Top 100 Greatest Music Albums
by
Romanelli 
With production credits (because producers are important, too). Also track listings, label info and short reviews written by yours truly. I hope this chart is helpful, entertaining, and at least interesting.
- Chart updated: 11/30/2025 23:45
- (Created: 06/01/2012 04:29).
- Chart size: 100 albums.
View the complete list of 57,000 charts on BestEverAlbums.com from The Charts page.
Produced By ROB CAVALLO & GOO GOO DOLLS
1. Dizzy
2. Slide
3. Broadway
4. January Friend
5. Black Balloon
6. Bullet Proof
7. Amigone
8. All Eyes On Me
9. Full Forever
10. Acoustic #3
11. Iris
12. Extra Pale
13. Hate This Place
One of the most unfortunately named rock bands of all time, Goo Goo Dolls spent years trying to shake off comparisons to The Replacements, which made about as much sense as their unfortunate name. By the release of Dizzy up The Girl, their sixth album, they had already had a decent sized taste of success with the song “Name” (from the unfortunately titled album A Boy Named Goo), but it was the inclusion of “Iris” in the film City Of Angels that really made them stars. This album boasted five singles, and is polished and cleaned up so much that previous recordings sound not much like this one. In short, the Goo’s set out to make a massively successful pop album, and in that regard, they accomplished what they were after. The reality, though, is that no matter how much you polish up a set of average songs, they are still going to be average songs. And Dizzy Up The Girl is nothing more than average.
The best song here is, of course, “Iris”, which is the strongest melody the band has ever written. The album balances the ballads and the rockers pretty evenly, and while “Slide”, “Black Balloon” and “Dizzy” are pretty good, there’s nothing that really sticks as “Iris” does. Johnny Rzeznik doesn’t have much to say, and the band never really kicks it into a higher gear. The result of all of this is that Dizzy Up The Girl is pleasant enough to not be off-putting, cleaned up enough to not be offensive, and poppy enough to make you believe that it might just be better than it really is. The reality is that this album is just perfectly average, decent but never great from beginning to end. Which has been the story of the Goo’s career. They have never been better than on this album…and they have never really been any worse. The one album that sits right at the very center of the musical universe, average in every way? Dizzy Up The Girl. [First added to this chart: 11/17/2019]
Produced By GEORGE DRAKOULIAS
1. Twice As Hard
2. Jealous Again
3. Sister Luck
4. Could I've Been So Blind
5. Seeing Things
6. Hard To Handle
7. Thick N' Thin
8. She Talks To Angels
9. Struttin' Blues
10. Stare It Cold
The debut album from The Black Crowes came from almost nowhere...The Georgia Satellites had already come from that place four years earlier. But The Black Crowes had more swagger, and they had better songs. And on this album, they reached a commercial peak that they would never again get close to, but they would become more adventerous and improve on the blueprint they drew up here. The big single was a smart Otis Redding cover ("Hard To Handle), and they also scored with "Jealous Again" and "She Talks To Angels".
"Stare It Cold" and "Seeing Things" are standouts, giving a glimpse at how much better they would become after this album,. and after replacing guitarist Jeff Cease with Marc Ford. This is a fine debut album that would be quickly overshadowed by their next two albums. It's the real return of Southern rock, years after the Skynyrd plane crash effectively ended it. [First added to this chart: 05/31/2012]
Produced By JIMMY TAMBORELLO & CHRIS WALLA
1. The District Sleeps Alone Tonight
2. Such Great Heights
3. Sleeping In
4. Nothing Better
5. Recycled Air
6. Clark Gable
7. We Will Become Silhouettes
8. This Place Is A Prison
9. Brand New Colony
10. Natural Anthem
The Postal Service was formed out of a chance collaboration between produder Jimmy Tamborello and Ben Gibbard, the front man for Death Cab For Cutie. The album became a huge hit, not only because of the single "We Will Become Silhouettes", but because it was a perfect mix of rock and electronic music. It does take some getting used to, but once you get hooked, it's actually a pretty great record.
