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1791.

One Dozen Berrys 

 Chuck Berry

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"This album isn't easy to rate. Despite being a big Chuck Berry fan, I'm left a bit disappointed with this record. Nearly half the album are instrumentals, and none of them are all that interesting. There are still good tracks to be found here especially on the re-issue version that I own and am r...""This album isn't easy to rate. Despite being a big Chuck Berry fan, I'm left a bit disappointed with this record. Nearly half the album are instrumentals, and none of them are all that interesting. There are still good tracks to be found here especially on the re-issue version that I own and am reviewing that contains two bonus tracks, "Brown Eyed Handsome Man" and "You Can't Catch Me". I feel like this site has correctly placed this album as his fourth best. Best tracks: Rock & Roll Music, Reelin' and Rockin', Sweet Little 16, Brown Eyed Handsome Man, You Can't Catch Me."  [+]  Reply

- WickedThunder | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1958

Appears in:

158 charts

Rank Score:

940

Rank in 1958:

11

Rank in 1950s:

43

Overall Rank:

1,791

Average Rating:

 74 (120 votes)

Comments:

6

1792.

Let's Get Out Of This Country 

 Camera Obscura (UK)

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"You can hear it on "If Looks Could Kill". This band not only evokes Belle and Sebastian but shows potential to surpass them. Yes, it's a lazy comparison but it's so obvious it's undeniable. "Lloyd, I'm Ready To Be Heartbroken" pays its own homage as a beautiful way to start off their brand of swe...""You can hear it on "If Looks Could Kill". This band not only evokes Belle and Sebastian but shows potential to surpass them. Yes, it's a lazy comparison but it's so obvious it's undeniable. "Lloyd, I'm Ready To Be Heartbroken" pays its own homage as a beautiful way to start off their brand of swelling strings and harmonies. Hear them fill your heart on "Come Back Margaret" and "Country Mile". Yes, it reminds me of Belle & Sebastian, but at the same time, they've stepped so far on their own with this album that such comparisons should stop, as easy as they are."  [+]  Reply

- paladisiac | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2006

Appears in:

172 charts

Rank Score:

939

Rank in 2006:

24

Rank in 2000s:

286

Overall Rank:

1,792

Average Rating:

 79 (174 votes)

Comments:

8

1793.

Lesser Matters 

 The Radio Dept.

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"One the very first bands to herald the shoegazing revival (now in it's 8th year). Lesser Matters is a brilliant album chock full of indie-pop gems."  Reply

- johnner | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2003

Appears in:

159 charts

Rank Score:

938

Rank in 2003:

35

Rank in 2000s:

287

Overall Rank:

1,793

Average Rating:

 78 (135 votes)

Comments:

10

1794.

Eye In The Sky 

 The Alan Parsons Project

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"This was the first Parsons Album I listened to. The Intro Song (Sirius/Eye in the Sky) is Just hypnotic. Other Key Tracks are 'Silence and I' and 'Wise and old'. The only problem I have with this album is, that it has too much pop. (Children of the Moon, Fingers Burned, psychobabble, Step by step...""This was the first Parsons Album I listened to. The Intro Song (Sirius/Eye in the Sky) is Just hypnotic. Other Key Tracks are 'Silence and I' and 'Wise and old'. The only problem I have with this album is, that it has too much pop. (Children of the Moon, Fingers Burned, psychobabble, Step by step) If he would have replaced psychobabble It might have been a flawless Album for me."  [+]  Reply

- PinkMind | Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1982

Appears in:

188 charts

Rank Score:

938

Rank in 1982:

29

Rank in 1980s:

280

Overall Rank:

1,794

Average Rating:

 76 (247 votes)

Comments:

8

1795.

Ghost Stories 

 Coldplay

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"This is certainly a better "album" for Coldplay, inasmuch as it works a relatively cohesive collection of songs that are meant to work with each other. Granted, this is not perfect by any stretch. Chris Martin is still one of the least impressive lyricists, but even the stripped back instrumental...""This is certainly a better "album" for Coldplay, inasmuch as it works a relatively cohesive collection of songs that are meant to work with each other. Granted, this is not perfect by any stretch. Chris Martin is still one of the least impressive lyricists, but even the stripped back instrumentals can make up for a lot of that. Despite the change in production and style, this still sounds very much like a Coldplay album. It's accessible, it's inoffensive, and it's certainly not the worst thing anyone is going to hear. I doubt they'll ever reach the highs of A Rush of Blood to the Head, or even Viva La Vida, but this is still a very solid listen. "  [+]  Reply

- HoldenM | Helpful?  (Log in to vote) | +10 votes (12 helpful | 2 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2014

Appears in:

198 charts

Rank Score:

937

Rank in 2014:

31

Rank in 2010s:

284

Overall Rank:

1,795

Average Rating:

 60 (587 votes)

Comments:

63

1796.

