Listed below are the best albums of 1967 as calculated from their overall rankings in over 58,000 greatest album charts. (Chart last updated: 3 hours ago).
"The people who dismiss the Monkees without ever having listened to them, and who refer to them derisively as a "band" (never without quotation marks), can never really be convinced of their merits. I don't have ill feelings toward these people because they had the whole media telling a story abou...""The people who dismiss the Monkees without ever having listened to them, and who refer to them derisively as a "band" (never without quotation marks), can never really be convinced of their merits. I don't have ill feelings toward these people because they had the whole media telling a story about the Monkees that wasn't really true.
I'm gonna skip over the music for a minute and talk about the relationship between the band and the label/company. Somebody commented on here that the Monkees represented the end of musical integrity and the triumph of the love of money. The thing is, if the Monkees are not important for their music, they are important for being a group, perhaps the first, that stood up AGAINST this paradigm. The Monkees came around in the mid-to-late 60s. What do you think was going on before this? I'll tell you-- companies were putting together groups of men or women who could sing, and then they were choosing songs written by professional songwriters under contract, and they were recording those songs in the studio with session musicians. That's just the way it was done (with a few exceptions). It was rare that any groups would play their own instruments either on record or on stage. That's how the corporations liked it--Total Control. If it sounds familiar, it's because that's how the Monkees started out. Yes, they were prefabricated. Nobody's going to deny that. But, they because an extremely important band because they broke the mold. Somehow, they and a couple of allies they had in the company, waged a war in order to control their own musical destiny. They shouldn't be denigrated for having started out just the same as so many other groups; they should be celebrated for showing the music world that artists are not puppets to be controlled by corporations. They have to have free will.
As for the album Headquarters, they played every note, and it turns out they were talented guys. Does the album stand up with the greats? Well, no, but it is one of the better albums of the year. Moreover, it is better than just about any other talented band at the time that were playing their own instruments and writing their own songs. Much of this is due to the prodigious talents of Michael Nesmith, who's song "You Just May Be the One" is an extraordinary study in pop hooks, and is the best tune on the albums. His other songs, along with Micky's "Randy Scouse Git" are the album's other best songs. The album is weakest when it is borrowing corporate tunes, written for money, like those by Boyce and Hart, and Mann and Weil. Like most of the songs on the first two Monkees albums, these songs lack heart. Nesmith's were always the best because he was an artist recording his own tunes. So many of the songs that Don Kirshner selected were so flat because they were written for a paycheck. "[+]Reply
"Glad that you enjoyed her, so influential..She reminds me a little of Rickie lee Jones (1979-present) who I am sure that you are familiar with although she is also not on this website. I guess RLJ is more like a cross between Tom Waits(who she dated) and Laura Nyro, If you haven't heard her befor...""Glad that you enjoyed her, so influential..She reminds me a little of Rickie lee Jones (1979-present) who I am sure that you are familiar with although she is also not on this website. I guess RLJ is more like a cross between Tom Waits(who she dated) and Laura Nyro, If you haven't heard her before, sometime you might check out "We Belong together", "Runaround", "Living it up", and "Juke Box Fury", more intricate arrangements but I can hear LN's influence in her music. "[+]Reply
"The Small Faces' first album for Immediate is really an overlooked classic. The album, consists of entirely new original songs. Bubbling fantasy and playing pleasure is what characterizes the album and it obvious that the band took and enjoyed the freedom given to them by Immediate to further dev...""The Small Faces' first album for Immediate is really an overlooked classic. The album, consists of entirely new original songs. Bubbling fantasy and playing pleasure is what characterizes the album and it obvious that the band took and enjoyed the freedom given to them by Immediate to further develop their musical expression.
Unlike their first album (released on Decca in 1966), this is a real album and not just a collection of singles, supplemented with an appropriate number of outtakes and b-sides. This is really nice songwriting, and though it hardly contains overlooked potential hit singles the album has many strong numbers of which several easily could be called classics. The song "My Way of Giving" probably in a more commercial cover version could have reached charts. "Green Circles" is the an early example of Small Faces psychedelia - and a fine example that Immediate's confidence in the band immediately gave bonus in the form of inspired songwriting. An alternative version of this number is found among the bonus-tracks and is known as one of the very first songs the group recorded after leaving Decca. This rare version is in many ways more interesting than the regular version.
