Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 5 hours ago).
"The more we progress into the 21st Century the more it becomes apparent that male dominated rock has nothing new to say. Indeed, it is only right that an all female band like Savages should symbolise punk rock RIGHT NOW, as theirs is the true voice of rage and discontent in a system that is STILL...""The more we progress into the 21st Century the more it becomes apparent that male dominated rock has nothing new to say. Indeed, it is only right that an all female band like Savages should symbolise punk rock RIGHT NOW, as theirs is the true voice of rage and discontent in a system that is STILL dominated by white, male, hetrosexual men. Sure, there have been others like The Slits or The Raincoats but none have yet to push through the ranks to emerge as a fully fledged first division band to potently address the ranks of the misfits, the outsiders, and the freaks - and Savages are that band.
All of the songs that brought the band to the public eye are here as are the visceral guitar dynamics that as so much spill from the speakers. Often coming across as an oceanic Stooges - circa Fun House - what's more than notable is the use of space leaving an airy tension between Gemma Thompson's roiling burst's of guitar show(wo)manship.
Whatever, Silence Yourself is brilliant and this is the debut album of 2013. Buy it.
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"One of the most captivating and gorgeous ambient records out there. I remember being somewhat bored once Pop 4 came along. But now this is one of the best records of the 2000's. Probably Top 10 material in my book. Wonder how I would have felt of this record in the year 2000. Probably wouldn't ha...""One of the most captivating and gorgeous ambient records out there. I remember being somewhat bored once Pop 4 came along. But now this is one of the best records of the 2000's. Probably Top 10 material in my book. Wonder how I would have felt of this record in the year 2000. Probably wouldn't have liked it due to being 5 during that time. But 22 year old me finds this a must listen."[+]Reply
"Spoon's always funky. You wouldn't know it by the lead single "the beast and dragon, adored" from "gimme fiction", their most complex song to-date. Spoon's into the funky, catchy, short single format -- leave 'em wanting more routine. While "beast" is a good song, it's not as representative of th...""Spoon's always funky. You wouldn't know it by the lead single "the beast and dragon, adored" from "gimme fiction", their most complex song to-date. Spoon's into the funky, catchy, short single format -- leave 'em wanting more routine. While "beast" is a good song, it's not as representative of their usual indie pop/rock groove funk that they bring on the rest of this album (and all their other albums that i own). "two sides / monsieur valentine" is a song black sheep boy would've made for "the stage names" if they were trying to hit early 80s pop instead of mid-70s prog rock. "i turn my camera on" brings THA BASS and is probably tied for the best track with "sister jack" and "i summon you". For Spoon, it's more about the pure, unadulterated, make-the-beatles-want-to-reform simple pop gems than lyrics. Like on "i summon you" and that simple acoustic guitar lick and soft drum; the lyrics just roll off effortlessly as another fabric of the song as a whole ("you got the weight of the world coming down like a mother’s eye / And all that you can / All that you can give is a cold goodbye"). They brings some tricks too, like the reverb/gate of "sister jack" or they xylophone-like FX of "the infinite pet". I always have a blast putting on a Spoon album."[+]Reply
"OK so he cheated by adding two old songs and 'updating' them to the sound of 1987, but even without those two songs, it is still a great album. And the video of Still Of The Night. I admit that 1987 was not a 'timeless' year and this album like Pyromania and Appetite For Destruction just don't se...""OK so he cheated by adding two old songs and 'updating' them to the sound of 1987, but even without those two songs, it is still a great album. And the video of Still Of The Night. I admit that 1987 was not a 'timeless' year and this album like Pyromania and Appetite For Destruction just don't seem to have the sound to last the distance."[+]Reply
"The Isley Brothers have had hits in every decade since the 1950's, and have scored 20 top 10 albums. 3+3, which finds the band as a sextet, opens with "That Lady"...worth having the album for alone. It's funky, and Ernie Isley tears it up on guitar. The album is also notable for its choice in cov...""The Isley Brothers have had hits in every decade since the 1950's, and have scored 20 top 10 albums. 3+3, which finds the band as a sextet, opens with "That Lady"...worth having the album for alone. It's funky, and Ernie Isley tears it up on guitar. The album is also notable for its choice in cover material. They hit James Taylor ("Don't Let Me Be Lonely Tonight"), The Doobie Brothers ("Listen To The Music"), Seals & Crofts ("Summer Breeze"), and the Jonathan Edwards hit "Sunshine". All are done in the Isley's style...no copycatting here. It's a fun listen from a great group that still soldiers on today. And you get one more listen to Ernie's searing solo on a bonus live version of "That Lady". Enjoyable stuff.
