part 2 of You must listen to the album below you:canon edition by Mercury
- Chart updated: 03/15/2022 17:15
- (Created: 08/26/2021 19:56).
- Chart size: 100 albums.
There are 0 comments for this chart from BestEverAlbums.com members and this chart has not been rated yet. Please log in or register to leave a comment or assign a rating.
View the complete list of 53,000 charts on BestEverAlbums.com from The Charts page.
This chart is currently filtered to only show non live albums. (Remove this filter)
The opening track, "It's Gonna Be A Long Night", I heard many many times when I was a lad because it was on a sampler CD iirc. I remember thinking it was a fucking kickass Motorhead tribute with some hilarious lyrics and I honestly have been satying for years (randomly and to varying response) "You bring the razor blade and I'll bring the speed!". Bt I didn't know that song was from this album so when I heard that I got super excited and it sounds as good as ever. Then... every track after proceeds to not sound at all, not even a little, like it. Which cracks me up. This whole album basically doesn't ever repeat itself. Each track is recorded and produced immaculately and each track and sound is fleshed out and embodied beautifully and there are just gobs and gobs and gobs of ear-candy parts to this album. And what is also really cool as that the second half of the album actually manages to get stronger (to my ears) than the first half. It has a whimsical, soft, melodic vibe especially in the second half (as well as much of side A so to speak) that just makes me happy. The solo on "I Don't Want It" is stunning as is the entire track. Other songs like "Among His Tribe", "Captain", "Chocolate Town", "Tried and True" etc are allll executed beautifully.
Honestly I don't generally like my music to be too quirky or funny and part of me was worried when I went into this album that it would be goofy and silly and stupid - I recently had a bad experience trying to listen to and enjoy They Might Be Giants and so I was ready to just think this was not my thing. BUT somehow this album when it gets quirky and funny I find myself buying in somewhat and I really don't know why. "So Many People In The Neighborhood" in almost any other hands would annoy me. As would the ridiculous and quite funny "The F****d Jam", but on here they just work and they are strange and surreal enough and muiscally creative enough to not JUST make me laugh but also kind of just fascinate me as well. Super cool.
And it must be said again that the second half and really the last 30-40% of this album is just 1 amazing and incredible track after another. Just awesome. As I listened I found myself getting more and more familiar (duh) and more and more just kind of in love with this album. Now I listen again as I write this and after 2 or 3 days to marinate I already can see that coming back to this album is like coming back to have a chat with old dear friends. This was the first LP I listened to in this new year and after 4 listens its safe to say that I picked a great and almost instantly a favorite to start the year off with. Easily an 8-9/10. Likely to increase in love as the months and years go on. [First added to this chart: 01/05/2022]
I grew up with a father that LOVED Zeppelin. And there came a time when I just said "yeah, this is great and I can hear it but its not MY thing so bye bitchezzz". And that was a while back and that was a pretty thorough decision. I really haven't fucked with Zeppelin in long looong time. Basically, this is all a basic bitch way of saying, yeah these dudes were really good and some of these songs are fucking NEXTY LEVEL! They are groovy, heavy, artistic, passionate and cool as hell.
The album is NOT to me the best Zeppelin did, nor is it one of the great double albums. Much like All Things Must Pass this thing should have cut off most of the last 30% and if they had done that I think this may legitimately be up there with IV or, at least, II. On the strength of "Custard Pie", "The Rover", about 60% of the too long but really cool sounding "In My Time of Dying", "Houses of the Holy", "Trampled Under Foot", "Kashmir", "Bron Yr Stomp", and "Down by the Seaside" with a little last 3rd magic (not much of it) "The Wanton Song"... fuck that would be a TIGHT and damn near perfect 60-ish minute hard rock album. "Boogie With Stu" is okay actually, as is the overly sentimental yet surprisingly affecting "Ten Years Gone". Okay, so maybe this takes more listens and maybe if a I give it a few more listens I will start liking that post-persona;-burnout stage of the album. But yeah as of now 83 minutes of Zeppelin in a row even when its varied and pretty high quality like this, is just too much for me. Okay, fuck I'm rambling.
Some songs that legit blew me away more than anything else were "The Rover" (I love the whole flow and groove and badassery of that track sooo much.), and especially love that 2 song 1-2 punch of soft, truly unexpectedly gorgeous and legit moving songs with "Bron-Yr-Stomp" followed by "Down By The Seaside". (and to some degree "Ten Years Gone" but, again, it was a bit too dependent on the very very mawkish and irritating Plant vocals). I just love that they got so soft and earnest in the middle of this beast of a rock album. "Kashmir" I have heard too many times and I have heard TOO MUCH about it to enjoy it much, but I can acknowledge that is probably due to things other than the quality of the tune. There are other good ones. But really those first 3 songs mentioned in this paragraph are my personal faves as of now.
Overall It was really nice and refreshing (weirdly) to hear such a classic album by such a classic group - and to feel like I was NEWLY discovering this 47 years late.
