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961.

Deceit 

 This Heat

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"One of the most haunting rock albums ever recorded. Absolutely different that the post punk scene was creating at that time. Experimental, beautiful and gives u a lot to think about. Makeshift Swahili must be one of the best rock songs ive ever heared."  Reply

- Mr.Music | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1981

Appears in:

259 charts

Rank Score:

1,810

Rank in 1981:

10

Rank in 1980s:

149

Overall Rank:

961

Average Rating:

 78 (264 votes)

Comments:

18

962.

Buffalo Springfield Again 

 Buffalo Springfield

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"No doubts: this album is one of the best of the late 1960's. It has a pack of great tracks ("Mr. Soul", "Bluebird", Rock and Roll Woman" and "Broken Arrow"), along with a immense variability of music stiles"  Reply

- Reppu1976 | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1967

Appears in:

376 charts

Rank Score:

1,807

Rank in 1967:

22

Rank in 1960s:

104

Overall Rank:

962

Average Rating:

 79 (348 votes)

Comments:

20

963.

Reading, Writing And Arithmetic 

 The Sundays

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"This is a stunning debut that has done nothing but grow in influence since its release. Its simple guitar-driven approach matched with Harriet Wheeler's distinctively sweet voice were a great rebuttal to the overproduced garbage of late 80's glam metal, rap and pop (the same could be said of musi...""This is a stunning debut that has done nothing but grow in influence since its release. Its simple guitar-driven approach matched with Harriet Wheeler's distinctively sweet voice were a great rebuttal to the overproduced garbage of late 80's glam metal, rap and pop (the same could be said of music now, perhaps more so). The album achieved some measure of buzz at the time, mostly due to the amazing singles "Here's Where the Story Ends" and "You're Not the Only One I Know". Both are true gems with catchy guitar hooks, smart lyrics and of course Harriet. The former however sounds conspicuously like The Smiths "The Boy with the Thorn in His Side". In fact, The Sundays sound a whole lot like The Smiths in general. The guitars are clearly Marr-inspired. The bass and drums are well played and willingly take a back seat to the guitar and dominating vocals much like Andy Rourke and Mike Joyce did. Harriet could well be Brit Pop's female answer to Morrissey with her literate lyrics and smooth & unique though somewhat overbearing voice. I love the way both vocalists sound but there are people who find both incredibly annoying over time since they are so unique and often overwhelm the music to such a complete extent. Still I want to give this album its due. It is excellent and there are few if any weak tracks. Aside from those mentioned above, "I Won", "I Kicked a Boy" and "Joy" are standouts. You may only know the band from their cover of The Stones "Wild Horses" that was used in a commercial."  [+]  Reply

- vesander | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1990

Appears in:

283 charts

Rank Score:

1,806

Rank in 1990:

12

Rank in 1990s:

179

Overall Rank:

963

Average Rating:

 77 (296 votes)

Comments:

21

964.

If I Should Fall From Grace With God 

 The Pogues

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"Anyone who tells you they don't enjoy Fairy Tale of New York year-round is either a scrooge or a liar."  Reply

- kynes | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1988

Appears in:

322 charts

Rank Score:

1,805

Rank in 1988:

15

Rank in 1980s:

150

Overall Rank:

964

Average Rating:

 78 (352 votes)

Comments:

20

965.

Autobahn 

 Kraftwerk

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"Autobahn suffers from 2112 syndrome; an amazing 20 minute epic on one side of the record, encompassing everything great the group had done up to that point, followed by a seemingly random assortment of good songs on the other side that pale in comparison to the first song/side, making for a puzzl...""Autobahn suffers from 2112 syndrome; an amazing 20 minute epic on one side of the record, encompassing everything great the group had done up to that point, followed by a seemingly random assortment of good songs on the other side that pale in comparison to the first song/side, making for a puzzling album to discern. Should it be called great just because that one song is great, or should it be called mediocre because the rest isn't up to snuff? In the case of Kraftwerk, the music they made always appealed to a specific audience (again, much like Rush) that gobbled this up, and I enjoy it greatly as well."  [+]  Reply

- teague | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1974

Appears in:

377 charts

Rank Score:

1,804

Rank in 1974:

15

Rank in 1970s:

197

Overall Rank:

965

Average Rating:

 78 (502 votes)

Comments:

26

966.

