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971.

O 

 Damien Rice

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"One of THE greatest singer-songwriter records of the 21st century. Damien Rice couples his great lyricism with passionate singing to make his debut a modern masterpiece."  Reply

- Daydreamer | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2002

Appears in:

306 charts

Rank Score:

1,795

Rank in 2002:

16

Rank in 2000s:

149

Overall Rank:

971

Average Rating:

 77 (360 votes)

Comments:

17

972.

Royal Blood 

 Royal Blood

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"Crazy good debut album. I still remember the day I found this album, and still can't believe the sound comes only from a bass and drums."  Reply

- AwaitingAndrew | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2014

Appears in:

281 charts

Rank Score:

1,791

Rank in 2014:

15

Rank in 2010s:

138

Overall Rank:

972

Average Rating:

 76 (420 votes)

Comments:

23

973.

Loud City Song 

 Julia Holter

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"An incredibly inspired, otherworldly, captivating, dramatic album. Her ethereal shapeshifting voice, the beautiful, brutally unconventional but highly accomplished arrangements... It's as if she's conjuring a new world into existence with the power of sound. I want to live inside this album and w...""An incredibly inspired, otherworldly, captivating, dramatic album. Her ethereal shapeshifting voice, the beautiful, brutally unconventional but highly accomplished arrangements... It's as if she's conjuring a new world into existence with the power of sound. I want to live inside this album and watch the comings and goings of its shadow people."  [+]  Reply

- SquishypuffDave | Helpful?  (Log in to vote) | +6 votes (6 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2013

Appears in:

296 charts

Rank Score:

1,787

Rank in 2013:

14

Rank in 2010s:

139

Overall Rank:

973

Average Rating:

 78 (353 votes)

Comments:

19

974.

S.F. Sorrow 

 The Pretty Things

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"The Pretty Things' 1968 album "S.F. Sorrow" did not 'cause much attention when it was originally released. The band had already shown, with their previous album "Emotions", that they wanted to explore new grounds, and that they felt that the r&b concept was too limited for them. "Emotions" showed...""The Pretty Things' 1968 album "S.F. Sorrow" did not 'cause much attention when it was originally released. The band had already shown, with their previous album "Emotions", that they wanted to explore new grounds, and that they felt that the r&b concept was too limited for them. "Emotions" showed that the band possesed excellent songwriters in Wally Allen, Phil May and Dick Taylor. Unfortunately the production of that album was not too successful; at least at the time it was considered as some kind of a "disaster". This is not the case with the follow-up album "S.F. Sorrow". The sound is great and Norman Smith's production captured the new psychedelic sounds and trends of the late 1960's perfectly. "S.F. Sorrow" is a concept album, which tells the sad story of the life of S.F. Sorrow. The idea of doing rock concept album was very new at this time. And Pretty Things were among the very first to come up with a rock album; but in my opinion this is not what makes "S.F. Sorrow" a classic album. The album's strength is clearly the music; though the story is quite interesting too. The catchy "S.F. Sorrow", driven by great acoustic guitars, gives the album the perfect start. The song almost has hit-record potentials. The musically more complex "Bracelets" follows. It's a song in the same vein as their great "progressive" 1967 single "Defecting Grey". The song did not make it to the charts, but I remember that it got some airplay here in Denmark in 1967-68. The song is featured here as a bonus-track. "She Says Good Morning" indicates that the Pretty Things were also inspired by the Beatles' "Revolver" album. "Private Sorrow" is another great track - the flute and the acoustic guitars almost sounding like Jethro Tull The dramatic "Ballon Burning" tells the dramatic story of the "Hindenburg" crash in which Sorrow's girlfriend dies. "The mysterious "Baron Saturday" enters the story in the song of the same title. Great Beatle-like vocals. Musically some of the last tracks are obviously songs that serve to tie the story together and not meant to stand alone. 2 tracks stand out, though. "Trust" and the sad but very beautiful finale "The loneliest Person" featuring only an acoustic guitar and Phil May's vocals. The 4 bonus tracks are 2 Columbia singles released in 1967-68. All good songs and musically fitting perfectly into the rest of the album. This album is a milestone in the Pretty Things' career! "  [+]  Reply

- Rovers | Helpful?  (Log in to vote) | +7 votes (7 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1968

Appears in:

332 charts

Rank Score:

1,786

Rank in 1968:

20

Rank in 1960s:

105

Overall Rank:

974

Average Rating:

 78 (306 votes)

Comments:

23

975.