Personal Zeppelin album ranks of those albums I really have much of a fresh or memorable impression of is IV>>II>Physical Graffiti>I>III>>>Houses of the Holy. [First added to this chart: 01/06/2022]
And I did enjoy this. I think this requires more than just these 2 listens I gave it. There was nothing here that blew my mind. Part sof their 2002 album did blow my mind especially in its heavier moments, but here they had toned down the heaviness to a large degree and there is a lot more swaggering rock and at times quite melodic art rock type stuff on display here by and large. There are some seriously killer rock songs here of course and I get why this is so adored and more so by the day this seems to be becoming a bit of a classic. I think "I Sat By The Ocean", "The Vampyre of Time and Memory", "If I Had tail", "My God is the Sun", "Fairweather Friends" and ESPECIALLY that 1-2 punch to close the album, "I Appear Missing" and "...Like Clockwork" are all damn fine and at times gorgeous and dark and excellently written and performed songs.
Yeah I think this is one that I really need to give a little space and then come back to because I can't find any critiques outside of it just not having anything that absolutely grabs me and blows my mind. It's hard to describe. Sometimes those types of albums are the ones that, when I return after a bit of time to ruminate, become truly important and special to me.
"I Appear Missing" is a damn masterpiece. So there is at least one touchstone that I look forward to coming back to here and that will probably increase as I come to more of that conclusion with other songs here over the next little while as I return to this. [First added to this chart: 03/15/2022]
As the album progresses I don't feel it ever quite hits that same peak performance of the opener. BUT there is a pretty consistent string of hits and great songs here. And as a cohesive album this does work really well. The fact that he went out and re-invented himself and his music so thoroughly in one master stroke is very inspiring artistically as well. I enjoyed Lonerism and his debut which I'm blanking on now. I enjoyed the retro sounds that he brought in to present classic sounds of the 60s and 70s while making the mixes beefier and more intense as a result of technological advancements. But... they never really hit me emotionally or at least not very deeply. With this album though I was much more immersed in the sound and the environment.
The opener is 10/10 modern masterpiece. Other great songs are , "Yes I'm Changing", "The Less I Know The Better", "Disciples", "'Cause I'm A Man", and the closer is quite nice as well. The songs that didn't do much for me are escaping me now (as they are expected to do as they are forgettable and they just get lost in the consistent vibe and flow of the album) outside of "Past Lives" which I found quite corny and not good. That was the only track as of now that I can point to as a bit of a bummer. Maybe it'll grow on me. Otherwise, this was an album that featured absurdly high highs and a consistent synth heavy, danc-y, melancholic, inspiring while still being quite somber sound and atmosphere, the melodies and the vocals are pretty damn good, the bass work is stellar and the drum SOUNDS are so crisp and beautiful and the Synths and the way they are manipulated and, with almost infinite creativity, played with and mixed, its a good GOOD (dare I say GREAT?) album.
I'm a little perplexed as to why I couldn't dedicate 51 minutes of my time to listening to this these last 6 or 7 years. It's really impressive. [First added to this chart: 03/15/2022]
This album has several stand outs and songs I really really enjoy. Namely, “Badlands” is a killer opener, “Racing In The Street” strikes me as one of the rare moments when I really feel myself move emotionally with the music, and the closing title track is also pretty great. There are other songs that are famous and revered and I like them well enough. But, mostly, this album doesn’t do too much for me. It certainly wasn’t the album to win me over to the Bruce Springsteen fan club. After 2 listens for this game, I feel I know this album well enough and I am glad I have heard it. It certainly is more tragic and desperate in tone than Born To Run which is an interesting development. 3/5 or so to my ears. [First added to this chart: 03/15/2022]
Okay, so did I like this album? Yes, I thought it was pretty good. Not sure if I ever loved it. But generally it was fine. Some of the over-the-top theatrics and things were BOTH the big turn offs and the selling points. They really get into it with full bodied vigor at times, and these are some HUGE moments, massive guitar parts, big soaring vocals and screams while always being quite melodic, massive drum sound, it all comes to a head and kicks ass and I can hear the appeal and at times even old curmudgeon/sad sack like me was getting a bit into it. But also about 60% or so of the time when these songs and concepts would crescendo I would feel like I was distant and unmoved and kind of “meh” about it.
The flow of the album is pretty fine I think. There are enough high points throughout mixed with the more low key building, “artsy” parts ( I think I like the more low key moments slightly more, as a side point), so almost always 5 minutes in any direction there is bound to be something new and dramatic or pretty.
More specifics and so forth are hard to dredge up. The most “popular” I guess - the ones with the little star beside them on apple music, - were the most clearly the BIG ballsy dramatic rock songs and those were the ones I was least interested in and the ones that I was most expecting to some degree. It was the low key stuff that I enjoyed the most.
