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961.

Only God Was Above Us

Vampire Weekend

"When Vampire Weekend reformed and released Father of the Bride in 2019 I was just glad that my favourite band in my teenage years could still produce fun and exciting music, even if the output was a bit less consistent in quality than the stuff I'd grown to love years earlier. Only God Was Above ...""When Vampire Weekend reformed and released Father of the Bride in 2019 I was just glad that my favourite band in my teenage years could still produce fun and exciting music, even if the output was a bit less consistent in quality than the stuff I'd grown to love years earlier. Only God Was Above Us is a different prospect altogether, we're back to a shorter 10 track structure with each of these brimming with ideas and none having the throwaway quality of some of FotB's worse tracks. There's something else though, I've always found something very warm and reassuring in the band's earliest records and I'm finding it here as well, the baroque pop of Capricorn or Connect feels like the natural next step from Don't Lie and Everlasting Arms. It's a tough quality to completely describe but there's an effortless feel to these tracks, as though they simply grew from the emotions of the band members and the city setting. Maybe losing the pressure of delivering for a big comeback album has helped the band out or maybe they've just fully adjusted to Rostam's departure, either way they really feel back to their full powers here. Through their early records, the improvements in the lyrics really charted the band's overall progress. The self-titled's sometimes anxious commentary on campus life gave way to something more emotionally resonant on Contra, before Modern Vampires of the City took the elaborate lyricism that the band were known for and twisted it into something strangely evocative and profound. Only God Was Above Us comes in at a similar level, there's lots of lines that I couldn't totally explain to you, but I could tell you how they made me feel. It's strong musically as well, the quirks in each of the tracks still hold close to the overall feel of a track and never feel like they were thrown in to try to make a song more interesting. None of the tracks stand out quite as much as Classical, where the multiple tracks of percussion, warm keys and wilder guitars & brass blend in this beautiful way. Ezra's vocals, reaching that mournful but not hopeless place he's so good at getting to, really wrap it all up as one of the band's best ever songs. There's no stand-out bad or even lacklustre tracks across the rest of the record, but it doesn't reach this level again. I'm also not always 100% sure about some of the more dissonant elements on some of these tracks, the final moments of Capricorn are especially guilty of this, as one of the better songs here starts to fall apart under the weight of the sound. Still, these are pretty minor points to make about an indie band which has had to adapt to so many changes in the musical landscape while either on hiatus or between albums. As a teenage Vampire Weekend obsessive I think I built myself up for the release of Modern Vampires of the City more than I have for any album before or since, I got a pleasant surprise with these subsequent two releases where I held much less of an interest in what was coming prior to their release, but with this I've really taken notice again and will be glad to be back on the VW hype train when it next rolls into the station." [+] Reply

- JamesMowbray | Helpful? (Log in to vote) | +3 votes (3 helpful | 0 unhelpful)

Year of Release:

2024

Appears in:

314 charts

Rank Score:

1,799

Rank in 2024:

Rank in 2020s:

Overall Rank:

961

Average Rating:

81 (298 votes)

Comments:

962.

Royal Blood

"Crazy good debut album. I still remember the day I found this album, and still can't believe the sound comes only from a bass and drums." Reply

AwaitingAndrew | Helpful? (Log in to vote) | +5 votes (5 helpful | 0 unhelpful)

Year of Release:

2014

Appears in:

281 charts

Rank Score:

1,798

Rank in 2014:

Rank in 2010s:

138

Overall Rank:

962

Average Rating:

76 (420 votes)

Comments:

963.

Loud City Song

Julia Holter

"An incredibly inspired, otherworldly, captivating, dramatic album. Her ethereal shapeshifting voice, the beautiful, brutally unconventional but highly accomplished arrangements... It's as if she's conjuring a new world into existence with the power of sound. I want to live inside this album and w..." [+] Reply

SquishypuffDave | Helpful? (Log in to vote) | +6 votes (6 helpful | 0 unhelpful)

Year of Release:

2013

Appears in:

296 charts

Rank Score:

1,793

Rank in 2013:

Rank in 2010s:

139

Overall Rank:

963

Average Rating:

77 (354 votes)

Comments:

964.

