Explore the overall rankings of the best albums in history, based on over 2 million album rankings across 60,000 chartsClick to see how the rankings are calculated.
Last updated: 1 hour ago
You can customise how this chart is generated, browse the individual charts constituting the overall rankings from The Charts page, or submit your own chart from the My Charts page!
"I've always loved Lonerism, but when this came out, I was still in the "I grew up on Pink Floyd and Led Zeppelin and know that hip-hop and pop are stupid" mindset. So I didn't really like it. Coming back to it after a few years, I can definitely enjoy it more, though its still no Lonerism (but th...""I've always loved Lonerism, but when this came out, I was still in the "I grew up on Pink Floyd and Led Zeppelin and know that hip-hop and pop are stupid" mindset. So I didn't really like it. Coming back to it after a few years, I can definitely enjoy it more, though its still no Lonerism (but then again, not much is). The synth instrumentation is quite enjoyable, and the rhythmic portion is pretty good for the most part. I find a bit of hip-hop influence, but mostly pop; however Kevin doesn't fully go pop and give it that annoying inhuman sheen that makes generic radio-pop so annoying to listen to. The melodies are pretty great as usual, songwriting has always been Kevin's strong suit, though a few of the songs do fall flat (past life). Overall it feels a little indulgent, but its a fun and carefree listen.
80/100 (Fairly Good)"Reply
"This album is PERFECTION. There is not a weak track, and at 10 songs/38 minutes, it never overstays its welcome. It's hard to categorize or even describe this album, it's just so unique thanks to Elizabeth Fraziers' beautiful voice, some creative vocal overdubs, Robin Guthrie's soaring and spacio...""This album is PERFECTION. There is not a weak track, and at 10 songs/38 minutes, it never overstays its welcome. It's hard to categorize or even describe this album, it's just so unique thanks to Elizabeth Fraziers' beautiful voice, some creative vocal overdubs, Robin Guthrie's soaring and spacious guitar sound, and Simon Raymonde's driving and throbbing bass lines. The sound is great too, particularly the remastered editions."Reply
"I think the reason why Pinkerton was panned when it was released was because the feelings it evokes are almost the exact opposite of those on the Blue Album. Even some of the darker songs from the Blue Album, like "The World Has Turned", were still fun to just sing along to, and you could play it...""I think the reason why Pinkerton was panned when it was released was because the feelings it evokes are almost the exact opposite of those on the Blue Album. Even some of the darker songs from the Blue Album, like "The World Has Turned", were still fun to just sing along to, and you could play it whenever you wanted. Pinkerton, on the other hand, is supposed to be shocking; Rivers licking a fan's envelope and imagining her masturbate to him is a lot weirder than his younger self pretending to have sex with his ex in bed.
With that said, people also didn't like Rivers' reactions to the rock life style. Many people would pay for all the sex he says he's tired of. They don't see why he's trying to get in his relationships, and their opinions are made even lower by the fact that he can't keep them. Of course, their's the aforementioned fan mail licking. What probably makes people's opinions of Pinkerton so low, though, is that Rivers, or at least the narrator of each song, has no confidence. Nobody likes someone who lacks confidence, and to most people it comes to no surprise that Rivers has all these failures in relationships.
One could argue the mood of the album changes entirely once "The Good Life" starts playing. Yes, Rivers still has his girl troubles, but he approaches relationships with much more confidence than before; the pain he might get from a bad or broken relationship doesn't faze him. He then finally gets the girl in "Falling For You", but loses her just as quick as he got her in "Butterfly". All he can say is that he's sorry for being this guy who wants a girl's love but can't give it back, for being selfish. This song sums up the message of the album: If you're looking for true love, you can't just fantasize about it; you have to go out, find it, and give it to someone.
