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711.

My Woman 

 Angel Olsen

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"I was brought to the attention of Angel Olsen when her last album was released. I didn't dabble on it too long, so I was intrigued when her name came up again when this record received a lot of praise. It's definitely worth a listen. Olsen's singing is good, but her songs keep you interested with...""I was brought to the attention of Angel Olsen when her last album was released. I didn't dabble on it too long, so I was intrigued when her name came up again when this record received a lot of praise. It's definitely worth a listen. Olsen's singing is good, but her songs keep you interested with good variety and passion she presents here. This album will make Angel Olsen a sweetheart of the indie genre. Track Pick: Shut Up Kiss Me"  [+]  Reply

- henrygreen0203 | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2016

Appears in:

429 charts

Rank Score:

2,428

Rank in 2016:

12

Rank in 2010s:

106

Overall Rank:

711

Average Rating:

 79 (431 votes)

Comments:

18

712.

Mirage 

 Camel

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"Ethereal music springs out of this one, their 2nd effort. The interplay of Latimer's flute and Bardens' keyboards is simply ecstatic. Unfortunately it remains another underrated brilliant classic album. On a personal note, I’ve been listening to it for the last couple of days continuously through...""Ethereal music springs out of this one, their 2nd effort. The interplay of Latimer's flute and Bardens' keyboards is simply ecstatic. Unfortunately it remains another underrated brilliant classic album. On a personal note, I’ve been listening to it for the last couple of days continuously throughout the day and it still amazes the hell out of me."  [+]  Reply

- NickVolos | Helpful?  (Log in to vote) | +8 votes (8 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1974

Appears in:

353 charts

Rank Score:

2,426

Rank in 1974:

11

Rank in 1970s:

157

Overall Rank:

712

Average Rating:

 81 (416 votes)

Comments:

22

713.

The Wild Hunt 

 The Tallest Man On Earth

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"Interesting that this guy sounds obviously very influenced by Dylan and yr a big Dylan fan.... The title track reminds of something on Blood on the Tracks... "Buckets of Rain" a bit, maybe... The picking, some phrasing, and overall vibe on third track "Troubles..." is total Dylan... reminds of "B...""Interesting that this guy sounds obviously very influenced by Dylan and yr a big Dylan fan.... The title track reminds of something on Blood on the Tracks... "Buckets of Rain" a bit, maybe... The picking, some phrasing, and overall vibe on third track "Troubles..." is total Dylan... reminds of "Boots of Spanish Leather" among many others... I'm a new comer to this guy... Obviously very talented but not really overly impressed...especially vocals seem too forced with contrived emotion and constant clever little entertaining flourishes I find distracting and tedious... comes across as sounding a little too desperate to be hip and it clashes with attempt to sound oh so laid back and relaxed, Dylanesque... Obviously he's young and a bit green... Might learn to chill out and just play and let it flow as he gets older and develops his chops... Anyway, sometimes it takes a few listens to hook me... I'll give it more time... "  [+]  Reply

- muzikluvah | Helpful?  (Log in to vote) | +4 votes (5 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2010

Appears in:

381 charts

Rank Score:

2,416

Rank in 2010:

16

Rank in 2010s:

107

Overall Rank:

713

Average Rating:

 77 (487 votes)

Comments:

37

714.

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Doggystyle 

 Snoop Doggy Dogg

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"I'm not a huge fan of rap. I'm a rock, blues, and metal guy, but this album has something about it that just pulled me in. It also helps that I've seen Snoop Dogg live. But seriously, this album is a classic from front to back."  Reply

- Jasonconfused | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1993

Appears in:

407 charts

Rank Score:

2,416

Rank in 1993:

11

Rank in 1990s:

122

Overall Rank:

714

Average Rating:

 78 (507 votes)

Comments:

31

715.

