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3021.

Tomorrow's Modern Boxes 

 Thom Yorke

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"It's hard not to hold Thom to a higher standard since his past works have been so significant, but this album just isn't changing the game the way he used to. It was exciting each time Radiohead changed their sound, but now Thom seems to have developed an affection for this cold, distant, sterile...""It's hard not to hold Thom to a higher standard since his past works have been so significant, but this album just isn't changing the game the way he used to. It was exciting each time Radiohead changed their sound, but now Thom seems to have developed an affection for this cold, distant, sterile electronic music. If this is the kind of music he wants to make, then that's great for him. He's definitely good at it. But what makes this album stand out among anything else he's done? The songs are nice, but they just don't seem to be showcasing the creativity we all know he is capable of. Obviously people enjoy this album, I do too to an extent, but I honestly don't believe it will have the same lasting power of his other work."  [+]  Reply

- OFarrio | Helpful?  (Log in to vote) | +6 votes (9 helpful | 3 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2014

Appears in:

150 charts

Rank Score:

508

Rank in 2014:

52

Rank in 2010s:

497

Overall Rank:

3,021

Average Rating:

 73 (266 votes)

Comments:

22

3022.

Hadestown 

 Anaïs Mitchell

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"If it weren't for this website I never would've discovered this gem! A folk opera sounded really cheesy to me, to be honest, but since I love Tommy, I thought it would be interesting. A shocker. In my opinion this is better then Tommy, better then Quadrophenia and.... dare I say it?... better the...""If it weren't for this website I never would've discovered this gem! A folk opera sounded really cheesy to me, to be honest, but since I love Tommy, I thought it would be interesting. A shocker. In my opinion this is better then Tommy, better then Quadrophenia and.... dare I say it?... better then THE WALL!! This is high praise for a brand new album, I know. But trust me, if this gets around enough, it'll be a classic. Again, maybe only us nerds who use besteveralbums' assistance to find cool music will get it. In any case, listen to it. Anais Mitchell and Bon Iver's Justin Vernon are perfect as doomed lovers. And I thought opera sucked."  [+]  Reply

- motownfreak15 | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2010

Appears in:

90 charts

Rank Score:

508

Rank in 2010:

45

Rank in 2010s:

498

Overall Rank:

3,022

Average Rating:

 78 (100 votes)

Comments:

5

3023.

Gentleman 

 Fela Ransome-Kuti & The Africa '70

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"The first track is probably my favorite Kuti song."  Reply

- setalpgninnpseki | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1973

Appears in:

95 charts

Rank Score:

507

Rank in 1973:

58

Rank in 1970s:

531

Overall Rank:

3,023

Average Rating:

 81 (115 votes)

Comments:

4

3024.

SOS 

 SZA

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"Come on, what on earth is the point of clogging up these comment sections with a copy paste of the album's tracklist? With or without your personal rating of each song, it just goes against the design of the website."  Reply

- lylecatcliffe | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2022

Appears in:

138 charts

Rank Score:

507

Rank in 2022:

39

Rank in 2020s:

183

Overall Rank:

3,024

Average Rating:

 73 (118 votes)

Comments:

8

3025.

12 x 5 

 The Rolling Stones

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"First of all boys, nothing like this LP was ever released by Decca in the UK. It is a mish-mash of an EP, Singles, a UK B-side, and random album tracks put together this way only because of the greed of London Records. An album was supposed to be released that contained only tracks recorded at th...""First of all boys, nothing like this LP was ever released by Decca in the UK. It is a mish-mash of an EP, Singles, a UK B-side, and random album tracks put together this way only because of the greed of London Records. An album was supposed to be released that contained only tracks recorded at the infamous Chess Studios but it never came to be. Every comment on this site completely misses the boat on this album except for one. The treasures are the Chess songs recorded in true stereo. The real Stones, with Brian Jones, only recorded at Olympic Studios, London, RCA Studios, Hollywood, and Chess Studios, Chicago. Only the studio and engineers at Chess were able to capture the Stones at their best. This LP contains 6 tracks from I believe two Chess sessions. These are the true gems. These tracks were not "rushed", since many of the musicians they idolized, Howlin' Wolf, Chuck Berry, Willie Dixon, Muddy Waters, etc recorded primarily at Chess. They were challenged to play Chicago Blues as competently as they could. "Congradulations" is an enjoyable cut but is a pedestrian effort from the Glimmer Twins along with "Grown Up Wrong". The Stones cover of Bobby Womack's "It's All Over Now" hit #1 in the UK. This album contains the version of "Time Is On My Side" that was recorded at Olympic, not the superior version laid down at Chess but it still hit #1 in the UK. The other track of note is the cover of The Drifters "Under the Boardwalk" which actually hit #1 in Australia. As one can see from reading the aforementioned remarks, this LP is ranked abysmally low on this site."  [+]  Reply

- DrRoberts99 | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1964

Appears in:

147 charts

Rank Score:

507

Rank in 1964:

23

Rank in 1960s:

264

Overall Rank:

3,025

Average Rating:

 74 (271 votes)

Comments:

15

3026.

