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1751.

A Northern Soul 

 The Verve

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"The songs, such as they are, are long and have little structure, the production is murky and raw and harrowing, the tempo is unchanging to the point of testing endurance. There is no joy or even solace to be found in this record, only unforgiving turmoil. It is a traumatic realisation of the hope...""The songs, such as they are, are long and have little structure, the production is murky and raw and harrowing, the tempo is unchanging to the point of testing endurance. There is no joy or even solace to be found in this record, only unforgiving turmoil. It is a traumatic realisation of the hopelessness of human existence, a document of fractured mentalities, the sound of four young men old before their time, scarred by life, already dead once and now desperately striving to be alive for just a moment before it all fades. Songs in the key of pain. Modern, urban, tortured psychedelic soul [...] A wall of noise, a sea of anguish, a masterpiece. On a hillside somewhere in the distance a man screams his desolation at the sky and curses his birth, overcome with fear that this emptiness may be all he can ever know. This record is his scream."  [+]  Reply

- marazico | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1995

Appears in:

209 charts

Rank Score:

975

Rank in 1995:

32

Rank in 1990s:

316

Overall Rank:

1,751

Average Rating:

 74 (294 votes)

Comments:

14

1752.

Everything Now 

 Arcade Fire

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"*Sigh*. This album is complete trash. I like all of the songs from 'Electric Blue' to 'We Don't Deserve Love' (the latter being a song that I love, which may be surprising given the rating that I gave the album), but the rest of the album completely fails. 'Chemistry' gets a bad rap, it's bad, bu...""*Sigh*. This album is complete trash. I like all of the songs from 'Electric Blue' to 'We Don't Deserve Love' (the latter being a song that I love, which may be surprising given the rating that I gave the album), but the rest of the album completely fails. 'Chemistry' gets a bad rap, it's bad, but it's hardly the worst on this album. 'Creature Comfort' has the most cringe-inducing lyrics of any Arcade Fire song, and takes the most immature and simplistic view of suicide and body-image issues that I've ever heard. 'Everything Now' sounds like Butler and co. listened to 'Hey Jude' once, liked the sing-along factor, but couldn't write a song that was anywhere near as interesting -- it's concert-bait at its finest. Worse yet, imagine writing a song about a bad pun, well, Arcade Fire wrote TWO SONGS ABOUT THE SAME TERRIBLE PUN in 'Infinite Content' and 'Infinite_content', it's not even f***ing clever. I have a lot of respect for Arcade Fire, 'Funeral' is arguably the best album of the 2000s. I don't know if they surrounded themselves with yes-men, but Arcade Fire have completely missed their appeal in trying (and failing) to turn themselves into the 21st century equivalent of New Order. The main strength of Funeral was the sincerity of its songs, the way that Régine belts the chorus to 'In the backseat' is utterly heart-wrenching, yet Arcade Fire come across as full of themselves when they brag, multiple times I might add, about a girl listening to said album not committing suicide. They're not sincere or relatable anymore -- they're downright exploitative."  [+]  Reply

- LCDBleepBoop | Helpful?  (Log in to vote) | +15 votes (15 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2017

Appears in:

267 charts

Rank Score:

974

Rank in 2017:

28

Rank in 2010s:

274

Overall Rank:

1,752

Average Rating:

 65 (718 votes)

Comments:

110

1753.

Things We Lost In The Fire 

 Low

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"This is my favorite album by Low. Kicks off with the wonderful Sunflower before plodding along nicely. Then just when you feel the album needs a bit of an injection you get it with July which starts a run of incredible songs all the way to the end. great stuff"  Reply

- LittleM1971 | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2001

Appears in:

193 charts

Rank Score:

974

Rank in 2001:

26

Rank in 2000s:

277

Overall Rank:

1,753

Average Rating:

 79 (170 votes)

Comments:

5

1754.