Ghost In The Machine

The Police

"Has anyone noticed, the three symbols are their heads? Misunderstood album. It is a dark, serious, album, other than "Everything she does is magic". I love "Darkness", no one else seems to." Reply

ChrisPBacon | Helpful? (Log in to vote) | +6 votes (6 helpful | 0 unhelpful)

Year of Release:

1981

Appears in:

409 charts

Rank Score:

1,793

Rank in 1981:

Rank in 1980s:

152

Overall Rank:

964

Average Rating:

75 (537 votes)

Comments:

965.

S.F. Sorrow

The Pretty Things

"The Pretty Things' 1968 album "S.F. Sorrow" did not 'cause much attention when it was originally released. The band had already shown, with their previous album "Emotions", that they wanted to explore new grounds, and that they felt that the r&b concept was too limited for them. "Emotions" showed...""The Pretty Things' 1968 album "S.F. Sorrow" did not 'cause much attention when it was originally released. The band had already shown, with their previous album "Emotions", that they wanted to explore new grounds, and that they felt that the r&b concept was too limited for them. "Emotions" showed that the band possesed excellent songwriters in Wally Allen, Phil May and Dick Taylor. Unfortunately the production of that album was not too successful; at least at the time it was considered as some kind of a "disaster". This is not the case with the follow-up album "S.F. Sorrow". The sound is great and Norman Smith's production captured the new psychedelic sounds and trends of the late 1960's perfectly. "S.F. Sorrow" is a concept album, which tells the sad story of the life of S.F. Sorrow. The idea of doing rock concept album was very new at this time. And Pretty Things were among the very first to come up with a rock album; but in my opinion this is not what makes "S.F. Sorrow" a classic album. The album's strength is clearly the music; though the story is quite interesting too. The catchy "S.F. Sorrow", driven by great acoustic guitars, gives the album the perfect start. The song almost has hit-record potentials. The musically more complex "Bracelets" follows. It's a song in the same vein as their great "progressive" 1967 single "Defecting Grey". The song did not make it to the charts, but I remember that it got some airplay here in Denmark in 1967-68. The song is featured here as a bonus-track. "She Says Good Morning" indicates that the Pretty Things were also inspired by the Beatles' "Revolver" album. "Private Sorrow" is another great track - the flute and the acoustic guitars almost sounding like Jethro Tull The dramatic "Ballon Burning" tells the dramatic story of the "Hindenburg" crash in which Sorrow's girlfriend dies. "The mysterious "Baron Saturday" enters the story in the song of the same title. Great Beatle-like vocals. Musically some of the last tracks are obviously songs that serve to tie the story together and not meant to stand alone. 2 tracks stand out, though. "Trust" and the sad but very beautiful finale "The loneliest Person" featuring only an acoustic guitar and Phil May's vocals. The 4 bonus tracks are 2 Columbia singles released in 1967-68. All good songs and musically fitting perfectly into the rest of the album. This album is a milestone in the Pretty Things' career! " [+] Reply

- Rovers | Helpful? (Log in to vote) | +7 votes (7 helpful | 0 unhelpful)

Year of Release:

1968

Appears in:

331 charts

Rank Score:

1,790

Rank in 1968:

Rank in 1960s:

105

Overall Rank:

965

Average Rating:

78 (306 votes)

Comments:

966.

Sigh No More

Mumford & Sons

"Everything about this band irritates me. That includes their faux "organic family greengrocers" name, the shameless plundering of Shakespeare quotes, Marcus Mumford's pathetic hangdog vocal delivery, the faux hand-me-down caps and waistcoats look, the use of the word "heart" in every other line, ..." [+] Reply

- NecroBadger | Helpful? (Log in to vote) | +10 votes (11 helpful | 1 unhelpful)

Year of Release:

2009

Appears in:

368 charts

Rank Score:

1,788

Rank in 2009:

Rank in 2000s:

148

Overall Rank:

966

Average Rating:

67 (731 votes)

Comments:

967.