Tattoo You 

 The Rolling Stones

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"Despite being largely an "odds and sods" collection of leftovers from previous albums, it works amazingly well as its own album and IMO is the last true classic Stones album before overpriced nostalgia tours and endless Greatest Hits recyclings became the norm."  Reply

- nf0603 | Helpful?  (Log in to vote) | +6 votes (6 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1981

Appears in:

371 charts

Rank Score:

1,786

Rank in 1981:

11

Rank in 1980s:

151

Overall Rank:

975

Average Rating:

 75 (603 votes)

Comments:

36

976.

Songs From A Room 

 Leonard Cohen

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"This is my favorite Leonard Cohen album. It is my favorite for many of the same reasons the self titled Townes Van Zandt album is my favorite Townes album or why Nebraska is the best Springsteen album, or Pink Moon is my fave Nick Drake, or or or etc. Its one of the most starkly grim albums I've ...""This is my favorite Leonard Cohen album. It is my favorite for many of the same reasons the self titled Townes Van Zandt album is my favorite Townes album or why Nebraska is the best Springsteen album, or Pink Moon is my fave Nick Drake, or or or etc. Its one of the most starkly grim albums I've ever heard. This album has shadows and pits of blackness so deep, when I listen to this record I am transported to some sort of bleak world with brief flashes of wonder and humanity. This album takes me on a surreal tour through the more shadow lands which exists right before me but is never seen or fully confronted, and my guide is a grizzled wiseman who has seen it clear and has charted and documented all its byroads and ramifications. I don't know how to talk about this album without getting lost in some ethereal goo. Leonard Cohen was such an accomplished writer and artist by this point. A relatively "old" and very wise 35, already a published and respected Poet. He had more questions and insights than maybe any songwriter at the time of this album. Yet, this album isn't just some scholarly exercise. There is such a depth of feeling in this album which is unleashed in waves of pain and awe due, i think, to the fact that the words are so carefully chosen and so spot on that it strikes a very deep and up that point sleeping nerve. The opener "Bird On The Wire" is truly one of the very few sacred moments in music history for me. The hugeness of its simple verses, the sheer pain of it, the emotion which that song wells up for me, is something I can't fathom. The sorrow, the need for forgiveness, the brittle vocal delivery, everything....oh man. The album from that stunning opener, continues to hit you with bleak, austere portraits of friends lost to suicide (Seems So Long Ago, Nancy), of biblical visions of the darkest side of human beings (Story of Isaac), of the immutable devotion to freedom and the endless struggle to overcome evil no matter how futile and no matter what the cost (The Partisan), andof the mysteries of long nights of transient liberty and romance (Lady Midnight), etc. Musically, there are eccentric touches. The sound backing Cohen on "The Old revolution" (i've no idea what that is, but its cool), the dirgey, low end chug of the acoustic guitar in "The Butcher", hell there is a similar strange effect on "A Bunch of Lonesome Heroes" and "Lady Midnight as on "The Old Revolution"(can someone smarter than me explain to me what that rattly effect is? I am ignorant, but I like it.) also that sweet, far-off electric guitar is freaking awesome, the women speaking french in the most angellic and doomed way on "The Partison, the organ in "Lady Midnight", etc. There are a lot of little moments on here which push this album, somehow, to new heights. And finally the closer "Tonight Will Be Fine" is such a great closer. Its by far the least bleak moment on the album, Cohen humsa sweet childish tune, he makes funny rhymes, he talks sex, he whistles, and the bass line is a playful bounce. If I am thinking of this album as a tour through the darkness, then this is the moment toward the end of the tour when the wise man, seeing you are really shook up takes pity, gives a soft smile, shakes you out of your glossy-eyed horror and looks you straight in the eyes and says in his deep, baritone voice "It's okay, there is much beauty and there is some hope and there are reasons to love and to live and to care. It will be fine for awhile.". "It seems so long ago, Nancy was alone, a forty five beside her head, an open telephone. We told her she was beautiful, we told her she was free but none of us would meet her in the House of Mystery, the House of Mystery. And now you look around you, see her everywhere, many use her body, many comb her hair. In the hollow of the night when you are cold and numb you hear her talking freely then, she's happy that you've come, she's happy that you've come." - Leonard Cohen Rating: 9.8/10"  [+]  Reply

- Mercury | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1969

Appears in:

336 charts

Rank Score:

1,782

Rank in 1969:

28

Rank in 1960s:

106

Overall Rank:

976

Average Rating:

 79 (407 votes)

Comments:

15

977.

