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1601.

By The Time I Get To Phoenix 

 Injury Reserve

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"(Dense, knotty, complex, scatter-brained, grief-filled, lost, anguished, layered Experimental Hip Hop record with lots of noisy blasts of strange random beats, glitching disorientation, fabulous and varied vocal performances and just generally a frightening and inspired and inspiring new musical ...""(Dense, knotty, complex, scatter-brained, grief-filled, lost, anguished, layered Experimental Hip Hop record with lots of noisy blasts of strange random beats, glitching disorientation, fabulous and varied vocal performances and just generally a frightening and inspired and inspiring new musical realm in album form. Give it 2 or 3 spins before writing it off.) My prior experience with really experimental or unorthodox hip hop was very limited. I love Atrocity Exhibition, enjoy some Death Grips and clipping and Dalek, never could get into Some Rap Songs or Lil Ugly Main or Coin Locker Kid. And I suppose I did also really like that Moor Mother + Billy Woods album last year…. The point is, I am not familiar with this genre, this sort of amorphous, boundary-pushing, strange, experimental side of hip hop. 90% of my favorites in the genre are from the mid 90s. Needless to say, this doesn’t bear any resemblance to Liquid Swords. On first listen I was confused. I thought the album was equal parts dense/hard to follow as well as beautiful/intriguing/weirdly addictive. After I heard it once and was sort of dumb struck, I felt a compulsion to push play and try again to unravel what the fuck this is. Now, after 3 full listens and the 4th in progress, I am getting more and more familiar with it without losing that wonder at the density of the noises and elements and soundscapes created. There are parts of this album that are sad and beautiful (“Knees”, “Top Picks for You, “Postpostpartum”). There are frightening and mentally ravaged moments (“Outside”, “Footwork in a Forest Fire”, “Wild Wild West”). There are glitchy, seemingly random noisy bits (“Superman That”, Ground Zero”) and there are even a couple honest-to-goodness songs that I can follow along with in almost traditional music listening ways (again, “Knees”). And perhaps most importantly, there aren’t clear distinctions between these sounds and emotions. Within one song there is a mixing and melding and an almost infinite variety of potential emotional responses. As a cohesive album, this succeeds in never fully showing or making clear what is the appropriate take-away from the track, whatever track you are hearing at the moment. By The Time I Get To Phoenix album is a journey, a fucked up, lost, aimless voyage through some grimy and miserable world. I keep hearing in comments from fans of IR that this album is deeply rooted in grief and loss. And that would make sense considering the death of founding member of the group Stepa J. Groggs in June of last year. However, either I just haven’t fully unpacked the lyricism here or perhaps its people projecting the emotions onto the album that aren’t fully or exclusively here. There are no on-the-nose and obvious odes or ballads or laments clearly about the loss of Groggs. There IS a distinct hazy, disorienting, vibe throughout this whole project. It feels like the mental state of the members of Injury Reserve are constantly on the edge of fully splintering and breaking apart. This head space is expressed throughout here masterfully. It feels uncomfortable being in these guys’ heads and they fully flesh out the beats and sonic spaces so that you are thrown fully into this state-of-mind. Fabulous and, yes I’ll say it, genius brilliant amazing production now that I have gotten used to it. And listening now to the closing track “Bye Storm” and I am getting emotional. It feels like the slight twinkle of light through the oppressive smoky sky, with that weird and exultant guitar sound. This closer along with the pained grief and apathy of the penultimate track “Knees”, make for a perfect and all-time classic closer to this album. Okay, maybe that is a bit hyperbolic. It is just a truly moving way to cap off this experimental and crushing album is what I’ll say. The production of Parker Corey is going to get most of the ink and praise, understandably. As, despite beats of sounds like this being around in Hip Hop for 15 years, somehow he took the level of detail and wooziness and expansiveness and just expanded it exponentially. Perhaps this isn’t a completely brand new never been remotely heard sound (nothing like that ever drops and comes out of the blue) – but it is, to these admittedly not fully educated ears, a new bar set in terms of detail and expansiveness and layered noisy experimentation. Moving to the vocal performances here, they are similarly impressive. Schizophrenic, sad and lost, slurred and drunken and in pain, cutting and fully embodying the words and living in the soundscapes. Especially the varied vocal sounds in “SS San Francisco (feat. Zelooperz)”. The deep grumbling vocal and the weird high-pitched singing set the table for some playful, sardonic, griefy bars. But its not just here, wherever the rap verses come in (and that is strangely rare, this seems to be an album where the rapping is somewhat sparse and instead there are long stretches of instrumental table-setting before Ritchie with a T comes in with the perfect vocal intonation and flow to complement the beat and sinic space. Random, fly-by thoughts: -The Yeezus-esque screams on “Footwork in a Forest Fire” is awesome and really the whole track and every phase of it is cool, but for some reason those screams got me. -Smoke Don’t Clear” is, as of now, one of the few tracks here that I don’t fully like. But I will say it works well in the context of the album more than its own noisy mess of a thing. -The way “Top Picks for You” with that dramatic melody on that… whatever sound that is… with the whispery singing and the sadness of the verses, its incredible. The whole song is great. One of my faves. -“Knees” was weird and fabulous in isolation as a single, but it feels so much deeper and more moving and beautiful within the context of the LP. One of the best tracks here, or perhaps the best. In closing, I am listening a 5th time, and it grows and grows on me. This is a dense and brilliant experimental and emotionally gripping and profound album. I recommend a couple listens or 3 before making final judgement. I had a similar arc with Atrocity Exhibition, where I was very VERY disoriented and kind of unimpressed on first listens and then over time I understood its dense complicated and knotty brilliance with further listens. Recommend the same for this. Note: This is an album that I am sure I am only scratching the surface with. I hope I listen enough to unravel it more. This comment ain't final. This 5th listen is making me hear other details and that is just really exciting."  [+]  Reply

