Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 2 hours ago).
"This album really flies under the radar for most people, and it deserves way more credit than it gets. Musically, it is brilliant with the group combining both their darker side and their more pop centred side. This leads to a fantastic contrast between the songs which is best displayed by Open a...""This album really flies under the radar for most people, and it deserves way more credit than it gets. Musically, it is brilliant with the group combining both their darker side and their more pop centred side. This leads to a fantastic contrast between the songs which is best displayed by Open and Friday I'm In Love where one is atmospheric and haunting and the latter is happy and upbeat. You get the best of both sides of the Cure on this record and so it has something for everyone. Lyrically, it is a masterpiece, just like every Cure album, with Robert Smith weaving his tales from song to song and forcing us to think deeper on his words. His wordsmanship is on another level and his lyrics demand and deserve attention paid to them and the way he delivers them is brilliant. The lyrics as well as the music is great at making you become introspective as well and the group set up a fantastic atmosphere for us to be able to wallow and dwell in. They maintain this gloomy environment throughout and when they do slip into their more upbeat style it is still tainted with darkness hidden in the music and so songs like Friday I'm In Love and Doing The Unstuck feel like a small and brief candle in a pitch black room. Every song is great on here as well and only add to the suspense of the atmosphere so no song is skippable. The instrumentation is phenomenal throughout and the Cure really have a unique way of performing that always make their music stand out and feel special. Overall, their albums feel special because the group themselves are a one of a kind band we will probably never see the likes of again and this album is amongst the greatest they have ever made and it really deserves to be appreciated more in their discography and in the world of music as a whole. "[+]Reply
"A minority opinion, but I think Pavement got better with each of their first three albums, culminating with this masterpiece. So much to love here, most notably at the beginning and the end. "Father to a Sister to a Thought" is brilliant too. A very '90s record."Reply
"WOW, I've always considered by self to be a casual fan of ELO, but never thought that they were amazing, but this was incredible, easily their best album and possibly one of the best albums of the 80s"Reply
"One of the great British debut albums of the seventies. Outlandos d'amour is a wonderful new wave/punk record with hints of reggae and rock. It features some of The Police's best songs. Roxanne, is of course superb, one of the great all time singles, along with, so lonely, and, can't stand losing...""One of the great British debut albums of the seventies. Outlandos d'amour is a wonderful new wave/punk record with hints of reggae and rock. It features some of The Police's best songs. Roxanne, is of course superb, one of the great all time singles, along with, so lonely, and, can't stand losing you. Off the lesser known tracks, next to you, hole in my life, peanuts, and, truth hits everybody, are the best ones. The blow up doll fetish, be my girl, is okay, but probably the weakest moment here. All in all, a great LP, ful of energy and grit. Excellent. "[+]Reply
"HEROIN CHIC Kendra Smith hurled her guitar to the stage. She had had it. The constant, tedious grind of touring. Being worshipped by strangers. All of it. It was too much. She didn’t want it anymore. “Fuck this mousetrap”, she mumbled to herself. ”I’m going to live off the grid.” And you know wha...""HEROIN CHIC
Kendra Smith hurled her guitar to the stage. She had had it. The constant, tedious grind of touring. Being worshipped by strangers. All of it. It was too much. She didn’t want it anymore. “Fuck this mousetrap”, she mumbled to herself. ”I’m going to live off the grid.” And you know what? She did!
And that was probably the best thing that ever happened to David Roback’s already fairly stellar career. Because he had already found “HER” - discovered her through a friend of a friend playing on a demo tape as part of some unheard of local folk duo that still no one’s heard of (Going Home if you’re really curious. But, they never even released an album! I mean it’s the indie rock equivalent of American Idol). The youngest of 60 some odd siblings, Hope was a pint sized, exotic Mexican beauty with pouty lips to die for. Let’s put it this way. Jimmy Reid - & I know you're reading this, brother - You’re a lucky, lucky man!