A Salty Dog 

 Procol Harum

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"A Salty Dog was the last Procol Harum album to feature the original 5-piece line-up. Compared to the previous two, which were very much dominated by Gary Booker's songs and vocals ( not a negative thing at all ), more space is given to guitarist Robin Trower and organist Matthew Fisher. Robin Tro...""A Salty Dog was the last Procol Harum album to feature the original 5-piece line-up. Compared to the previous two, which were very much dominated by Gary Booker's songs and vocals ( not a negative thing at all ), more space is given to guitarist Robin Trower and organist Matthew Fisher. Robin Trower debuts as leadsinger on his own "Crucifiction Lane" and he wrote "Juicy John Pink" - both songs show the roots of Procol Harum as a tight r&b band. Trower also co-wrote the acoustic "Too Much Between Us" with Brooker - beautifully sung by Brooker, by the way. Matthew Fisher produced the album, and arranged the orchestra for three of the songs - most note-worthy the title track, which is one of the greatest songs ever written and recorded. Compared to Brooker's Fisher's voice may appear somewhat thin, but he sings his two songs "Wreck of the Hesperus" and "Pilgrim's Progress" beautifully, and both songs fit in nicely on the album. "Pilgrim's Progress" bears big resemblance to the classic "A Whiter Shade of Pale". The charming "Boredom" with its Carribean rhythms is a Brooker/Fisher collaboration, adding to the great variety in styles which characterize the album. Apart from the unique "A Salty Dog", the album features another Brooker classic "All This and More" - classic Procol Harum sound. Inspiration from the Band's recently released "Music From Big Pink", shines through on "The Milk of Human Kindness". The Band was a big inspiration for Procol Harum. "The Devil Came From Kansas" is one of the few tracks I often consider skipping over - too heavy and noisy; seems somewhat out of place on the album. Much better is the B-side "Long Gone Geek"; another heavy thing, which sounds inspired by The Small Faces or Humble Pie. Among the bonus-track you may find there are four rare live-tracks from a 1969 April tour in the States. Great to hear the original band live - again their r&b roots shine through. With this album you could say that the band scored a natural hat trick; having their debut and "Shine on Brightly" in mind. "  [+]  Reply

- Rovers | Helpful?  (Log in to vote) | +5 votes (6 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1969

Appears in:

162 charts

Rank Score:

973

Rank in 1969:

48

Rank in 1960s:

168

Overall Rank:

1,754

Average Rating:

 76 (187 votes)

Comments:

9

1755.

Chaos And Creation In The Backyard 

 Paul McCartney

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"This is one of Paul McCartney's most interesting albums. Chaos and creation, is predominantly acoustic in sound, and is much more challenging in structure than most McCartney records, maybe only his self titled albums from 1970 and 1980 compare. Having said that, the songs here are much more thou...""This is one of Paul McCartney's most interesting albums. Chaos and creation, is predominantly acoustic in sound, and is much more challenging in structure than most McCartney records, maybe only his self titled albums from 1970 and 1980 compare. Having said that, the songs here are much more thought out and focused. Opener, fine line, is okay, but it actually one of the less interesting tracks here, in fact to me it sounds like the theme tune to only fool's and horses. How kind of you, is a better example of the album, and like, at the mercy, and, riding to vanity fair, is not predictable. The strongest songs though are the blackbird-like, Jenny Wren, the rubber soul-is, friends to go, the excellent, too much rain, and the beautiful, a certain softness. The rest is fine, like, follow me, and, the slightly tongue in cheek, English tea(very twee, very me). A very good album then, definitely one of McCartney's top six or seven. "  [+]  Reply

- garycottier | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2005

Appears in:

178 charts

Rank Score:

972

Rank in 2005:

40

Rank in 2000s:

278

Overall Rank:

1,755

Average Rating:

 78 (223 votes)

Comments:

16

1756.

At War With The Mystics 

 The Flaming Lips

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"Fantastic album, criminally underrated - how this isn't even in the top 1000 confounds me. This album perhaps sees the Lips at their most versatile, the album with the most dynamic range - rocking hard on one song to creating astounding beautiful music on the next and not a weak track here (well,...""Fantastic album, criminally underrated - how this isn't even in the top 1000 confounds me. This album perhaps sees the Lips at their most versatile, the album with the most dynamic range - rocking hard on one song to creating astounding beautiful music on the next and not a weak track here (well, maybe Haven't Got a Clue, but c'mon even that's great) and considering there's near-on an hour of brilliance here that's no mean feat. Best album of 2006, top 5 of the 2000s and The Flaming Lips' second best only to the outstanding Soft Bulletin."  [+]  Reply

- flamingyesdept | Helpful?  (Log in to vote) | +7 votes (7 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2006

Appears in:

250 charts

Rank Score:

972

Rank in 2006:

23

Rank in 2000s:

279

Overall Rank:

1,756

Average Rating:

 75 (333 votes)

Comments:

21

1757.

