Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 6 hours ago).
"I'm going to tell you that this is The White Stripes' best album so hang with me. I get that you all are attached to White Blood Cells. I get the appeal of that album, it's a jolt of rock. This album is not White Blood Cells. It requires an acquired taste, an open mind. The White Stripes fan base...""I'm going to tell you that this is The White Stripes' best album so hang with me. I get that you all are attached to White Blood Cells. I get the appeal of that album, it's a jolt of rock. This album is not White Blood Cells. It requires an acquired taste, an open mind. The White Stripes fan base expect rock, which is why this album is often cited as their worst.
From a songwriting standpoint, this is their best. I like to start the album off with "The Nurse" and not "Blue Orchid" because I feel like "Blue Orchid" was slapped in there at the last minute just so this album could have a single. "The Nurse" sets the correct tone for the album, it is also the best track. I understand why some people do not like "The Nurse", but keep in mind that "The Nurse" is a song about murder (at least from my interpretation), so it should be uncomfortable to listen to. It really gets me into the right frame of mind for the rest of the album. So for the sake of being a snob, I'm going to pretend like "Blue Orchid" doesn't exist.
Get Behind Me Satan explores many themes, but the one that stands out the most for me is how to overcome seclusion. Every track represents a different scenario that deals with the issue. One of the more stunning tracks, "White Moon", is about a soldier who carries a photograph of Rita Hayworth to symbolize his "girl back home" that he never had. In this album, Hayworth represents the unobtainable dream, which grows obsessive in "Take, Take, Take", a song about seeing Hayworth in the flesh.
Another standout track, "Little Ghost" is about still being attached to the memory of a dead spouse.
"Every morning I awoke
And I see my little ghost
Wondering if it's really her that's lying there
I lean to touch her and I whisper
But not brave enough to kiss her
When I held her I was really holding air"
What makes a song like this so great is its devastating lyrics being accompanied by one of the most joyful melodies The White Stripes ever created. The White Stripes use this trick throughout most of the album.
The final track "I'm Lonely" is a heartbreaking ending to the album. This song tells the listener that there is always love in family, even though the family is out of reach in a place far away. Which may be about Jack's own feelings about touring. In any case, it's still an amazing song.
Overall, my interpretation of this album might be different from your own. This is one of the many reasons why this album so unique. In the end, I feel satisfied, which is what really counts."[+]Reply
"There is truly no more saccharine, lovely pop album than The Ronettes' debut. As far as per-minute sweetness, excitement, earworminess, and fun, this might be the most technically perfect pop album ever constructed. If you've met a person who dislikes The Ronettes, you've met a person who a) hasn...""There is truly no more saccharine, lovely pop album than The Ronettes' debut. As far as per-minute sweetness, excitement, earworminess, and fun, this might be the most technically perfect pop album ever constructed. If you've met a person who dislikes The Ronettes, you've met a person who a) hasn't heard them, or b) is a dick."[+]Reply
"Ah back when country music had some class. Songs about something other than the pap crap that passes for country today. A classic and classy record in every sense of the word."Reply
"Most probably the heaviest Sabbath album out there, serving up a plethora of quality tracks. 'Hole In The Sky', 'Megalomania', 'Sympton Of The Universe' and 'Am I Going Insane' being top of the tree in both riffery and vocal delivery. Sadly, I think the cover art is crap and I really wish they ha...""Most probably the heaviest Sabbath album out there, serving up a plethora of quality tracks. 'Hole In The Sky', 'Megalomania', 'Sympton Of The Universe' and 'Am I Going Insane' being top of the tree in both riffery and vocal delivery. Sadly, I think the cover art is crap and I really wish they had come up with something more sinnister which linked to the album title. As a vinyl collector the cover art is an equally important part of the whole experience. I can't get my head around why a member of one of the heaviest rock bands in the world at the time would want to be seen on the front cover of an album wearing red Long Johns, or am I missing something?"[+]Reply
"Gotta disagree with earlier comments... Fiona Apple's sullen face and lack of drama does not mean she's without emotion. Should she scream like Fugazi or Alexis on Fire? Should she emote like Neutral Milk Hotel or Jeff Buckley? That's not done by everyone. She has thoughtful lyrics, an expressive...""Gotta disagree with earlier comments... Fiona Apple's sullen face and lack of drama does not mean she's without emotion. Should she scream like Fugazi or Alexis on Fire? Should she emote like Neutral Milk Hotel or Jeff Buckley? That's not done by everyone. She has thoughtful lyrics, an expressive voice, and rolling melodies. Don't hate her because she's young. She's what Liz Phair could have been. Should be top 1000, but too bad..."[+]Reply
"Is this the greatest country rock album of all time? There are so many nights I feel that way. The songs are simply majestic. The type of songs that make me feel like I can take on the entire world no matter what the odds. And I need that kind of music in my life. Songs that make me want to shirk...""Is this the greatest country rock album of all time? There are so many nights I feel that way. The songs are simply majestic. The type of songs that make me feel like I can take on the entire world no matter what the odds. And I need that kind of music in my life. Songs that make me want to shirk off the shackles of my self destructive ways and once more reach for something bigger than myself. Plus, the guitar on this just destroys me and the lyrics are second to none.