The songs reflect the character of each half of the album. The first half is noticeably more dark than the second and the tracks are harder to get into. Even long=time listeners may not be at ease when those songs are playing. Still, this half of the album is great because Rivers managed to pull off this unsettling mood perfectly. The second half takes its character from Rivers' new found confidence, and thus it makes perfect sense that all the singles are on this side. People who listen to Pinkerton for the first time will, almost certainly, connect with this half better than the first. Personally, I'd argue this stretch of songs is the best that Rivers has ever written.
I think what makes Pinkerton so amazing is that it does so many different things so well. It catches the listener off guard and talks about the keys to finding love while still having those great hooks and riffs that Weezer is known for. You can't go wrong with the pure fun of "El Scorcho", one of the best rock choruses ever in "The Good Life", the epic finale of "Falling for You", the acoustic beauty of "Butterfly", the sheer despair of "Across the Sea", the pure pop of "Why Bother?", along with whatever else these tracks have to offer.
On a final note, after listening to Pinkerton I can understand why Rivers doesn't make music as good as he used to: he doesn't want to make another album about him being unable to deal with fame. You can tell by just reading his lyrics that making this album was emotionally taxing. He just wants to make his album and tour, then go back to his family. As long as I have the Blue Album, Pinkerton, and the occasional good Weezer song like "Pork and Beans", I'm okay with that."Reply
"Bullshit that this is behind Is This It, Amnesiac, and Origin of Symmetry for the year (not to mention the all-time list) because this album is vastly superior and more original"Reply
"An absolute classic, an essential seventies album. Lou Reed always had a pop mentality even in his most inaccessible moments, and, transformer, with production help from David Bowie, helps to mold Reed's songs into a tight rock/pop album. It's full of that camp seventies New York attitude, and fe...""An absolute classic, an essential seventies album. Lou Reed always had a pop mentality even in his most inaccessible moments, and, transformer, with production help from David Bowie, helps to mold Reed's songs into a tight rock/pop album. It's full of that camp seventies New York attitude, and featuring all great outcast characters Reed is so good at writing about. Vicious, kicks things off in bitchy style, and that's followed by the nonsensical, Andy's chest. The most famous songs off course are the transgender, walk on the wild side, satellite of love, and, perfect day, all are excellent. Other standouts are the coming out anthem, make up, and the brilliant closing track, the late night jazz number, goodnight ladies. Transformer, is Reed's ultimate pop record, if you can call it pop, and one of his very best. "Reply
"Here is my review for this album. It is my opinion, as you all have yours. And as I respect your opinions, please respect mine. 1. Intro- 7/10 It was a good starter to the album and gets you into the mood, but definitely cannot compete with many of the other songs in this album. 2. Last Living So...""Here is my review for this album. It is my opinion, as you all have yours. And as I respect your opinions, please respect mine.
1. Intro- 7/10
It was a good starter to the album and gets you into the mood, but definitely cannot compete with many of the other songs in this album.
2. Last Living Souls- 7.5/10
I found this song okay, it had a nice middle part in which the key changed, but other than that it wasn't anything special.
3. Kids With Guns- 8/10
At first, I couldn't stand the song, but after listening to it after a while, I started to enjoy it even more. And the lyrics are really interesting.
4. Oh Green World- 8/10
I really like the moving line in the background a lot, but not so much the vocals.
5. Dirty Harry- 9/10
This was a really interesting song, different in a good way. The chorus was really catchy, along with the synthesizer line after it. The rap was enjoyable, too, but could be better.
6. Feel Good Inc.- 10/10
This song does't deserve anything less than a ten. The lyrics are so meaningful, and the riffs can compete with other legendary songs like Smoke on the Water.
7. El Mañana- 8/10
Another average song, but still pretty enjoyable, as the lyrics were very meaningful.
8. Every Planet We Reach is Dead- 8/10
The beginning started of nice, but then got a little boring in my opinion.
9. November has Come- 9/10
I enjoyed the chorus and the rap a lot. What I really like about this song, though, is that it is like a flashback to when rap was invented, where people would have rap battles and throw insults back and forth and the best insults and rhymes win.