I had a hard time making myself listen to this in full in one sitting. That is due to my musical preferences to some degree of course, but also that is a reflection of m,y mood the last few weeks. I haven’t been drawn as much to music for a little while. A Bit of a musical obsession lull is where I’m at. More work and audiobooks lately. And the albums that have been the ones that have been on consistent rotation lately have NOT been rock records, but more re-re-re-re-re listens of Reign In Blood and Adrianne Lenker’s songs album, as well as some Big Thief albums. Haven’t been in the mood for rock (anthemic and big rock stuff - big thief is rock of a kind), which is making this BEA, rock-loving, list a little tough to get excited about. Oh and my top 100 chart and the inclusion of songs and reign in blood in my personal top 3 is indication of my adoration that has developed or newly developed the last year for those albums. (that was a major random factoid disrelated utterly from Origin of Symmetry, apologies. [First added to this chart: 03/15/2022]
The change stylistically is really interesting. The more electronic beat sound mostly works quite well. The production is good. The vocals are solid. All these facets are great. I still consider her 1995 album to be her best I've heard by a mile, but its a bit unfair to compare to that album as I have heard it dozens more times and I grew up with it and I didn't always adore that album. It took years for it to become a special favorite, and perhaps with the years and decades this will blossom as one of my faves ever as well. I think i definitely do like this more than her first 2 albums. Is This Desire? just has such a dark atmosphere and vibe. It sounds like little vignettes of people going through some serious shit.
Anyway, this gets a 3.5 to 4 out of 5 now. It's great. [First added to this chart: 03/15/2022]
Don't agree with this chart? Create your own from the My Charts page!
part 2 of You must listen to the album below you:canon edition composition
Decade | Albums | % | |
---|---|---|---|
1930s | 0 | 0% | |
1940s | 0 | 0% | |
1950s | 2 | 2% | |
1960s | 7 | 7% | |
1970s | 12 | 12% | |
1980s | 6 | 6% | |
1990s | 35 | 35% | |
2000s | 24 | 24% | |
2010s | 14 | 14% | |
2020s | 0 | 0% |
Artist | Albums | % | |
---|---|---|---|
|
|||
Neurosis | 2 | 2% | |
Charles Mingus | 2 | 2% | |
Queens Of The Stone Age | 2 | 2% | |
ボリス [Boris] | 2 | 2% | |
Isis | 2 | 2% | |
フィッシュマンズ [Fishmans] | 2 | 2% | |
Between The Buried And Me | 2 | 2% | |
Show all |
Country | Albums | % | |
---|---|---|---|
|
|||
55 | 55% | ||
17 | 17% | ||
5 | 5% | ||
5 | 5% | ||
3 | 3% | ||
3 | 3% | ||
2 | 2% | ||
Show all |
part 2 of You must listen to the album below you:canon edition chart changes
There have been no changes to this chart.part 2 of You must listen to the album below you:canon edition similar charts
- Top 100 Greatest Music Albums by pjohnsongolf (2023)
- Top 100 Greatest Music Albums by TheHolyKiwi (2018)
- Top 100 Music Albums of the 1990s by Mercury (2022)
- Top 100 Greatest Music Albums by atalkshowhost (2023)
- Top 100 Greatest Music Albums by Greendonut227 (2018)
- Top 100 Music Albums of the 1990s by pjr428 (2022)
- MY METAL 100 by Mercury (2023)
- Top 50 Music Albums of the 2000s by 0129114 (2021)
- Top 100 Music Albums of the 2000s by TheHolyKiwi (2017)
- Top 100 Greatest Music Albums by Thad (2020)
part 2 of You must listen to the album below you:canon edition similarity to your chart(s)
Not a member? Registering is quick, easy and FREE!
Why register?
- Join a passionate community of over 50,000 music fans.
- Create & share your own charts.
- Have your say in the overall rankings.
- Post comments in the forums and vote on polls.
- Comment on or rate any album, artist, track or chart.
- Discover new music & improve your music collection.
- Customise the overall chart using a variety of different filters & metrics.
- Create a wishlist of albums.
- Help maintain the BEA database.
- Earn member points and gain access to increasing levels of functionality!
- ... And lots more!
Register now - it only takes a moment!
Other custom charts by Mercury
Bob Dylan Chart by Mercury (2021)My special, boyhood list by Mercury (2021)
60 Shades of the Deep Blues by Mercury (2022)
1960s Singer/Songwriter Albums by Mercury (2017)
Top 50 1970 Singer/Songwriter Albums by Mercury (2017)
101-200 Albums of 2021 by Mercury (2022)
part 1 of You must listen to the album below you:canon edition by Mercury (2022)
2021 Spill Over, One-And-Dones by Mercury (2021)
part 3 of You must listen to the album below you:canon edition by Mercury (2022)
MY METAL 100 by Mercury (2023)
part 2 of You must listen to the album below you:canon edition ratings
Not enough data Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AVwhere:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
Please log in or register if you want to be able to leave a rating
part 2 of You must listen to the album below you:canon edition favourites
Please log in or register if you want to be able to add a favourite
part 2 of You must listen to the album below you:canon edition comments
Be the first to add a comment for this Chart - add your comment!
Please log in or register if you want to be able to add a comment
Your feedback for part 2 of You must listen to the album below you:canon edition
A lot of hard work happens in the background to keep BEA running, and it's especially difficult to do this when we can't pay our hosting fees :(
We work very hard to ensure our site is as fast (and FREE!) as possible, and we respect your privacy.