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"I much prefer this album to 'Pictures at an Exibition'. It is a more melodic and cohesive affair. I particularly like 'Battlefield' which give 'Yes' and 'Genesis' a run for their money. I am not so keen on the way Keith Emerson chose to play his Moog, for example 'Aquatarkus' is a very 'plinky pl...""I much prefer this album to 'Pictures at an Exibition'. It is a more melodic and cohesive affair. I particularly like 'Battlefield' which give 'Yes' and 'Genesis' a run for their money. I am not so keen on the way Keith Emerson chose to play his Moog, for example 'Aquatarkus' is a very 'plinky plonky' affair, great on a honky tonk piano but not on a Moog.Great honky took piano on 'Bitches Crystal' by the way. ELP albums don't really flow given that tracks move from Church organ led to honky tonk piano led to plinky plonk Moog led. Fantastic musicians, but I often get a sense they all wanted to showcase their singular abilities rather than gel as a unit."[+]Reply
"This is where Nightwish began taking it into the stratosphere. Their first 4 albums were good, but this album is truly excellent. Tarja's outstanding vocals were far more balanced between rock and opera on this album - a balance that the band would continue striking after firing her. Wish I Had a...""This is where Nightwish began taking it into the stratosphere. Their first 4 albums were good, but this album is truly excellent. Tarja's outstanding vocals were far more balanced between rock and opera on this album - a balance that the band would continue striking after firing her. Wish I Had an Angel and Nemo were the big hits, and rightfully so. Ghost Love Score gave fans an all-out symphonic assault - a taste of what would come on Nightwish's next two albums - and, quite frankly, perhaps the two best albums in the entire symphonic metal genre - Dark Passion Play and Imaginaerum."[+]Reply
"ZEN MASTER CALLAHAN I started out in search of ordinary things Like how much a tree bends in the wind… (Jim Cain) Love is the king of the beasts And when it gets hungry it must kill to eat (Eid Mad Clack Shaw) Bill callahan is a naturalist. An observer of life. Like some modern day equivalent of ...""ZEN MASTER CALLAHAN
I started out in search of ordinary things
Like how much a tree bends in the wind… (Jim Cain)
Love is the king of the beasts
And when it gets hungry it must kill to eat (Eid Mad Clack Shaw)
Bill callahan is a naturalist. An observer of life. Like some modern day equivalent of Thoreau hanging out at Walden’s. His observations are both objective and reflective. He’s the observer from without looking within. Not passing judgement. Just observing. Detached. Allowing the world to come to him at its own pace. In its own time. Just simply observing how life is instead of how he wants it to be. Callahan’s easily one of the finest lyricists of the last twenty-some years. Each time I listen to a line from one of his songs it has the ability to take on new meaning. Like the poetry of a zen master, his poetry is endless. Expansive. Taking you deeper & deeper with each reading. Each spin.
And Callahan has also mastered a genre I never would have thought I of all people would even tolerate never mind LOVE - Adult Contemporary! Mind you, this is adult contemporary for FREAKS. And somehow, someway he even one ups the mighty Nick Cave as the best adult contemporary artist of the indie kingdom. Which is saying a shitload because, let’s be honest, Nick Cave invented this genre for pete’s sakes.
And each song offers up many a hidden treasure. Chocked filled with little touches. Little embellishments. For instance, in “Eid Ma Clack Shaw” he occasionally shouts out a “Pow! POW!” as if he’s karate chopping some old Ikea furniture. to bits. (Please do NOT inform me that he’s really just saying “How”. Jeez don’t ruin it for me. That’s not nearly as cool. xp) Or take the drums on “All Thoughts Are Prey.” They start as gently echoes as some hallucinating guitar winds through the song, but then all of sudden at about the one minute mark the drums become maniacal, a beast coming to life, frothing and whipping itself into a fury as the song progresses. Becoming more & more chaotic. Free. And all the songs are tricked out like this. Subtle intricate beauty that slowly reveals and unfolds upon the listener. Seemingly changing with each spin. Yes, these songs are alive. And Callahan’s simply channeling what he feels into these songs. Normally I HATE when an album is embellished with strings and horns and the like. I mean they can sound so fake. So Phony. But not here. Oh No! They’re inventive. Constantly changing as the songs need them to. Unlike so many string arrangement that sound just thrown in as an afterthought by some producer who doesn’t even understand the song nor the artist. No. These arrangements are clearly part of the song themselves. Living, breathing entities that shift and change as the song does. As the song breathes. And just perhaps these are the most tasteful strings ever done for a rock record EVER.
Grade: A+. The finest adult contemporary recording ever recorded. It stands as the gold standard for the entire genre. A touchstone with which to compare similar entities such as Lambchop or Tindersticks and yes even the master himself, Nick Cave. And I seriously thought about vaulting this fully realized album all the way to number ONE. But… Not yet. And so it perches itself like a bird in a tree at number three. "[+]Reply