Top 100 Greatest Music Albums
by Romanelli

With production credits (because producers are important, too). Also track listings, label info and short reviews written by yours truly. I hope this chart is helpful, entertaining, and at least interesting.
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1998 – WARNER BROS.
Produced By ROB CAVALLO & GOO GOO DOLLS

1. Dizzy
2. Slide
3. Broadway
4. January Friend
5. Black Balloon
6. Bullet Proof
7. Amigone
8. All Eyes On Me
9. Full Forever
10. Acoustic #3
11. Iris
12. Extra Pale
13. Hate This Place

One of the most unfortunately named rock bands of all time, Goo Goo Dolls spent years trying to shake off comparisons to The Replacements, which made about as much sense as their unfortunate name. By the release of Dizzy up The Girl, their sixth album, they had already had a decent sized taste of success with the song “Name” (from the unfortunately titled album A Boy Named Goo), but it was the inclusion of “Iris” in the film City Of Angels that really made them stars. This album boasted five singles, and is polished and cleaned up so much that previous recordings sound not much like this one. In short, the Goo’s set out to make a massively successful pop album, and in that regard, they accomplished what they were after. The reality, though, is that no matter how much you polish up a set of average songs, they are still going to be average songs. And Dizzy Up The Girl is nothing more than average.

The best song here is, of course, “Iris”, which is the strongest melody the band has ever written. The album balances the ballads and the rockers pretty evenly, and while “Slide”, “Black Balloon” and “Dizzy” are pretty good, there’s nothing that really sticks as “Iris” does. Johnny Rzeznik doesn’t have much to say, and the band never really kicks it into a higher gear. The result of all of this is that Dizzy Up The Girl is pleasant enough to not be off-putting, cleaned up enough to not be offensive, and poppy enough to make you believe that it might just be better than it really is. The reality is that this album is just perfectly average, decent but never great from beginning to end. Which has been the story of the Goo’s career. They have never been better than on this album…and they have never really been any worse. The one album that sits right at the very center of the musical universe, average in every way? Dizzy Up The Girl.
[First added to this chart: 11/17/2019]
Year of Release:
1998
Appears in:
Rank Score:
748
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Rank in 1990s:
Overall Rank:
Average Rating:
Comments:
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1990-AMERICAN
Produced By GEORGE DRAKOULIAS

1. Twice As Hard
2. Jealous Again
3. Sister Luck
4. Could I've Been So Blind
5. Seeing Things
6. Hard To Handle
7. Thick N' Thin
8. She Talks To Angels
9. Struttin' Blues
10. Stare It Cold

The debut album from The Black Crowes came from almost nowhere...The Georgia Satellites had already come from that place four years earlier. But The Black Crowes had more swagger, and they had better songs. And on this album, they reached a commercial peak that they would never again get close to, but they would become more adventerous and improve on the blueprint they drew up here. The big single was a smart Otis Redding cover ("Hard To Handle), and they also scored with "Jealous Again" and "She Talks To Angels".

"Stare It Cold" and "Seeing Things" are standouts, giving a glimpse at how much better they would become after this album,. and after replacing guitarist Jeff Cease with Marc Ford. This is a fine debut album that would be quickly overshadowed by their next two albums. It's the real return of Southern rock, years after the Skynyrd plane crash effectively ended it.
[First added to this chart: 05/31/2012]
Year of Release:
1990
Appears in:
Rank Score:
1,259
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Comments:
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2003-SUB POP
Produced By JIMMY TAMBORELLO & CHRIS WALLA

1. The District Sleeps Alone Tonight
2. Such Great Heights
3. Sleeping In
4. Nothing Better
5. Recycled Air
6. Clark Gable
7. We Will Become Silhouettes
8. This Place Is A Prison
9. Brand New Colony
10. Natural Anthem

The Postal Service was formed out of a chance collaboration between produder Jimmy Tamborello and Ben Gibbard, the front man for Death Cab For Cutie. The album became a huge hit, not only because of the single "We Will Become Silhouettes", but because it was a perfect mix of rock and electronic music. It does take some getting used to, but once you get hooked, it's actually a pretty great record.

