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311.

Third 

 Portishead

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"This record will be considered off-putting by some, even by Portishead fans still in thrall to their first two, the second of which was over 10 years prior to this. They did make two great ones to begin their recording career in the 90s, but this blows them both out of the water. As great artists...""This record will be considered off-putting by some, even by Portishead fans still in thrall to their first two, the second of which was over 10 years prior to this. They did make two great ones to begin their recording career in the 90s, but this blows them both out of the water. As great artists carry on they challenge themselves to push the envelope. This record does that. It is jarring in places, but that just adds to the overall sense of tension and release. This record is like an aural record of Shakespeare's rising and falling action; I honestly feel it is worthy of such praise. Album of the decade."  [+]  Reply

- ninecurses | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2008

Appears in:

689 charts

Rank Score:

5,402

Rank in 2008:

3

Rank in 2000s:

45

Overall Rank:

311

Average Rating:

 81 (845 votes)

Comments:

41

312.

Trans Europa Express 

 Kraftwerk

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"Sure, everyone wants to talk about how this is the start of techno but that's not why this album is good. Kraftwerk built a hypnotic, robotic environment that's a cold creepy place to get lost in. It's a prediction a the future we've only just recently entered where our souls have been lost to ma...""Sure, everyone wants to talk about how this is the start of techno but that's not why this album is good. Kraftwerk built a hypnotic, robotic environment that's a cold creepy place to get lost in. It's a prediction a the future we've only just recently entered where our souls have been lost to machines. "  [+]  Reply

- meccalecca | Helpful?  (Log in to vote) | +13 votes (15 helpful | 2 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1977

Appears in:

732 charts

Rank Score:

5,383

Rank in 1977:

11

Rank in 1970s:

76

Overall Rank:

312

Average Rating:

 82 (914 votes)

Comments:

53

313.

You Forgot It In People 

 Broken Social Scene

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"Fantastic album, really hits off once you get to Looks Just Like The Sun. From there BSS gives you a wonderful instrumental piece (Pacific Theme) and then onto the two highlights: the beautiful Anthem For A Seventeen Year Old Girl and the excellent Cause=Time. While nothing else on the album hits...""Fantastic album, really hits off once you get to Looks Just Like The Sun. From there BSS gives you a wonderful instrumental piece (Pacific Theme) and then onto the two highlights: the beautiful Anthem For A Seventeen Year Old Girl and the excellent Cause=Time. While nothing else on the album hits the high of these two tracks, Lover's Spit and I'm Still Your Fag are also highlights. I also absolutely adore how the album ends by repeating the string part from Anthem!!!!"  [+]  Reply

- VanillaBean | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2002

Appears in:

646 charts

Rank Score:

5,353

Rank in 2002:

6

Rank in 2000s:

46

Overall Rank:

313

Average Rating:

 82 (715 votes)

Comments:

33

314.

You're Living All Over Me 

 Dinosaur

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"The psychotic, psychedelic sound is still fresh and the songwriting is perfect. The band achieved a sound and sensibility that was soaked in neurosis and melancholy but rushed madly forward with the noise and chaos of a derailed driverless train or an acid trip gone wrong. There was a mix of nost...""The psychotic, psychedelic sound is still fresh and the songwriting is perfect. The band achieved a sound and sensibility that was soaked in neurosis and melancholy but rushed madly forward with the noise and chaos of a derailed driverless train or an acid trip gone wrong. There was a mix of nostalgia, resignation, anxiety and barely controlled manic energy in the music that maybe had no precedent except for the Meat Puppets or Pere Ubu. I can't think of any earlier band that came close to this sound, as most gritty guitar bands up to this point were not exploring vulnerability or internal states to this degree. J. Mascis' fantastically unambitious vocals were the first I had ever heard to come close to approximating my own state of mind. When the music press and marketing started using the word "grunge" in the 90s to refer to bands like Nirvana and Pearl Jam, I immediately thought of this album -- maybe the song title "sludgefeast" inspired the "grunge" term -- but of course they weren't referring to Dinosaur Jr., whose outsider style of madness wasn't marketable. Nirvana, Pearl Jam and many others that were far worse offered a marketable brand of disaffection that kids could pick up at Target and make out to after the friday night football game. The mainstream "grunge" bands were borrowing some stylistic qualities from more authentic and artistic predecessors and contemporaries like Dinosaur Jr. and Meat Puppets, who in turn were inspired by earlier artists like the Stooges, Neil Young and MC5. While the SST bands were inspired by their predecessors to explore new sounds, the mainstream grunge bands were mostly ripping off some elements of the SST bands' guitar sound and disaffected sensibilities, while steering clear of the emotional honesty and challenging artistry that could make their records a hard sell to less committed listeners. "Grunge" bands opted for themes and messages that would appeal to bored, horny adolescents and could be played in the free weight room of the gym without dampening the testosterone. You're not going to hear Dinosaur Jr. at Powerhouse Gym because the energy in their sound comes from anxiety, yearning and creative restlessness rather than testosterone and sexual boredom. Dinosaur Jr., Meat Puppets and Husker Du all belonged to the SST label, and they had some things in common that you would not find in the mainstream "grunge" bands they inspired -- mainly their ability to write fantastic songs grounded in compassion for the human experience and to create original, riveting sounds. It's unfortunate, but not surprising, that the mindblowing music of the Stooges, Meat Puppets and Dinosaur Jr. would lead eventually to the cheapened, inauthentic and incredibly dull adolescent marketing brand called "grunge," which might have come close to killing guitar-based rock altogether. "  [+]  Reply