Vessel 

 Twenty One Pilots

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"I'm upset they removed "slowtown" from "regional at best" in remaking it to become "vessel" but the album is still high quality. good work from an upcoming band"  Reply

- joehara23 | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2013

Appears in:

100 charts

Rank Score:

971

Rank in 2013:

34

Rank in 2010s:

275

Overall Rank:

1,757

Average Rating:

 69 (231 votes)

Comments:

20

1758.

Glassworks 

 Philip Glass

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"Mesmerizing but the counterpoint stuff gets a bit overwhelming after a while... I feel it needs a bit of dynamic added to it by having some ambient tracks or something. Facades was kind of that, but a little late in the album. It's a very similar feel throughout the album. Rubric was impressive b...""Mesmerizing but the counterpoint stuff gets a bit overwhelming after a while... I feel it needs a bit of dynamic added to it by having some ambient tracks or something. Facades was kind of that, but a little late in the album. It's a very similar feel throughout the album. Rubric was impressive because it was more electronic, and I love sax."  [+]  Reply

- RoundTheBend | Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1982

Appears in:

150 charts

Rank Score:

971

Rank in 1982:

24

Rank in 1980s:

266

Overall Rank:

1,758

Average Rating:

 82 (170 votes)

Comments:

6

1759.

Clarity 

 Jimmy Eat World

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"Much, much, much better than Bleed American. More ambitious, diverse, melodic, angsty, better sung, and in general considerably less constrained with superficial stuff like "trying to make an album that will sell". On Clarity there's the confrontational blissful opener "Table for Glasses", the ca...""Much, much, much better than Bleed American. More ambitious, diverse, melodic, angsty, better sung, and in general considerably less constrained with superficial stuff like "trying to make an album that will sell". On Clarity there's the confrontational blissful opener "Table for Glasses", the catchy as hell "Lucky Denver Mint" (catchier than anything Weezer was doing at the time this record was released, for sure), the adorable hook and bell arrangements on "A Sunday", Jim Adkins powerful vocal performance on the title track, and the imaginative sprawling beauty of "Goodbye Sky Harbor". The fact that a band like this spent so much time working on that final track in order to make a statement that deserved to be remembered never ceases to make me admire the 90's as a fantastic time for popular music."  [+]  Reply

- Lacobra | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1999

Appears in:

135 charts

Rank Score:

971

Rank in 1999:

35

Rank in 1990s:

317

Overall Rank:

1,759

Average Rating:

 73 (210 votes)

Comments:

5

1760.

The Perfect Prescription 

 Spacemen 3

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"Transparent Radiation is absolutely stunning!!! It's like floating down a lazy river while the most beautiful of sunsets is hanging in the sky."  Reply

- VanillaBean | Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1987

Appears in:

188 charts

Rank Score:

970

Rank in 1987:

35

Rank in 1980s:

267

Overall Rank:

1,760

Average Rating:

 79 (189 votes)

Comments:

2

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Total albums: 10,000. Page 176 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	2	0%
1940s	34	0%
1950s	302	3%
1960s	710	7%
1970s	1,425	14%
1980s	1,413	14%
1990s	1,602	16%
2000s	1,720	17%
2010s	1,967	20%
2020s	825	8%

Artist	Albums	%
Bob Dylan	37	0%
The Rolling Stones	35	0%
David Bowie	32	0%
The Beatles	29	0%
Miles Davis	27	0%
Neil Young	26	0%
Various Artists	25	0%
Show all

Country	Albums	%
	4,998	50%
	2,656	27%
	432	4%
	337	3%
	221	2%
	157	2%
	134	1%
Show all

Compilation?	Albums	%
No	9,729	97%
Yes	271	3%

Live?	Albums	%
No	9,737	97%
Yes	263	3%

Soundtrack?	Albums	%
No	9,885	99%
Yes	115	1%