Canción Animal 

 Soda Stereo

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"After recording the heavily produced, African American-influenced Doble Vida with Carlos Alomar, Gustavo Cerati decided he wanted a new direction for the band and so their next album would feature a stripped down, live quality to favor the songs over studio effects. With this release Soda Stereo ...""After recording the heavily produced, African American-influenced Doble Vida with Carlos Alomar, Gustavo Cerati decided he wanted a new direction for the band and so their next album would feature a stripped down, live quality to favor the songs over studio effects. With this release Soda Stereo moved away from their New Wave origins and fully embraced the distorted romance of anthemic rock, creating a style that was very modern and alternative and yet had a very classic rock feel to it. Canción Animal is a masterpiece of raw elegance and infectious minimalism, where pumping basslines, explosive choruses and epic vibrato-abusing solos are the order of the day. From the controversial cover art, featuring two lions mating, to the iconic opening chords of 'De Música Ligera' (which has become Rock en Español's de facto anthem), this is Soda Stereo at the top of their game."  [+]  Reply

- chivocosmico | Helpful?  (Log in to vote) | +8 votes (8 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1990

Appears in:

219 charts

Rank Score:

1,803

Rank in 1990:

13

Rank in 1990s:

180

Overall Rank:

966

Average Rating:

 81 (250 votes)

Comments:

18

967.

Grey Area 

 Little Simz

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"At the age of 25, Simbi Akijawo aka Little Simz, has finally succeeded with the release of her third album, "GREY Area". Ten uppercut-shaped tracks with machine-gun flow and rumbling bass. These tracks are ALL exceptional. More direct and incisive than its previous albums, "GREY Area" combines mo...""At the age of 25, Simbi Akijawo aka Little Simz, has finally succeeded with the release of her third album, "GREY Area". Ten uppercut-shaped tracks with machine-gun flow and rumbling bass. These tracks are ALL exceptional. More direct and incisive than its previous albums, "GREY Area" combines modernity groove and tradition soul, which gives a hip hop which sees jazz influences vibrate on rhythmic jerks on which the words are of all splendors. The only problem is the length of the album, it is a little short. The musical ambiances built with samples from seventies productions, offer a timeless color that makes the "GREY Area" a classic future of the genre, hoping that this time the public will not miss the raw talent of one of the most brilliant MC's of these last years. For me, this album is one of the best UK Grime albums I have ever listened to.   9/10 Best track: "Boss""  [+]  Reply

- Kurtco | Helpful?  (Log in to vote) | +2 votes (3 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2019

Appears in:

347 charts

Rank Score:

1,803

Rank in 2019:

8

Rank in 2010s:

137

Overall Rank:

967

Average Rating:

 78 (385 votes)

Comments:

31

968.

Tattoo You 

 The Rolling Stones

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"Despite being largely an "odds and sods" collection of leftovers from previous albums, it works amazingly well as its own album and IMO is the last true classic Stones album before overpriced nostalgia tours and endless Greatest Hits recyclings became the norm."  Reply

- nf0603 | Helpful?  (Log in to vote) | +6 votes (6 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1981

Appears in:

371 charts

Rank Score:

1,801

Rank in 1981:

11

Rank in 1980s:

151

Overall Rank:

968

Average Rating:

 75 (603 votes)

Comments:

36

969.