- larryrrr | Helpful?  (Log in to vote) | +8 votes (8 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1987

Appears in:

656 charts

Rank Score:

5,331

Rank in 1987:

5

Rank in 1980s:

43

Overall Rank:

314

Average Rating:

 82 (741 votes)

Comments:

45

315.

Aqualung 

 Jethro Tull

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"I was a 16-year old camp counselor in training, far from home in a primitive forest. I ran a high fever for two days with a horrific bout of tonsillitis. All I could do was lay on a bunk in a cabin with no air conditioning and listen to my records on headphones, sweating and hallucinating. This w...""I was a 16-year old camp counselor in training, far from home in a primitive forest. I ran a high fever for two days with a horrific bout of tonsillitis. All I could do was lay on a bunk in a cabin with no air conditioning and listen to my records on headphones, sweating and hallucinating. This was one of those records. I cannot be objective about believing it is an all-time great."  [+]  Reply

- kcendsley1 | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1971

Appears in:

756 charts

Rank Score:

5,279

Rank in 1971:

14

Rank in 1970s:

77

Overall Rank:

315

Average Rating:

 83 (1,004 votes)

Comments:

59

316.

The Marshall Mathers LP 

 Eminem

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"Some of the pop references date this album and it is much more silly than The Eminem Show which I prefer over this. Can't deny the effect it had on pop culture. Can't deny his word play and linguistics. Even if the topics are now seen as immature now, they were rule benders and breakers at the ti...""Some of the pop references date this album and it is much more silly than The Eminem Show which I prefer over this. Can't deny the effect it had on pop culture. Can't deny his word play and linguistics. Even if the topics are now seen as immature now, they were rule benders and breakers at the time. His lyrics shocked and alarmed people in a way no one had done before. And bringing rap to white people and showing that it can be done has influenced countless white musicians since, even if this wasn't his intent. We all now know he is predominantly raised in Black culture of Detroit and is what he is most comfortable with. This guy is no white collar suburban-ite It hasn't aged all that well as our culture over the last 15's years has become more and more sensitive and PC to cultural and genetic differences. Criminal, Kill You, the singles, I'm Back are all excellent. Kim literally freaked me out when I heard it. It is so shockingly uncomfortable and executed perfectly for what was intended. But, yeah, I skip that one. "  [+]  Reply

- Edwarda85 | Helpful?  (Log in to vote) | +6 votes (6 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2000

Appears in:

846 charts

Rank Score:

5,278

Rank in 2000:

6

Rank in 2000s:

47

Overall Rank:

316

Average Rating:

 79 (1,342 votes)

Comments:

83

317.

At Folsom Prison 
Live

 Johnny Cash

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"Every time I listen to this album it's 1968 and not even my computer can convince me otherwise. The honesty and raw delivery of this performance bleeds a humanity that transcends beyond the music itself. This hour-long performance yielded the best country LP you will come across."  Reply

- dmercado | Helpful?  (Log in to vote) | +9 votes (9 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1968

Appears in:

800 charts

Rank Score:

5,272

Rank in 1968:

10

Rank in 1960s:

46

Overall Rank:

317

Average Rating:

 83 (998 votes)

Comments:

55

318.

