Listed below are the best albums of the 2020s (so far) as calculated from their overall rankings in over 59,000 greatest album charts. (Chart last updated: 3 hours ago).
"In an out of nowhere splash Mckinley Dixon raps about home, urban life, contesting memories of childhood, lost friends and living communities. More specifically, the whole album is a Toni Morrison reference. The title invokes the 'Beloved trilogy' of Morrison historical fiction novels Jazz, Belov...""In an out of nowhere splash Mckinley Dixon raps about home, urban life, contesting memories of childhood, lost friends and living communities.
More specifically, the whole album is a Toni Morrison reference. The title invokes the 'Beloved trilogy' of Morrison historical fiction novels Jazz, Beloved and Paradise. If you haven't, read them, and not just because they will illuminate Dixon's work. Morrison's writing is the quintessential prose of contemporary America and its tangled traumatic history.
Though Dixon speaks of history, of how we are shaped by it and cannot place finality on its tectonic movements (that we could have such hubris to say history is past us), he is principally focused with themes of development and artistic solitude – the history here is a personal one where Dixon reflects on the memories in the lead-up to success. The opening track Hanif Reads Toni follows word for word an excerpt from Jazz and I think it is relevant in light of his many references to the city to continue on that reading a couple paragraphs forward in the chapter:
"Do what you please in the City, it is there to back and frame you no matter what you do... All you have to do is heed the design--the way it's laid out for you, considerate, mindful of where you want to go and what you might need tomorrow."
Perhaps the one thing that remains cloudy to me in this work is what Dixon's reading of Morrison is. He is certainly interested in how she represented the black urban experience in Jazz, however what else beyond that remains unclear. In some sense, there's a missed opportunity to interrogate the lasting and rather subtle implications of the trilogy's projection of Dante's Divine Comedy onto modern American racism. Morrison's writing is fundamentally about the unregulated system of sin and consequence which is inflicted with indifference onto African-American people, especially black women. Moreover, the revisionist historicity of Morrison's trilogy works to insert black women into a history where they are otherwise absent. Dixon offers little in the way of any direct inspection of these themes.
Dixon has definitely read Jazz though. In Dedicated to Tar Feather (the 'tar feather' here likely more a reference to torture tactics rather than Morrison's Tar Baby) he invokes the character Joe Trace's line "Don’t ever think I fell for you, or fell over you. I didn’t fall in love, I rose in it. I saw you and made up my mind." However, Dixon rejects the idea, using it to represent the loneliness of being an artist. The irony here, perhaps lost in the lyric, is that Trace himself is a fundamentally alone person. His mother left him without a 'trace' and his love expressed above is unrequited.
Maybe this is an over-reading of the album but I think Dixon is mostly adopting Morrison aesthetically. As Dante brought poetry to Summa Theologica, Dixon brings music to Morrison... Jazz!?"[+]Reply
"Production is reminiscent of Daniel Lanois classics without the excesses (check out the guitar tones on "Alibi"). Great Americana soundscape with vulnerable, emotive lyrics, good story telling, and one of my favorite voices in music. There are some tragic themes here, but there is redemption. Hur...""Production is reminiscent of Daniel Lanois classics without the excesses (check out the guitar tones on "Alibi"). Great Americana soundscape with vulnerable, emotive lyrics, good story telling, and one of my favorite voices in music. There are some tragic themes here, but there is redemption. Hurray has gotten better with every album and this is their best and most consistent one yet. "[+]Reply
"Amazing album, there are bangers there are tears, there is hell of a lot of glam there are shivers and there is a ton of originality as well as some really fresh tributes to 80s music. The band mixes contemporary indie with some reaally good punk and a touch of pop and trap. (yeah that's a lot bu...""Amazing album, there are bangers there are tears, there is hell of a lot of glam there are shivers and there is a ton of originality as well as some really fresh tributes to 80s music. The band mixes contemporary indie with some reaally good punk and a touch of pop and trap. (yeah that's a lot but it works really well) West Of Eden is a thing of beauty and is not a 100 only because of a lack of a good closing track. "[+]Reply
"Seriously kicks ass not gonna lie. Very exciting return. Singles were great but man couple of those deep cuts are even better. Highly recommend playing it loud to fully experience the awesomeness of the sick AF killer beats. Oof! I'm being ridiculous because I'm excited plus it's just really good...""Seriously kicks ass not gonna lie. Very exciting return. Singles were great but man couple of those deep cuts are even better. Highly recommend playing it loud to fully experience the awesomeness of the sick AF killer beats. Oof! I'm being ridiculous because I'm excited plus it's just really good and yes those beats surprised me at times like heck yeah! "[+]Reply
"Seventeen Going Under represents a wind of change for male pop stars with guitars. The dregs of the 2010s capitalisation on them are on the way out, and none could even come within eyeshot of Fender’s genuine, essential writing. Heck, few things in music can right now: the pride with which he wea...""Seventeen Going Under represents a wind of change for male pop stars with guitars. The dregs of the 2010s capitalisation on them are on the way out, and none could even come within eyeshot of Fender’s genuine, essential writing. Heck, few things in music can right now: the pride with which he wears his hometown of North Shields on his sleeve, and the love he puts into his depiction of Newcastle, is magnificent.