Hit Me Hard And Soft 

 Billie Eilish

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"Billie Balearic Beat Yeah 've had varying responses to the Billie phenomenon, her first album was one of the first times listening to it I just felt old- what seemed to be heralded as this brilliant bit of noir pop I just saw a lot of teenage I-cracked-the-code posturing and the fact that the sou...""Billie Balearic Beat Yeah 've had varying responses to the Billie phenomenon, her first album was one of the first times listening to it I just felt old- what seemed to be heralded as this brilliant bit of noir pop I just saw a lot of teenage I-cracked-the-code posturing and the fact that the sound just felt far too much like nearly everybody who'd blasted out of the post Odd Future hype, though there were a couple of moments (especially "Bury a Friend" and "I Love You") that I could see some real talent and promise for the future. Then came the messy Pandemic release of "Happier than Ever", which I found far more interesting, not only in it's Kid-in-a-candy-store endless genre hopping but in that she was exploring some geniunely conflicted and difficult emotions that made the album feel more directly confessional, even if admittedely the throw-it-on-the-wall approach meant a good number of the songs didn't work (surprisingly the limpest ones were the more directly venomous kiss-offs) and didn't really cohere as an album despite the consistient overarching theme of the emotional torment of sudden fame. Now I can see why this album has gotten the positive acclaim it has, it's an incredibly lean release full of the kind of shimmering, attractive compositions that Billie and her longtime bro producer Finneas have mastered over the course of her career, and on the surface there is a feeling of more direct and less put-upon angsty singer-songwriter appeal to the overall songs & LP. But... uh... well I guess to go bit by bit: "Skinny" is a solid and incredibly succinct summination of her previous album, both the cost of fame and the invasive personal scrunity (particularly the crassest kind, especially on her own body or love life), if maybe a bit slight overall it still effectively lets the ink dry on the chapter to move forward. Now "Lunch" was oddly ballyhooed as something shocking and daring because of it's dip into direct Sapphic attraction, but uh, which current left-of-center girl singer DOESN't have a lesbian-crush song out there? It's as on-trend as it gets, which doesn't mean it isn't earnest and perhaps an FU to those Twitter weirdos who endlessly hounded her with Queerbaiting accusations, but I mean "Bad Guy" honestly was more risque than this. And mentioning that song of course highlights a major reason why I think a number will have a number of major "... that's it?" reactions to this song, since it has all the elements to be a major banger in theory, but it doesn't bang at all in practice. I think in many ways Billie's usual detached cool hampers this here as her voice should really morph into a more hormonal throttle, but I donno maybe it's some annoying & dated tricks (f*king hell those perfunctory hand-claps, giving late Aughties flashbacks). It's maybe disappointing that this is what's going to get the most attention when the following tracks are much stronger, a far better mix of the more spacious and fluid compositions anchored strongly in the nucleus by Billie's much more confident though still appealingly delicate husk of a voice. The only somewhat peculiar thing here is why the album went from talking about newfound infatuation to immediately pivoting towards breakup song after breakup song (or more so, Near-Breakup or Missed Ships in the Night songs), there seems to be a track or two that's lying somewhere on an editing room floor. Only by "The Greatest" am I starting to see some problem with the overall production, as the late additions of percussion and chopped-up distortion feel pounded flat into the composition when they should feel a lot more dynamic and intrusive. Then there's "L'amour de ma vie" which, no, the French title doesn't mean a damn thing, which ultimately is another Ironic not-in-love ballad with a decent but for Billie predictable punchline.... but then that's where the album gets really weird. And I Don't mean that in a good way. Cause just after the song seems to end it suddenly swerves instantly into this 2000s Ibiza-ready deafining Euro Club song though if it were thrown threw a Hyperpop cheese grater, which I admit for the first time I was actually taken aback and surprised when listening, but thematically and musically it has no connection to what came before or after and feels like the equivalent of mustard suddenly and needlessly squeezed onto a sundress. Though I'll take that over the next track, next to that one Micheal Scarn moment from When We All Fall Asleep as one of the only truly terrible tracks she's produced, a ridiciously cheesy electro beat with no humor or progression to make it feel Ironic or Campy or whatever the fuck. At first it was confounding, but when the next track rips-off her own Wish You Were Gay beat but without pithy lyrics or a discernible point at all, it came clearer but also... why? are you going back scrounging for Z-sides from your late 2010 days? After that bizzare extended interlude, the album does admirably close with a song that could've been a 120-minutes underground smash in the mid 90s, a dense, subtly swirling and smartly layered Electro-accented bit of 90s alt-rock that both lyrically and sonically actually closes the album pretty effectively, even if it's making me question why we needed that needless and jarring bit of leftovers thrown in as the penultimate track(s). So yeah that's kind of why I find this a mixed bag, less than being hit Hard and Soft on both sides it feels like an album that starts off on a steady Gallop but then kind of Waddles on the edges before gracefully crossing the finish Line. it's certaintly lovely to listen to despite some really questionable choices late in the run but it also has already felt less than meets-the-ear after giving it a couple of repeat listens, maybe her and Finneas's musical choices are starting to feel a bit too lameneted and "Safe Edgy", but also Billie seems to pick and choose when she wants to be more detailed and upfront with her lyrics to skewing a more dead-eyed Coyness and simply straining the emotional crux of the songs to feel more generalized and universal rather than directly personal. It's solid and I can see why some view it as her best, but I find it a slight step down from the previous release and it's following singles which just felt much more from-the-gut even if it led to messier results. Maybe this is just the start as many have already worked the theory this is just the beginning of several colour-coded releases, but for now I'll rate this as a (mostly) musically pleasing release that just feels a bit too tentative at key moments to take that next leap forward."  [+]  Reply