13 

 Black Sabbath

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"It feels like spitting in my idols' face, but this album was just alright for me. Look, when musicians age, they either age gracefully, letting their work age gracefully with them (see: Bob Dylan, Paul Simon) or they keep making albums hoping that maybe the fact that their music sort of sounds si...""It feels like spitting in my idols' face, but this album was just alright for me. Look, when musicians age, they either age gracefully, letting their work age gracefully with them (see: Bob Dylan, Paul Simon) or they keep making albums hoping that maybe the fact that their music sort of sounds similar to the great music they made 30+ years ago, people will like it despite the fact that they tend to sound like a retiree on a karaoke machine (see: Van Halen, anything Sammy Hagar has done lately, The Who). This falls somewhere in between. Somehow, Ozzy’s voice hasn’t changed in the past 40 years. Ok, maybe it’s changed a little, but it could be a lot worse. He sounds ok here, and the lyrics he’s written are whatever, but really, they’ve always been like that. Tony Iommi and Geezer Butler sound great though, especially Iommi, his guitar work, his riffs, his solos, are as good as ever, I love listening to him play guitar. Brad Wilk doesn’t sound awful, but in all reality, he’s a different drummer than what Sabbath needed, he’s from a different era and you can tell. The area that “13" fails in most is in the quality of the songs, which in all honesty, are alright. There are some good moments here and there, but generally speaking, the album feels pretty uninspired. There are some obvious throwbacks, especially in “Zeitgeist", which really calls back to Sabbath’s slower songs, songs like “N.I.B." and “Planet Caravan", but they sound like an imitation rather than the real thing. Like I said, there are some good moments, one thing I really love is that Sabbath retained their love of long guitar solos, which sound great, but generally speaking the album is pretty lacking. It’s unfortunate, but I can’t say that I’m horribly surprised. Maybe if Bill Ward joins back up one day, they’ll really crank out something special."  [+]  Reply

- RockyRaccoon | Helpful?  (Log in to vote) | +2 votes (3 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2013

Appears in:

129 charts

Rank Score:

507

Rank in 2013:

59

Rank in 2010s:

499

Overall Rank:

3,026

Average Rating:

 72 (229 votes)

Comments:

13

3027.

Blueberry Boat 

 The Fiery Furnaces

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"This album proves for me that even the music community is not purely deterministic; the truly great music will not always rise to the top. This album was initially met with either unnaturally high ratings or quite low ones. I saw on Metacritic that NME (but, seriously, screw NME) called it "Toe-c...""This album proves for me that even the music community is not purely deterministic; the truly great music will not always rise to the top. This album was initially met with either unnaturally high ratings or quite low ones. I saw on Metacritic that NME (but, seriously, screw NME) called it "Toe-curlingly unlistenable" whereas, say, Pitchfork gave it the rare score of 9.6 (the only albums to receive a 9.6 or higher since then are Funeral by Arcade Fire, Merriweather Post-Pavilion by Animal Collective, and My Beautiful Dark Twisted Fantasy by Kanye West, all of which are in the BEA top 100). So how did this album drop out of this canon of classics? It disappeared slowly. After both of the albums were released, Pitchfork released a list of the best albums from 2000-04 placing Blueberry Boat HIGHER than Funeral. At the year end, they put Funeral at #1 and Blueberry Boat at the still formidable #4. By the decade's end, Funeral was at #2 for the 2000s and Blueberry Boat sat all the way down at #145. The thing is that critics know this is a great album. It almost escapes the grasp of exegesis. But the general public somehow gets away with claims of it being "Too long" or "Too dense." This has pulled it out of sight. I'm not saying that Blueberry Boat is better than Funeral. I think it's close. But I definitely think it ranks higher than 2,047 (its current rank on BEA). "  [+]  Reply

- kryptos006 | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2004

Appears in:

107 charts

Rank Score:

506

Rank in 2004:

43

Rank in 2000s:

508

Overall Rank:

3,027

Average Rating:

 77 (132 votes)

Comments:

15

3028.

