Listed below are the best albums of 1985 as calculated from their overall rankings in over 59,000 greatest album charts. (Chart last updated: 5 hours ago).
"It becomes obvious with the first track "What You Need" that INXS was shooting for international superstardom with Listen Like Thieves. "What You Need" was after all their first American Top 10 Hit in 1986, peaking at #6 on the Billboard charts. The title track and "Kiss The Dirt (Falling Down th...""It becomes obvious with the first track "What You Need" that INXS was shooting for international superstardom with Listen Like Thieves. "What You Need" was after all their first American Top 10 Hit in 1986, peaking at #6 on the Billboard charts. The title track and "Kiss The Dirt (Falling Down the Mountain" (one of their best tracks they ever recorded) continue this winning streak, however beyond these tracks it becomes apparent that the band's Aussie edge has been tempered somewhat. As a result the remainder of the album is a hit or miss affair. The hits ("Shine Like It Does," "Biting Bullets," "This Time" and "Red Red Sun") are memorable while the misses, while not bad, are somewhat less memorable. More success would be in store for the group with the follow-up Kick. "[+]Reply
"Starts out strong with three great tracks, but then does not manage to get back up there for the remainder. Still a good mainstream midtempo rocker."Reply
"By 1985 Heart had become a dinosaur 70s band and their previous two albums (1983's Passionworks and 1982's Private Audition) did not sell as well as their first five albums, all of which had hit the US Top 10 and were certified platinum. Heart had never been a singles band, but those previous two...""By 1985 Heart had become a dinosaur 70s band and their previous two albums (1983's Passionworks and 1982's Private Audition) did not sell as well as their first five albums, all of which had hit the US Top 10 and were certified platinum. Heart had never been a singles band, but those previous two albums only had one song "This Man is Mine" crack the US Top 40 at #33 ("How Can I Refuse from Passionworks was a #1 Mainstream Rock single with tons of airplay on hard rock stations, but only managed #44 on the Billboard Hot 100).
After the relative failure of those two albums, the band signed on with Capitol and was given a hair metal makeover by the label's management. In addition, the record company made it a condition of their signing that they consider outside writers in addition to their self-written material. The band had a number of "firsts" as a result of these changes:
- Their first album to top the Billboard 200 album chart
- First album to spawn more than three hit singles (It had five: What About Love, Never, These Dreams, Nothin' At All, If Looks Could Kill)
- First album to have more than one Top 10 single (it had four)
- First Number One single (These Dreams)
- First hit single with Nancy on vocals (These Dreams)
- First album to sell over five million copies
'Heart' took a much different direction than the band's previous mix of hard rock and acoustic folk. There is no acoustic on this album -- even the ballads have heavy power chords throughout -- so while the fanbase grew significantly with the popularity of this album, there was a segment of the earlier fan base who felt alienated by the move toward hair metal. This album was closer to Motley Crue than Led Zeppelin, and several of the songs by outside writers lacked the introspective depth of early Heart.
'Heart' is a great album, and the heavier songs like "If Looks Could Kill", "Shell Shock", and "The Wolf" are the epitome of MTV-era hair metal. "What About Love" brought Heart back into the Top 10 started one of the biggest comebacks in rock history. "Never", "These Dreams", and "Nothin' At All" each became huge hits.
Although it's a commercial album, Ann Wilson's voice is at it's absolute peak here. The outro of "What About Love" and "Shell Shock" include some of the sharpest screams/wails of Wilson's career.
Although i enjoy this album there are a couple of minor quibbles: First, several of the hard rockers end with a jam session, but all of them fade far too soon. "If Looks Could Kill", "The Wolf", and "Shell Shock" all have great jams at the end that all should have gone on another 1.5 to 2 minutes. But the bigger issue to me is Ron Nevison's "bassless" production. There is hardly any bass in the mix, the synths are mixed way too far up front, and the production is so glossy that is sounds very dated now.
Minor issues aside, this is a solid album that is a fun listen. It's definitely not deep and mystical like the old classic Heart albums, but it's more consistent a listen from front to back. Like many of the more successful bands such Aerosmith, Kiss, and Alice Cooper, Heart embraced glam metal era and it paid off by giving them new life and propelling them to superstardom. Some will argue that this album was Heart selling out, but without this comeback Heart would have faded into irrelevancy like most of their peers from the 70s, and would likely never have made it into the Rock and Roll Hall of Fame.
"[+]Reply
"I'm sure they listened to German New Wave, timtooky, but I am positive they listened to English new wave, ska-punk, and post-punk a whole lot more. The Cure and The Police were among the biggest influences for Argentine bands in the 80s. It is lazy to write this off as a ____ version of ____, esp...""I'm sure they listened to German New Wave, timtooky, but I am positive they listened to English new wave, ska-punk, and post-punk a whole lot more. The Cure and The Police were among the biggest influences for Argentine bands in the 80s. It is lazy to write this off as a ____ version of ____, especially when the comparison is as far-fetched as the one you made."[+]Reply
"If you are CCR dan you will enjoy this, this is the big comeback of John Foggerty after years and years of legal problems with his record label of CCR"Reply
"If (and only if) you ever get tired of listening to Kill 'Em All (& why would you), Bonded by Blood provides more of the same at just a notch (okay, maybe two) below Kill 'Em All caliber (& urgency). A solid (if decidedly second tier) answer for your Kill 'Em All riff addiction."Reply
"An affectionate parody of late 60's British psychedelica, sounding at times like Mighty Baby, Eclection and the Beatles! But quite fun to listen to nevertheless."Reply