Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 5 hours ago).
"Big step up from At the Speed of Sound, in my opinion. There are certain tracks I could do without, such as Cuff Link, Name and Address, and the closer - to name a few. But I think there's a larger number of fantastic tracks than Speed of Sound, which was still an enjoyable album. Denny Laine's t...""Big step up from At the Speed of Sound, in my opinion. There are certain tracks I could do without, such as Cuff Link, Name and Address, and the closer - to name a few. But I think there's a larger number of fantastic tracks than Speed of Sound, which was still an enjoyable album. Denny Laine's two tracks are amazing, keeping pace easily with Paul's: Deliver My Children in particular is just fantastic. Of the rest, I really enjoy the opening title track, the short snippet Backwards Traveller (the only flaw being that it's not longer), the strange Girlfriend written for Michael Jackson and featured about a year later on Off the Wall - but I actually prefer the version here even if it sounds like a perfect fit for the King of Pop; and With a Little Luck, which should be more well-known than it is. I also really like Famous Groupies, silly as it is. It's just a fun track. I suppose this is as inconsistent as Speed of Sound, and the production is noticeably less polished, but I find that there are more high points and the lows are not as low. Again, every McCartney record has at least some flashes of brilliance. I'd say this has more than a few, even if two of those are not even written by Paul!"[+]Reply
"Great lyrical content and production value. How can you go wrong with P.E? I am not one of those guys who say that Old School Rap is better than what is out now. But no current rapper can hold a candle to these guys. This album was made in the late 80s and still hold up strongly. I highly recomme...""Great lyrical content and production value. How can you go wrong with P.E? I am not one of those guys who say that Old School Rap is better than what is out now. But no current rapper can hold a candle to these guys. This album was made in the late 80s and still hold up strongly. I highly recommend this album for just holding up through the test of time!"[+]Reply
"This is not really anywhere near Burial's best work, but I respect an artist's attempts to change and progress their sound and challenge their listeners. I'm not all too crazy about some of the percussion on here, in particular the very tacky off-kilter drums on Hiders. I hope if he/she ever drop...""This is not really anywhere near Burial's best work, but I respect an artist's attempts to change and progress their sound and challenge their listeners. I'm not all too crazy about some of the percussion on here, in particular the very tacky off-kilter drums on Hiders. I hope if he/she ever drops a 3rd LP it sounds like Kindred, I fucking love that shit.
Favorite tracks: Rival Dealer, Come Down To Us, and Hiders"[+]Reply
"Consistently good throughout and an improvement, in my opinion, on English Settlement. In Loving Memory Of A Name is probably my favourite on this one with Funk Pop A Roll harking back to the first two albums."Reply
"This is the sound of the band pleasing themselves with very little concern of pleasing a potential audience - Color Me and Impressed and Within Your Reach - proved Paul cared, just a little. Arguments have been made as to whether this aspect is either a virtue or failing of the record. I consider...""This is the sound of the band pleasing themselves with very little concern of pleasing a potential audience - Color Me and Impressed and Within Your Reach - proved Paul cared, just a little. Arguments have been made as to whether this aspect is either a virtue or failing of the record. I consider myself part of the former. This is the most freewheeling indie rock record ever recorded. "[+]Reply
"This is the album where the comparisons to Zeppelin really started to come out. Little Queen is similar in many ways to Led Zeppelin III with a balance between early metal and acoustic-on-electric styles. Like LZ III, this album includes a galloping metal classic (Zep's Immigrant Song and Heart's...""This is the album where the comparisons to Zeppelin really started to come out. Little Queen is similar in many ways to Led Zeppelin III with a balance between early metal and acoustic-on-electric styles. Like LZ III, this album includes a galloping metal classic (Zep's Immigrant Song and Heart's Barracuda) before moving into some of the best mystical folk of the era (Love Alive, Sylvan Song/Dream of the Archer). At this time Heart was known as a ferocious hard rock band, but hard rock doesn't dominate this album. There are definitely the more well known harder cuts like Barracuda and Kick it Out, but tunes like Treat Me Well and Cry to Me are softer more introspective cuts that balance out the harder material nicely. And while the ballads on Dreamboat Annie sounded almost like songs The Carpenters might have recorded, Little Queen's ballads are darker and more melancholy, and definitely more mystical and folky than the sugar sweet Dreamboat cuts.
This is a great album, a very strong sophomore followup, and in the eyes of many is Heart's strongest album. There has been a little polarization over the album's ending cuts, which is a mini suite of the ballad Cry to Me which segues into the psychedelic Pink Floyd-like Go On Cry which is mostly instrumental but with some awesome Ann Wilson shrieks throughout. For those who discovered Heart during their popular hair metal period in the 80s this album might bring a bit of culture shock, but whereas much of the 80s and 90s output sounds a bit dated now, Little Queen sounds as fresh today as it did back in 1977."[+]Reply
"If you're going to dismiss the entire genre of oasis-influenced soft rock as trite and appealing only to teen girls, then you're going to probably agree with the low rating of this album. That's not something I can entirely fault you for as there's a lot of crap from this genre and time period th...""If you're going to dismiss the entire genre of oasis-influenced soft rock as trite and appealing only to teen girls, then you're going to probably agree with the low rating of this album. That's not something I can entirely fault you for as there's a lot of crap from this genre and time period that refuses to die (thanks Ed Sheeran)
That said, if you're willing to overlook those connotations, Blunt has some pretty tunes in the first half of this album. Some of these are memorable pop songs from the early 2000s that I remember fondly, and I refuse to feel shame for that. "You're Beautiful" is a cute love song, "Goodbye My Lover" is probably his most popular and most hated song, but I remember getting it after it's appearance in an episode of "The Office" and listened to it a bunch as it resonated me at the time. Many of the other songs are enjoyable listens, it's not terrible background or study music.
This record has it's place. It's not a groundbreaking Radiohead record that takes dozens of listens to digest and is challenging, but that doesn't mean it's talent-less trash music. In fact, outside of the level of BEA pretentiousness this is actually a well reviewed album.
I'm not saying this is going to blow your mind or added anything groundbreaking to the face of music but to completely pan it as trash is an overreaction."[+]Reply
"Wow, you hear this and wish it wasn't his last ligit album. Freedom and Angel are some of his best songs, and the holistic qualities of this album rival that of Are You Experienced. Night Bird reminds me of the Alman Brother's... he was about paying respects..."Reply
"(As of 2/24/16) A 71/100? Really? This album might not have the energy that Badmotorfinger or Louder Than Love had, and it might not have the hits like Superunknown, but my god, a 71? Very underrated. It's leagues better than Down on the Upside, and you would have never guessed that there was a 1...""(As of 2/24/16) A 71/100? Really? This album might not have the energy that Badmotorfinger or Louder Than Love had, and it might not have the hits like Superunknown, but my god, a 71? Very underrated. It's leagues better than Down on the Upside, and you would have never guessed that there was a 16 odd year gap between that release and this one. The music is intelligent, the lyrics are esoteric, and the vocals are still simply Chris Cornell. This is a very good record and one of my favorites of 2012."[+]Reply
"I haven't heard a better critique of the human condition relative to society's current trajectory; especially, when articulated with such clarity. Don't miss this one, you guys."Reply