- cestuneblague | Helpful?  (Log in to vote) | +3 votes (5 helpful | 2 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2024

Appears in:

207 charts

Rank Score:

935

Rank in 2024:

11

Rank in 2020s:

69

Overall Rank:

1,796

Average Rating:

 76 (205 votes)

Comments:

14

1797.

Creedence Clearwater Revival 

 Creedence Clearwater Revival

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"Creedence started out good and with each successive record (until Pendulum) they got a little bit better. This, thus, is one of their least good. Being this good at their worst is quite the feat."  Reply

- Bork | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1968

Appears in:

258 charts

Rank Score:

935

Rank in 1968:

31

Rank in 1960s:

173

Overall Rank:

1,797

Average Rating:

 77 (313 votes)

Comments:

11

1798.

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Sleeping With Ghosts 

 Placebo

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"This is the band's best and most consistently good album imo.I love The Bitter End and This Picture"  Reply

- Secondsoul | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2003

Appears in:

173 charts

Rank Score:

933

Rank in 2003:

36

Rank in 2000s:

288

Overall Rank:

1,798

Average Rating:

 75 (225 votes)

Comments:

12

1799.

Hunting High And Low 

 a-ha

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"This album is truly amazing, it is hard to choose a favourite a-ha album but this has some of my favourite tracks of all time. Train of thought is stunning song.."  Reply

- mysh1971 | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1985

Appears in:

222 charts

Rank Score:

933

Rank in 1985:

24

Rank in 1980s:

281

Overall Rank:

1,799

Average Rating:

 73 (301 votes)

Comments:

19

1800.

Alice In Chains 

 Alice In Chains

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"This record together with Soundgardens "Down on the upside" was symptoms of an era that was about to end. The newer era, Britpop, was already rising, and people were about to have enough of the harsh and dark metal sound, and prefered another more quiet and soft sound (Radiohead), when it came to...""This record together with Soundgardens "Down on the upside" was symptoms of an era that was about to end. The newer era, Britpop, was already rising, and people were about to have enough of the harsh and dark metal sound, and prefered another more quiet and soft sound (Radiohead), when it came to music dealing with themes like suicide, self-hatred and pessimism. This record may not be as succesful as the "Dirt" and "Facelift", too dark and gloomy, and not enough of that freaky acid sound. Yet it isn't a bad record at all. The opening track "Grind" captures the ear, with a groovy riff and a sublime chorus, and together with "Again" and "Head Creeps", it has some definite classics. Sadly the record has too many weak points, making this a good but not great record. The biggest tragedy though, is that Alice In Chains (the real Alice In Chains!) with the early death of Layne Staley, never got to make another record again. "  [+]  Reply

- Cafu86 | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1995

Appears in:

189 charts

Rank Score:

932

Rank in 1995:

34

Rank in 1990s:

323

Overall Rank:

1,800

Average Rating:

 76 (386 votes)

Comments:

12

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Total albums: 10,000. Page 180 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	2	0%
1940s	37	0%
1950s	304	3%
1960s	715	7%
1970s	1,439	14%
1980s	1,435	14%
1990s	1,616	16%
2000s	1,727	17%
2010s	1,999	20%
2020s	726	7%

Artist	Albums	%
Bob Dylan	37	0%
The Rolling Stones	35	0%
David Bowie	32	0%
The Beatles	29	0%
Miles Davis	27	0%
Various Artists	26	0%
Neil Young	25	0%
Show all

Country	Albums	%
	5,011	50%
	2,665	27%
	429	4%
	315	3%
	222	2%
	160	2%
	137	1%
Show all

Compilation?	Albums	%
No	9,721	97%
Yes	277	3%

Live?	Albums	%
No	9,727	97%
Yes	271	3%

Soundtrack?	Albums	%
No	9,880	99%
Yes	118	1%