- Mercury | Helpful?  (Log in to vote) | +7 votes (7 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2021

Appears in:

190 charts

Rank Score:

1,061

Rank in 2021:

14

Rank in 2020s:

56

Overall Rank:

1,601

Average Rating:

 78 (198 votes)

Comments:

18

1602.

The Dream Of The Blue Turtles 

 Sting

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"Sting's first, and best, solo record. While I can't imagine The Police performing this material, Sting was still writing very good songs and using this as a platform for his own distinctive sound. His later efforts would be much more MOR, and much less interesting. Best cuts: the bluesy "Consider...""Sting's first, and best, solo record. While I can't imagine The Police performing this material, Sting was still writing very good songs and using this as a platform for his own distinctive sound. His later efforts would be much more MOR, and much less interesting. Best cuts: the bluesy "Consider Me Gone" and "Moon Over Bourbon Street" and the more up-tempo "Fortress" and "Shadows in the Rain" (which is actually better than the Police's version). I like the short, jazzy title track as well."  [+]  Reply

- subtleman22 | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1985

Appears in:

223 charts

Rank Score:

1,060

Rank in 1985:

20

Rank in 1980s:

249

Overall Rank:

1,602

Average Rating:

 74 (263 votes)

Comments:

16

1603.

The Inner Mounting Flame 

 The Mahavishnu Orchestra With John McLaughlin

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"In this record The Mahavishnu Orchestra flutuates between nice melodic phrases and virtuoso showoff. For a musician, you can spot all of their musical tricks after a few listens and that's a boring cause there's not much more left than that. Unlike Zappa, McLaughlin and Goodman are way to excited...""In this record The Mahavishnu Orchestra flutuates between nice melodic phrases and virtuoso showoff. For a musician, you can spot all of their musical tricks after a few listens and that's a boring cause there's not much more left than that. Unlike Zappa, McLaughlin and Goodman are way to excited to tell stories within the solos even though they have good melodic moments together. They spent most of the time just shredding scales without any purpose. Overall, you can hear their egos battling for the lead part. "  [+]  Reply

- JoaoMoreira | Helpful?  (Log in to vote) | +2 votes (4 helpful | 2 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1971

Appears in:

257 charts

Rank Score:

1,059

Rank in 1971:

40

Rank in 1970s:

305

Overall Rank:

1,603

Average Rating:

 80 (287 votes)

Comments:

13

1604.

The Fame Monster 

 Lady Gaga

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"Huh. Seems like all the elitist rockists and prog obsessives deliberately come here to vote down a popular artist’s songs in bulk."  Reply

- lylecatcliffe | Helpful?  (Log in to vote) | +9 votes (11 helpful | 2 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2009

Appears in:

190 charts

Rank Score:

1,059

Rank in 2009:

20

Rank in 2000s:

259

Overall Rank:

1,604

Average Rating:

 68 (372 votes)

Comments:

18

1605.

Moon Pix 

 Cat Power

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"An underrated beauty. Delicate and moving. I cried to "Colors and the Kids"."  Reply

- CellarDoor | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1998

Appears in:

163 charts

Rank Score:

1,056

Rank in 1998:

31

Rank in 1990s:

288

Overall Rank:

1,605

Average Rating:

 79 (186 votes)

Comments:

4

1606.

