Listed below are the best albums of the 1960s as calculated from their overall rankings in over 59,000 greatest album charts. (Chart last updated: 5 hours ago).
"This is an album which I've felt many ways about at many different times. When I first heard it I thought it was an emperor's new clothes situation. I heard all the glowing reviews, heard the story of Skip Spence, the way this ramshackle, indescribable album influenced a lot of my favorite artist...""This is an album which I've felt many ways about at many different times. When I first heard it I thought it was an emperor's new clothes situation. I heard all the glowing reviews, heard the story of Skip Spence, the way this ramshackle, indescribable album influenced a lot of my favorite artists like Uncle Tupelo and Tom Waits, and then I heard the album and I was like "Man, this is just sloppy.".
Then I came back to it, Something was calling me. There was something going on here. I just couldn't put my finger on it. I listened and I liked it! Then I listened again and I liked it more! Then, that moment came when it was 2am, I couldn't sleep, and the day was long behind and before me, I was a bit down and lost in my own head. I sat in my livingroom with almost no light outside of that emanating from my computer screen, and I just listened to this record. It was glorious. There is something here especially in tracks like "Weighted Down" and "Grey/Afro" and "Diana" which is low and so deeply broken hearted and lost that I just can't wrap my head around how Spence managed to capture such feelings.
And on other tracks, like the constantly off kilter, sweetness of the opener "Little hands", there is something weird happening. Like the music isn't where I would ever expect it to be, the drums and the guitars are doing things at weird times which don't make sense! But the result is something special and strange and peerless.
The record, again, is sloppy. And it is not a normal record at all. But the state of mind that the record captures is so rare, and its so unique and insightful into Spence's mental state that the album is just too good to ignore.
Oh and a few quick thoughts: its super cool that spence recorded everything by himself here. Or at least almost everything, I'm pretty sure he literally plays everything himself here. His voice is all over the place, and the interesting throughout, it makes me sad that a 22 or 23 year old can wheeze out lines like "Diana, I am in pain" with such heartbreak and realness. I mean the kid was a kid. But already was dredging up the ugliest realities of life that I wouldn't expect anyone to feel at all or if ever until much later in life. Another random rapid fire thought: the guitar playing in "War In Peace" is so sharp and screaming and intense its really jawdropping. "weighted Down" is the deepest blues you'll hear from anyone not named Blind Willie Johnson, or Tommy Johnson, or Blind Lemon Jefferson,e tc. Its on this track that I can hear some roots to similar ramshackle americana veins mined by Waits in albums like Mule Variations and Bone Machine.
Okay, that's all. This is an album almost sure to rise in my mind, due to just digging its claws deep into my psyche, until I can't listen to anything else. That inevitability hasn't happened yet. Still this is crazy good and probably should be higher than other albums on my list.
Rating: 9.1/10"[+]Reply
"This album is mentioned as a prime example of "What Rudy Van Gelder Did 'Wrong'" in an article under that title at the Reverb com site, which is a gear trading site all musicians go to. I recommend doing a search for that title and checking out the article for a brief but excellent discussion of ...""This album is mentioned as a prime example of "What Rudy Van Gelder Did 'Wrong'" in an article under that title at the Reverb com site, which is a gear trading site all musicians go to. I recommend doing a search for that title and checking out the article for a brief but excellent discussion of RVG (the superstar recording engineer for Blue Note records as I'm sure you know if you're here) and his recording techniques that he tried to keep secret, including comments from those who hate this kind of recording. On this album, the article says "Blakey’s drums are like a series of explosions, nearly blowing out the microphones and thoroughly drowning out Cedar Walton’s piano and Reggie Workman’s bass." It also says, and I agree, that this album is "some of the most visceral and exciting jazz you’ll ever hear in your life.""[+]Reply
"First of all boys, nothing like this LP was ever released by Decca in the UK. It is a mish-mash of an EP, Singles, a UK B-side, and random album tracks put together this way only because of the greed of London Records. An album was supposed to be released that contained only tracks recorded at th...""First of all boys, nothing like this LP was ever released by Decca in the UK. It is a mish-mash of an EP, Singles, a UK B-side, and random album tracks put together this way only because of the greed of London Records. An album was supposed to be released that contained only tracks recorded at the infamous Chess Studios but it never came to be. Every comment on this site completely misses the boat on this album except for one. The treasures are the Chess songs recorded in true stereo. The real Stones, with Brian Jones, only recorded at Olympic Studios, London, RCA Studios, Hollywood, and Chess Studios, Chicago. Only the studio and engineers at Chess were able to capture the Stones at their best. This LP contains 6 tracks from I believe two Chess sessions. These are the true gems. These tracks were not "rushed", since many of the musicians they idolized, Howlin' Wolf, Chuck Berry, Willie Dixon, Muddy Waters, etc recorded primarily at Chess. They were challenged to play Chicago Blues as competently as they could. "Congradulations" is an enjoyable cut but is a pedestrian effort from the Glimmer Twins along with "Grown Up Wrong". The Stones cover of Bobby Womack's "It's All Over Now" hit #1 in the UK. This album contains the version of "Time Is On My Side" that was recorded at Olympic, not the superior version laid down at Chess but it still hit #1 in the UK. The other track of note is the cover of The Drifters "Under the Boardwalk" which actually hit #1 in Australia. As one can see from reading the aforementioned remarks, this LP is ranked abysmally low on this site."[+]Reply
