Listed below are the best albums of 2001 as calculated from their overall rankings in over 59,000 greatest album charts. (Chart last updated: 2 hours ago).
"Good alternative rock album. Best 10 songs average is 81,2/100 and the album can get good 80/100. Solid album without highs and lows. Best songs are "Ocean spray" and "The year of purification" both 85/100, followed by "Found that soul", "So why so sad", "Let Robeson sing", "Wattsville blues" and...""Good alternative rock album. Best 10 songs average is 81,2/100 and the album can get good 80/100. Solid album without highs and lows. Best songs are "Ocean spray" and "The year of purification" both 85/100, followed by "Found that soul", "So why so sad", "Let Robeson sing", "Wattsville blues" and "His last painting" all 80/100. Other songs in the region of 70-75/100. Notable are the count of 16 tracks and the album lenght of 75 min."[+]Reply
""Resurrection" definitely belongs among the best Divine Comedy albums. The production is clearly better than on the previous Setanta releases Setanta; not least thanks to producer Nigel Godrich who has created a much more modern "Britpop" sound. Unfortunately the album was more an artistic succes..."""Resurrection" definitely belongs among the best Divine Comedy albums. The production is clearly better than on the previous Setanta releases Setanta; not least thanks to producer Nigel Godrich who has created a much more modern "Britpop" sound.
Unfortunately the album was more an artistic success than a commercial one. Great catchy songs like "Perfect Love Song" and "Love What You Do" appear strong enough to follow up on previous singles successes as "National Express" and "Generation Sex. "
In any event, there are plenty of fine songs in the best Hannon style. Besides the aforementioned the bluesy "Bad Amassador" stands out. Also the quiet melodic "Mastermind" is a clear favorite.
Some numbers almost have Radiohead-feel about them - best of those is "Dumb er Down""[+]Reply
"A very obscure album for McCartney standards. Overall is good with some good tracks and some less interesting ones. I can't help to think that it would be really good if the tracklist was cut from 16 to 10 or 11 tracks. Albums got really long in the cd era and I don't think that was a good thing ...""A very obscure album for McCartney standards.
Overall is good with some good tracks and some less interesting ones. I can't help to think that it would be really good if the tracklist was cut from 16 to 10 or 11 tracks. Albums got really long in the cd era and I don't think that was a good thing at all.
My personal favourites are Heather and Rinse the raindrops."[+]Reply
"The first four tracks used to overshadow everything else on here for me, but a couple of them ('Space' and 'Junkie') are probably now among my favourite songs of all time and some of the others are a lot better than I used to give them credit for. Closing track 'Alaskan Pipeline' is probably the ...""The first four tracks used to overshadow everything else on here for me, but a couple of them ('Space' and 'Junkie') are probably now among my favourite songs of all time and some of the others are a lot better than I used to give them credit for. Closing track 'Alaskan Pipeline' is probably the best one to be found on the second half."[+]Reply
"Alright. Unless you are 18 years old and still think it is cool that you threw up last Friday night yet got up to have another round, this is NOT material for anyone's top 50 list. It also has to be said that this album is really just the same song put on repeat 12 times. Now, in Andy's defense i...""Alright. Unless you are 18 years old and still think it is cool that you threw up last Friday night yet got up to have another round, this is NOT material for anyone's top 50 list. It also has to be said that this album is really just the same song put on repeat 12 times. Now, in Andy's defense it has to be said that he DID in fact learn three chords, and he plays those three chords with one hell of a conviction and belts out his pubescent lyrics seemingly don't giving a shit what people think. The conclusion is that this is one helluva catchy little album that, at the same time, nobody will be sorry for missing. I like it a lot, but it is proof of how sad a musical year 2001 was, that I can not name one single album from that year that I'd rather listen to than this one."[+]Reply
""When you need someone to be there for you, I won't be one who will help you out" cries a heart-broken Ryan Adams on Pneumonia's twangy opener, "The ballad of Carol Lynne". Whiskeytown was an alt-country band and, sonically, this album is heavier on the "alt" than any of their previous efforts (T..."""When you need someone to be there for you, I won't be one who will help you out" cries a heart-broken Ryan Adams on Pneumonia's twangy opener, "The ballad of Carol Lynne". Whiskeytown was an alt-country band and, sonically, this album is heavier on the "alt" than any of their previous efforts (Timmy Stinson of The Replacements and James Iha of Smashing Pumpkins make appearances), though the country influences still ring strong and define the mood of the album. The melancholic purr of the slide guitar and the cry of Caitlin Cary's violin (Cary also delivers superb backing vocals on many songs) do much to underscore Adams' lonesome, sorrowful rasp. Adams, only in his mid-twenties, sounds like an old man beaten down by an unsatisfying life of failed romances, cigarettes, and escapist alcoholism. "sometimes I wish I were deaf, then I wouldn't hear the words you say the words you say under your breath", he weeps on "Under your breath", a mid-album highlight. Engaging throughout, Pneumonia finishes with its best track, "bar lights", a barstool vignette sung to a catchy violin part over a harmony of guitar and bass. The song fizzles out into a genuine scene of playful studio chatting and laughing, which ends appropriately with Adams telling his band "alright, I'm going to the bar, fuck this". A few minutes of silence is followed the sound of the band warming up and bantering about steel drums, which leads into a stellar hidden track, shrouded in honesty, which begins with "to be evil is to be scared, withholding all the things to sacred to be shared", builds up to the climax, shouted by the full band "L-O-V-E is gonna be the death of me" and ends quietly with "I'm not evil; I'm just scared". The two songs combine into a single ten-minute track. The whole thing evokes a strong feeling of intimacy, which is perhaps the most appealing element of the album. For the entirety of the album, the listener is effectively transported into the abandoned church in which Pneumonia was (quite appropriately) recorded, and on the last track, Whiskeytown takes this a step further; for a few minutes the listener feels like a member of the band. Whiskeytown isn't just the music you listen to when you're sad, they're also some of your closest friends. You could discuss all of your most personal problems over a few drinks these people, because they have shared everything about themselves with you. All this makes Pneumonia feel like a pure country album, even if the sound is more rock oriented than Stranger's Almanac or Faithless Street. It's a triumphant finale for perhaps the finest band of the alt-country movement."[+]Reply