Quite simply, Hope Sandoval was born to be a rock star. She just had that indefinable IT. And her timing entering the scene was pitch perfect. She was the perfect diva for early 90s grunge. Part of her charm was she really, truly didn’t give a shit. It wasn't some calculated move. She really, truly didn’t give a shit. And she came to epitomize the “it” fashion statement of the day. The fashion look that had the prepubescent, waif looks of the Kate Moss & Jamie King staring down at us from like a hundred million billboards. Heroin chic they called it. And the singing of Hope Sandoval and music of Mazzy Star was its soundtrack. Because Hope sang Rip Van Winkle style - a lazy, laconic cotton mouth drawl as if as if each note was going to be her last before falling a slumber for a hundred years or more. A true sleeping beauty if there ever was one.
I can see why Albummaster recommended this to me when I volunteered that I’m a sucker for laconic & hazy albums. (Considering I’m a born manic monkey, a laconic lion is what I strive to be).
At any rate she was the missing ingredient. Don’t get me wrong. Opal were good. Damn good. (especially check out their earliest recordings compiled on, you got it it - [i]Early recordings[/i].) And Kendra Smith had one more beguiling solo album in her - the aptly titled[i] Five Ways of Disappearing[/i] - before blithely disappearing into the California woods to organic farm on her country cabin with nothing but her music and her cats. (Yo! Kendra! If you ever want company… well, you know who to call! :wink: )
But Mazzy Star were far better. Hope was just the perfect compliment to Robach’s Doors meets Velvet Underground sound rufied just a bit with that Jesus & Mary Chain’s classic wall of fuzz. We’re talking drugs here boys & girls! Druggy. Laconic, hazey, etc… And Mazzy Star were druggy as hell.
And [i]So Tonight That I May See[/i] (rightly) became THE album of the Heroin Chic scene.
And just as impressive as the sound they perfected on this album is the sheer scope of it. No two songs sound the same. It was as if Robach was determined to make THE grunge palette on these ten songs. Whether it be Hope channeling her inner Kirsten Hersch on “Into Dust” (my personal fave among an album full of them) or the duo going primal & full on Pub Rock on the positively AC/DCian Wasted.
Grade: A. It’s no coincidence that Mazzy Star and Julee Cruise were recommended to me within hours of each other. Just as I was to start binging on Twin Peaks (yet again) to get ready for season 3. Because both are the perfect Lynchian artists. Both would be the perfect band to catch at The Roadhouse on some Saturday night. And [i]So Tonight That I May See[/i] was the epitome of heroin chic. Alice’s In Chain’s Dirt comes damn close, but this is easily the best. Channeling The Velvet Underground’s debut and The Door’s psychedelic lazy debauchery into the grunge aesthetic. No other album quite competes. And make no mistake about it. This is grunge. Classic grunge. One of the essential grunge albums that solidified the scene while expanding its palette as far back as Mazzy Star’s debut [i]She Hangs Brightly[/i] with its feedback laced guitars. Music that fell into itself. Imploding as opposed to exploding. And this album laconically drawls it way oh so sleepily to number 25. "[+]Reply
"Bowie’s 2nd album is a very good one indeed. Space Oddity is one of his best songs. Unwashed And Somewhat Slightly Dazed is a deep cut waiting to be found. Cygnet Committee is another underrated deep cut. This is Bowie’s interpretation of the end of the hippie era"Reply
"For some odd reason, this album is the only record I've heard that not only tries to separate itself between two very different sets of music (almost two different albums really), but does so extremely well. The first half feels like a mix between Licensed to Ill's energy (but mellower) and Paul'...""For some odd reason, this album is the only record I've heard that not only tries to separate itself between two very different sets of music (almost two different albums really), but does so extremely well. The first half feels like a mix between Licensed to Ill's energy (but mellower) and Paul's Boutique's intelligence (but simpler), and done so extremely well as the first half is an absolute joy to listen to. The second half can turn a lot of people away, but for people that are fans of such things as Boutique's B-Boy Bouillabaise and Abbey Road's second half, it's a hip-hop journey and an incredible listen. The Boys know how to use their instruments, which was proven in Check Your Head, and boy do they ever use them well.
Key Cuts: Sure Shot, Root Down, Get It Together"[+]Reply
"Janis almost sounds better as part of a band. Here, she sounds a little more focused, even as she wails and belts it out with the best of them. The creation of a legend."Reply