There has been no follow up, and according to Gibbard, there never will be one. So this remains sort of the David & David of the 2000's...a one off great record with no 2nd album in sight. This is worth having, though. Very much so. [First added to this chart: 10/02/2014]
Produced By DAVID BARBE
1. Two Daughters And A Beautiful Wife
2. 3 Dimes Down
3. The Righteous Path
4. I’m Sorry Huston
5. Perfect Timing
6. Daddy Needs A Drink
7. Self Destructive Zones
8. Bob
9. Home Field Advantage
10. The Opening Act
11. Lisa’s Birthday
12. That Man I Shot
13. The Purgatory Line
14. The Home Front
15. Checkout Time In Vegas
16. You And Your Crystal Meth
17. Goode’s Field Road
18. A Ghost To Most
19. The Monument Valley
So, how did Drive-By Truckers survive losing their up and coming songwriting star Jason Isbell? They went back in the studio and recorded a double album, that’s how. And while this album may not have the immediacy and power of previous albums like Decoration Day, A Blessing And A Curse and The Dirty South, it does stand up very well on its own. The band returns to a more country oriented sound here, and the songs are a bit simpler, but there are plenty of gems to be found. Mike Cooley, in particular, steps up and helps fill the shoes left vacant by Isbell. He makes the most of his seven contributions to the album, and his best lines are classic: “Bob ain’t light in the loafers/He might kneel, but he never bends over” (from “Bob”), and “Skeletons ain’t got no place to stick their money/Nobody makes britches that size” (from “A Ghost To Most”). “Self Destructive Zones” and “Perfect Timing” are high quality, as is the refreshing “Lisa’s Birthday”.
Patterson Hood’s highlights include “Two Daughters And A Beautiful Wife”, about musician Bryan Harvey, who was murdered with his family in a home invasion: “Daddy Needs A Drink”, and “You And Your Crystal Meth”. Bassist Shonna Tucker brings three songs herself, including the fine “The Purgatory Line”. There’s a bit of filler here (a double album was certainly an ambitious idea), but Brighter Than Creation’s Dark is a nice transitional album for the band, a return to their roots, and a glimpse of what was to come in the future. And they have stayed busy: since this album, they have released three studio efforts, three live albums, and a pair of compilations. Drive-By Truckers have always released listenable records, and this one is certainly no exception. Always consistently good…this is one of those bands that you just can’t go wrong with. Carriers of the torch for Southern rock, for damn sure. [First added to this chart: 05/31/2012]
Produced By BRIAN PAULSON & SON VOLT
1. Windfall
2. Live Free
3. Tear Stained Eye
4. Route
5. Ten Second News
6. Drown
7. Loose String
8. Out Of The Picture
9. Catching On
10. Too Early
11. Mystifies Me
In the aftermath of the breakup of Uncle Tupelo, the race was on to see which member was going to come out with the best first album: Jeff Tweedy's Wilco, or Jay Farrar's Son Volt. The winner was, in a landslide, Son Volt. Trace is not only a great album, it's one of the greatest alt country albums of all time. Farrar shows an uncharacteristic optimism here that shines throughout the album.
"Windfall" is a beautiful opener with it's blessing of a chorus: "May the wind take your trouble away". "Tear Stained Eye", "Loose String" and "Drown" are among Farrar's best songs. The album rates almost as high as Tupelo's swan song, Anodyne, and should be a must for anyone who loves alt country. This is Farrar at his peak, and it should not be missed. [First added to this chart: 05/31/2012]
Produced By DAVID BARBE
1. Where The Devil Don’t Stay
2. Tornadoes
3. The Day John Henry Died
4. Puttin’ People On The Moon
5. Carl Perkins’ Cadillac
6. The Sands Of Iwo Jima
7. Danko/Manuel
8. The Boys From Alabama
9. Cottonseed
10. The Buford Stick
11. Daddy’s Cup
12. Never Gonna Change
13. Goddamn Lonely Love
If you ask me what my favorite album is, I can’t answer that. If you ask me what my favorite song is, I’ll put on “Danko/Manuel” by Drive-By Truckers and tell you that this is as close as it gets. In fact, if you’re going to be in a band with me, being willing to play this song is the first test. The Dirty South, the Truckers fifth album, is as good as they get…and that’s pretty damned excellent. Having a songwriter like Jason Isbell limited to just four songs speaks volumes about how loaded the Truckers really were. A loose concept album about the downside of Southern living, The Dirty South marks the peak of the career of this excellent Southern rock and alt-country giant. It’s all good here.