Townes Van Zandt 

 Townes Van Zandt

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"Okay, and here we are. His 3rd album, and his second of 1969. Townes output in 69 was better than anyone else. It was bonkers. And the production here is nearly perfect! Its so bare and breezy and simple and this gives TVZ's songs room to breathe, to float into your ears and heart and make you we...""Okay, and here we are. His 3rd album, and his second of 1969. Townes output in 69 was better than anyone else. It was bonkers. And the production here is nearly perfect! Its so bare and breezy and simple and this gives TVZ's songs room to breathe, to float into your ears and heart and make you weep. The lyrics and the actual songs, THE SONGS!!!! are even better here than on Our Mother The Mountain. TVZ had really turned the corner in the intervening few months and turned on his next gear. To keep that sports analogy going just a bit more (I hear your groans, I'm sorry, just one second) This album represents the age 27 season of that star QB, when he is still putting up the big numbers, still scrambling aorund and showing off his gifts, still throwing it deep, but now he's throwing less interceptions, he's reading the game next level, and he goes to the championship! But he loses... and its not close. In this case cuz of a couple 30 somethings who just act as killjoys to his glory and poke holes in his schemes. But he moves onto the next season to regroup and hopefully break through. With Townes, he just continues honing his craft and makes 3 or 4 more classics and wins a couple championships. Okay, and I am done with that. Thank gawd. What I think is amazing about this Self titled Townes album is how effortless it feels. Right from the jump you are treated with one of the breeziest and subtly morunful and confused songwriting feats ever. "For The Sake of the Song" features a gorgeous guitar line from Townes (who much like Joni, is an underrated guitarist). There's a very subdued little bass line. Some pretty percussion. And over the top of this beautiful and again Breezy sound, Townes just seems to be talking to a friend about his predicament with a relationship. The internal rhyme pattern is detailed but not over the top. And you are just sitting there as the audience marvelling at how deeply thought out and intricate the observations are and how quickly the5+ minute song goes by. And this is true of the whole album. You go through this subtle, shimmering, at times deeply emotional, at other times just comfortably familiar, journey with TVZ, and you enjoy every second being in its presence. The songs here don't jump out at me. When I look at the tracklist for Our Mother The Mountain or his debut, or even Delta Momma Blues, The Late Great Townes Van Zandt or even High Low and In Between, I am struck by 3 or 4 absolute stand outs, totally memorable and singular Townes moments. With this album though, the whole album coalesces and plays just right, one song to the next, that I just know when I finish the album there is not a less than stellar track here, and I wanna push play again, and again. That is probably due to just how warm and simple the production is. There are some more flashy parts, like the groove of the bass on "Waitin' Round To Die" (oh and I suppose this song does stick out on the tracklist, so there is a correction from last paragraph). But those more fl;ashy moments are rare, and they are all in beautiful service to the songs. They make sense. The harmonica and bass groove, so dark and ominous, absolutely pushes this song over the top. It seems like Townes and his producer at the time finally realized the earthy genius of Townes, and that you didn't need bells and whistles to make these songs move mountains. The lone voice and guitar and minimal other things alone can just overcome a listener. This album is proof of that. Other examples of the extra ornamentation working beautfully here is the strangely timed bass drum rhythm on the stunning blues reimagining of "Lungs". And the gorgeous violin backing, and tambourine fun of "(Quicksilver Daydreams of) Maria". Songs like "Don't Take It Too Bad", "Colorado Girl", "None But The Rain", "I'll Be Here In the Morning" and "For The sake of the Song" seem to me like perfect examples of that distinctly Townes way of just being the most inviting, sensitive, singer/songwriter of the folk/country field. Anyway, this album is damn near perfect. And if you wanna know where to get started with becoming a huge Townes fan, here it is your best bet methinks. This album is proof that you can do a TVZ album without added stuff, and it proved that all by himself, Townes Can Zandt! (I'm sorry...) "All the mountains and the rivers And the valleys can't compare To your blue lit dancin' eyes And yellow shining hair I could never hit the open road And leave you layin' there Lay your head back easy, love, Close your cryin' eyes I'll be layin' here beside you When the sun comes on the rise I'll stay as long as the cuckoo wails And the lonesome blue jay cries" -Townes Rating: 9.7/10"  [+]  Reply

- Mercury | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1969

Appears in:

298 charts

Rank Score:

2,413

Rank in 1969:

23

Rank in 1960s:

81

Overall Rank:

715

Average Rating:

 81 (288 votes)

Comments:

11

716.