Solitude Standing 

 Suzanne Vega

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"My favorite female record ever. A singer songwriter record, with softly spoken words about loving someone till it hurt them, with bitter sweet pain, songs about feeling solitude, about being in a violent relationship."  Reply

- Cafu86 | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1987

Appears in:

206 charts

Rank Score:

1,056

Rank in 1987:

32

Rank in 1980s:

250

Overall Rank:

1,606

Average Rating:

 77 (212 votes)

Comments:

3

1607.

Insomniac 

 Green Day

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"Definitely the most bizarre, and least accessible Green Day album to date. It has some strong moments, but it's an incredibly hard pill to swallow."  Reply

- HoldenM | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1995

Appears in:

217 charts

Rank Score:

1,056

Rank in 1995:

26

Rank in 1990s:

289

Overall Rank:

1,607

Average Rating:

 74 (406 votes)

Comments:

21

1608.

From Under The Cork Tree 

 Fall Out Boy

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"In my top 100 above all sorts of classics, blah blah blah. These songs, for the most part, are catchy as chlamydia, and even well written most of the time. There are most certainly better albums out there, but this is as sentimental a favorite as it gets for me. "Of All the Gin Joints in All the ...""In my top 100 above all sorts of classics, blah blah blah. These songs, for the most part, are catchy as chlamydia, and even well written most of the time. There are most certainly better albums out there, but this is as sentimental a favorite as it gets for me. "Of All the Gin Joints in All the World," "Champagne for Real Friends, Real Pain for Your Sham Friends," "A Little Less Sixteen Candles, a Little More 'Touch Me,'" and "XO" are all among Fall Out Boy's best songs. "  [+]  Reply

- HoldenM | Helpful?  (Log in to vote) | +8 votes (8 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2005

Appears in:

138 charts

Rank Score:

1,056

Rank in 2005:

34

Rank in 2000s:

260

Overall Rank:

1,608

Average Rating:

 68 (227 votes)

Comments:

11

1609.

Devotion 

 Beach House

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"Hazy love songs. Easily my favorite Beach House album."  Reply

- meccalecca | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2008

Appears in:

217 charts

Rank Score:

1,055

Rank in 2008:

17

Rank in 2000s:

261

Overall Rank:

1,609

Average Rating:

 78 (321 votes)

Comments:

7

1610.

Heartattack And Vine 

 Tom Waits

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"Heartattack and vine, is half, a dirty rock album, and half, beautiful piano ballads. Waits growls and hollers on the opening title track, a great bluesy cut. Waits also goes for that gritty rock sound on the excellent, downtown, the percussion heavy, til' the money runs out, and the penultimate ...""Heartattack and vine, is half, a dirty rock album, and half, beautiful piano ballads. Waits growls and hollers on the opening title track, a great bluesy cut. Waits also goes for that gritty rock sound on the excellent, downtown, the percussion heavy, til' the money runs out, and the penultimate track, Mr. Siegel. This record also includes, arguably Waits' most famous song, Jersey girl, an absolutely fantastic track, and a song which Bruce Springsteen faithfully covered on his, live 1975-1985 box set, on which he also added a verse of his own. Off the ballads, saving all my love for you, is good, but, on the nickel, and, Ruby's arms, are stunning, two more genuine Waits classics. The only dud on the album is the pointless live instrumental, in shades. It's surprising that the track is on the album at all, but the fact that it's the second track is, well, just inexplicable. All in all, it's another essential Tom Waits record. "  [+]  Reply

- garycottier | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1980

Appears in:

204 charts

Rank Score:

1,054

Rank in 1980:

37

Rank in 1980s:

251

Overall Rank:

1,610

Average Rating:

 75 (271 votes)

Comments:

11

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Total albums: 10,000. Page 161 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	2	0%
1940s	37	0%
1950s	304	3%
1960s	715	7%
1970s	1,439	14%
1980s	1,434	14%
1990s	1,616	16%
2000s	1,728	17%
2010s	1,999	20%
2020s	726	7%

Artist	Albums	%
Bob Dylan	37	0%
The Rolling Stones	35	0%
David Bowie	32	0%
The Beatles	29	0%
Miles Davis	27	0%
Various Artists	26	0%
Neil Young	25	0%
Show all

Country	Albums	%
	5,011	50%
	2,665	27%
	430	4%
	315	3%
	222	2%
	160	2%
	137	1%
Show all

Compilation?	Albums	%
No	9,724	97%
Yes	276	3%

Live?	Albums	%
No	9,729	97%
Yes	271	3%

Soundtrack?	Albums	%
No	9,882	99%
Yes	118	1%