There has been no follow up, and according to Gibbard, there never will be one. So this remains sort of the David & David of the 2000's...a one off great record with no 2nd album in sight. This is worth having, though. Very much so.
[First added to this chart: 10/02/2014]
Year of Release:
2003
Appears in:
Rank Score:
4,131
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Overall Rank:
Average Rating:
Comments:
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2008 – NEW WEST
Produced By DAVID BARBE

1. Two Daughters And A Beautiful Wife
2. 3 Dimes Down
3. The Righteous Path
4. I’m Sorry Huston
5. Perfect Timing
6. Daddy Needs A Drink
7. Self Destructive Zones
8. Bob
9. Home Field Advantage
10. The Opening Act
11. Lisa’s Birthday
12. That Man I Shot
13. The Purgatory Line
14. The Home Front
15. Checkout Time In Vegas
16. You And Your Crystal Meth
17. Goode’s Field Road
18. A Ghost To Most
19. The Monument Valley

So, how did Drive-By Truckers survive losing their up and coming songwriting star Jason Isbell? They went back in the studio and recorded a double album, that’s how. And while this album may not have the immediacy and power of previous albums like Decoration Day, A Blessing And A Curse and The Dirty South, it does stand up very well on its own. The band returns to a more country oriented sound here, and the songs are a bit simpler, but there are plenty of gems to be found. Mike Cooley, in particular, steps up and helps fill the shoes left vacant by Isbell. He makes the most of his seven contributions to the album, and his best lines are classic: “Bob ain’t light in the loafers/He might kneel, but he never bends over” (from “Bob”), and “Skeletons ain’t got no place to stick their money/Nobody makes britches that size” (from “A Ghost To Most”). “Self Destructive Zones” and “Perfect Timing” are high quality, as is the refreshing “Lisa’s Birthday”.

Patterson Hood’s highlights include “Two Daughters And A Beautiful Wife”, about musician Bryan Harvey, who was murdered with his family in a home invasion: “Daddy Needs A Drink”, and “You And Your Crystal Meth”. Bassist Shonna Tucker brings three songs herself, including the fine “The Purgatory Line”. There’s a bit of filler here (a double album was certainly an ambitious idea), but Brighter Than Creation’s Dark is a nice transitional album for the band, a return to their roots, and a glimpse of what was to come in the future. And they have stayed busy: since this album, they have released three studio efforts, three live albums, and a pair of compilations. Drive-By Truckers have always released listenable records, and this one is certainly no exception. Always consistently good…this is one of those bands that you just can’t go wrong with. Carriers of the torch for Southern rock, for damn sure.
[First added to this chart: 05/31/2012]
Year of Release:
2008
Appears in:
Rank Score:
345
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Average Rating:
Comments:
7. (=)
Buy album United States
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1995-WARNER BROTHERS
Produced By BRIAN PAULSON & SON VOLT

1. Windfall
2. Live Free
3. Tear Stained Eye
4. Route
5. Ten Second News
6. Drown
7. Loose String
8. Out Of The Picture
9. Catching On
10. Too Early
11. Mystifies Me

In the aftermath of the breakup of Uncle Tupelo, the race was on to see which member was going to come out with the best first album: Jeff Tweedy's Wilco, or Jay Farrar's Son Volt. The winner was, in a landslide, Son Volt. Trace is not only a great album, it's one of the greatest alt country albums of all time. Farrar shows an uncharacteristic optimism here that shines throughout the album.

"Windfall" is a beautiful opener with it's blessing of a chorus: "May the wind take your trouble away". "Tear Stained Eye", "Loose String" and "Drown" are among Farrar's best songs. The album rates almost as high as Tupelo's swan song, Anodyne, and should be a must for anyone who loves alt country. This is Farrar at his peak, and it should not be missed.
[First added to this chart: 05/31/2012]
Year of Release:
1995
Appears in:
Rank Score:
849
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Overall Rank:
Average Rating:
Comments:
Buy album United States
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2004 – NEW WEST
Produced By DAVID BARBE

