Listed below are the best albums of the 2020s (so far) as calculated from their overall rankings in over 58,000 greatest album charts. (Chart last updated: 2 hours ago).
"Little Simz does it again. Another excellent project with beautiful instrumentation, powerful and emotional lyrics, and a charismatic performance by Simz. While I'm not sure it surpasses Grey Area and SIMBI, I'll need more time with it, this album is more proof that Little Simz is one of the most...""Little Simz does it again. Another excellent project with beautiful instrumentation, powerful and emotional lyrics, and a charismatic performance by Simz. While I'm not sure it surpasses Grey Area and SIMBI, I'll need more time with it, this album is more proof that Little Simz is one of the most interesting and exciting artists around."[+]Reply
"There would be plenty of reasons to be growing tired of Peggy‘s shtick. Last year's Scaring the Hoes had its moments, but an overly online vernacular and ropey finish stopped it from staying amongst my favourites of 2023 – not to mention his fawning over Kanye earlier this year when offered a pro...""There would be plenty of reasons to be growing tired of Peggy‘s shtick. Last year's Scaring the Hoes had its moments, but an overly online vernacular and ropey finish stopped it from staying amongst my favourites of 2023 – not to mention his fawning over Kanye earlier this year when offered a production gig signaled his previously stringent antifascism didn't extent to his musical idols (and no doubt a hefty chunk of change).
I Lay Down My Life for You came as a real surprise then; I think this is the first time since 2019's All My Heroes… that his sampling has sounded truly joyful (even if "Sin Miedo" totally rips off that one "Heads Will Roll" remix). Even more of a surprise comes in the form of "Either on or off the Drugs" and "I Recovered From This", where Peggy is, against all odds, sincerely vulnerable.
From my Top 20 Albums of 2024: https://www.besteveralbums.com/thechart.php?c=79692"[+]Reply
"(Lovers of Johnny Thunders and the Heartbreakers and The Sex Pistols and good, lively Garage punk albums of yore then you will love this... I think so. I mean, I do. This album fucking kicks ass!!!) As I listened to this album for the thousandth time and noticed I was putting on my stink face and...""(Lovers of Johnny Thunders and the Heartbreakers and The Sex Pistols and good, lively Garage punk albums of yore then you will love this... I think so. I mean, I do. This album fucking kicks ass!!!)
As I listened to this album for the thousandth time and noticed I was putting on my stink face and was bobbing my head like I was 16, I felt a sense of joy and returning. Its been awhile since I heard a brand new album that even remotely got me into that L.A.M.F./1977 Punk rock state-of-mind. Its an almost purely somatic experience, where my whole body feels like a mad dog ready to say "fuck off" to every authority figure within 6 square blocks. Its a bloody great feeling!
Now, I'm a bit like Freddie Gibbs, still livin' like I'm 16, but not completely. I have so few moments even within this hobby of music listening when I feel like a teen again, that when an album reminds me of that feeling I for sure appreciate it. I had a somewhat similar experience in January when I heard Shame's 2021 album Drunk Tank Pink. But even on that album, there was a bit too much art punk, Talking Heads and Gang of Four going on to fully transport me to that time and place. This new Amyl and the Sniffers eschews the post punk/art punk offshoots and instead sinks its teeth fully into that first couple years of pure punkr ock and roll and its glorious.
This album has some sick simple heavy badass punk riffs. lol "some" ... no, it has LOADS. It has some of those fiery, imprecise, 100% passion Thunders solos, it has some garage punk in its bristly simplicity, it has some Garage Rock Revival in it with stomping swaggering badassery somewhat similar to The Hives. Hell it even has a little bit of Maiden that crops up briefly with that chugging old school heavy metal riff on "Capital"! But most importantly this album has Amyl. Or rather real name Amy Taylor. Let me tell ya something about Amy: she is a total badass motherfucker and you do not want to mess around with her or you may be stabbed. This woman is so damn sexy, feral, so damn filthy and slovenly and gives so little fucks it should be a crime. Something about how brash and bold she sounds on these pure punk bangers, it blows me away. Her thick aussie accent just absolutely tears into these songs like no one else. She is a badass and the MVP of this album without a doubt. I love her.
The songs here are incredible. "Security" is probably my most listened to song of the year, perfect garage punk anthem. the aforementioned "Capital" and "Maggot" just drip with furious raging anger. "Hertz" is that garage rock revival sounding song, but damn it has a brashness and coolness that is unmatched and a chorus that reaffirms my love of punk rock. "Choices" is a badass song all about saying fuck you to people trying to control you and tell you what to do. Yeah its as simple and simply perfect as that. Etec etc, there are more brilliant punk jams here. Its a solid through and through hard pummeling balls to the wall adrenalized punk rock album of albums.
