Explore the overall rankings of the best albums in history, based on over 2 million album rankings across 60,000 chartsClick to see how the rankings are calculated.
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"I remember when this came out in 1970 just after the Beatles broke up, which was an emotional experience in and of itself...but when he sings "I don't believe in Beatles" in "God"(Which IMO is one of the greatest songs), I just didn't want to hear it..it was a bad year for pop music, the Beatles ...""I remember when this came out in 1970 just after the Beatles broke up, which was an emotional experience in and of itself...but when he sings "I don't believe in Beatles" in "God"(Which IMO is one of the greatest songs), I just didn't want to hear it..it was a bad year for pop music, the Beatles broke up, Simon and Garfunkel broke up, Jimi hendrix, Jim Morrison and Janis Joplin died...very sad."Reply
"This record is just pure power and energy right from the start. Metallica never really give you any time to rest on their releases and that is very true on their two best records which is this album and Master Of Puppets. They just go from banger to banger on here with every song feeling unique a...""This record is just pure power and energy right from the start. Metallica never really give you any time to rest on their releases and that is very true on their two best records which is this album and Master Of Puppets. They just go from banger to banger on here with every song feeling unique and they all have a high level of quality to them. There is absolutely no filler on this record at all in my opinion. The instrumentation is just electric with the guitar work feeling like it is truly harnessing the power of lightning. It is tough to not get completely lost in the guitar on here as well with the closing track always managing to almost put me in a trance like state with how good it is. Then there is the drum work which is phenomenal and is some of the greatest I have heard on a thrash metal album. To add to this, there is the passion and emotion that drives these tracks that are so easily conveyed to the listener and I can't help but fall in love with their energy and power. You have to play this album loud to truly appreciate the masterpiece that is on display though and I can only imagine how mesmerising it would be to hear this live. This is especially true for For Whom The Bell Tolls as that just perfectly encapsulates their sound for me and is a stunning piece of music. Overall, this is peak Metallica with basically every song being elite which makes it their most consistent release and it feels like the album where they held nothing back and we are rewarded greatly because of that. "Reply
""Really great as background music. Haven't given it a dedicated, attentive listen yet." Gives it a 9/10. I need everyone to just stop what they're doing and digest that this happened. "Background music" is not a compliment, and of course you have to give it a good listen before rating it. I'm not..."""Really great as background music. Haven't given it a dedicated, attentive listen yet." Gives it a 9/10.
I need everyone to just stop what they're doing and digest that this happened. "Background music" is not a compliment, and of course you have to give it a good listen before rating it. I'm not trying to shit on this person in particular, I'm just glad someone is honest enough to just say it. I had this feeling people were just following the herd on the highest rated albums and I'm glad someone has given me proof. Okay it's one instance, but it's such an exeggarated example it can't be just an outlier, an environment that allows, even encourages this is needed for this to happen. If your response to an album is "good music to put up when I'm doing something else and I'll listen to the full tracklist later", your assessment was that it was not such a great album. The only reason you give it a 9/10 is because everyone else does. Again, not an attack to this person in particular, he's just the only one who's honest about it."Reply
"Well badfaith, I don't think this album would have been forgotten. It is just cast down in the shadows of The Dark Side of the Moon, and The Wall. This is their first album, and Syd Barrett created (what I think is one of Floyd's best) "Interstellar Overdrive." He had a good sense of Br...""Well badfaith, I don't think this album would have been forgotten. It is just cast down in the shadows of The Dark Side of the Moon, and The Wall. This is their first album, and Syd Barrett created (what I think is one of Floyd's best) "Interstellar Overdrive." He had a good sense of British Psychedelia, and was advancing it by adding strange sound effects such as sounds by voice, and overlapping sounds of metal object being ran up the fretboard. After this album he went far out of it, but if he had continued, I believe that he would have brought great success to Floyd (not saying more than that has been precieved.) Think about it, at the end of "Bike" he has clock alarms going off (Time,) he influenced the Floyd to write some of their best songs (Shine on You Crazy Diamond, Wish You Where Here, Brain Damage,) and thought up the idea of bringing a saxophonist and two woman singers into the band (a statement straight from Water's mouth.) In my opinion, the Floyd did amazing albums without him, Water's is the greater song writer, and Gilmour is the better guitarist, but Syd was the jumpstart to the band spawning ideas that would later be used, and inspired the band.
As for my review for this album:
There are three great songs on this album, and the rest are mediocore. Interstellar Overdrive (which is amazing,) Lucifer Sam, and Astronomy Domine. This was Syd Barretts burst of creativity before his collapse. The album isn't the most enjoyable album listening from track one to eleven, but it's still alright. I believe that this album is a bit overrated due to the glory that Pink Floyd brought to Syd Barrett, but oh well, it's still nice to listen to."Reply
"Can are one of the most influential bands to emerge in the entire history of rock. Their influence is so widespread that there is virtually no band in the modern era who has not been touched by their magic. The clue to the band's significance is that they successfully bridged electronic, jazz and...""Can are one of the most influential bands to emerge in the entire history of rock. Their influence is so widespread that there is virtually no band in the modern era who has not been touched by their magic. The clue to the band's significance is that they successfully bridged electronic, jazz and rock music's in an accomplished and original way.