Raw Power 

 Iggy And The Stooges

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"It's always tough for an album whose opening track begs for endless repetition. As a result of listening to "Search and Destroy" and then needing to listen to "Search and Destroy" twenty more times, I've only been able to get all the way through Raw Power on a handful of occasions. Still, it was ...""It's always tough for an album whose opening track begs for endless repetition. As a result of listening to "Search and Destroy" and then needing to listen to "Search and Destroy" twenty more times, I've only been able to get all the way through Raw Power on a handful of occasions. Still, it was always very worth it (though maybe I should have spent that time just listening to "Search and Destroy" instead...)"  [+]  Reply

- weedygonsalez | Helpful?  (Log in to vote) | +6 votes (6 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1973

Appears in:

813 charts

Rank Score:

5,265

Rank in 1973:

9

Rank in 1970s:

78

Overall Rank:

318

Average Rating:

 83 (1,028 votes)

Comments:

65

319.

Jagged Little Pill 

 Alanis Morissette

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"The subject matter throughout this album is extremely edgy and filled with teenage girl angst. I don't think I have ever heard another example of a 90s album with the combination of such raw female vocals, in your face lyrics, and at the same time bubblegum production quality like this album has....""The subject matter throughout this album is extremely edgy and filled with teenage girl angst. I don't think I have ever heard another example of a 90s album with the combination of such raw female vocals, in your face lyrics, and at the same time bubblegum production quality like this album has. I don't think I am alone when I say that I wish she would have selected a different producer to work with on this album. I'm also not sure if I am alone when I say that I wish she would have released this album two or three years earlier. This album would have been better if the production was more raw and if it didn't seem like she was riding on the coattails of the girl-rock movement. This album makes it seem like Alanis Morissette (or more likely the record label)was just trying to take the sounds of Courtney Love, PJ Harvey, and/or Liz Phair to the masses. I think this album is a classic case of too little too late. It's too bad because the songwriting and eclectic instrumentation on this album is great. It's the concept and the production quality that I have a problem with. This is an okay or maybe even good album but definitely not great. Most definitely overrated. All I really want is to give it a high score and it makes me a little sad to not do so because this album is sort of a guilty pleasure of mine but it must be done. I would have given this album a much lower rating if it didn't have a couple of saving qualities. You could say that the production was purposefully done the way it was because she was inventing her own sound. She was trying to break away from the girl-rock movement but it isn't enough for me. I'm not a believer. her sound is still much too similar to artists before her time. I can't believe that the production quality was an attempt to be different. I have to believe that it was an unfortunate attempt to sell a lot of records with someone else's style. If only Courtney Love, PJ Harvey, and Liz Phair had not have beaten her to the punch. "  [+]  Reply

- dwils0891 | Helpful?  (Log in to vote) | +2 votes (3 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1995

Appears in:

747 charts

Rank Score:

5,205

Rank in 1995:

7

Rank in 1990s:

60

Overall Rank:

319

Average Rating:

 77 (1,032 votes)

Comments:

77

320.

This Year's Model 

 Elvis Costello

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"I dismissed Elvis Costello as a wuss that bohemian girls liked, but nobody else would, until I dated a super-hot bohemian girl who insisted I give him a fair try. Was it my hormones or my brain that convinced me I was wrong? I'd say it was somewhere in my gut. This album should win anyone over."  Reply

- junodog4 | Helpful?  (Log in to vote) | +8 votes (8 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1978

Appears in:

732 charts

Rank Score:

5,198

Rank in 1978:

4

Rank in 1970s:

79

Overall Rank:

320

Average Rating:

 81 (893 votes)

Comments:

54

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Total albums: 10,000. Page 32 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	2	0%
1940s	37	0%
1950s	303	3%
1960s	719	7%
1970s	1,436	14%
1980s	1,432	14%
1990s	1,610	16%
2000s	1,736	17%
2010s	1,994	20%
2020s	731	7%

Artist	Albums	%
Bob Dylan	37	0%
The Rolling Stones	35	0%
David Bowie	32	0%
The Beatles	29	0%
Miles Davis	27	0%
Neil Young	26	0%
Various Artists	25	0%
Show all

Country	Albums	%
	5,014	50%
	2,664	27%
	432	4%
	317	3%
	222	2%
	159	2%
	136	1%
Show all

Compilation?	Albums	%
No	9,726	97%
Yes	274	3%

Live?	Albums	%
No	9,728	97%
Yes	272	3%

Soundtrack?	Albums	%
No	9,885	99%
Yes	115	1%