Overall, the album without weak tracks, but a few more than those already mentioned, however, do stand out. Although "Become Like You" and "Feeling Lonely" are short tracks, they are both songs you just have to hear again and again - a little bit like "Mad John" from "Ogden's Nut Gone Flake". "Happy Boys Happy" is a short instrumental, which in full lives up to its optimistic title.
"Talk to You" is classic Small Faces "and could well have been recorded simultaneously with a song like" All or Nothing". "Show Me the Way" shows with the band in a more subdued version with Ronnie Lane as lead singer and classical-inspired keyboard accompaniment.
The first Immediate album released in the United States was entitled "There are But Small Faces." This album was also very strong in a more conventional way containing three big single-hits along with two unusually strong b-sides "I'm Only Dreaming" and "I Feel Much Better". "There are But Small Faces", however, miss seven titles from "The Small Faces"album and contains only 12 titles.
This release contains all tracks from "There are But Small Faces" and has several interesting bonus tracks. Among these the outtake
"Don't Burst my Bubble", the single "I Can't Make it" and alternate versions of several album tracks.
Both mono and stereo versions of the original album are to be found here - and although the differences are not very significant both versions interesting. Also most bonus tracks are found in both mono and stereo versions.
A fine booklet with interesting facts and fine photos follows with the 2 CDs release.
"Groovy" without P.P. Arnold's vocals is found on some re-issues, but it would of course be optimal to hear Marriott on the vocals, but such a version probably does not exist."[+]Reply
"The Monkees most solid effort by virtue of being more of Mike Nesmith and less of everyone else, though still too much Davy Jones. Mike sings Salesman, Door Into Summer, Love Is Only Sleeping, What Am I Doin' Hanging 'Round?, and Don't Call On Me. Mickey Dolenz does well on Words, Pleasant Valley...""The Monkees most solid effort by virtue of being more of Mike Nesmith and less of everyone else, though still too much Davy Jones. Mike sings Salesman, Door Into Summer, Love Is Only Sleeping, What Am I Doin' Hanging 'Round?, and Don't Call On Me. Mickey Dolenz does well on Words, Pleasant Valley Sunday, and the Nesmith-written Daily Nightly. Jones sings the rest, though Tork recites the spoken-word Peter Percival and duets with Dolenz on Words."[+]Reply
"Vivian Stanshall's Bonzo Dog Doo-Dah Band were one of the most comical UK bands of the late 1960s and this was undoubtedly their best LP release. Its satirical side undoubtedly served, to some, as a welcome release for those tiring of the inundation of so much psychedelia and other less meritable...""Vivian Stanshall's Bonzo Dog Doo-Dah Band were one of the most comical UK bands of the late 1960s and this was undoubtedly their best LP release. Its satirical side undoubtedly served, to some, as a welcome release for those tiring of the inundation of so much psychedelia and other less meritable music. "[+]Reply
"It seems many of those visiting this site were first introduced to the Bee Gees from their disco days. This album charted in the Top Ten in both the U.K. and the U.S. in 1967. A few of us are still around that remember the group as they burst on to the scene during the Summer of Love. The group i...""It seems many of those visiting this site were first introduced to the Bee Gees from their disco days. This album charted in the Top Ten in both the U.K. and the U.S. in 1967. A few of us are still around that remember the group as they burst on to the scene during the Summer of Love. The group is not in the tainted RRHOF for "Stayin' Alive" By the time the band scored their first #1 single "Massachusetts", released on their next LP "Horizontal", the lads had been at it for 10 years."[+]Reply
""Good morning little schoolgirl, can I come home with you?" "...sir" "Tell your mama and your papa I'm a little schoolboy too" "sir, please step away from the girl" That's it for a Gen Z-ers interpretation of '60s blues rock. Other than that, I quite enjoy the simplistic blues rock songs with a h..."""Good morning little schoolgirl, can I come home with you?"
"...sir"
"Tell your mama and your papa I'm a little schoolboy too"
"sir, please step away from the girl"
That's it for a Gen Z-ers interpretation of '60s blues rock.
Other than that, I quite enjoy the simplistic blues rock songs with a hint of early hard rock."[+]Reply