1. Where The Devil Don’t Stay
2. Tornadoes
3. The Day John Henry Died
4. Puttin’ People On The Moon
5. Carl Perkins’ Cadillac
6. The Sands Of Iwo Jima
7. Danko/Manuel
8. The Boys From Alabama
9. Cottonseed
10. The Buford Stick
11. Daddy’s Cup
12. Never Gonna Change
13. Goddamn Lonely Love

If you ask me what my favorite album is, I can’t answer that. If you ask me what my favorite song is, I’ll put on “Danko/Manuel” by Drive-By Truckers and tell you that this is as close as it gets. In fact, if you’re going to be in a band with me, being willing to play this song is the first test. The Dirty South, the Truckers fifth album, is as good as they get…and that’s pretty damned excellent. Having a songwriter like Jason Isbell limited to just four songs speaks volumes about how loaded the Truckers really were. A loose concept album about the downside of Southern living, The Dirty South marks the peak of the career of this excellent Southern rock and alt-country giant. It’s all good here.

Mike Cooley delivers some of his most memorable material in “Where The Devil Don’t Stay”, “Daddy’s Cup”, and the brilliant story song “Carl Perkins’ Cadillac”. Patterson Hood brings “Puttin’ People On The Moon”, about people driven down by environmental pollution. “Tornadoes” and “The Sands Of Iwo Jima” are excellent, and “The Boys Of Alabama” gives you the “other side of the story” of Buford Pusser and Walking Tall. And Isbell, along with the perfect “Danko/Manuel”, brings the rollicking “Never Gonna Change”, and closes things with this perfect lyric: “I’ll take two of what you’re having/I’ll take all of what you’ve got/To kill this Goddamned lonely, Goddamned lonely love”. This is a great album. Please go buy it.
[First added to this chart: 04/19/2017]
Year of Release:
2004
Appears in:
Rank Score:
764
Rank in 2004:
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Overall Rank:
Average Rating:
Comments:
12. (=)
Buy album United States
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1989-4AD
Produced By GIL NORTON

1. Debaser
2. Tame
3. Wave Of Mutilation
4. I Bleed
5. Here Comes Your Man
6. Dead
7. Monkey Gone To Heaven
8. Mr. Grieves
9. Crackity Jones
10. La La Love You
11. No. 13 Baby
12. There Goes My Gun
13. Hey
14. Silver
15. Gouge Away

Hard to believe that the Pixies happened in the 80’s. Heavy influences on bands like Nirvana and Weezer, Pixies were a dynamic and exciting, albeit short lived band that set the standard for almost all of the indie rock bands that have followed to this day. Led by Black Francis, the band scored with two amazing albums, Come On Pilgrim and Surfer Rosa, that remain classics to this day. By the time of Doolittle, however, cracks were beginning to show. The working relationship between Francis and bassist Kim Deal (known as Mrs. John Murphy) had deteriorated to the point of the band going on hiatus for a year after the album, then breaking up for eleven years in 1993. Doolittle is a very emotional album, and a very good album, although it is somewhat overrated in that it’s not of the same caliber as the first two releases. Influencial? Very much so. Perfect? Not nearly so much.

Doolittle was much bigger in the UK than in the States, a consistent throughout their career. “Here Comes Your Man” and “Monkey Gone To Heaven” are standouts, as are “Debaser” and “Wave Of Mutilation”, which worked much better later on in a slowed down version. The subject matter is pretty dark (death, torture, etc.) and the songs are vividly dynamic with the loud to soft to loud approach that Kurt Cobain later found huge success with. The album is haunted by the infighting between Francis and Deal, but despite some inconsistencies in the writing, it still sounds pretty great. The band never reached near this level again, as evidenced by the poor albums that followed. But, for a two year period, Pixies were a monster of a band. Come on Pilgrim, Surfer Rosa and Doolittle are their important trilogy, and all three are worth having.
[First added to this chart: 11/13/2018]
Year of Release:
1989
Appears in:
Rank Score:
31,697
Rank in 1989:
Rank in 1980s:
Overall Rank:
Average Rating:
Top rated album (88/100 - 2950 votes)  88 (2,950 votes)
Comments:
Buy album United States
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1970-WARNER BROS
Produced By GEOFFREY HASLAM, SHEL KAGAN & THE VELVET UNDERGROUND

