Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 1 hour ago).
"I remember seeing or reading about this album on this site years ago, back when I used to frequent this site, and whoever recommended it, major thanks! It's a fantastic overlooked gem from the 60's. The songs are weird and psychedelic but they are also melodic and catchy. This stuff is right up m...""I remember seeing or reading about this album on this site years ago, back when I used to frequent this site, and whoever recommended it, major thanks! It's a fantastic overlooked gem from the 60's. The songs are weird and psychedelic but they are also melodic and catchy. This stuff is right up my alley and this album has staying power. Highly recommended."[+]Reply
"This first time I listened to this album I didn't exactly love it, but I also thought it was one of the better releases from Weezer. I really liked Everything Will Be Alright In The End, which was probably my third favourite Weezer album next to The Blue Album, and Pinkerton. After a few listens ...""This first time I listened to this album I didn't exactly love it, but I also thought it was one of the better releases from Weezer. I really liked Everything Will Be Alright In The End, which was probably my third favourite Weezer album next to The Blue Album, and Pinkerton. After a few listens to this album however it really grew on me and I think I'm comfortable with saying this has taken third place on my list of favourite Weezer album. There's no songs on this album that I don't like, and there's a lot of songs that I really like and will probably like more with more listens. It's consistent and shows that Weezer has truly return as capable artists. I hope they keep up the good work with future releases."[+]Reply
"The musicianship on this album is just astonishing. I really do think this is the punk masterpiece of the 90's and should be put on a much higher pedestal."Reply
"I think most people on this site will have a band that they connected with significantly more than any others in their adolescence. When you're moving from the stages of just uncritically absorbing whatever's on the radio or whatever your parents play, to a point of having your own musical tastes...""I think most people on this site will have a band that they connected with significantly more than any others in their adolescence. When you're moving from the stages of just uncritically absorbing whatever's on the radio or whatever your parents play, to a point of having your own musical tastes it's vital to have an artist like this to change your whole attitude to music. For me this band was Vampire Weekend.
This is the first Vampire Weekend album to come out since my tastes expanded out from that start point, and it follows a great string of albums culminating in their 2013 masterpiece 'Modern Vampires of the City' which managed to create an emotional connection with the listener whilst still experimenting with massive amounts of production and variation in instruments. 'Father of the Bride' isn't as good as any of those albums but it still brings a lot to the table.
There's quite a lot to set this album apart from their other projects. First off it's significantly longer than the rest of their records and I don't think it's better for it. There's a lot of variation between most of the tracks here but a few fail to establish themselves and they have counterparts on the album that make better use of the same ideas. On the other hand for an 18 track album it does a good job of remaining cohesive in spite of the range of the tracks. In general the tracks here have a bright feel to them but the lyrics are often more negative.
This is also the first album without Rostam being in the band. This puts Ezra more at the centre of the album than any previous projects. I'm not sure how songwriting was divided up between the band here (both of the other members of the band have had solo albums out in the past couple of years) but the song's feel like Ezra's, most likely because of the personal nature of the lyrics here.
The songs themselves range in quality. 'Unbearably White' is probably my favourite track here. The vivid lyrics, subtle production and great guitar work go really nicely together (not sure what the deal is with the Smash Bros sound effect that makes you jump out of your skin though). 'Big Blue' is a great short track where it feels like the guitar notes are flying all over the place. I also like 'Rich Man' but it's a bit off-putting that it sounds so similar to parts of 'Everlasting Arms'.
The first 30 seconds of 'Harmony Hall' is my favourite part of the album, the guitars especially evoke a sunrise, not sure if that's just me though. After this choral arrangements and a very bright sounding piano enter the mix and it all gets very ABBA and it's not bad but it does feel like an amazing amount of potential for the track was squandered by overproduction. This brings me to one of my gripes with the album, there are very mixed results with the maximalist production. There's great stuff like the mass of rhythms in 'Sympathy' and the brass instruments sound really good alongside the guitars at the end of 'My Mistake', but a lot of the time it can feel really lazily applied like in the distorted vocals in '2021' and the weird electronic beats that emerge at the end of 'Jerusalem, New York, Berlin'.
So, at the end of the day 'Father of the Bride' isn't extraordinary but it does have quite a lot going for it. There's such a range of sounds here that anyone can find a fair amount that they like but I don't think many people are going to love it all the way through. Although Vampire Weekend don't shape my tastes the way they once did it's still a pretty huge relief to see a band I love this much stay on form and I'm looking forward to whatever's next.