Mike Cooley delivers some of his most memorable material in “Where The Devil Don’t Stay”, “Daddy’s Cup”, and the brilliant story song “Carl Perkins’ Cadillac”. Patterson Hood brings “Puttin’ People On The Moon”, about people driven down by environmental pollution. “Tornadoes” and “The Sands Of Iwo Jima” are excellent, and “The Boys Of Alabama” gives you the “other side of the story” of Buford Pusser and Walking Tall. And Isbell, along with the perfect “Danko/Manuel”, brings the rollicking “Never Gonna Change”, and closes things with this perfect lyric: “I’ll take two of what you’re having/I’ll take all of what you’ve got/To kill this Goddamned lonely, Goddamned lonely love”. This is a great album. Please go buy it. [First added to this chart: 04/19/2017]
Produced By GIL NORTON
1. Debaser
2. Tame
3. Wave Of Mutilation
4. I Bleed
5. Here Comes Your Man
6. Dead
7. Monkey Gone To Heaven
8. Mr. Grieves
9. Crackity Jones
10. La La Love You
11. No. 13 Baby
12. There Goes My Gun
13. Hey
14. Silver
15. Gouge Away
Hard to believe that the Pixies happened in the 80’s. Heavy influences on bands like Nirvana and Weezer, Pixies were a dynamic and exciting, albeit short lived band that set the standard for almost all of the indie rock bands that have followed to this day. Led by Black Francis, the band scored with two amazing albums, Come On Pilgrim and Surfer Rosa, that remain classics to this day. By the time of Doolittle, however, cracks were beginning to show. The working relationship between Francis and bassist Kim Deal (known as Mrs. John Murphy) had deteriorated to the point of the band going on hiatus for a year after the album, then breaking up for eleven years in 1993. Doolittle is a very emotional album, and a very good album, although it is somewhat overrated in that it’s not of the same caliber as the first two releases. Influencial? Very much so. Perfect? Not nearly so much.
Doolittle was much bigger in the UK than in the States, a consistent throughout their career. “Here Comes Your Man” and “Monkey Gone To Heaven” are standouts, as are “Debaser” and “Wave Of Mutilation”, which worked much better later on in a slowed down version. The subject matter is pretty dark (death, torture, etc.) and the songs are vividly dynamic with the loud to soft to loud approach that Kurt Cobain later found huge success with. The album is haunted by the infighting between Francis and Deal, but despite some inconsistencies in the writing, it still sounds pretty great. The band never reached near this level again, as evidenced by the poor albums that followed. But, for a two year period, Pixies were a monster of a band. Come on Pilgrim, Surfer Rosa and Doolittle are their important trilogy, and all three are worth having. [First added to this chart: 11/13/2018]
Produced By GEOFFREY HASLAM, SHEL KAGAN & THE VELVET UNDERGROUND
1. Who Loves The Sun
2. Sweet Jane
3. Rock & Roll
4. Cool It Down
5. New Age
6. Head Held High
7. Lonesome Cowboy Bill
8. I Found A Reason
9. Train Round The Bend
10. Oh! Sweet Nuthin'
Any serious rock collection should have the four Velvet Underground studio albums. Loaded is the 4th, recorded after the departure of John Cale. With Lou Reed now as the main songwriter, the Velvets turn in their most commercial sounding album (although they never actually had a hit). Reed's writing here is strong: "Sweet Jane" and "Rock & Roll" are classics, while "Head Held High" and "I Found A Reason" are just as good. Among the non-Reed compositions, "Who Loves The Sun" is the standout.
Reed left the band almost immediately after this was finished, ending the Velvets. It's said that if you have this album, chances are you were either in a band at one time in your life, or thought very seriously about it. The Velvet Underground was an amazing, highly influential band, and Loaded is a big part of that. [First added to this chart: 05/31/2012]
Produced By TOM DOWD
1. Ain't Wasting Time No More
2. Les Brers In A Minor
3. Melissa
4. Mountain Jam
5. One Way Out
6. Trouble No More
7. Stand Back
8. Blue Sky
9. Little Martha
3 songs (the last 3) were recorded with Duane Allman before he was killed in a mororcycle accident. The effect of losing him would be felt throughout their long career, which continued until 2014. After Eat A Peach, they had one more great album in them. Eat A Peach is almost a classic, and would be better had they released a single instead of a double album. "Mountain Jam", (which, along with 2 other tracks, are from the famous Fillmore East concert. At the end of the Fillmore album, you can hear the beginning of this song as "Whipping Post" fades out.) clocks in at a whopping 33 minutes, and takes some doing to listen to all the way through. But it was a necessary part of the album.
Otherwise, this is great. The first 3 tracks were recorded without Duane, and are as good as anything they did with him. "One Way Out" and "Trouble No More" are also from Fillmore, and the last 3 with Duane, particularly Dicky Betts' "Blue Sky", are excellent.