The Slow Rush 

 Tame Impala

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"If you were to extrapolate what you'd expect an album like this to sound like given Tame Impala's trajectory from Innerspeaker -> Lonerism -> Currents, The Slow Rush is what you'd expect. For that reason I don't anticipate critics to really go crazy over this. It's not a huge departure from the s...""If you were to extrapolate what you'd expect an album like this to sound like given Tame Impala's trajectory from Innerspeaker -> Lonerism -> Currents, The Slow Rush is what you'd expect. For that reason I don't anticipate critics to really go crazy over this. It's not a huge departure from the sounds from Currents, in some places it sounds like he used the same synth settings as some tracks from Currents, but he does bring in even more new sounds and mixing techniques into, whether it's woodwinds or congas or miscellaneous percussive sounds or just using his voice in wild ways (which is hardly new for him). That said, Kevin Parker is as talented at production/arrangement/mixing as anyone out there. Hendrix had the guitar and KP has Ableton. He's an artist that just doesn't release anything that isn't meticulously crafted and detailed. He's not going to convert fans on this one like he did on Currents and similarly if you're a stoned hippie longing for the days of innerspeaker and lonerism dunga dunga throwback 60's sound you might want to look elsewhere. That said, I think it is better than currents, songs like Posthumous Fogiveness and One More Hour showcase him returning to the more lengthy adventurous song structures from Lonerism and Currents didn't have a ton of that outside of Let it Happen (which I still think is more long than it is really complex albeit still being a fantastic song) and it has some of his best most diverse sounding production and catchy pop hooks on it as well. Move along, there's really nothing to see here. Just an all-time great padding his stats with another quality piece of art."  [+]  Reply

- corenfro | Helpful?  (Log in to vote) | +8 votes (10 helpful | 2 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2020

Appears in:

394 charts

Rank Score:

1,801

Rank in 2020:

10

Rank in 2020s:

30

Overall Rank:

969

Average Rating:

 73 (632 votes)

Comments:

53

970.

Sigh No More 

 Mumford & Sons

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"Everything about this band irritates me. That includes their faux "organic family greengrocers" name, the shameless plundering of Shakespeare quotes, Marcus Mumford's pathetic hangdog vocal delivery, the faux hand-me-down caps and waistcoats look, the use of the word "heart" in every other line, ...""Everything about this band irritates me. That includes their faux "organic family greengrocers" name, the shameless plundering of Shakespeare quotes, Marcus Mumford's pathetic hangdog vocal delivery, the faux hand-me-down caps and waistcoats look, the use of the word "heart" in every other line, their piss-poor attempt at English folk rock, and as for that sodding banjo... But the worst thing about them is for the whole of 2011/12, I couldn't escape them. They were on the radio, the TV, in the pub, in my friends' and family's car stereos, and even butted in on every damn youtube video I tried to watch. They were EVERYWHERE. Mumford and Sons are the musical equivalent of McDonalds - massively naff, totally disingenuous, nutritionally void, puzzlingly popular and irritatingly ubiquitous. "  [+]  Reply

- NecroBadger | Helpful?  (Log in to vote) | +10 votes (11 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2009

Appears in:

369 charts

Rank Score:

1,801

Rank in 2009:

10

Rank in 2000s:

148

Overall Rank:

970

Average Rating:

 67 (730 votes)

Comments:

65

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Total albums: 10,000. Page 97 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	2	0%
1940s	34	0%
1950s	302	3%
1960s	710	7%
1970s	1,426	14%
1980s	1,414	14%
1990s	1,601	16%
2000s	1,721	17%
2010s	1,967	20%
2020s	823	8%

Artist	Albums	%
Bob Dylan	37	0%
The Rolling Stones	35	0%
David Bowie	32	0%
The Beatles	29	0%
Miles Davis	27	0%
Neil Young	26	0%
Various Artists	25	0%
Show all

Country	Albums	%
	4,995	50%
	2,658	27%
	433	4%
	337	3%
	221	2%
	157	2%
	134	1%
Show all

Compilation?	Albums	%
No	9,729	97%
Yes	271	3%

Live?	Albums	%
No	9,737	97%
Yes	263	3%

Soundtrack?	Albums	%
No	9,885	99%
Yes	115	1%