10. All Alone- 9.5/10
This is one of my favorite songs Gorillaz has ever made. It has a great base line and the ending was incredible. The only thing is that the rap didn't make much sense to me.
11. White Light- 4/10
I just didn't get it one bit. It was more like noise than music to me.
12. Dare- 9.5/10
Another really catchy Gorillaz song. This song captivated you through the end and once it reaches the end, you just want to replay it.
13. Fire Coming Out of the Monkey's Head- 8/10
This was okay, but I wished Damon Albarn just sang in it instead of talk.
14. Don't Get Lost in Heaven- 8.5/10
This song was just so beautiful, but too short. I felt that it was just missing something that would make it a complete song.
15. Demon Days- 10/10
This was also really beautiful. The beat towards the end was so relaxing, and the choir's voice matched it so perfectly, I felt that I could get lost in heaven listening to it all day."Reply
"It's probably difficult to find a lead singer with such a deep, bass voice with songs this consistently good, able to vary up his vocal delivery enough to keep it all interesting. (See crash test dummies for an opposite example.) They're sort of an understated, inward-indie version of The Hold St...""It's probably difficult to find a lead singer with such a deep, bass voice with songs this consistently good, able to vary up his vocal delivery enough to keep it all interesting. (See crash test dummies for an opposite example.) They're sort of an understated, inward-indie version of The Hold Steady, with jams that rock, just not in a customary ROCK way. Tough for me to pick a favorite on this album. "fake empire" is the full boxer introduction, with subtly paranoid lyrics ("Tiptoe through our shiny city / With our diamond slippers on / Do our gay ballet on ice / Bluebirds on our shoulders") and a building of horns and piano to the end which is quite engaging. "mistaken for strangers" is where the lower-case rawk starts, with the pounding drums and clanging guitars setting up mr invisible ("Oh, you wouldn't want an angel watching over / Surprise, surprise, they wouldn't wanna watch / Another un-innocent, elegant fall / Into the un-magnificent lives of adults"). In love with a smart woman in "brainy", the guitars are more intricate and atmospheric but the drums are still energetic as the song seems like a lazy stalker song with a chorus of "You might need me more / Than you think you will / Come home in the car you love / Brainy, brainy, brainy" (but i think they're already in a relationship). Love the drums on "squalor victoria" too, with a string section that adds some spooky tension, giving way to piano and lines like "Out of my league, I have birds in my sleeves / And I wanna rush in with the fools". "slow show" wants to "get my shit together", almost seductive in a nerd/oaf way singing "I wanna hurry home to you / put on a slow, dumb show for you / and crack you up". There's a urge to hole up inside with a loved one in "apartment story" ("We?ll stay inside till somebody finds us / Do whatever the TV tells us / Stay inside our rosy-minded fuzz for days")."Reply
"This was the first CD I ever bought. got it when I was in 4th grade and absolutely loved it. Being in 12th grade and more musically experienced I can say that this album is OK. However I have fun remembering the times from my younger years listening to this album. From something as simple as sing...""This was the first CD I ever bought. got it when I was in 4th grade and absolutely loved it. Being in 12th grade and more musically experienced I can say that this album is OK. However I have fun remembering the times from my younger years listening to this album. From something as simple as singing Holiday and Boulevard of Broken Dreams to the time I freaked my mom out because i used her eyeliner trying to look like billy Joe Armstrong. XD!"Reply
"This is a fun, and very British album. It’s got whimsy lyrics and a somewhat sparse but pastoral sound paired with pristine production and incredible harmonies. Picture books is masterpiece of indie rock pop songwriting and will be the one song to stay stuck in your head for days aside from every...""This is a fun, and very British album. It’s got whimsy lyrics and a somewhat sparse but pastoral sound paired with pristine production and incredible harmonies. Picture books is masterpiece of indie rock pop songwriting and will be the one song to stay stuck in your head for days aside from every other song on the album."Reply
"This album is brilliant from the the first bass notes of "Black Cow" to the last notes of "Josie." "Deacon Blues" is one of my all-time favorite songs."Reply