Their originality stems from the fact that they were the first group of musicians to have organically studied rhythm and texture that constituted their instrumental jams of a mainly hypnotic and glacial nature. These jams straddled the line between free-jazz, acid-rock and chamber music that were articulate experiments in loosely structured, fragmented and subdued electronic soundscapes and menacing atmospherics.
Arguably, Can were to master these techniques with Tago Mago (1971), a work blinded by Eastern mystical overtones and immersed in a jungle of avantegarde collage and sound effects within an overall structure that was guided by rock music.
The centrepiece and crowning achievement of the album is the towering 18-minute funk workout, 'Halleluwa' - a mezmerizing rhythmic orgy of music and tribal chanting whose rhythmic pulse predicted Happy Monday's, Primal Scream and Stone Roses amongst others.
With this one album, Can pioneered several genres that would become popular in the 1990s: industrial music, noise-rock, trip-hop and post-rock."Reply
"There is something so engaging about the ever-propulsive momentum and the way the notes appear to dance delicately between each other. I was introduced to 'In a Silent Way' first, and loved it, but this feels like that album realised in grandiose, funked-out glory. Alternatively you could argue t...""There is something so engaging about the ever-propulsive momentum and the way the notes appear to dance delicately between each other. I was introduced to 'In a Silent Way' first, and loved it, but this feels like that album realised in grandiose, funked-out glory. Alternatively you could argue that In a Silent Way is the more cohesive, truer to jazz album of the pair and that Bitches Brew outstays it's welcome, but I don't know, I enjoy the ridiculousness of this album. On a knife-edge it manages to pull off it's maximalist pomposity in a way a lot of "jazz-fusion" can't (including some later Davis stuff). And it is so transportive, I feel like I am inside that cover art. I can't find anything out there that comes anywhere near the tone and colour of this album. Truly mind-blowing. "Reply
"Sometimes I call this album my favorite Stones album. Jigsaw Puzzle has always been my favorite or top 3 Stones songs. this is the album that Put the "stone" in Stones and defined their sound throughout the next few decades. As for the 60's the most influential acts are as follows: 1- The Beatles...""Sometimes I call this album my favorite Stones album.
Jigsaw Puzzle has always been my favorite or top 3 Stones songs.
this is the album that Put the "stone" in Stones and defined their sound throughout the next few decades.
As for the 60's the most influential acts are as follows:
1- The Beatles
2- Bob Dylan
3- jimi Hendrix
4- The Mothers of Invention
5- The Rolling Stones
honorable mention to Jefferson Airplane, Cream, The Doors and Captain Beefheart"Reply
"This is one of the most well regarded live albums for a reason. Nirvana not only managed to make some of the best albums in the 90's, but arguably, one of the best live albums of all time. The whole thing feels laid back, yet right at home with what Nirvana usually sounds like. I get chills from ...""This is one of the most well regarded live albums for a reason. Nirvana not only managed to make some of the best albums in the 90's, but arguably, one of the best live albums of all time. The whole thing feels laid back, yet right at home with what Nirvana usually sounds like. I get chills from this album, being so passionate and emotional, with great production and overall fantastic atmosphere. The cover's are among the best songs on this album, and the renditions of all their original's are pretty much on par with the studio versions. I would say by quite a bit the best version of "About a Girl" is on this album. Not to bash the original, but I feel like this one sounds less forced and awkward, and really natural. To this day, this album and Nirvana as a whole is among the most important bands of the 90's, and even of all time, and for good reasons."Reply
"If someone told me even 5 years ago that I would ever profess to being a Nine Inch Nails fan, I would have called them a bald-faced liar. Even more so if they had said I would put one of their albums in my personal top ten. Yet, here we are, with The Downward Spiral claiming a position on my list...""If someone told me even 5 years ago that I would ever profess to being a Nine Inch Nails fan, I would have called them a bald-faced liar. Even more so if they had said I would put one of their albums in my personal top ten. Yet, here we are, with The Downward Spiral claiming a position on my list. My perceptions about what NIN was were proved to be wrong after my first listen through this album, and my appreciation of Reznor's unique musical genius grows with each listen. The emotion on this album is honest and real, and the instrumentation is truly unique. No one else sounds quite like Reznor. His control of the studio gives him the ability to create textures that express whatever he wishes. In this case, he creates a story of a man's descent towards suicide, covering the mosaic of emotions which are encountered along the way. The album closes on one of the most touching songs ever in "Hurt", an incredible wrap up to what is a bold and powerful album throughout. No other album so honestly expresses anger as The Downward Spiral, both in its music and in it's lyrics. A tour-de-force from Reznor, and one of my persnonal favourites."Reply