A band picking up and moving on from tragedy. Not for the last time, either. [First added to this chart: 05/31/2012]
Produced By TOM SCHICK
1. Magnolia Moontan
2. Sweet Illusions
3. Meadowlake Street
4. When Will You Come Back Home
5. Beautiful Sorta
6. Now That You're Gone
7. Cherry Lane
8. Mockingbird
9. How Do You Keep Love Alive
1. Easy Plateau
2. Let It Ride
3. Rosebud
4. Cold Roses
5. If I Am A Stranger
6. Dance All Night
7. Blossom
8. Life Is Beautiful
9. Friends
2005 was quite as year for Ryan Adams. He released 3 albums, and played the Hurricane Katrina benefit, AND somehow found the time to hang out and play shows with Phil Lesh. Cold Roses was his first album of the year, and his first with The Cardinals. The album is typical Adams: some amazingly catchy and beautiful songs, surrounded by songs that just seem to scream "look at me! I'm prolific, and I'm not afraid to release anything!". Adams ups the annoyance quotient by releasing this as a double album, when the music on both discs would easily fit on one.
But, the good moments far outshine the bad, as is usually the case with Ryan Adams. The Cardinals are a great band, and he even gets the excellent Rachel Yamagata to sing along. All in all, you'll be happy with this. It's an album that has grown on me steadily over the years, and it never disappoints. Just don't pay double album price for it..buy it online for a better price. Ripping people off like that is not cool. [First added to this chart: 05/31/2012]
Top 100 Greatest Music Albums composition
| Decade | Albums | % | |
|---|---|---|---|
| 1930s | 0 | 0% | |
| 1940s | 0 | 0% | |
| 1950s | 0 | 0% | |
| 1960s | 10 | 10% | |
| 1970s | 21 | 21% | |
| 1980s | 11 | 11% | |
| 1990s | 32 | 32% | |
| 2000s | 22 | 22% | |
| 2010s | 4 | 4% | |
| 2020s | 0 | 0% |
| Artist | Albums | % | |
|---|---|---|---|
|
|
|||
| The Beatles | 3 | 3% | |
| The Band | 3 | 3% | |
| Drive-By Truckers | 3 | 3% | |
| Wilco | 2 | 2% | |
| Jason Isbell | 2 | 2% | |
| The Jimi Hendrix Experience | 2 | 2% | |
| The Jayhawks | 2 | 2% | |
| Show all | |||
Top 100 Greatest Music Albums chart changes
| Biggest climbers |
|---|
| Up 2 from 39th to 37th Decoration Day by Drive-By Truckers |
| Biggest fallers |
|---|
| Down 1 from 37th to 38th Traveling Wilburys, Vol. 1 by The Traveling Wilburys |
| Down 1 from 38th to 39th The Dark Side Of The Moon by Pink Floyd |
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Top 100 Greatest Music Albums ratings
Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AVwhere:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
Showing latest 5 ratings for this chart. | Show all 179 ratings for this chart.
| Rating | Date updated | Member | Chart ratings | Avg. chart rating |
|---|---|---|---|---|
| ! | 05/19/2025 19:46 | StreakyNuno | 131 | 82/100 |
| ! | 05/19/2025 12:26 | 558 | 100/100 | |
| ! | 03/15/2025 22:29 | BlueNote | 91 | 74/100 |
| ! | 01/29/2025 12:37 | 1,105 | 85/100 | |
| ! | 01/15/2025 18:01 | Exist-en-ciel | 125 | 99/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some charts can have several thousand ratings)
This chart is rated in the top 6% of all charts on BestEverAlbums.com. This chart has a Bayesian average rating of 88.6/100, a mean average of 87.4/100, and a trimmed mean (excluding outliers) of 88.7/100. The standard deviation for this chart is 12.5.
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Top 100 Greatest Music Albums comments
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I like the Chart but The Black Crowes album, even though it is an excellent album, is an exaggeration to consider it the best ever.
A wondrous labor of love! GREAT notes!
Neat chart, but the write ups and historical perspective you've included for many of these albums make it something special. I had a good chuckle when I finally arrived to Loveless, the album I was most excited to hear your thoughts on, and there was nothing there!
What I found most intriguing is where you actually argue in your comments why an album isn't that great - which is an unusual way to create a greatest 100 chart. A bit too US-orientated for my liking and too many so-so bands. Good to see one album each from Australia & New Zealand.
Great chart, with impressive comments; very inspirational!
would appreciate more variety from coutries, genres
Lots of new music to discover here
There's a lot of excellent choices here. Many of which I'll be listening to as well. Thanks for this list!
Stunning chart. I own 83 of the albums in your chart so it's inevitable that I'm going to love it. Also love the notes. Great addition.
Nothing but great records here!
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