Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 1 hour ago).
"Among bands that revolutionized rock and roll, (e.g. The Beatles, Led Zeppelin, The Ramones, Nirvana,) Van Halen often gets short shrift. That said, "OU812" (1988, US #1) - although released under the name "Van Halen" - is not the same band that revolutionized rock in 1978. With original vocalist...""Among bands that revolutionized rock and roll, (e.g. The Beatles, Led Zeppelin, The Ramones, Nirvana,) Van Halen often gets short shrift. That said, "OU812" (1988, US #1) - although released under the name "Van Halen" - is not the same band that revolutionized rock in 1978.
With original vocalist David Lee Roth as guitarist Eddie Van Halen's primary co-songwriter (1974-1985) Van Halen combined genres as diverse as Motown and metal, blues and barbershop quartet, for a sound as homegrown and unique as the sound on "OU812" is pre-fab.
"5150" (1986, US #1) demonstrated the songwriting capabilities of Van Halen's new songwriting pair: guitarist Eddie Van Halen and AOR veteran, vocalist Sammy Hagar. Although the synth-laden "5150" has not aged well - Van Halen's increased use of synths was reportedly a major reason for David Lee Roth's exit - it features many moments of songwriting inspiration which, doubtlessly, Roth would've never allowed on a Van Halen record, (e.g. "Dreams.")
"OU812" establishes the Van Hagar formula, which would define (and limit) later non-Roth albums like "F.U.C.K." (1991, US #1;) "Balance" (1995, US #1;) and "Van Halen III" (1998, US #4.) This formula included power ballads (e.g. the lush, saccharine "When It's Love," and the late period Hall & Oates-esque "Feels So Good;") unfocused imitations of Van Halen's earlier rockers, (e.g. the half-baked "A.F.U. (Naturally Wired," and hollow "Source of Infection,") and several successful experiments (e.g. the hard new wave of "Mine All Mine" and countrified "Finish What Ya Started.")
"OU812" is not an album without merits - however, it suffers by comparison with Van Halen's previous (all essential) albums."[+]Reply
"Sans minimally-added drum fills, he doesn't really play an instrument except the computer and doesn't sing on this, so what really is his contribution? Am i liking the mix more because of the mix or more because of the mix choices? One thing i do know, and i did some looking around the internet, ...""Sans minimally-added drum fills, he doesn't really play an instrument except the computer and doesn't sing on this, so what really is his contribution? Am i liking the mix more because of the mix or more because of the mix choices? One thing i do know, and i did some looking around the internet, is that there are very few guys right now that can throw a mashup together as well as girl talk, and girl talk can mostly sustain a very-good-to-great mix for 60 minutes."[+]Reply
"For those not familiar with the history of jazz, Louis Armstrong was probably the most important figure in the early development of the genre. His innovative improvisations and superb technical skills on the trumpet and cornet basically set the standard for jazz in the 1920s and 1930s. My favorit...""For those not familiar with the history of jazz, Louis Armstrong was probably the most important figure in the early development of the genre. His innovative improvisations and superb technical skills on the trumpet and cornet basically set the standard for jazz in the 1920s and 1930s. My favorite of his recordings during this period were the Hot Five and Hot Seven sessions, where he was featured with various small groups of musicians, including piano, drums, clarinet, banjo, and trombone.
The music makes heavy use of counterpoint and is essentially polyphonic, meaning that multiple melody lines are played at once. This style of jazz was only en vogue for a brief period, but was revived in the early 1940s under the name "Dixieland." It can take some getting used to for those used to modern popular music, since the vast majority of the music we hear is not polyphonic, but it helps to start by focusing on Armstrong's trumpet since he is generally playing the main melody.
The technical skill of the accompanying musicians is mediocre in the earliest recordings, but the later ones, like "Fireworks," feature impressive soloing from the backing musicians. His signature gravelly voice is also featured prominently in many tracks, including "Heebie Jeebies," where he essentially invents the technique of scat singing.
Whether you're interested in the history or just the music, I highly recommend this collection. Armstrong was a once-in-a-generation talent."[+]Reply
"This album is humanity on a good day: little ado on variations of stuff, and then at the end they just throw a party with mariachi music and shit. Jim O'Rourke is a genius"Reply
"Compared to the EPs and singles that they released in the four years prior to this, it is a bit of a disappointment. I adored everything they did up until this album, I hadn't been as excited about a new band in a long time. The sound doesn't quite have the same magic of those first songs they wr...""Compared to the EPs and singles that they released in the four years prior to this, it is a bit of a disappointment. I adored everything they did up until this album, I hadn't been as excited about a new band in a long time. The sound doesn't quite have the same magic of those first songs they wrote. Just a shame that they didn't save some of their earlier stuff for an album because if they had done that it probably would be my #1 favourite album of all time. But it's still good stuff - In My Head and Nightmares are my favourites on this album"[+]Reply
""Evolution" was the first of two Hollies albums released in 1967. The band did a lot of experimenting in those years, both in songwriting and arrangements. Some of it worked, some of it didn't. "Butterfly" is often hailed as their finest and most consistent, whereas "Evolution" suffers from being..."""Evolution" was the first of two Hollies albums released in 1967. The band did a lot of experimenting in those years, both in songwriting and arrangements. Some of it worked, some of it didn't. "Butterfly" is often hailed as their finest and most consistent, whereas "Evolution" suffers from being anything but consistent. The songwriting is more or less on par with "Butterfly", but some arrangements in various degrees ruin the songs.
Worst is the "underwater" effect put on Graham Nash's voice on "Lullaby to Tim". It could have been a great track, but as it is, it's almost unlistenable. I have often wondered if a version with unruined vocals exists.
The distorted guitars put on the opening track "The the Heartaches Begin" and "Have You Ever Loved Somebody", give a forced feeling that does not help the songs, which are really good Hollies songs. The Searchers proved that "Have You Ever Loved Somebody" even had hit-potentials.
Enough negative words said, because there are plenty of succesful tracks that make the album quite enjoyable after all.
Like on the previous album all songs were written by Clarke, Hicks and Nash and Allan Clarke and Graham Nash more or less share the lead vocals with Tony Hicks joining in on choruses etc.
"Stop Right There" is a nice quiet Graham Nash ballad; fine violin solo. Nash also takes the lead vocals on one of the big highlights on the album "When Your Lights Turned On"; classic up-beat Hollies with great guitars and harmonies.
The nostalgic "Ye Olde Toffee Shop" featuring harpsichord is quite charming, but no more.
On "Games We Play" Clarke and Nash share the lead vocals. Incredible that this song was not released as a single. Extremely catchy with funny ( naive ) teenage lyrics.
Allan Clarke demonstrates his powerful vocals on several tracks such as "You Need Love" and "Leave Me".
"Water on the Brain" is another example; a song which also features a charming trombone solo.
So all in all you could call it a hit and miss album, mostly hits!
By the way, this review refers to the British version of the album.
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