Liege & Lief

Fairport Convention

"This group has one of the most interesting and unique dynamics amongst any folk group I have listened to and that keeps this record engaging even during the slower moments. To start with there is the fantastic vocal performance which is classically British and leads the instrumentation perfectly...." [+] Reply

- Untitled | Helpful? (Log in to vote) | +2 votes (2 helpful | 0 unhelpful)

Year of Release:

1969

Appears in:

319 charts

Rank Score:

1,787

Rank in 1969:

Rank in 1960s:

106

Overall Rank:

967

Average Rating:

79 (345 votes)

Comments:

968.

Songs From A Room

Leonard Cohen

"This is my favorite Leonard Cohen album. It is my favorite for many of the same reasons the self titled Townes Van Zandt album is my favorite Townes album or why Nebraska is the best Springsteen album, or Pink Moon is my fave Nick Drake, or or or etc. Its one of the most starkly grim albums I've ...""This is my favorite Leonard Cohen album. It is my favorite for many of the same reasons the self titled Townes Van Zandt album is my favorite Townes album or why Nebraska is the best Springsteen album, or Pink Moon is my fave Nick Drake, or or or etc. Its one of the most starkly grim albums I've ever heard. This album has shadows and pits of blackness so deep, when I listen to this record I am transported to some sort of bleak world with brief flashes of wonder and humanity. This album takes me on a surreal tour through the more shadow lands which exists right before me but is never seen or fully confronted, and my guide is a grizzled wiseman who has seen it clear and has charted and documented all its byroads and ramifications. I don't know how to talk about this album without getting lost in some ethereal goo. Leonard Cohen was such an accomplished writer and artist by this point. A relatively "old" and very wise 35, already a published and respected Poet. He had more questions and insights than maybe any songwriter at the time of this album. Yet, this album isn't just some scholarly exercise. There is such a depth of feeling in this album which is unleashed in waves of pain and awe due, i think, to the fact that the words are so carefully chosen and so spot on that it strikes a very deep and up that point sleeping nerve. The opener "Bird On The Wire" is truly one of the very few sacred moments in music history for me. The hugeness of its simple verses, the sheer pain of it, the emotion which that song wells up for me, is something I can't fathom. The sorrow, the need for forgiveness, the brittle vocal delivery, everything....oh man. The album from that stunning opener, continues to hit you with bleak, austere portraits of friends lost to suicide (Seems So Long Ago, Nancy), of biblical visions of the darkest side of human beings (Story of Isaac), of the immutable devotion to freedom and the endless struggle to overcome evil no matter how futile and no matter what the cost (The Partisan), andof the mysteries of long nights of transient liberty and romance (Lady Midnight), etc. Musically, there are eccentric touches. The sound backing Cohen on "The Old revolution" (i've no idea what that is, but its cool), the dirgey, low end chug of the acoustic guitar in "The Butcher", hell there is a similar strange effect on "A Bunch of Lonesome Heroes" and "Lady Midnight as on "The Old Revolution"(can someone smarter than me explain to me what that rattly effect is? I am ignorant, but I like it.) also that sweet, far-off electric guitar is freaking awesome, the women speaking french in the most angellic and doomed way on "The Partison, the organ in "Lady Midnight", etc. There are a lot of little moments on here which push this album, somehow, to new heights. And finally the closer "Tonight Will Be Fine" is such a great closer. Its by far the least bleak moment on the album, Cohen humsa sweet childish tune, he makes funny rhymes, he talks sex, he whistles, and the bass line is a playful bounce. If I am thinking of this album as a tour through the darkness, then this is the moment toward the end of the tour when the wise man, seeing you are really shook up takes pity, gives a soft smile, shakes you out of your glossy-eyed horror and looks you straight in the eyes and says in his deep, baritone voice "It's okay, there is much beauty and there is some hope and there are reasons to love and to live and to care. It will be fine for awhile.". "It seems so long ago, Nancy was alone, a forty five beside her head, an open telephone. We told her she was beautiful, we told her she was free but none of us would meet her in the House of Mystery, the House of Mystery. And now you look around you, see her everywhere, many use her body, many comb her hair. In the hollow of the night when you are cold and numb you hear her talking freely then, she's happy that you've come, she's happy that you've come." - Leonard Cohen Rating: 9.8/10" [+] Reply