The only problem with this album, and it's a big one, is that it peters out towards the end on those last two songs. Considering the album's only 8 tracks long that's kind of lame. But those first six tracks? Totally essential, mind-blowing stuff that fires me up like little else.
Grade: A. Cosmic Country Rock at it's best. Since it's a tad inconsistent at the end, it's not ever going to get top billing. But these are my fighting songs right now so I'm going to slide it into the number two pole at least for now. "[+]Reply
"Why are all the track ratings on this so low? Normally only interludes and tracks that are actually offensively bad get as low as 73, but that's the average for The Devil's Eye, and Love Goes On, the best song on the album, only has a 77."Reply
"(Total masterpiece. Genres to describe this I guess would be post-industrial, Noise, with some kind of gospel spirituality mixed in. Anyway, that doesn’t really describe this album. Not very well, anyway.) What can I possibly say that will do this album justice? I don’t think I am capable. This a...""(Total masterpiece. Genres to describe this I guess would be post-industrial, Noise, with some kind of gospel spirituality mixed in. Anyway, that doesn’t really describe this album. Not very well, anyway.)
What can I possibly say that will do this album justice? I don’t think I am capable. This album is special. When I listen to HEY WHAT, it is an out-of-body experience. The detail contained within the “noise”, the way the sheer volume of the album rolls over me like waves, I feel like I am thrown into a storm in the middle of the ocean, and for a few seconds I fight it and I panic and I start to scream and cry. But then a voice reassures me that these tidal waves won’t cause me harm – not truly and not truly me -, and I am told to breathe and embrace the immensity of this place and this experience. I relax and I breathe and … I am fine, I am calm, I am free. The rest of the album is like a massive, Pacific-sized epic about modern life and spirituality. And unlike so many other unapologetically gloomy, bitter, and hopeless epics that seem to tackle this struggle, with HEY WHAT I feel love and I feel hope and I glimpse a way through this mess I find myself in.
Musically, production-wise, this album makes me laugh lovingly and in awe, because I just can’t understand how humans being of flesh and blood can go and create this. Like, how? This could be called “Noisy” and “Staticy” and “Loud” but I can’t really say that those words fit to describe even the most inhuman and loud and most intense moments in this album. These scratchy, buzzing, sonically overwhelming sounds never sound harsh or hard to listen to. Again, like I said at the beginning, I have no clue how to express what this sounds like to me. The machines present on this album are simply communicating, meshing, corresponding with the human voices and harmonies. When the harmonies and the machine sounds come together, in these artist’s genius hands, what you get is transcendent music of the highest caliber.
Just yesterday I was trading comments with the excellent fellow-BEA user buzzdainer. Buzzdainer mentioned about Chris Stapleton’s 2020 album Starting Over: “…for me it's the quintessential album for coping with the cruel realities of our current decade.” This description was excellent and I can see how Starting Over would have that effect. However, when I took a look and thought about what album for ME truly had such a significance in this current decade… I couldn’t think of one. The music I have loved from this decade thus far has been mostly powerful and cathartic in very different ways or, in some cases, very escapist. But no album as of yesterday had I heard that really uplifted me and helped me cope and find meaning and stabilized me in this current crazy world we live in.
Then just a couple hours later I pushed play on Low’s latest. By the time I finished listening the very first time I felt emotionally satiated, understood, fulfilled. And I felt spiritually uplifted and enlightened. This is probably the most uplifting piece of music I have heard this decade so far. It for sure is.
To list the specific tracks on here that I love or want to shout out seems like a silly activity. It is only silly for me because the whole album, start to finish, is the perfect example of a cohesive album experience. For example, I can point out (and – lol - I am about to) that the back-to-back majesty of the track “Hey” followed by “Days Like These” makes me legitimately weep with joy and some emotional mixing I still don’t understand. And that is true, I think Hey/Days Like These is some of the greatest music I have ever heard full stop. BUT I had heard “Days Like These” as a single and when I heard it in that out-of-context way, I thought it was a pretty song and it made me excited for the new album… and that is all I thought of it. But when I hear it now on the heals of “Hey” and also after the absolutely stunning build up to this middle portion of the album, it is cathartic, life-changing, inspiring and perfect. Every song here is special on its own but transcendent as part of the entire sweep of the album.
This album expresses to me; Humanity, Human Goodness, True Affection and Love and Unity winning and triumphing in the face of inhumanity, materialism, and the bleak ubiquity of the utterly unfeeling. This album is a treasure. I actually feel a deep appreciation and an immeasurable respect for and to Mimi Parker and Alan Sparhawk and BJ Burton for creating this album. It’s just what I needed to hear in days like these.
Now I know I have not really said much of anything in this “review”/rambling comment – I haven’t touched much upon the songs and the lyrics and the harmonies and the industrial manipulations and genres and all that. Well, sorry. But this album, more than any other this year (outside of perhaps By the Time I Get To Phoenix), really transcends words and clear description.
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