Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 2 hours ago).
"I was a 16-year old camp counselor in training, far from home in a primitive forest. I ran a high fever for two days with a horrific bout of tonsillitis. All I could do was lay on a bunk in a cabin with no air conditioning and listen to my records on headphones, sweating and hallucinating. This w...""I was a 16-year old camp counselor in training, far from home in a primitive forest. I ran a high fever for two days with a horrific bout of tonsillitis. All I could do was lay on a bunk in a cabin with no air conditioning and listen to my records on headphones, sweating and hallucinating. This was one of those records."[+]Reply
"Bragg paints a wonderfully gloomy and politically desolate picture of 80s Britain, whilst advancing his simple singer-songwriter style excellently. It's an essential piece of political music, that doesn't shy from being brilliantly honest, and delivers itself via the humble charm of Bragg's voice."Reply
"I wasn’t sure how the Red Hot Chili Peppers would sound without John Frusciante. I was sad that he left because he’s a great guitarist and I think he brought something very special to the band. When I heard he left I was disappointed and skeptical of their new album. However thankfully, they prov...""I wasn’t sure how the Red Hot Chili Peppers would sound without John Frusciante. I was sad that he left because he’s a great guitarist and I think he brought something very special to the band. When I heard he left I was disappointed and skeptical of their new album. However thankfully, they proved me wrong. Their new guitarist, Josh Klingoffer, I give credit. He’s not trying to be Frusciante, he’s bringing his own sound to the band. Outside of the guitar playing, everything else on this album is great as expected. I would put this album probably in their top five best albums but definitely in their top eight. It’s a great album definitely worth getting."[+]Reply
"This schizofrenic whole is honestly better than the parts. What's great about his style is that he can take any genre and make it sound like a Weeknd track. An enviable skill that a lot of the people he samples wish they could do."Reply
"On Al Final de Este Viaje, Silvio gets rid of the string arrangements of his previous releases which gives this album a more intimate quality and lets his intricate guitar work fully shine."Reply
"Can i quote the last person? It's disappointing with a couple of salvagable songs near the end, "f!@#king problems" and "1train", both coincidentally featuring many guests."Reply
"Darker than the previous DBT albums, Decoration Day benefits from fine songs by Jason Isbell, as well as some different takes on subject matter, from incest to suicide to Southern feuds. Souther rock is alive and well, thank you!"Reply
"Where do I even start with this album? It represents such a massive shift in the sound of Lenker, the beginning of the band that would come to be her most well-known musical outlet, it indicates a distinct leveling-up in the power of her songwriting, and this is the first time I have heard that i...""Where do I even start with this album? It represents such a massive shift in the sound of Lenker, the beginning of the band that would come to be her most well-known musical outlet, it indicates a distinct leveling-up in the power of her songwriting, and this is the first time I have heard that iconic (for me in my head canon) Adrianne Lenker voice. This is just a badass statement of a debut. And while it was cute and a bit funny and audacious to name their debut Masterpiece, it nearly lives up to the title.
After the cold open of sorts of the opning track “Little Arrow” we are thrust into the exhilarating and resounding triumph of a song called “Masterpiece”. Everything about this track is killer. The vocals sound like some fiery modern Lucinda Williams, the stomp of the loud drums and guitars is all that rock should be, and that fucking chorus! The lyrics and the way they morph in meeting and the way they so beautifully wrap around the melody and the breathy vocal delivery of this new Lenker we are being introduced to… etc… its awesome, every second of it is awesome from the opening chords, to the dirty feedback solo, to its resounding end. This song is such a moment, it is when you have to stop and take notice of these new young guns and shut up and listen. This is also the best song Lenker has written up to this point.
The fact that the album consistently flows from track to track, some purely indie rock bliss with noisy rock riffs to soft and folky ruminative tracks to beautiful indie pop numbers that reminds me of Beach House (without all the layers of dream pop) or Broken Social Scene, and does it with almost no hiccups or stumbles is brilliant.