Queen II 

 Queen

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"This is one of the best Queen albums. It shows that the band was much better when they took risks. The theatrical progressive rock here blows away any tame classic rock sounds this album has to offer. Procession is a decent intro, but also aids well in allowing the album to flow with how it seaml...""This is one of the best Queen albums. It shows that the band was much better when they took risks. The theatrical progressive rock here blows away any tame classic rock sounds this album has to offer. Procession is a decent intro, but also aids well in allowing the album to flow with how it seamlessly ties into Father & Son. Both Father & Son and White Queen are highlights, the former showing a bit of Queen's heavier side. From there the next two songs are by far the worst for me. Not at all into Brian May's Some Day One Day, and Roger Taylor's The Loser In The End is highly forgettable to me other than the cool percussive intro. This part of the album just suffers from Lack-of-Freddie-itis. Ogre Battle picks the album right back up again and begins a string of great and eclectic Queen compositions that doesn't let up until the album is over. Maybe my 2nd favorite Queen album."  [+]  Reply

- AAL2014 | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1974

Appears in:

378 charts

Rank Score:

2,413

Rank in 1974:

12

Rank in 1970s:

158

Overall Rank:

716

Average Rating:

 78 (763 votes)

Comments:

43

717.

The Hissing Of Summer Lawns 

 Joni Mitchell

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"Nominally, Joni Mitchell is Folk. This is really only true insofar as it indicates where she began as a songwriter. Mitchell's career quickly evolved into something far greater, and progressively harder to define. The Hissing of Summer Lawns is not only the greatest example of Joni Mitchell's cre...""Nominally, Joni Mitchell is Folk. This is really only true insofar as it indicates where she began as a songwriter. Mitchell's career quickly evolved into something far greater, and progressively harder to define. The Hissing of Summer Lawns is not only the greatest example of Joni Mitchell's creative individuality as a musician, but is also arguably the point at which all of the disparate pieces that comprise the woman who is "Joni Mitchell" came together in perfect harmony. Her impeccable skill as a songwriter, her unique guitar style, her jazz influence; on the Hissing of Summer Lawns, all of these pieces come together into a whole that is far greater than its individual parts. These “parts” have all been around Joni Mitchell at various points in her career; her songwriting and guitar skill were there from the start, but even from her beginnings of a masterful folk storyteller, she was to go in a slightly different direction with each coming album; toying with and sometimes fully implementing, at various points in her career, everything from pop-melodicism to African rhythmic structures. But the most important influence that hovered around Mitchell’s work, (and which had been since the early 70s) was that of jazz. By the time her massive commercial breakthrough came 1974’s “Court and Spark”, her folk origins were all but absent. In their place stood melodic and thoughtful pop-influenced ballads of the kind of self-expression that we had seen in her confessional masterpiece “Blue”. It would appear that no matter what kind of music Mitchell is delving into at any given time, her songwriting skill (which, by the way, easily matches if not trumps the likes of fellow lyrical geniuses Bob Dylan and Neil Young) is always present, but with every new album, there is always a twist in the way with which her words are displayed. Mitchell’s lyrical prowess, along with her mature vision of pop song construction, may have taken the forefront of Court and Spark, what is often overlooked is what may have been the beginning of what was to define Joni Mitchell’s most ambitious and most artistically rewording period as a musician, and that is that “Court and Spark”, behind it’s romantic orchestration, actually exhibited a substantial jazz influence. Of course, that did nothing to prepare Mitchell’s fan base for what was to come. In 1975, Joni Mitchell releases “The Hissing of Summer Lawns”, an album where the jazz that was hinted at in its predecessor takes full form, just as the folk that defined her early career makes a reappearance, and fuses itself with her love for the likes of Charles Mingus and Jaco Pastorius into an album that can only be loosely defined as “Jazz-folk”, but that contains a degree of ambition and sheer unexpectedness far greater than such a narrow genre pigeonholing would suggest. In the end, The Hissing of Summer Lawns exists outside of the realm of normal classification or judgment. Further description would do this album no justice. Joni has crafted a world that is entirely her own, and to which no parallels can or should be drawn. That was too analytical. I want to give this album a hug."  [+]  Reply

- | Helpful?  (Log in to vote) | +9 votes (9 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1975

Appears in:

325 charts

Rank Score:

2,412

Rank in 1975:

11

Rank in 1970s:

159

Overall Rank:

717

Average Rating:

 80 (418 votes)

Comments:

26

718.

