2024 outliers by 
DommeDamian 
- Chart updated: 05/24/2025 21:15
- (Created: 05/24/2025 20:58).
- Chart size: 100 albums.
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65/100
Three months after Hisses Without Kisses, that contains the greatest piece of noise music I have ever heard (I), perhaps, Borderline Issues releases a new collection of noisy cuts with Undelights. The first track, The End Begins In Here is a 10-minute attempt at psychology, and although it is well-composed, it isn't as hitting as it sets itself out to be. Still, I enjoyed it. From the get-go, Hurtful Encounters is clearly more effective. Featuring static cutlery (?), cryptic snorting and high frequency in the background, it descends with vocals that are so surreal, so surreal. These vocals are replaced with more scratching noises, the sensory of mine is a toss between waking up in a circle of hell, or being in the middle of a psychical operation. By all means, this is excellent, one of BI's best compos. The first three and a half minutes of Overwhelming Wheel is overproduced. I started to vibe to a rhythm lying underneath until it was too difficult, making this track hard for me to "get". It's super deficient until we get to around the 3:28 mark, where it breaks into a pipe of foul noise with much more sonic companionship. Although it still isn't enough to reach the heights of Hurtful Encounters, it still was a lot more impactful than the first part of the song. Vampirish Lusts is another more-than-one-act tune, the first one being two minutes that I honestly have a hard time not zoning out to; the second one has a cool effect on the vocals and distorted synth. I loved that part so clearly, it elevated the whole song, also with the way the tension builds up and the dramatic melody; the third and last minute of the cut being more heavy noise, good pleasant surprise. Borderline Issues surely knows how to make the harshness sound purposeful. The last of the bunch, Bad Dreams is the longest track, at 12 minutes, that reminds me of the Nightmarish Paths cuts. Being less noisy than the previous four, it feels like I'm in the scariest video game catacombs or library. If Borderline Issues wanted to try making soundtracks, I'm more than willing to listen to that.
Even though no song quite reaches the depths or highs of the first track on Hisses Without Kisses, Undelights is a more consistent effort. If you are a harsh noise fan, there is no reason in the world not to check out this discography.
Three months after Hisses Without Kisses, that contains the greatest piece of noise music I have ever heard (I), perhaps, Borderline Issues releases a new collection of noisy cuts with Undelights. The first track, The End Begins In Here is a 10-minute attempt at psychology, and although it is well-composed, it isn't as hitting as it sets itself out to be. Still, I enjoyed it. From the get-go, Hurtful Encounters is clearly more effective. Featuring static cutlery (?), cryptic snorting and high frequency in the background, it descends with vocals that are so surreal, so surreal. These vocals are replaced with more scratching noises, the sensory of mine is a toss between waking up in a circle of hell, or being in the middle of a psychical operation. By all means, this is excellent, one of BI's best compos. The first three and a half minutes of Overwhelming Wheel is overproduced. I started to vibe to a rhythm lying underneath until it was too difficult, making this track hard for me to "get". It's super deficient until we get to around the 3:28 mark, where it breaks into a pipe of foul noise with much more sonic companionship. Although it still isn't enough to reach the heights of Hurtful Encounters, it still was a lot more impactful than the first part of the song. Vampirish Lusts is another more-than-one-act tune, the first one being two minutes that I honestly have a hard time not zoning out to; the second one has a cool effect on the vocals and distorted synth. I loved that part so clearly, it elevated the whole song, also with the way the tension builds up and the dramatic melody; the third and last minute of the cut being more heavy noise, good pleasant surprise. Borderline Issues surely knows how to make the harshness sound purposeful. The last of the bunch, Bad Dreams is the longest track, at 12 minutes, that reminds me of the Nightmarish Paths cuts. Being less noisy than the previous four, it feels like I'm in the scariest video game catacombs or library. If Borderline Issues wanted to try making soundtracks, I'm more than willing to listen to that.
Even though no song quite reaches the depths or highs of the first track on Hisses Without Kisses, Undelights is a more consistent effort. If you are a harsh noise fan, there is no reason in the world not to check out this discography.
Year of Release:
2024
Appears in:
Rank in 2024:
None
Rank in 2020s:
None
Average Rating:
Comments:
0
Buy album
- #Sponsored
60/100
The artist said it to me himself, this is not my style of music. But I really have to admit, there is a lot more of an idealistic approach to the Borderline Issues music compared to about 96% of harsh noise music I have heard during my lifetime. What I mean by that, Hisses Without Kisses contains a sonic backbone, a druggy undertone and above all, a psychological twist to make it stand out. That was also the case for its predecessor, Nightmarish Paths, and even though HWK isn't as musically pristine as that record, I still admire some of the tough waves coming through here. I is basically a feline sound, incredibly distorted, but engineered to make it sound straight out of a terrifying fever nightmare. Minute by minute, the noise's initial identity clutters into pure torture static in an ocean of violent soundwaves. This sound art is not for the faint-hearted and for that I applaud.
Though the next number, II, is not for me, typical harsh noise without anything interesting - though not the worst thing ever. Some of the distorted bumps sounds like it was mixed on a 2000s PC, not very good sonically. Those two numbers lasts almost ten minutes each, and the last one is clocking in under three: III, which features some sequences that reminds me of industrial waterpipes out of control. Honestly very cool. So yeah, enjoyable little noise project 2/3 tunes.
And I can already see this on my chart as my favorite Harsh Noise album I have heard ever.
The artist said it to me himself, this is not my style of music. But I really have to admit, there is a lot more of an idealistic approach to the Borderline Issues music compared to about 96% of harsh noise music I have heard during my lifetime. What I mean by that, Hisses Without Kisses contains a sonic backbone, a druggy undertone and above all, a psychological twist to make it stand out. That was also the case for its predecessor, Nightmarish Paths, and even though HWK isn't as musically pristine as that record, I still admire some of the tough waves coming through here. I is basically a feline sound, incredibly distorted, but engineered to make it sound straight out of a terrifying fever nightmare. Minute by minute, the noise's initial identity clutters into pure torture static in an ocean of violent soundwaves. This sound art is not for the faint-hearted and for that I applaud.
Though the next number, II, is not for me, typical harsh noise without anything interesting - though not the worst thing ever. Some of the distorted bumps sounds like it was mixed on a 2000s PC, not very good sonically. Those two numbers lasts almost ten minutes each, and the last one is clocking in under three: III, which features some sequences that reminds me of industrial waterpipes out of control. Honestly very cool. So yeah, enjoyable little noise project 2/3 tunes.
And I can already see this on my chart as my favorite Harsh Noise album I have heard ever.
Year of Release:
2024
Appears in:
Rank in 2024:
None
Rank in 2020s:
None
Average Rating:
Comments:
Total albums: 2. Page 1 of 1
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2024 outliers composition
| Artist | Albums | % | |
|---|---|---|---|
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|
|
| Borderline Issues | 2 | 2% | |
| Haley Heynderickx | 1 | 1% | |
| Cristóbal Avendaño & Silvia Moreno | 1 | 1% | |
| Amaro Freitas | 1 | 1% | |
| Claire Dickson | 1 | 1% | |
| Shabaka | 1 | 1% | |
| Novo Amor | 1 | 1% | |
| Show all | |||
| Country | Albums | % | |
|---|---|---|---|
|
|
|
|
|
| |
52 | 52% | |
 |
20 | 20% | |
| |
5 | 5% | |
 |
3 | 3% | |
 |
3 | 3% | |
 |
2 | 2% | |
 |
2 | 2% | |
| Show all | |||
2024 outliers similarity to your chart(s)
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