Of course there are some small gripes I have. Starting with small things that always slightly annoy me, such as the opening one note explosion of the solo of “Real Love” which is just toooo much and doesn’t work (before getting back on track with a great remainder of solo), to the overly long and annoying little baby saying car and truck over and over at the end of “Interstate”. The only more macro critique is hardly a critique for me anyway (because I don’t value extreme originality) is that this great band hadn’t yet found that utterly unique Big Thief sound yet and much of the songs here, including the best ones done excellently, are quite familiar sounding. By the time they get to 2019’s 2 LPs they had carved out a truly unique sound. But I am not sure those albums are BETTER than this one (we shall see soon enough), its just that they are more unorthodox.
The star of the show her is the ragged, stalwart beauty of Adrianne Lenker’s songwriting, singing and general persona. How she managed to switch gears so fully from her Folk confessional singer/songwriter aesthetic to the fiery, rocker who forces you to hand on to every word in the middle of some deriously stomping rock tunes, baffles me. She is a chameleon and absurdly talented. The lyrics all over this thing are consistently biting, minimalisticly heartbreaking and I feel like she really made her best written album with this one. I suppose having 3 others to play with helped the songwriting process or perhaps its just that this format allowed her to unveil this whole other side of her? I don’t know. Trying to explain the indescribable relatability and fragility and strength and beauty of the singing and songwriting here is like trying to catch gossamer in your hand. This shit is elusive and powerful.
The highlights are numerous, but the TOTAL show stoppers are brilliantly placed at the beginning (“Masterpiece”), middle (“Paul”) and end (“Parallels”)… with each standout track having other great songs of a variously constituted sound and style surrounding it. This album has a flow and a consistency that I love and it just seems (so far) endlessly relistenable.
The closer starts out good, but man when I say the build up to the chorus and the chorus itself is transcendent indie rock glory just know I mean it. Also when I mentioned Broken Social Scene earlier, that could possibly apply to more than just “Paul” but I am mostly talking about that tune. It sounds like something off BSS’s 2002 album You Forgot It In People.
As far as low points, well while I kind of get what they were going with that opening track “Little Arrow” as a sort of short, super low key and fragile introduction, I still think it’s the least special and quality sounding song here. Other than that, every song here bristles with a level of energy and passion and earthy power that makes every song fascinating and uplifting and thought-provoking and just awesome.
So far, Lenker’s discog is so fucking cool. She can rock and folk with the best of ‘em. Also this album makes me excited for all the music yet to come on this project, because I think with this 2016 album she really had found her voice as a vocalist and songwriter. This is the beginning of a new era methinks. Also the relationship between Buck Meek and Adrianne Lenker and the resultant band seems to be getting more and more enmeshed. I think the whole band kicks ass here, but in particular one thing I never mentioned is the subtle harmonies between Meek and Lenker here is just as great, if more subtle, as on their A-Sides EP. And they seem to be one of those rare musical partnerships that just seem made for each other. Like Gram and Emmylou, or Guru and Premier, or other great ones. These 2 have some great music yet to come (as well as a divorce) I can already tell.
This gets a high rating, because I like it. I sometimes feel like I give too many glowing ratings. But then again the reason I pick these artists to listen to and explore is because I already KNOW I like their sound and this project just gives me a chance to really listen and listen a lot and let my thoughts blossom. With that in mind the rating for this near-masterpiece is …. 8.7/10"[+]Reply
"If Ashes Are Burning is a big warm blanket, Turn of the Cards is an icicle through the heart. Much colder and more darker in tone than its predecessor, but still delivers all the Renaissance classics through Annie Haslam's beautiful voice, John Tout's atmosphere-setting keyboards, and the string ...""If Ashes Are Burning is a big warm blanket, Turn of the Cards is an icicle through the heart. Much colder and more darker in tone than its predecessor, but still delivers all the Renaissance classics through Annie Haslam's beautiful voice, John Tout's atmosphere-setting keyboards, and the string arrangements to tie it all together. I don't think it's quite as satisfying a listen as the album before in totality, but it's still great and still has its top-tier moments, like on Things I Don't Understand and the epic closer Mother Russia. Another strong album from this band."[+]Reply