Mercury | Helpful? (Log in to vote) | +5 votes (5 helpful | 0 unhelpful)

Year of Release:

1969

Appears in:

335 charts

Rank Score:

1,784

Rank in 1969:

Rank in 1960s:

107

Overall Rank:

968

Average Rating:

79 (407 votes)

Comments:

969.

After Hours

The Weeknd

"These songs are gorgeously produced and this album is insanely listenable, but this man is a goddamned clown. Here's a verse on the album that I may have made up, but still feels less outrageous than most of what is on this record. I'm filled with so much sadness And all these hoes are filled wit..." [+] Reply

HoldenM | Helpful? (Log in to vote) | +10 votes (10 helpful | 0 unhelpful)

Year of Release:

2020

Appears in:

310 charts

Rank Score:

1,781

Rank in 2020:

Rank in 2020s:

Overall Rank:

969

Average Rating:

74 (451 votes)

Comments:

970.

Youth Of America

Wipers

"correction: this album is not excellent.... it's PERFECT !" Reply

cartoken | Helpful? (Log in to vote) | +6 votes (6 helpful | 0 unhelpful)

Year of Release:

1981

Appears in:

261 charts

Rank Score:

1,779

Rank in 1981:

Rank in 1980s:

153

Overall Rank:

970

Average Rating:

81 (249 votes)

Comments:

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Total albums: 10,000. Page 97 of 1,000

Overall Chart composition

Decade	Albums	%

1930s	2	0%
1940s	37	0%
1950s	303	3%
1960s	719	7%
1970s	1,436	14%
1980s	1,432	14%
1990s	1,610	16%
2000s	1,736	17%
2010s	1,994	20%
2020s	731	7%

Artist	Albums	%

Bob Dylan	37	0%
The Rolling Stones	35	0%
David Bowie	32	0%
The Beatles	29	0%
Miles Davis	27	0%
Neil Young	26	0%
Various Artists	25	0%
Show all

Country	Albums	%

	5,014	50%
	2,664	27%
	432	4%
	317	3%
	222	2%
	159	2%
	136	1%
Show all

Compilation?	Albums	%
No	9,726	97%
Yes	274	3%

Live?	Albums	%
No	9,728	97%
Yes	272	3%

Soundtrack?	Albums	%
No	9,885	99%
Yes	115	1%

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Best Albums of the 1970s
1. The Dark Side Of The Moon by Pink Floyd
2. Wish You Were Here by Pink Floyd
3. The Rise And Fall Of Ziggy Stardust And The Spiders From Mars by David Bowie
4. Untitled (Led Zeppelin IV) by Led Zeppelin
5. Rumours by Fleetwood Mac
6. London Calling by The Clash
7. The Wall by Pink Floyd
8. Animals by Pink Floyd
9. Unknown Pleasures by Joy Division
10. Who's Next by The Who
11. Blood On The Tracks by Bob Dylan
12. Marquee Moon by Television
13. Exile On Main St. by The Rolling Stones
14. Hunky Dory by David Bowie
15. What's Going On by Marvin Gaye
16. Paranoid by Black Sabbath
17. Pink Moon by Nick Drake
18. Sticky Fingers by The Rolling Stones
19. Low by David Bowie
20. Blue by Joni Mitchell