Battle Born 

 The Killers

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"So there’s a problem with The Killers and this problem has existed, it seems, for quite a while. All of their songs are blending together. It seems like with each album, they’re not making any progress. “Hot Fuss" was an awesome album, I loved it and I remember when it came out. Their sound was d...""So there’s a problem with The Killers and this problem has existed, it seems, for quite a while. All of their songs are blending together. It seems like with each album, they’re not making any progress. “Hot Fuss" was an awesome album, I loved it and I remember when it came out. Their sound was different, they had a few singles that sounded really cool, Brandon Flowers had a unique voice and I thought “Wow, these guys are pretty good." Then “Sam’s Town" came out and the album itself was just mediocre. Had a few songs that were really good, but other than that, it was just ok. And then “Day & Age" came out and it was the same thing. Now “Battle Born" is out, and again, it’s the same thing. This album is essentially interchangeable with any of The Killers other albums. Now, all that being said, it isn’t necessarily a bad album. There are a couple songs that are pretty good, but otherwise the album is just ok. Not bad, just ok. "  [+]  Reply

- RockyRaccoon | Helpful?  (Log in to vote) | +3 votes (4 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2012

Appears in:

107 charts

Rank Score:

506

Rank in 2012:

52

Rank in 2010s:

500

Overall Rank:

3,028

Average Rating:

 66 (283 votes)

Comments:

22

3029.

Signing Off 

 UB40

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"This must be one of the most underrated albums of all time. Apart from Bob Marley, I had never been that struck on reggae before I bought this album. 'Signing off' is like nothing else in my collection. There is a lot of saxophone on it, which I've not really heard on other reggae records. The pr...""This must be one of the most underrated albums of all time. Apart from Bob Marley, I had never been that struck on reggae before I bought this album. 'Signing off' is like nothing else in my collection. There is a lot of saxophone on it, which I've not really heard on other reggae records. The production is much better than any other reggae I've heard, and the lyrics are stronger and more political than UB40's later work. There was even a bonus 3 track 12 inch single with the vinyl record. "  [+]  Reply

- Ahabmann | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1980

Appears in:

105 charts

Rank Score:

506

Rank in 1980:

56

Rank in 1980s:

447

Overall Rank:

3,029

Average Rating:

 72 (129 votes)

Comments:

11

3030.

Just Got Back From The Discomfort - We're Alright 

 The Brave Little Abacus

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"Okay, I’m gonna stick my neck out here and go out on a limb for this record: Just Got Back… is the best emo album of all time. For what that’s worth. If you hear the word ‘emo’ and think chokers, comb-over fringes, and running mascara, then I know how that sentence must sound to you. But this cro...""Okay, I’m gonna stick my neck out here and go out on a limb for this record: Just Got Back… is the best emo album of all time. For what that’s worth. If you hear the word ‘emo’ and think chokers, comb-over fringes, and running mascara, then I know how that sentence must sound to you. But this crown isn’t won through teenage nostalgia; I may have entered the decade an angsty tween drowning in hormones, but by some minor miracle I managed to escape the grasp of pop punk’s black acrylic nails. I was less MCR, more Chris Martin - something at the time I was probably proud of but in retrospect wish it’d been the other way round. Trust me on this one, The Brave Little Abacus are a different beast entirely. And this isn’t a dig at so-called ‘fake’ emo either. “Real emo”, as the viral copypasta goes, “sounds ENERGETIC, POWERFUL, and somewhat HATEFUL”; a three-word round hole this square peg of a band struggles to fit into. ‘Energetic’ - sure. ‘Powerful’ - maybe. But ‘hateful’? After limited success, two LPs, and less than five years under their belt, in 2012 The Brave Little Abacus split for good. Some of the members would go on to perform sporadically in other groups, but the dream of ‘making it’ was over. There’s a naïve euphoria to the band which they can’t help spill out into their songs, and in hindsight it seems impossible to imagine them existing any longer than they did. It’s the fearlessness youth brings which allows them to throw everything at the wall, from jazz to drone to bossa nova, and by sheer force of will make it stick, in a way older musicians would be too cynical to try. In 2012 The Brave Little Abacus didn’t just break up; they grew up."  [+]  Reply

- ForegroundNoise | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2010

Appears in:

72 charts

Rank Score:

506

Rank in 2010:

46

Rank in 2010s:

501

Overall Rank:

3,030

Average Rating:

 76 (75 votes)

Comments:

2

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Total albums: 10,000. Page 303 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	2	0%
1940s	34	0%
1950s	302	3%
1960s	710	7%
1970s	1,424	14%
1980s	1,413	14%
1990s	1,600	16%
2000s	1,726	17%
2010s	1,963	20%
2020s	826	8%

Artist	Albums	%
Bob Dylan	37	0%
The Rolling Stones	35	0%
David Bowie	32	0%
The Beatles	29	0%
Miles Davis	27	0%
Neil Young	26	0%
Various Artists	25	0%
Show all

Country	Albums	%
	5,004	50%
	2,655	27%
	431	4%
	336	3%
	221	2%
	157	2%
	134	1%
Show all

Compilation?	Albums	%
No	9,729	97%
Yes	271	3%

Live?	Albums	%
No	9,737	97%
Yes	263	3%

Soundtrack?	Albums	%
No	9,885	99%
Yes	115	1%