1. Who Loves The Sun
2. Sweet Jane
3. Rock & Roll
4. Cool It Down
5. New Age
6. Head Held High
7. Lonesome Cowboy Bill
8. I Found A Reason
9. Train Round The Bend
10. Oh! Sweet Nuthin'

Any serious rock collection should have the four Velvet Underground studio albums. Loaded is the 4th, recorded after the departure of John Cale. With Lou Reed now as the main songwriter, the Velvets turn in their most commercial sounding album (although they never actually had a hit). Reed's writing here is strong: "Sweet Jane" and "Rock & Roll" are classics, while "Head Held High" and "I Found A Reason" are just as good. Among the non-Reed compositions, "Who Loves The Sun" is the standout.

Reed left the band almost immediately after this was finished, ending the Velvets. It's said that if you have this album, chances are you were either in a band at one time in your life, or thought very seriously about it. The Velvet Underground was an amazing, highly influential band, and Loaded is a big part of that.
[First added to this chart: 05/31/2012]
Year of Release:
1970
Appears in:
Rank Score:
6,272
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Comments:
Buy album United States
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1972-POLYDOR
Produced By TOM DOWD

1. Ain't Wasting Time No More
2. Les Brers In A Minor
3. Melissa
4. Mountain Jam
5. One Way Out
6. Trouble No More
7. Stand Back
8. Blue Sky
9. Little Martha

3 songs (the last 3) were recorded with Duane Allman before he was killed in a mororcycle accident. The effect of losing him would be felt throughout their long career, which continued until 2014. After Eat A Peach, they had one more great album in them. Eat A Peach is almost a classic, and would be better had they released a single instead of a double album. "Mountain Jam", (which, along with 2 other tracks, are from the famous Fillmore East concert. At the end of the Fillmore album, you can hear the beginning of this song as "Whipping Post" fades out.) clocks in at a whopping 33 minutes, and takes some doing to listen to all the way through. But it was a necessary part of the album.

Otherwise, this is great. The first 3 tracks were recorded without Duane, and are as good as anything they did with him. "One Way Out" and "Trouble No More" are also from Fillmore, and the last 3 with Duane, particularly Dicky Betts' "Blue Sky", are excellent.

A band picking up and moving on from tragedy. Not for the last time, either.
[First added to this chart: 05/31/2012]
Year of Release:
1972
Appears in:
Rank Score:
2,007
Rank in 1972:
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Overall Rank:
Average Rating:
Comments:
Buy album United States
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2005-LOST HIGHWAY
Produced By TOM SCHICK

1. Magnolia Moontan
2. Sweet Illusions
3. Meadowlake Street
4. When Will You Come Back Home
5. Beautiful Sorta
6. Now That You're Gone
7. Cherry Lane
8. Mockingbird
9. How Do You Keep Love Alive

1. Easy Plateau
2. Let It Ride
3. Rosebud
4. Cold Roses
5. If I Am A Stranger
6. Dance All Night
7. Blossom
8. Life Is Beautiful
9. Friends

2005 was quite as year for Ryan Adams. He released 3 albums, and played the Hurricane Katrina benefit, AND somehow found the time to hang out and play shows with Phil Lesh. Cold Roses was his first album of the year, and his first with The Cardinals. The album is typical Adams: some amazingly catchy and beautiful songs, surrounded by songs that just seem to scream "look at me! I'm prolific, and I'm not afraid to release anything!". Adams ups the annoyance quotient by releasing this as a double album, when the music on both discs would easily fit on one.

