lots of noise that is somewhat similar). And yet I don’t personally feel these two styles are melded or meshed into a beautiful and brilliant complete cohesive whole. The sum of the parts is somehow less than the 2 individual stylistic achievements. The other thing is that I feel this album doesn’t quite consistently blow me away. This is much less of a clear-cut, in my mind, problem. And honestly both issues may slowly dissolve into time as I revisit this beast. But for now I feel that the initial momentum of the album which is created by a brilliant and visceral run of tracks to start, is dampened quite a bit in the middle before the album ends with a pretty brilliant run of gems again. Again, with almost any album that I love the core sound of, this critique usually abates over time and many listens. Overall, this is indeed a creative, blistering, intense and loud (loud in ways I haven’t heard in almost any other album this year) record that, for the most part, sticks the landing on integrating some electronic, noise pop, and other disparate sounds into the post-hardcore central sound/style. Really excellent album and recommended. " [+] Reply

Mercury | Helpful? (Log in to vote) | +2 votes (2 helpful | 0 unhelpful)

Year of Release:

2021

Appears in:

67 charts

Rank Score:

194

Rank in 2021:

Rank in 2020s:

438

Overall Rank:

6,642

Average Rating:

70 (54 votes)

Comments:

439.

Marchita

Silvana Estrada

"Quite pleasant little album with little cuatro guitar and Estrada's competent vocals. compositions can sometimes go a bit awry with instrumental backing just interrupting the songs, but in at least one case, Carta, they're added remarkably well and pull off a really satisfying song build." Reply

Arthurknight | Helpful? (Log in to vote) | +1 votes (1 helpful | 0 unhelpful)

Year of Release:

2022

Appears in:

73 charts

Rank Score:

194

Rank in 2022:

Rank in 2020s:

439

Overall Rank:

6,659

Average Rating:

75 (86 votes)

Comments:

440.

Phonetics On And On

Horsegirl

"A solid follow up to their debut." Reply

- craab | Helpful? (Log in to vote) | 0 votes (0 helpful | 0 unhelpful)

Year of Release:

2025

Appears in:

70 charts

Rank Score:

193

Rank in 2025:

Rank in 2020s:

440

Overall Rank:

6,685

Average Rating:

73 (84 votes)

Comments:

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Total albums: 1,000. Page 44 of 100

Best Albums of the 2020s (so far) composition

Year	Albums	%

2020	197	20%
2021	200	20%
2022	194	19%
2023	169	17%
2024	143	14%
2025	97	10%
2026	2	0%

Artist	Albums	%

King Gizzard & The Lizard Wizard	12	1%
Taylor Swift	7	1%
Charli XCX	4	0%
Bad Bunny	4	0%
Nas	4	0%
Black Country, New Road	4	0%
파란노을 [Parannoul]	4	0%
Show all

Country	Albums	%

	516	51%
	234	23%
	45	4%
	39	4%
	29	3%
	19	2%
	15	1%
Show all

Compilation?	Albums	%
No	995	99%
Yes	7	1%

Live?	Albums	%
No	988	99%
Yes	14	1%

Soundtrack?	Albums	%
No	999	100%
Yes	3	0%

« View best albums of the 2010s

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