If you love '73-'78 Johnny Thunders/Heartnreakers/NY Dolls projects, early Sex Pistols (lol, I like saying early pistols), Saints, Dead Boys, Radio Birdman, X-Ray Spex etc ... or Garage punk and Garage Rock Revival bands like Jay Reatard, King Khan, or early Hives, etc... then you will like this a lot methinks. Its just so great!"[+]Reply
"Album of the year (so far) for me. It's a beautiful and brilliant record. It really has a freshness about it. A great use of light/shade. A great record."Reply
"One of the wildest R&B records in years. Just when you think you know where a song is heading, it's likely to pivot into something completely different. It's not always seamless, but it's always exciting. I'm three or four listens at this point and I'm still finding new things while still finding...""One of the wildest R&B records in years. Just when you think you know where a song is heading, it's likely to pivot into something completely different. It's not always seamless, but it's always exciting. I'm three or four listens at this point and I'm still finding new things while still finding myself gripped by the catchy songwriting and, shall we say, cheeky lyrics. Sudan Archives is a force to be reckoned with."[+]Reply
"Caribou has always been a slow burner for me. 'Our Love' took me a year or two to fully appreciate (and now is on my short list for best albums of the decade). I've gone through 'Suddenly' at least 3 times now, and have yet to notice a track I don't like. Bottom line, Caribou is keeping up with t...""Caribou has always been a slow burner for me. 'Our Love' took me a year or two to fully appreciate (and now is on my short list for best albums of the decade). I've gone through 'Suddenly' at least 3 times now, and have yet to notice a track I don't like. Bottom line, Caribou is keeping up with their consistency on this one. Favorite of the year, so far."[+]Reply
"This is the dumbest smart album I've ever heard. Dumb in that the vocals are brash and are not subtle at all. The lyrics are not exactly complex and poetic either. However this album tackles societal ills with such precision. It's also very funny. The biggest themes of this album are violence, te...""This is the dumbest smart album I've ever heard. Dumb in that the vocals are brash and are not subtle at all. The lyrics are not exactly complex and poetic either. However this album tackles societal ills with such precision. It's also very funny.
The biggest themes of this album are violence, technology, male insecurity, and anti-intellectualism and how intertwined these things are. Basically the thesis of this album is that 4chan is ruining the world. The track "Troglodyte" presents this thesis by wrapping all four of the themes listed earlier. The song describes a man who peruses conspiracy theories, whether they be the Great Replacement or Anti-Vax. This character has built up a hatred for "those who wronged him", which is probably feminists and minorities. He seeks to take out this hatred by inflicting violence upon a group of people with his gun. This is a very, very common occurrence as seen in almost all mass shootings. The Buffalo and Uvalde shooters were both 4chan memelords with manifestos on how feminism and brown people are ruining western society.
Another brilliant take on modern society is on "Return To Monke", which, on its face, is such a funny song title to begin with. The point of this song is that all of the ills described previously on this album are basically inherent to humans. We are violent creatures who operate mostly on 'vibes' rather than actual logic and thought. We are paranoid and insecure and dumb at a fundamental level. This song is saying that the advent of society should serve to further us away from these characteristics, "leave society, be a monkey". However, society has not done a good job of removing these traits. People are still violent and paranoid. The track concludes with a monologue about a beheading at the office. What is supposed to be a traumatic event is described as "a good day" because everyone did such a job cleaning up the mess. This monologue is so good at demonstrating the desensitization to violence that we have at this point in history.
Amazing album, very groovy, mucho texto"[+]Reply
"Heard this in my local record shop the other day. A real disappointment. It just meanders and there are no strong songs on here. Won’t be purchasing"Reply
"This was a thoroughly enjoyable album and there seems to be a few more risks taken on this album than their previous work. While there still is the odd generic song that could and should have been cut, there is also a lot of great songs. Such as Good Girls and How Not To Drown where the Robert Sm...""This was a thoroughly enjoyable album and there seems to be a few more risks taken on this album than their previous work. While there still is the odd generic song that could and should have been cut, there is also a lot of great songs. Such as Good Girls and How Not To Drown where the Robert Smith feature works brilliantly. Then there is the vocal performance from Mayberry, which I absolutely adore and is the strongest part of the record. Even if your not a fan of their synth pop style you can still get joy out of the record by solely focusing on the vocal alone. Overall, it isn't their greatest album but there is still a lot to love and so well worth a listen. "[+]Reply
"This is definitely not a B-sides album. Yes, the songs were recorded at the same time as Wall of Eyes but they collated 2 albums of very different aesthetics - the various songs chosen to best suit the feeling they were looking for. This album is a meandering jam that incorporates all the playful...""This is definitely not a B-sides album. Yes, the songs were recorded at the same time as Wall of Eyes but they collated 2 albums of very different aesthetics - the various songs chosen to best suit the feeling they were looking for. This album is a meandering jam that incorporates all the playful skills they possess as musicians. It’s another grower which is what makes Thom/Johnny projects so much fun to indulge in. There’s so much to unpack in a seemingly unconvoluted album. This has the potential to be my favourite album as a whole of theirs, pieced together for a greater single work. Their other albums have singularly better songs, no doubt, but there’s something more cohesively interesting here, like pulling together a loosely sewn seam so that the edges come together without a gap in between."[+]Reply