But, the good moments far outshine the bad, as is usually the case with Ryan Adams. The Cardinals are a great band, and he even gets the excellent Rachel Yamagata to sing along. All in all, you'll be happy with this. It's an album that has grown on me steadily over the years, and it never disappoints. Just don't pay double album price for it..buy it online for a better price. Ripping people off like that is not cool.
[First added to this chart: 05/31/2012]
Year of Release:
2005
Appears in:
Rank Score:
466
Rank in 2005:
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Overall Rank:
Average Rating:
Comments:
Total albums: 62. Page 1 of 7
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Top 100 Greatest Music Albums composition

Decade Albums %


1930s 0 0%
1940s 0 0%
1950s 0 0%
1960s 10 10%
1970s 21 21%
1980s 11 11%
1990s 32 32%
2000s 22 22%
2010s 4 4%
2020s 0 0%
Country Albums %


United States 62 62%
United Kingdom 20 20%
Mixed Nationality 9 9%
Canada 6 6%
Australia 1 1%
New Zealand 1 1%
Ireland 1 1%
Live? Albums %
No 96 96%
Yes 4 4%
Soundtrack? Albums %
No 99 99%
Yes 1 1%

Top 100 Greatest Music Albums chart changes

Biggest climbers
Climber Up 2 from 39th to 37th
Decoration Day
by Drive-By Truckers
Biggest fallers
Faller Down 1 from 37th to 38th
Traveling Wilburys, Vol. 1
by The Traveling Wilburys
Faller Down 1 from 38th to 39th
The Dark Side Of The Moon
by Pink Floyd
TitleSourceTypePublishedCountry
Top 100 Music Albums of the 1990s Romanelli1990s decade chart2025
Top 100 Greatest Music Albumsjeffrey-hodgsonOverall chart2018Unknown
Top 100 Greatest Music Albumsmaverick470Overall chart2015Unknown
Outside The BEA Top 1000 RomanelliCustom chart2015
Top 100 Greatest Music Albumssomefatguy157Overall chart2020
Top 100 Greatest Music AlbumsMansoOverall chart2020
Top 100 Greatest Music Albums RFNAPLESOverall chart2013
AllMusic's Greatest Albumsmusicologist97Custom chart2019
Top 100 Greatest Music Albumstim0505Overall chart2025
Top 100 Greatest Music Albumsjay020281Overall chart2020

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Top 100 Greatest Music Albums ratings

Average Rating: 
89/100 (from 179 votes)
  Help Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AV
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05/19/2025 19:46 StreakyNuno   13182/100
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05/19/2025 12:26 Repo   558100/100
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01/29/2025 12:37 SomethingSpecial   1,10585/100
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01/15/2025 18:01 Exist-en-ciel   12599/100

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This chart is rated in the top 6% of all charts on BestEverAlbums.com. This chart has a Bayesian average rating of 88.6/100, a mean average of 87.4/100, and a trimmed mean (excluding outliers) of 88.7/100. The standard deviation for this chart is 12.5.

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Top 100 Greatest Music Albums comments

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Rating:  
90/100
From 05/19/2025 19:47 | #309063
I like the Chart but The Black Crowes album, even though it is an excellent album, is an exaggeration to consider it the best ever.
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Rating:  
100/100
From 05/19/2025 12:28 | #309062
A wondrous labor of love! GREAT notes!
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From 03/29/2024 22:06 | #302746
Neat chart, but the write ups and historical perspective you've included for many of these albums make it something special. I had a good chuckle when I finally arrived to Loveless, the album I was most excited to hear your thoughts on, and there was nothing there!
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Rating:  
80/100
From 03/06/2023 07:40 | #294755
What I found most intriguing is where you actually argue in your comments why an album isn't that great - which is an unusual way to create a greatest 100 chart. A bit too US-orientated for my liking and too many so-so bands. Good to see one album each from Australia & New Zealand.
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Rating:  
95/100
From 10/25/2022 14:15 | #290788
Great chart, with impressive comments; very inspirational!
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Rating:  
90/100
From 07/12/2022 00:28 | #287280
would appreciate more variety from coutries, genres
Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful)
Rating:  
85/100
From 02/03/2022 23:20 | #280650
Lots of new music to discover here
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Rating:  
85/100
From 10/19/2021 18:18 | #275181
There's a lot of excellent choices here. Many of which I'll be listening to as well. Thanks for this list!
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Rating:  
95/100
From 07/18/2021 16:41 | #271703
Stunning chart. I own 83 of the albums in your chart so it's inevitable that I'm going to love it. Also love the notes. Great addition.
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Rating:  
100/100
From 05/04/2021 18:55 | #269359
Nothing but great records here!
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