Sony Music"[+]Reply
"There are quite a few great song on this release and the energy of the group is perfect. Songs like Thick As Thieves and Little Boy soldier are brilliant and I always sing a long when I hear them. Then there is The Eton Rifles which is a thrilling listen. All of these songs and a few more have fa...""There are quite a few great song on this release and the energy of the group is perfect. Songs like Thick As Thieves and Little Boy soldier are brilliant and I always sing a long when I hear them. Then there is The Eton Rifles which is a thrilling listen. All of these songs and a few more have fantastic instrumental performances with a very diverse ensemble as well. Wellers vocal is great due to it being monotone yet can also easily display a vast emotional range. The lyrics are fun to explore as well and are generally well written. However, I am not a fan of the cover that closes the album out and I think it is a weak cut. Alongside this, there are a few other pretty average songs which struggle to keep me entertained. Furthermore, I am quite tired of their style by the closing tracks as well as they are quite repetitive in terms of their sound. Overall, there are lots of moments to enjoy on here and also moments that are pretty average or bad but I do enjoy revisiting this record when I do. "[+]Reply
"Picaresque is my favorite album from the Decemberists. It starts off with a muted tribal horn i often blast before the drums beat in with Colin narrating the premise of "the infanta": "Here she comes in her palanquin / on the back of an elephant / on a bed made of linen and sequins and silk / all...""Picaresque is my favorite album from the Decemberists. It starts off with a muted tribal horn i often blast before the drums beat in with Colin narrating the premise of "the infanta": "Here she comes in her palanquin / on the back of an elephant / on a bed made of linen and sequins and silk / all astride on her father's line / with the king and his concubines / and her nurse with her pitchers of liquors and milk / and we'll all come praise the infanta". The charging literature of the song is finely offset by the quieter, pensive, recharging bridge. The lyrics on "infanta" are the best decemberists lyrics yet (and i love intelligent lyrics), replete with high-point scrabble words like "palanquin", "pachyderm" and "folderol", tied with another picaresque tune, the epic "mariner's revenge song", probably my favorite decemberists songs of all-time. "mariner's" starts in flashback mode "in this belly of a whale" recalling a "rake and a rastabout" who moved in on the narrator's mother when he was 14 "Leaving my mother A poor consumptive wretch" with a killer-yet-frail chorus delivered by Jenny wisping "Find him, bind him / Tie him to a pole and break / His fingers to splinters / Drag him to a hole until he / Wakes up naked / Clawing at the ceiling / Of his grave". The narrator later was hired in a priory "But never once in the employ / Of these holy men / Did I ever once turn my mind / From the thought of revenge" hearing about a captain known for "wanton cruelty", the man who left his mother destitute in death. There's even a pensive instrumental passage as the narrator contemplates commiting a "wicked deed" (to kill that captain) which nails the sound of the old sea (as only the Decemberists can!). Then "And then that fateful night / We had you in our sight / After twenty months at sea / Your starboard flank abeam / I was getting my muskets clean / When came this rumbling from beneath" as the whale rose from beneath which chews up all but our two antagonists. Marvelous storytelling and delivery including an energized ending. All tunes have the feel of tales of centuries ago, classic stories charles dickens or herman melville would be proud of, full of motorcars and muskets ablaze. "we both go down together" is a tale of a couple who commit suicide knowing their families will never allow them together ("Meet me on my vast veranda / My sweet untouched Miranda / and while the seagulls are crying / we fall but our souls are flying"). That Colin can make such wordsmithy, sea shanties so catchy and endearing is a testament to his intelligence and ability to tap the human condition. Like on "eli the barrow boy", the soliloquied epitaph of a loved one, singing "Would I could afford to buy my love a fine robe / Made of gold and silk Arabian thread / But she is dead and gone and lying in a pine grove / And I must push my barrow all the day". Or the humorously playful "the sporting life": "I fell on the playing field / the work of an errant heel / the din of the crowd and the loud commotion / went deafening silence and stopped emotion" . The instrumentation on this album kicks arse too, from the fiddle on "together" to the organ and horns on "16 military wives" to the accordion on "mariner's revenge song". The slower numbers work well too, from the crime scene buildup of "the bagman's gambit" ("On the lam from the law / on the steps of the capitol / you shot a plainclothes cop on the ten o'clock") and literally lost love "from my own true love (lost at sea)", to what i feel is Colin's first love song "of angels and angles". Beautiful acoustic guitar prefaces simply-felt lines like "there are angels in your angles, there's a low moon caught in your tangles", the perfectly understated closer to offset the literary bombast of "infanta". The sentiment is as saddening-sweet on "the engine driver" with a chorus pleading "and if you don't love me, let me go", and even on the lyrically-simple-life-of-a-male-prostitute of "on a bus mall" illustrating "here in our hovel we fuse like a family, / But I will not mourn for you. / So take off your makeup / And pocket your pills away. / We're kings among runaways / On the bus mall." . There's even a jab at politics in "16 military wives": "Cheer them on to their rivals / Cause America can, and America can't say no / And America does, if America says it's so". "[+]Reply
"One of the best albums in a rich Iron Maiden catalog. A lot of their 80's material is pretty underrated on BEA. Even the weakest songs on here are still pretty unique and catchy. The strongest points are the first two tracks and the closer. Some of the most epic moments in the Maiden discography....""One of the best albums in a rich Iron Maiden catalog. A lot of their 80's material is pretty underrated on BEA. Even the weakest songs on here are still pretty unique and catchy.
The strongest points are the first two tracks and the closer. Some of the most epic moments in the Maiden discography. Should be way higher on the 1983 list, let's be honest."[+]Reply
"Yes it's Chicago. Fortunately not quite that Chicago. This is an absolutely underrated record, a stunning album, a psychedelic soul rock masterpiece. Originally a double album it really captures that late sixties atmosphere, with stunning songs such as, beginnings, listen, and, I'm a man. This al...""Yes it's Chicago. Fortunately not quite that Chicago. This is an absolutely underrated record, a stunning album, a psychedelic soul rock masterpiece. Originally a double album it really captures that late sixties atmosphere, with stunning songs such as, beginnings, listen, and, I'm a man. This album deserves a lot more attention and praise. "[+]Reply