"Although it's not quite as inventive as his later records, this is my personal favorite of Scott Walker's albums. His voice stands out as an incredible force that very few can compare to. Many of the best songs are from the Jacques Brel catalog that Walker borrowed from so often early on, and his...""Although it's not quite as inventive as his later records, this is my personal favorite of Scott Walker's albums. His voice stands out as an incredible force that very few can compare to. Many of the best songs are from the Jacques Brel catalog that Walker borrowed from so often early on, and his selections are excellent. "[+]Reply
"The Kinks' classic 1965 album "The Kink Kontroversy" has now also been released in a deluxe edition. The original mono album comprises CD 1 while CD 2 is an exciting mix of singles, demos, outtakes and BBC liverecordings. The original album ought not require a detailed presentation, one can only ...""The Kinks' classic 1965 album "The Kink Kontroversy" has now also been released in a deluxe edition. The original mono album comprises CD 1 while CD 2 is an exciting mix of singles, demos, outtakes and BBC liverecordings.
The original album ought not require a detailed presentation, one can only affirm that it is one of the most important early Kinks albums; not least because of strong songs like "To the End of The Day", "I'm on an Island, "Where Have All The Good Times Gone" and "Ring the Bells"
The same raw unpolished sound that characterizes the album is present on the contemporary single-tracks "Dedicated Follwer of Fashion," "Sitting On My Sofa" and "I'm Not Like Everubody Else" - all three well-known Kinks classics which are all included on CD 2 .
"Mr. Reporter" was at a certain point considered for Dave Davies never released solo album, but here you have a fine version with Ray Davies as lead singer.
Alternative versions of "Dedicated Follwer of Fashion" and "I'm Not Like Everybody Else" are found too - especially the former is very interesting.
"Time Will Tell" is a nice out-take, which probably never got the final touch - could easily have fitted the original album.
"And I Will Love You" is an unreleased EP number, which also sounds a little unfinished and sonically more would fit into "Kinda Kinks"
"All Night Stand" is a demo of a fine little song that was never used for any release.
Second half of the CD are BBC liverecordings, of which two have not been previously released.
All in all a nice release, where the sound is definitely better than on most previously issued CD versions of the album."[+]Reply
"Tracks 1 (reprised at 6), 2, and 5 are especially strong. A nice blend of traditional and modern styles (at least modern by 1964 standards). Still sounds fresh and dynamic all these years later. The middle two tracks are excellent as well, but not up to the level as the bookends. 9.5/10!"Reply
"The people rating this album are smoking dope. This is the highest form of high art. The most gifted band in Jazz, performing the most inspired music, live to a recording device. Nothing short of unbelievable what they pulled off here. This is one of a few albums that had every member at top form...""The people rating this album are smoking dope. This is the highest form of high art. The most gifted band in Jazz, performing the most inspired music, live to a recording device. Nothing short of unbelievable what they pulled off here. This is one of a few albums that had every member at top form, pushing one-another to stretch the boundaries of music, and Tony Williams was indeed the "creative spark." Miles could take any tune and make it evil, and this work starts out threatening, foreboding, and out of perfect step with the heavy tune titled Orbits. A historic tune on its very own. Then what do they lay down, but another gem in "Circles," and Herbie delivers a historic solo piece. Then "Footprints" rocks the world. If every song other than Footprints sucked, the album would still be required listening among jazz fans. They pull of voodoo magic with timing in that song, and Miles proves to the world that he could arrange like none other. Check Waynes version on Adam's Apple...he missed the boat with the direction and time changes, and Miles hit the nail on the goddamned head. As did the whole band. Dolores fits like a key in this album. But then, what do they lay down? They kill it with two of the hardest-driving tunes they could possibly produce. THE ENERGY in those tunes! You are littering in the Grand Canyon. You are filling Yosemite with a lake. YOU are blaspheming against God and Nature by not reckoning just how brilliant this album is. This album is one of the few 5 stars. "[+]Reply
""Walk Away Renee/Pretty Ballerina" reviews itself. Walk Away Renee and Pretty Ballerina are absolutely fantastic tracks, and the rest, although not bad, aren't worth a mention."Reply