Amok 

 Atoms For Peace

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"Everyone of course this sounds like Thom Yorke's solo project. The reason the band formed was to initially perform songs from The Eraser live, a few years later they decided to release an album so that's why it sounds similar. Flea is so talented, you think the only way he knows how to play bass ...""Everyone of course this sounds like Thom Yorke's solo project. The reason the band formed was to initially perform songs from The Eraser live, a few years later they decided to release an album so that's why it sounds similar. Flea is so talented, you think the only way he knows how to play bass is the funky RHCP way, no he can do this too. This isn't supposed to sound like a brand new band it's a continuation of The Eraser. And it's freaking amazing."  [+]  Reply

- shanelovesyou1111 | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2013

Appears in:

349 charts

Rank Score:

1,779

Rank in 2013:

15

Rank in 2010s:

140

Overall Rank:

977

Average Rating:

 75 (598 votes)

Comments:

58

978.

Liege & Lief 

 Fairport Convention

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"This group has one of the most interesting and unique dynamics amongst any folk group I have listened to and that keeps this record engaging even during the slower moments. To start with there is the fantastic vocal performance which is classically British and leads the instrumentation perfectly....""This group has one of the most interesting and unique dynamics amongst any folk group I have listened to and that keeps this record engaging even during the slower moments. To start with there is the fantastic vocal performance which is classically British and leads the instrumentation perfectly. It fits the style of music so well and the energy and rawness she can put into her voice is simply stunning. She absolutely dominates songs like Tam Lin and Matty Groves where she makes those songs fill with life and emotion. Then there is the stellar cast backing up Sandy Denny with Dave Swarbrick and Richard Thompson being the most significant. The instrumental performances these two put in are simply phenomenal and they take some of the songs here to the next level. The viola especially is absolutely beautiful on this album and is so delicately played that you can only sit back and admire what you are listening to. Everything then comes together to form this unique classic sound that transports you back to an easier time and creates a wonderful atmosphere to enjoy. Overall, a thoroughly enjoyable album with some outstanding performances that are just a joy to be able to experience. "  [+]  Reply

- Untitled | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1969

Appears in:

318 charts

Rank Score:

1,775

Rank in 1969:

29

Rank in 1960s:

107

Overall Rank:

978

Average Rating:

 79 (345 votes)

Comments:

14

979.

Youth Of America 

 Wipers

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"correction: this album is not excellent.... it's PERFECT !"  Reply

- cartoken | Helpful?  (Log in to vote) | +6 votes (6 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1981

Appears in:

261 charts

Rank Score:

1,771

Rank in 1981:

12

Rank in 1980s:

152

Overall Rank:

979

Average Rating:

 81 (249 votes)

Comments:

11

980.

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Zuma 

 Neil Young & Crazy Horse

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"Zuma ranks as one of the very best and consistent of Neil's huge catalogue. In my opinion it's vastly superior to his more celebrated but, in truth, uneven works like Goldrush and Harvest. Nowhere, Tonight, Rust and Zuma are the essential Young albums to have in any music collection."  Reply

- hairymarx1 | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1975

Appears in:

378 charts

Rank Score:

1,770

Rank in 1975:

14

Rank in 1970s:

198

Overall Rank:

980

Average Rating:

 80 (546 votes)

Comments:

22

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Total albums: 10,000. Page 98 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	2	0%
1940s	34	0%
1950s	302	3%
1960s	708	7%
1970s	1,424	14%
1980s	1,415	14%
1990s	1,600	16%
2000s	1,725	17%
2010s	1,967	20%
2020s	823	8%

Artist	Albums	%
Bob Dylan	37	0%
The Rolling Stones	35	0%
David Bowie	32	0%
The Beatles	29	0%
Miles Davis	27	0%
Neil Young	26	0%
Various Artists	25	0%
Show all

Country	Albums	%
	4,999	50%
	2,657	27%
	431	4%
	337	3%
	221	2%
	157	2%
	134	1%
Show all

Compilation?	Albums	%
No	9,729	97%
Yes	271	3%

Live?	Albums	%
No	9,737	97%
Yes	263	3%

Soundtrack?	Albums	%
No	9,885	99%
Yes	115	1%