There’s a sting, however, that of the poverty, hegemonic masculinity and social issues impossible to escape from. In a country where we can’t even agree on what we disagree on, his anger feels relevant and essential, while his riffs are supremely catchy and wholesome. Like all the best protest music, there is hope laced throughout, and Fender’s indie-ready heartland rock was born to inspire it.
Fender has struck a remarkable balance on Seventeen; he doesn’t present himself as a preacher or a politician, he doesn’t allow for his experiences to be romanticised by his radio-friendly riffs, and he appeals to a need to acknowledge the times we’re living through in a way that doesn’t drag into “oh dear”-ism. The sharp-jawed man who stares back at you from the album’s artwork is fully aware that he could cash it in to become the next safe industry heartthrob, or just another white guy with a guitar and a Twitter individuality complex. And the beautiful thing is that he doesn’t. "[+]Reply
"“Quaranta” takes Brown’s music to a more reflective place. Danny thinks about aging, his childhood, and mistakes with a sober glare. While not his most lyrically versatile work, the starkness of his words really hit. “Jenn’s Terrific Vacation” explores an interesting juxtaposition of Brown’s impo...""
“Quaranta” takes Brown’s music to a more reflective place. Danny thinks about aging, his childhood, and mistakes with a sober glare. While not his most lyrically versatile work, the starkness of his words really hit. “Jenn’s Terrific Vacation” explores an interesting juxtaposition of Brown’s impoverished memories clashing with the modern gentrified area. This tone reflects on the music with the instrumentals being quiet and bass heavy. It certainly works with the themes, but it becomes muted. The B side blends together creating a sluggish atmosphere. While “Quaranta” can be restrained, it is well worth a ponder."[+]Reply
"Really liking this , I had to laugh listening to it and thinking the production on this thing is great who's done it? taking a look at the cd cover and it's nigel godrich Kenny beats and Mark bowen. I'll be playing this most of the week no doubt . First album I've heard from idles since joy"Reply
"Great album by Bad Bunny, I'm surprised, beautiful moments of classic Salsa, well mixed with electronic and alternative pop ... I recommend it favorite song "Baile Inolvidable""Reply
"“Crash” sees Charli XCX move from hyper pop into more conventional styles. The sound is a combination of contemporary pop and 80’s revival. Overall, this is crafted very competently though lacking a special touch. The choruses exist in the realm of memorable enough to recall but not to be stuck i...""“Crash” sees Charli XCX move from hyper pop into more conventional styles. The sound is a combination of contemporary pop and 80’s revival. Overall, this is crafted very competently though lacking a special touch. The choruses exist in the realm of memorable enough to recall but not to be stuck in your head. Lyrically, most songs are explorations of romantic relationships, both successful and not. Unfortunately, none are given the pathos to connect to. “Crash” is not dramatic negatively or positively, it instead makes its way through pleasant mediocrity. Perhaps the album should have been named bump instead. "[+]Reply