Deadwing 

 Porcupine Tree

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"An incredibly creative effort leading to their most successful album to date,"Fear of a Blank Planet";moreover,Wilson has an astonishing haunting voice and he is likewise a great lyricist."Deadwing" is full of magnificent songs.Don't underestimate it!"  Reply

- Omid | Helpful?  (Log in to vote) | +11 votes (12 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2005

Appears in:

321 charts

Rank Score:

2,409

Rank in 2005:

11

Rank in 2000s:

112

Overall Rank:

718

Average Rating:

 81 (459 votes)

Comments:

22

719.

The Infamous 

 Mobb Deep

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"This is hip-hop in it's purest form. It literally feels like a inner city project with no hope, no chance, and no sniff of redemption."  Reply

- jjstraka | Helpful?  (Log in to vote) | +7 votes (7 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1995

Appears in:

333 charts

Rank Score:

2,389

Rank in 1995:

10

Rank in 1990s:

123

Overall Rank:

719

Average Rating:

 80 (377 votes)

Comments:

20

720.

Nursery Cryme 

 Genesis

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"nursery cryme was the first very good genesis album. The prior two albums were not as good -- 1969 debut from genesis to revelation was carved in a generic 60s-music template mold and follow-up trespass didn't yet carve out a unique identity for genesis yet (although sporting one of their better ...""nursery cryme was the first very good genesis album. The prior two albums were not as good -- 1969 debut from genesis to revelation was carved in a generic 60s-music template mold and follow-up trespass didn't yet carve out a unique identity for genesis yet (although sporting one of their better songs, "the knife") -- and will not be covered in following, previous-year music posts. nursery cryme was also the first album to show off the talents of phil collins and steve hackett. Highlights are "the musical box", "the return of the giant hogweed" (which takes on more significance in my current fight against a takeover of dandelions) and "the fountain of salmacis", all of which run about 8 minutes or more each. Hackett and collins shine on "hogweed", probably the best track of the bunch, an escalating war march sung savagely by gabriel. (i love his lines like "botanical creature stirs, seeking revenge!" and how he even identifies it by its latin name, "heracleum mantegazzianii" which makes it sound even more menacing, like a vampiric race that has been around for millenia.) "seven stories" is sadly poetic ruminating on a life focused on the wrong things ("despair that tires the world brings the old man laughter") underpinned by the darkly ominous moog (via tony banks). "harold the barrel" is the first really good "cornball" genesis song in a long line of really good cornball songs from "cuckoo cocoon" and "i know what i like" to "illegal alien" and "i can't dance". You can hear Phil's lead vocals in "for absent friends". "fountain of salmacis" closes the album leaving me question "hogweed"'s self-proclaimed title as album-best as it sounds as epic (catch that hackett guitar tear dueling with Phil's drums near-midway through or tony banks dueling with Phil nearer the end) and is more humanly-touching."  [+]  Reply

- paladisiac | Helpful?  (Log in to vote) | +6 votes (6 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1971

Appears in:

391 charts

Rank Score:

2,388

Rank in 1971:

25

Rank in 1970s:

160

Overall Rank:

720

Average Rating:

 81 (592 votes)

Comments:

34

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Total albums: 10,000. Page 72 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	2	0%
1940s	37	0%
1950s	303	3%
1960s	715	7%
1970s	1,439	14%
1980s	1,435	14%
1990s	1,616	16%
2000s	1,726	17%
2010s	1,999	20%
2020s	728	7%

Artist	Albums	%
Bob Dylan	37	0%
The Rolling Stones	35	0%
David Bowie	32	0%
The Beatles	29	0%
Miles Davis	27	0%
Various Artists	26	0%
Neil Young	25	0%
Show all

Country	Albums	%
	5,011	50%
	2,666	27%
	429	4%
	315	3%
	222	2%
	160	2%
	137	1%
Show all

Compilation?	Albums	%
No	9,723	97%
Yes	277	3%

Live?	Albums	%
No	9,729	97%
Yes	271	3%

Soundtrack?	Albums	%
No	9,882	99%
Yes	118	1%